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Technical Operations | Studio Operations | Consultant | Senior Level Media Executive | Featured Speaker & Writer |

The tax credit arms race is happening in the U.S. and internationally. Regional Incentive battles are occurring, just as we’ve seen here in the U.S. Japan recently announced a new 50% tax credit program, restarting an incentive program that lapsed in 2022. The program is limited to 6.66 million dollars per production. Japan’s move counters the aggressive incentive programs of Singapore, Thailand, and South Korea in the region. In March this year, the European Union increased its production tax credit program from 70 million to 125 million Euros. Many European countries have production tax incentive plans. Ireland, Belgium, Estonia, Hungary, and France have some of the most generous. Percentages of tax credit for budget spent and total credit per project are higher in these countries. Some programs provide bonuses for promoting the host country within the production. Ireland is a perfect example of tax incentives driving the growth of an industry. Ireland was an economic wasteland in the 1970s and 80s. To generate jobs and goodwill with the Irish, the English government invested over 120 million dollars in the DeLorean Motorcar Company, yes, the Back to The Future car, stipulating its assembly plant be in Northern Ireland. On February 19, 1982, less than four years after investing, DMC was deemed insolvent by the English government. By 1986, Unemployment had increased to 17% in Ireland. The U.S. IRS designated Ireland a “tax haven” in 1981. Another term used for Ireland is OFC (Offshore Financial Center), though no other country in the EU confirms that assessment. In the 1990s, Ireland used its BEPS (Base Erosion and Profit Shifting) tax tools to attract multinational companies seeking a friendlier tax environment. The tools allowed multinational companies to virtually shift profits from jurisdictions of higher taxes to those with lower tax levels. It lowered corporate tax rates to between 0%-4.5%. Becoming a “Tax Haven” and an “OFC” made Ireland one of the wealthiest countries in Europe. The Irish film production incentive program, “Section 481 Tax Credit”, was just increased from 75 million dollars to 134 million annually in hopes of luring larger-scale films. 32% of all money spent on goods and services in Ireland qualify for credit, and 90% of the tax credit amount is available quickly. For Ireland, an economic mess in the 1980s, lacking heavy industry and natural resources, tax breaks and incentives were a godsend.   There are production tax incentive programs in Australia, New Zealand, Iceland, Finland, Sweden, Malta, Greece, Jordan, UAE (Abu Dhabi), and Saudi Arabia. It might be easier to list countries that DON’T have incentive programs. Tax incentives are here to stay. The film and television industry will have to deal with this known devil. If a worldwide economic slowdown occurs, these programs could quickly change. If you liked this article, please comment, react, and repost it. Thank you.

  • The tax credit arms race is occurring internationally as well as here in the U.S. There's no sign of a slowdown in luring productions into countries using tax breaks.

I appreciate the discussion on tax incentives for the film industry, but I'd like to share why I believe these incentives are not the solution we need. The film industry, with its $100 billion annual revenue, is not being destroyed by external forces but rather by its own financial mismanagement. Many people are convinced that tax incentives are a magic pill, but I believe we need to look deeper. Budgeting Issues One of the primary problems is how movies are budgeted. There's a significant overspend on production costs without proper analysis of returns. For example, look at "Deadpool" versus "Deadpool 2": Deadpool (2016): Budget was $58 million, and it grossed $782.8 million worldwide. Deadpool 2 (2018): Budget jumped to $110 million, yet it grossed $785.9 million worldwide. In just two years, the budget increased by $52 million without a significant increase in revenue. This highlights a failure in financial planning and budget control, not something that tax incentives can fix.

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Vince Rose

a veritable Post-Production swiss army knife

1mo

THIS, as well as your earlier post (link below) are certainly food for thought. It’s certainly a compelling and complicated issue. https://www.linkedin.com/posts/randallheer_the-arms-race-for-production-tax-credits-activity-7201198038038560768-VHyc?utm_source=combined_share_message&utm_medium=member_ios

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Simon Sturzenegger

Head of Technology & Workflow at Rotor Film | Post Production AI guy 🤖

1mo

Germany does not and this is a real problem. We are falling behind. Luckily our government is currently discussing a 30% tax incentive model. Fingers crossed!🤞🏻

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Johnathan Banta

Multi-role Senior VFX Artist/Supervisor. Inventor. AMPAS VFX member Digital Makeup, Stereo3D, tracking and Photogrammetry specialist.

1mo

But isn’t there a world trade federation limit on this stuff?

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Glen Fisher

Vice President, Operations at Trilith Studios

1mo

Interesting!

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