Davina Wilcock’s Post

Important declaration on the protection of archives, libraries, museums and heritage places during armed conflicts and political instability:

🏛 Are you passionate about the world of museums, art, and cultural preservation? Do you believe in the power of storytelling through artefacts and exhibits? If so, this workshop is tailor-made for you! 💼 Cataloguing is an epistemological practice. Institutions catalogue objects (such as works of art, books, or archival fonds) to provide metadata that enables users to discover and access their collections. As materials are described and categorized for documentation purposes following established guidelines, knowledge is produced for internal databases. The increasing pressure on institutions to make their collections accessible online has highlighted the evolution of scientific standards in the documentation of material culture. The interpretations, biases, and judgments of the persons doing the cataloguing mediate between objects and viewers. This workshop explores recent critical approaches to knowledge organization and its implications. You will survey scholarship on mitigating the power of classification regimes that reproduce hierarchies of oppression and follow a handful of case studies before trying out some critical cataloguing techniques of your own. 🗣 Robyn Dora Radway is a historian of Habsburg central Europe and its imperial entanglements across internal and external borders. 📅 Wednesday, 27 September Register Now 👉 https://lnkd.in/d_wxe3Qs © The Trustees of the British Museum, Inv. No. 23339001 #ACMConference2023 #ACMC #ArtForward #CEU #ArtsAndCulture #ConflictAndContext #CMANproject #CulturalManagement #Cataloguing

Join independent curator, institutional critic, and policy analyst Marian Pastor Roces in her public lecture, "Museums and Social Justice: A Lecture on Curatorship," on October 6, 2023 at the UP Manila Theater. The presentation first of all reviews the literature that in the last 5 decades critically locates the museum as an institution shaped by the colonial project of the 19th century and earlier. The collective postcolonial work on museums discussed, among other difficult terrains, the institutionalized acquisitiveness, the sustained will to classify and order knowledge from the point of view of the power to collect, and the ways the globalized recording systems organize knowledge—all aspects of the imperial imperative. Against this global body of critical writing, the discussion shifts to probing these museological operations and their impact on societies being collected in bits and pieces, and absorbed into the museological archive. The historical injustice does not often constitute overt violence, but, in setting off forces of marginalization, begins and continues the long term dynamics of dispossession and abjectness. The presentation suggests ways of decolonizing museum operations today in order to come closer to social justice, no matter how late in the day. Register now at https://lnkd.in/gAn-26Xr. Walk-ins are welcome. #IdeasMatter #MGMExhibitsAndReflections #MGM2023

#SAAwords: libraries, archives, and museums n. ~ (abbr. LAM) three types of cultural institutions that share a collaborative relationship stemming from their similar missions Read the full entry: https://lnkd.in/gd4vKU6M

We often talk about ‘archiving’ records on site, but to truly consider them safe, there are some archival standards we need to adhere to. Take a look at this article to check out some ways to ensure the safety of your records! (Or, if this is too complex for you, consider digitizing and then giving the records to the archives, a local museum or library, or your local historical society!!) #historicalrecords #recordsmanagement

Our second blog in this series, where we talk about the 'Shaw' taonga, how it got here, and what it means for communities now. Museum of New Zealand Te Papa Tongarewa https://lnkd.in/gDhsZDrN

In recent months, I have been asked repeatedly whether my new book “Echt - Het waarachtige museum” will also be available in English. It is with great pleasure that I can announce that this publication is now available in English translation as an ePub. “Real - The Truthful Museum” is a comprehensive essay on social discontent, systemic crises, politics and the role museums can play in making the world a little better and more beautiful. https://lnkd.in/gqfQ4DHg Dutch edition: https://lnkd.in/e8_DPFU4 As the world increasingly grows digital and virtual, is it any wonder that many people are looking for something to hold on to in the shrinking analogue world? And where better to find that than in museums with their real, their authentic objects? The very objects we value so much that we have been collecting them for centuries? Museums thus have an exceptional quality that gives them credibility in an age of fake news and abundant opinions. It is not without reason that museums are growing and thriving worldwide. While politics and much of the media seem to keep discussions especially on edge, and while science is increasingly being called into question, museums have a quality they can use to continue the dialogue between people. This essay argues not for unconditional activism of museums but for commitment from a pursuit of truthfulness. The truthful museum is the museum with scope for doubt and discussion. A place where efforts are made to bridge the increasing disparities in an ever so complex and ambivalent world. #themuseologist #museums #activism #truthful

Don't miss #jpbafm article! Title: "Budget ratcheting in museums" Authors: Niels Sandalgaard and Per Nikolaj Bukh The authors examine how #performance compared with the #budget affects future #revenue budgets, and how this differs from the extant literature focused on #forprofit #organizations. The study is conducted in a setting of #Danish #museums focusing on the relationship between museums and their sources of public funding and how this affects preparation of budgets. Follow the link to read the paper: https://lnkd.in/gvDfMttQ

On June 27th, I had the pleasure of presenting my case study on The Museum of Innocence, titled "Finding Innocence in the Museum of Innocence," at the Social History Curators Group Conference. This was my first time presenting at a conference, and needlesly to say, the emotions were high on this one :) Although this subject may seem niche, focusing on why representation matters even when discussing fictional characters from a novel, it is crucial. As museum professionals, we are responsible for creating spaces where human dignity is preserved, regardless of whether the subject is fictional or non-fictional. Our responsibilities are significant and multifaceted; we must consider the people, groups, and cultures we represent and the audience experiencing our work as curators, educators, and tour guides. When a person, group, or culture is central to a museum's narrative, it is essential to provide them a place within the museum where their voice can be heard by the audience. Otherwise, it becomes an issue of objectification. I would like to thank all the presenters Anna Woodham, Jack Shoulder, Anna Marie Robson, Katya Provornaya, and our keynote speaker Kate Oliver. The effort Louise McAward-White put into organizing this conference was astonishing! Thank you for your relentless work! Next step is the publication of my article! The article, which delves into the topics of grief, toxic love, and objectification, will be available in the 37th issue of the SHCG Journal.

https://lnkd.in/dRcUjEnw philippine national museum reaction paper Homework Help philippine national museum reaction paper Writing a 1000-word reaction paper about a visit to the Philippine National Museum involves analyzing your experience, the exhibits you encountered, and the cultural and historical significance of the museum. Here’s an outline to help you structure your paper: Don't use plagiarized sources. Get Your Custom Essay on philippine national museum reaction paper Our work is always; • #Top-Quality • #Plagiarism-free Order Essay Title: A Journey Through Time and Culture: My Visit to the Philippine National Museum Introduction (Approx. 100-150 words): Begin with an engaging introduction that sets the stage for your visit to the Philippine National Museum. State the purpose of your reaction paper: to reflect on your experience, the exhibits you explored, and the cultural and historical significance of the museum. Background and Context (Approx. 150-200 words): Provide some background information about the Philippine National Museum, its location, and its role in preserving the country’s cultural heritage. Discuss the significance of the museum as a repository of Philippine history, art, and culture.