Ploy Motion (Ploy Jeana Li)’s Post

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Is the the future of entertainment ?

🎶 The technical details behind U2 at the new Las Vegas Sphere 🎸 Audiovisual production never stops evolving. Today we want to share with you this article from Wallpaper* Magazine where they talk about an event that 𝐫𝐞𝐝𝐞𝐟𝐢𝐧𝐞𝐬 𝐫𝐨𝐜𝐤 𝐜𝐨𝐧𝐜𝐞𝐫𝐭𝐬 𝐢𝐧 𝐭𝐡𝐞 𝟐𝟏𝐬𝐭 𝐜𝐞𝐧𝐭𝐮𝐫𝐲.The Las Vegas Sphere, with its 90-meter high LED screen and 𝟐𝟔𝟖,𝟒𝟑𝟓,𝟒𝟓𝟔 𝐩𝐢𝐱𝐞𝐥𝐬, is the perfect setting for this unique experience - every minute of content on Las Vegas Sphere is equivalent to an hour of streaming TV! 📺 The complexity is staggering: the show operates at 𝟏𝟐𝐊 𝐬𝐜𝐫𝐞𝐞𝐧 𝐫𝐞𝐬𝐨𝐥𝐮𝐭𝐢𝐨𝐧, and each frame of animation takes approximately 15 minutes to render, challenging the limits of technology and creativity. 💻🎨 The project required collaboration with talent such as Brian Eno, es devlin, John Gerrard, Marco Brambilla, Kevin Godley, ANTON CORBIJN LIMITED, Mark Fisher, and Industrial Light & Magic, among many others, to bring to life a show divided into three parts: Achtung Baby, songs from Songs of Surrender, and a grand cinematic finale. 🎥🎉 This event is much more than a concert; 𝐢𝐭 𝐢𝐬 𝐚 𝐭𝐨𝐭𝐚𝐥 𝐢𝐦𝐦𝐞𝐫𝐬𝐢𝐨𝐧 𝐢𝐧 𝐚𝐫𝐭, 𝐦𝐮𝐬𝐢𝐜, 𝐚𝐧𝐝 𝐭𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲. 🎶🤘 #U2atSphere #SphereLasVegas #UniqueExperience #Audiovisual #liveevent #onsiteevent #av #avinnovation #avtechnology

Prepping for tomorrow's webinar. Looking forward and hopefully see you all tomorrow.

Las Vegas's Sphere is redefining concerts. #TryNewThings It's the most customer-centric venue I've ever been to — incredible acoustics, wildly immersive visuals, and attention to detail throughout. This is the best large-format concert experience out there. Who are the bands that are early adopters? Well, three of the most forward-thinking bands known for pushing boundaries, taking risks and creating movements. U2, Phish, and Dead & Co. What sets these bands apart from the rest? 1. They've always embraced change 2. They've redesigned their approach throughout their careers 3. They play the long game This is the classic innovation adoption curve in real-time. The late movers view change as risky. The early adopters build conviction with intuition, viewing the cost of inaction far too expensive. What's your take? Are you an early adopter in your field, or do you prefer to wait for the movement to mature? Share your thoughts! #EarlyAdopters #TryNewThings #GratefulDead #DeadAndCo

Is a Stubborn Vision the Secret Sauce to Next-Level Entertainment? Consider Franco Dragone's iconic productions, ranging from jaw-dropping live shows to all-engulfing attractions. What sets his spectacles apart isn't just the melding of rich stories with cutting-edge tech. What truly makes his creations tower over the mundane? It's his ironclad dedication to a vivid, no-compromises vision. By marrying state-of-the-art sound, lighting, and stagecraft, Dragone doesn't just fill seats—he transforms theaters into otherworldly realms that not only capture but also elevate the spirit. These aren’t your average run-of-the-mill performances; they’re bold, boundary-pushing marvels that might just redefine the future of entertainment with every curtain call. Do you think groundbreaking entertainment hinges on such daring visions? How vital is immersive tech in carving out the future of this industry? And hey, could this fearless approach be the magic ingredient needed for themed attractions too? #LiveEntertainment #BeyondTheStage #CulturalRevolution #SystemIntegration #AVDesign #ControlTheShow

There are several possible reasons for the investment, but we're placing our chips on one in particular. The Sony Pictures Entertainment acquisition of Austin, Texas-based Alamo Drafthouse Cinema and its 35 U.S. locations counts among the few real industry surprises. Days later, the industry is still surprised: There must be a strategy, but damned if anyone can be sure what it is. The Alamo reputation lies in its niche exhibition experience that combines studio programming with distinctive specialized offerings, all packaged with dining and drinking. Its theaters gross somewhere between $125 million-$150 million annually in box office. (Concessions revenue is unknown.) That represents a little more than 1.5 percent of total U.S./Canada gross, which makes it the #7 exhibitor.

As Hani Kichi uncovers the potential that lies ahead, he shares his journey with me and Lea Hamadeh, and in turn with you! These #mixedreality moves may seem simple, but they are crucial for getting in tune with what the future holds. Stay tuned for what Blink Studios is brewing!

Well-spoken Jerome Grimminck! Favourite comment - Christie Pandoras Box is for every market ❤️. That’s a big statement and, it’s absolutely true. Check out the interview below #avtweeps and then, get to know Pandoras Box if you aren’t already acquainted!