Geoff Blaber’s Post

In the ever-evolving landscape of Web3, the heartbeat of innovation resonates with the essence of authentic connections. As highlighted by Nick Casares, the growth of Web3 isn't merely driven by technological advancements but by its seamless integration into the lives of consumers. In this digital era, where consumers seek meaningful engagements, the success of Web3 hinges on being more than just technology; it must become an intuitive and supportive companion in their daily lives. Web3 innovation flourishes when it becomes a tool that empowers, a support system that enhances, and never a burden that complicates. #Web3Innovation #ConsumerCentricTech #AuthenticConnections #TechTrends

Creativity doesn't wait for anyone- that's why artists depend on tech that can match their pace! For quick turnaround speeds and reliable storage, Atlantic studios looked no further than OWC. Learn more about how Atlantic studios keeps a creative atmosphere thriving. https://lnkd.in/gcr-Pdm7

So who are the up-and-coming artists of 2024? We take a look at the class of 2024, as curated by Vevo’s ‘DSCVR Artists to Watch’ program from a selection of over 600 submissions. https://lnkd.in/g886Y47K #musicindustry #musicbusiness #musicnews #musicindustrynews

Are you sick of that one loud person ruining your concert experience? Introducing PLUGZ, the ultimate hearing protection that keeps the annoying chatter out and the good vibes in. With advanced technology, PLUGZ are designed to filter out the noise that distracts from the music, providing you with crystal-clear sound. Crafted for music lovers, PLUGZ aren't just any earplugs. They're an immersive audio experience. They enhance sound quality, allowing you to hear every note as it's meant to be heard while protecting your ears from harmful levels and they're comfortable enough to wear all night, so you can focus on the performance, not the chatterbox behind you. Take control of your concert experience. Grab a pair of PLUGZ hearing protection today and never let a joker ruin your night again! #PLUGZ #hearingprotection #concertexperience #livemusic #protectyourears

Creating a product from a concept while entering a market that is not your own is a whole new world to explore. My project of cultural museums at each station in Montreal is progressing and will be successful. For Jean Talon and Octave Crémazie, the applications are already completed and will be continuously improved over time, in collaboration with historians and researchers. The other stations are yet to be followed. Organizing all of this while trying to generate revenues, currently imaginary but soon to come, and creating a global website takes time. It is evident that if one lacks resources, they are at a disadvantage. However, being resourceful provides more freedom compared to those who depend on subsidies or loans to create projects. At each stage, we understand where we are and wonder how long it will take. I am convinced that we are at the same period as those who invented Spotify, Netflix, or Amazon, with the same ideas, but this time, it's for the cultural world. All cultural actors expect artistic movements, concerts, but not an actor like ours, who would come to change everything, just like Spotify did for music. Our next museum will be about the Attikamek people, and from then on, we will start looking into historical American figures. The Starry Dawn (L'aube étoilée)

Where: Paris, France University: Université Paris-Saclay Course: Advanced Programming of Interactive Systems Goal: Programming a system using advanced interaction methods With my colleagues Alessandro Cavallotti and Shubhankar S. we immediately thought to create some new kind of music experience. The result is "Tune Crafter", a web app that gives you the possibility to play with the music flow using your hands and your voice through gestures and speech recognition. Give it a try and immerse yourself in a whole new way of playing with music! https://lnkd.in/eHeNn3Tx

A good idea of what it takes to move a stereo mix to a spacial mix. Others can bring exisiting mixes or create material specifically for this environment. Most current popular music will need to be re-thought for this context. The hits still need to sound like the hits albeit enhanced. Whereas in the production show realm we can compose music and design sound for spacial presentation in the first place. They both take work but we don’t have the concern of many millions having listened to the music previously nor the emotional impact those hits have had on audiences. It can be more difficult to port those hits simply because so many know and love them. You need to make sure to enhance that not butcher it. That’s going to take more consideration (and work) than having something wrtten with spacial tech in mind. These guys did a great job porting a large, popular catalog into a spacial design.

Hi beautiful people, I wanted to share our progress so far. We're assembling a team of highly skilled individuals in the tech and online fields. The business model/system we've developed is a first of its kind for artists and musicians. There's nothing like it, and we're thrilled to soon introduce it to the world. Here are some of our objectives related to me personally and the system on a larger scale: ➡️ Provide unique ways to engage and interact with our members through the Evangelista APP. ➡️ Offer a variety of content like VOD, giveaways, music, live-streamed concerts, educational resources, live Q&A sessions, and more, accessible all in one place via the app and internet browser. ➡️ Develop a revolutionary system employed by all types of artists (musicians, actors, dancers, etc.) to enhance their careers. ➡️ Significantly increase revenue for artists and their supporters/members (yes, you read that correctly 😊) ➡️ Most importantly, a system for promoting music globally without the need for expensive ads, publishing, or record companies. (I'll share more details about this soon)

🔊 Learn how SH Acoustics creates immersive audio experiences without using traditional loudspeakers in places like the Statue of Liberty Museum in New York and the California Science Center in Los Angeles. Their secret is in understanding how to generate sound waves from ordinary objects using MISCO transducers. Read how they’ve succeeded in this case study of audio innovation. #SoundInnovation #ImmersiveAudio https://hubs.la/Q022zDPt0

Reposting a new link of the Complete case study on how Focusrite Pro REDNET R1 and Red16line was selected and use to update and include Dolby Laboratories ATMOS at Heiga Studios https://lnkd.in/eeGEpAeg