Been working in the music world again (cue Pacino quote) and a project I edited for Louis Armstrong came out. A little Architectural Digest style tour of his gorgeous house in Queens. Enjoy!
Produced by Steve Gottlieb
Had a blast directing and editing this piece about where creativity comes from for PUMA Group + Complex NTWRK - starring Matt Ox & Coi Leray
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Producer: Jon Kolnoski
Director of Photography: Blaine Dunkley
Production Designer: Gabriella Moses
Colorist: Samuel Gursky
Sound Designer/Mixer: Marc Mellens
B Camera Op: Ryan Hamelin
Gaffer: David McCabe
Key Grip: Christopher Wiesehahn
Best Boy Electric: Brad Burke
Production Sound: Brett Ainslie
Art Assistant: Cameron Wilson & Travis Sproul
HMU: Elyssa Marie
Wardrobe: Naki Frederic
PA: Gabe Williams + Wayne Phillips
My current edit gig is ending soon and I'd love to find somewhere new! I have tons of branded, commercial and music experience. I'm sure I could find (pay) a few people to swear I'm not a total degenerate and would be good for your project.
Let me know if you know of anything!
https://lnkd.in/eUfgNBkB
this 20 year long vegetarian cut a new meaty spot for Buzzfeed / Hot Ones! It went live today before the new episode with my all time fav, Conan!
starring Camera Guy Bill and directed by Dylan Pretzer
seriously love working with the First We Feast team!
A few years back I was hired to edit this comedy central promo for the Jumanji sequel where the younger cast learns how to be old. Didn't have to do much hard work when your talent is Jack Black, Kevin Hart, Rock and the legend himself Danny Devito.
If anyone is looking for an (emmy award winning) incredible producer, please check out Joe's work. I've had the pleasure of working with him on a few projects and it was always a great and successful experience!
Emmy Winning Content Producer for Digital and Social Media | Video Production, Branded Content & Development
Hi LinkedIn! I've updated my website with a few new projects, a few from the archives, and some better thumbs! While I continue to work on freelance projects, I'm still looking for a long-term role, so keep me in mind for any production positions you or your connections are looking to fill!
https://lnkd.in/gUrJaX5z
I've been reflecting on how the majority of the projects I've edited in recent years have been incredibly fast-paced and frenetic. Especially for social media, there's little room to allow a moment to linger. It's all about cutting out the pauses, jumping straight to the action, grab the audience immediately, and so on. One of the last videos I directed and edited that allowed me the freedom to let the camera linger, to let the cuts breathe, and just let the artist tell their story was this music video for Gavin Haley on RedBull Records. I miss this pacing sometime and wish I could do more like this.
Anyone else feeling this way or am I just old AF now?
anyone else fully obsessed with every aspect of filmmaking in this one? Sets, costumes, makeup, performances, writing, music, direction it just hits a home run in every category IMO. Can’t wait to watch this again and see the next Yorgos/emma stone collab #furiousjumping
Increasing sales for innovative and forward-thinking CPG brands that care about doing the right thing | #1 Dad | DIY Craftsman
1wThe edit is TIGHT, but whoever did production sound is a KING.🤴