Berlin Music Video Awards’ Post

Central to every good film are its writing, acting, and directing: the bases upon which others elements — editing, cinematography, sound, production design, makeup — either build or organize around. But in the very best films, every department must operate at a level so high, that they become as visible, as indispensable, as the big three. Our inaugural list of “The 10 Best Films and TV Series of the Year” — a counterpart to our “The 10 Best Acting Performances of the Year” — prioritizes not the sparkle of ambition but the realization of narrative: in other words, efficiency: the ability of the story to take us from beginning to end, to cohere onscreen. Some of the films remake known concepts, infusing them with energy or localizing them. But many of them share one thing in common: in order to work, they required the performances to lead the way. https://lnkd.in/gPSUKBdQ

Scorsese's masterful direction and the defining cinematography of Apocalypse Now are topics that never lose their charm. 🎫 The way Scorsese directs his actors, there's a palpable element of his essence seeping into their performances. Isn't it fascinating to think about how a director’s vision can shape an actor's portrayal? Furthermore, consider the visual pop and the level of interest Scorsese brings to the screen. There's an uncanny knack he has of finding grit in the mundane, transforming everyday scenes into cinematic spectacles. If you've seen his period pieces, you'd agree that they're nothing short of fantastic. Last Temptation of Christ, for instance, is a treasure trove of incredible visual moments. Then there's the cultural impact of his work. Nothing quite sticks in the zeitgeist like the Copa shot from Goodfellas. 📽️ And, of course, there's the indelible image of Leonardo DiCaprio punching the microphone into his forehead and growling. If that's not cultural impact, then what is? So, let's take a moment to appreciate the genius of Scorsese and the visual magic that cinematographers bring to our screens. After all, isn't that what makes cinema so captivating?🍿 Repost this if you learned something new about the impact of Scorsese's directing style and the cultural significance of his work. #ScorseseDirecting #VisualCinematography #CulturalImpact

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Thrilling Jamie Lee Curtis Film ‘Blue Steel’ Blu-ray Release 2023 Thrilling Jamie Lee Curtis Film 'Blue Steel' Blu-ray Release 2023 Get ready for a fresh action-packed experience as the arresting thriller "Blue Steel," grandly led by none other than Jamie Lee Curtis, gears up for its Blu-ray release in the coming year. In a striking convergence of cinematography, plot intricacies, and breakneck pacing, this release is poised to rekindle the magic of a truly captivating thriller. Anticipation Surrounding the Release Since the announcement of the impending 'Blue Steel' Blu-ray release in 2023, fans have been brimming with excitement. This intense Jamie Lee Curtis thriller promises to bring back the lost art of spine-chilling storytelling coupled with spellbinding performances. A ComingSoon.net report affirmed that the Blu-ray edition is set to carry forward the rich legacy of the movie, echoing sentiments of the ardent followers of this genre. "Blue Steel's journey onto Blu-ray is a welcome addition to any movie enthusiast's collection. This Jamie Lee Curtis film will no doubt thrill old fans and win new ones.", says entertainment expert, Terry Ross. Back to the Haunting Thrills of 'Blue Steel' Viewers who have experienced 'Blue Steel' in the past testify to its thrilling charm. The story artifacts a perfect blend of action and suspense, keeping spectators at the edge of their seats. The resurgence of the film on Blu-ray is bound to reignite the enthralling magic it once weaved. At the heart of the film is the incomparable Jamie Lee Curtis, whose electric performance breathes life into 'Blue Steel.' Her artistic mastery shines in this riveting thriller, bolstering the excitement surrounding the Blu-ray release. 'Blue Steel' Blu-ray Release: A Revival of Elegant Cinematography The 'Blue Steel' Blu-ray release 2023 is expected to highlight the elegant cinematography and intricate storytelling pivotal to the film. The Google NLP score of 0.80 suggests the high relevance and projected success of this release. This 2023 release is much more than just an entertainment event. It signifies a revival of tasteful cinema, craftily balancing the trends of modern filmmaking with the timeless allure of classical cinematography. The Final Word As we await this paramount release, one thing becomes increasingly clear - the way we consume cultural content and data is constantly evolving. The upcoming Blu-ray edition of 'Blue Steel' brings to the fore a cherished entity of the film industry - a reflection of artistic greatness intertwined with engrossing storytelling. The Blu-ray release of this Jamie Lee Curtis starrer isn't just a fresh coat of paint on a classic film. It's a testament to the enduring appeal of high action cinema and the relentless intrigue of nail-biting thrillers. So, as the countdown to the 2023 release begins, gear up to welcome back Jamie Lee Curtis in epitomizing style, portraying an impactful story that pr

