En Face Magazine’s Post

FIX IT! The scene: 1989, The Point Theatre, Dublin, opening night of The Bolshoi Ballet, Giselle, Act II. A much- awaited production. A packed auditorium. Prima ballerina, Nina Ananiashvili is in the role of Giselle. She takes her position to begin her famous duet with her beloved Prince Albrecht, where she will dance with him until dawn to save him from the death spell of Myrtha, Queen of the Spirits. Up she rises onto her pointes. The conductor raises his baton. We, the audience are hushed and reverent in anticipation. But wait! As soon as the music begins, ‘Giselle’ drops down off her pointe shoes, strides downstage, hisses a command in the ear of the conductor, and snaps her fingers signifying “Too slow.” “Get on with it!” As we hold our breath and watch in disbelief, she strides back to her spot, springs up onto her pointes, and gives a sharp nod to the conductor. We’re away! A Prima Ballerina dared to break the spell of a great Romantic ballet with a legendary company. She knew the music tempo was much too slow to support the energy and feats of elevation required of her in the moments ahead. She wanted to create the best performance for the audience. A radical but calculated decision that paid off. Our shock was momentary, our ultimate experience was enthralling. And the moral of the story? When leading DARE TO STOP. As a leader, it’s your job to own your authority and create a conducive environment for maximum engagement. Is the meeting off to a bad start? Is the agenda getting derailed? Are the objectives unclear? Is the team distracted, anxious? Dare to STOP. Lead a collective pause for breath. Take a moment. Step back. Re-set or revise course. By Daring to STOP you are role modelling best practice and enabling your own and everyone’s best performance. #leadership #presence #influence #impact #performance #stop #meetings #environments #breathingspace

Be sure to check out my latest article for Pacific Northwest Ballet, "Meet the Cac-tet of Cacti" on the four phenomenal musicians on stage in Alexander Ekman's Cacti!

Energy and art are two concepts that may seem unrelated at first glance, but upon closer examination, they are closely intertwined. The creative process requires energy, both physical and mental, and art itself has the power to evoke emotions and stimulate our senses. The most known example of energy in art can be found in performance art. Whether it is a theatre / ballet performance or a music concert, the energy of the performers can be felt by the audience, creating a connection between the two. This connection is made possible by the exchange of energy between the performers and the audience, with each feeding off the other's enthusiasm & energy. It is a powerful one, inspiring artists to create works that convey energy & vitality and inspiring viewers to connect with art in new ways. This intersection of energy & art has the power to transform our understanding of both concepts, helping us to see the world in a new light... My edit. Credits: - "Durdaraz" by Dimash Qudaibergen - Almaty Stranger Solo Concert - The Viennese State Ballet - choreography by Davide Bombana, costumes by Susane Bisovsky.

"Have you ever wondered at what point a collection transforms into a masterpiece of art? Take a look at this interesting article discussing when a collection becomes a work of art. "When does a collection become a work of art? Before answering this question, take a moment to imagine a ballet troupe. Each of the dancers are brilliant, their skills honed, every step of their next performance practiced to perfection. Yet, it's not until they step out onto the stage, leaping and pirouetting under the spotlight, accompanied by vibrant music that their performance can finally be considered a work of art,..." https://lnkd.in/dg2sqtUf

Five rehearsals done. Three new songs learned. One routine choreographed. One theatre club session devised and run. One first rehearsal for ballet exams (notes taken). Multiple home run-throughs of lines, steps and songs. Average week in my life right now 😂 It means saying no to some things because I’ve committed to other things. It means showing up and learning even when I don’t really want to. Because I care about my own performance AND I know that I’m a part of a team. And every single player on the stage matters. If one of us doesn’t show up, it affects everyone else. And that’s ok by me. Because I create my world. I choose how to respond and what to say ‘yes’ or ‘no’ to. I said ‘yes’. I choose now to follow through on that yes and be purposeful about it. What would be different if you were intentional and purposeful about how you choose to show up at work, in your life, for the rest of today or this coming week?

