🎭 🌍 What does it take to launch - and maintain - a large global theatre digital infrastructure like The Theatre Times? @kasialech and I are asked about this all the time, so we wrote it down:
"Since its launch in November 2016, TheTheatreTimes.com has published over 5,000 articles, interviews, and theatre reviews covering theatre in 90 countries and regions. With 32 thematic sections, more than 150 Regional Managing Editors, and over 60 media partners around the world, we have grown to be the most far-reaching and comprehensive global theatre portal today.
TheTheatreTimes.com is envisioned as a transnational discursive space that brings together theatre scholars, theatre-makers, and theatre lovers, generating opportunities for interaction and creative development amongst a wide network. Our collaborative, decentralized model runs counter to so-called helicopter research, an approach in which less wealthy nations provide research source material but don’t always share the benefits of the research.
Global conflicts often ask of us to negotiate between competing transnational interests; disparities in support of local cultures demand that we stretch our resources beyond our capacities; the issues we cover, from refugee crises, genocides, and the COVID-19 pandemic, to international women, disability and LGBTQ+ rights — or their lack — leave us hopeless. And yet, out of the wreckage of human lives left behind by the daily global calamities, we also see the indomitable human spirit sprouting through. We see theatre artists rising up to reclaim their voices, their rights, their stories, and their dignity. We see theatre that connects and communicates, that faces, with perseverance and the quiet heroism of everyday life and everyday art making, the trauma and misery of human existence."
READ MORE: https://lnkd.in/eNEyZ9m5
Learn more about our approach to D&I: www.goodmanmasson.com/work-for-us/diversity-inclusion-respect/