Do you have audiences eager to learn more in depth about your art but not sure how to help them? You have people really interested in knowing every single detail about how you are able to create these amazing artistic experiences but your organization doesn't have the resources to do it? No worries, we are here to help! This is a specially designed service/course for your general audiences (without any type of artistic training) who wants to rediscover the Performing Arts. With it, participants will not only be able to learn the basic elements of how to appreciate these arts, but also learn about the "classical" arts (orchestra, ballet, opera), how they collaborate with each other, and interact with their modern evolutions and the various forms and variations that have acquired over the years (musical theater, contemporary dance, pop symphonic concerts, etc.). Participants will also be able to learn how these arts are created and rehearsed, the people involved inside and outside the company, and the key elements to focus on when wanting to enjoy the artistic experience. Book on our website ( https://lnkd.in/gpsHUkqi ) a FREE initial consultation so we can understand better your needs and with it send you a proposal to be sure your organization develop strong, sustainable, and long-lasting relationships with all your stakeholders!

For dazzling entertainment that is sure to capture attention, consider LED Dancers or LED Tron dance. There are so many dynamic dance acts to choose from, with an LED dance act for any event theme. With diverse dance styles such as Ballet, Salsa, Flamenco, Bollywood, Hip Hop to ensure that there is something for everyone. LED dancers are extremely versatile with ambient entertainment options and spectacular, choreographed stage shows. Serve up a feast for the eyes with the latest LED entertainment! LED Dancers are an ideal choice for those looking to maximise their entertainment option. Combining the latest technology with incredible choreographed routines, audiences are treated to a performance that not only incorporates impressive dance and costumes, but offers an additional visually stunning element that isn't usually available with typical dance-based performances. Customise if needed! With some LED performers, clients are able to tailor elements of the performance to their requirements. Whether this means incorporating client logos or soundtrack or branding, customising or tailoring choreography to portray certain message. #LED #LEDdancers #LEDdanceshow #show #hightech #hightechnology #danceshow #luxury #events #eventmanagement #eventplanner #eventoscorporativos #corporate #LEDlight #Bahrain #Oman #AbuDhabi #Kuwait #SaudiArabia #Ksa #Qatar

Very rarely has a story left me as emotional as this one has. As Aun Koh rightly puts it, Choo-San Goh was an incredible talent and left an indelible mark on the dance world, both on the home front and on the global stage. It shames me that I have danced in the Singapore Ballet's studio dedicated to him, but was not aware of the extent of his legacy—which is why I loved speaking to Janek Schergen, who describes his relationship with Goh as 'beyond the boundaries of friends'. Reading official biographies of Goh will reveal very little about his passing due to AIDS complications. In the US, at least, the 1980s and 1990s was a terrible time for many queer communities ravaged by the AIDS epidemic (let's be clear: HIV/AIDS can infect anyone, but at the time, it was largely spread among at-risk communities, including queer ones). You can imagine, of course, the double stigma of homophobia and illness that many faced, and unfortunately, Goh's life and memory was swept up by this historical moment. Today, with the antiretroviral therapy and pre- and post-exposure medication, HIV/AIDS is no longer a death sentence, but stigma still persists—which is why I volunteer with Action for AIDS Singapore (AfA Singapore) whenever I can to educate and destigmatise. And it is not just a pleasure, but an honour, to tell the stories of legends who came before us, and whose memory it is crucial to keep in our hearts.

LE SACRE DU PRINTEMPS Ballet by Gonzalo Galguera Music Igor Stravinsky Set Juan Leon Costumes Stefan Stanisic My choreographic work on *The Rite of Spring* respects the vital impulse of Stravinsky's composition, yet instinctively, I chose to lean more towards the perennial ritual of creation. This focus on creation encompasses its relentless cycle as a giver of life and its role in the continuation of the creative endeavor. The ritual of creation represents not only the birth and renewal inherent in nature but also the ceaseless flow of artistic inspiration. In my interpretation, I aimed to capture the essence of this eternal cycle. Each movement is designed to reflect the dynamic process of creation, destruction, and rebirth that parallels both the natural world and the artistic journey. The choreography delves into the profound connection between the physicality of the dancers and the metaphysical realm of creativity. Furthermore, I explored the idea that creativity itself is an unending ritual, a perpetual motion that sustains and nurtures the human spirit. This approach highlights the inexhaustible flow of our imagination, a wellspring that continually fuels new expressions and forms. By embracing this concept, my work aspires to honor not only Stravinsky’s groundbreaking music but also the universal and timeless dance of creation that transcends individual works and touches the core of human existence.