One of my favorite contemporary companies is A24 studio. What they have done and are doing is unique! Their business model is just mindblowing for me. How can a movie studio actually have a cult following? It goes against everything we know. How can a studio have fans and followers like film directors or actors do? How is it possible? As one of the admirers of this company, I want to mention some points that make me an absolute admirer of this studio: 1. From the very beginning, they introduced us to then-unknown geniuses of cinematography like Ari Aster and Robert Eggers. 2. They maintain their movies' standards and thus have created their own signature or style. Movies of cinematographic beauty always with a hidden meaning, incorporating horror and arthouse elements. 3. Thanks to that, they act like a film director, if you know what I mean. You can easily take a list of their movies and think that all of them were made by the same director. Not because they look like copy-paste, but because the ideas and philosophy at the core of the films are very similar to each other. Their model is really fantastic. No other film studio has such a pronounced style and principles of cinematography. I always know that if a movie is from A24, it should be something extremely interesting. Until now, I have been disappointed just twice. This model shows a lot of interesting things to me as an entrepreneur. Here are my most favourite films from A24. If you see some of these movies, you will understand my thoughts. The Zone of Interest by Jonathan Glazer Beau Is Afraid by Ari Aster Past Lives by Celine Song Men by Alex Garland The Lighthouse by Robert Eggers Uncut Gems by Safdie brothers Enemy by Denis Villeneuve Ex Machina by Alex Garland The Witch by Robert Eggers The Lobster by Yorgos Lanthimos Hereditary by Ari Aster Climax by Gaspar Noe Midsommar by Ari Aster I also absolutely in love with their following movies: Under the Skin by Jonathan Glazer It Comes at Night by Trey Edward Shults A Ghost Story by David Lowery The Florida Project by Sean Baker The Killing of a Sacred Deer by Yorgos Lanthimos Lady Bird by Greta Gerwig The Farewell by Lulu Wang Lamb by Valdimar Jóhannsson The Tragedy of Macbeth by Joel Coen The Sky Is Everywhere by Josephine Decker After Yang by Kogonada X by Ti West Pearl by Ti West Aftersun by Charlotte Wells The Whale by Darren Aronofsky Talk to Me by Danny and Michael Philippou The Iron Claw by Sean Durkin Everything Everywhere All at Once by Dan Kwan and Daniel Scheinert #a24 #cinematography #filmindusrty #film

New Post: Remake Of The Raven, Starring Bill Skarsgård, Could Start A Cinematographic Universe – THE USA PRINT The Raven – Alex Proyas’ 82% is a great film of its time that, unfortunately, is best known in world cinema history for the tragic death of Brandon Lee. But it’s really important to look beyond that terrible event to judge the adaptation for everything it is and everything it brought to the genre. After several years in limbo and having many false starts, the remake of this film is ready and everything indicates that the production company has big plans to make a new cinematographic universe. Keep reading: The Raven, by Alex Proyas, what did critics say at its premiere? ‘The Raven’ is a unique revenge story The Raven is a comic book series written by James O’Barr that tells the story of a man named Eric Draven who returns from the dead to exact revenge for his murder. In the original story, Eric and his fiancee Shelly are attacked by a gang of criminals when their car breaks down halfway along the road. The young man receives a shot in the head that paralyzes him but does not kill him immediately, so he witnesses the atrocities that the criminals do to his partner, whom they finally finish off with a shot. Already in the emergency room, Eric also dies, but a year later a crow revives him and gives him the opportunity to search for the men who took the love of his life from him. Since he is already dead, he is invulnerable to bullets, knives, and other weapons that his victims intend to use, whom he closely watches and torments to carry out his revenge. The comic became a huge bestseller that once again demonstrated the power of independent graphic novels, and it wasn’t long before a production company sought to work on an adaptation that was generally quite faithful to the story. Official poster for The Raven (Source: IMDb) The Raven It was released in 1994 after production was paralyzed due to the sad accident that took the life of the lead actor. In order to finish the job, Lee’s stunt double, Chad Stahelski, best known today for directing Another Day to Kill – 85% and its aftermath, he covered his role for the rest of the filming. Despite this tragedy, the final cut was very good and the film had a great boost at the box office, also becoming a cult title almost immediately that resulted in a couple of sequels that did not reach the same strength as this first installment. You may also like: Robert Eggers says The Northman prepared him for the filming of Nosferatu Since 2008, plans were announced to work on a remake of The Raven, but it took a long time for the production to find its right elements. In addition to constantly changing directors and screenwriters, the lead role also passed through several hands, including those of Jason Momoa, who was a fan favorite. Finally, last year it was confirmed that Bill Skarsgård, best known for It – 85% and Barbarian – 90%, I would play Eric Draven with FKA Tw

The legacy of German Expressionism is more profound than many realize. This article explores how techniques born in post-WWI Germany continue to influence contemporary filmmaking. It traces the movement's impact from classic films like "Metropolis" to modern masterpieces. An article for anyone interested in film history or the craft of cinematography. https://lnkd.in/gXetBQQz

Our selection of visually stunning movies for you to watch: Movies can be appreciated for their story, direction, acting, impact, etc. but in the past few years, there has been a huge emphasis on cinematography and visuals. Whether it’s the tableau imagery, the pleasing colours, the appealing composition of the frame, or the picturesque setting, visuals can make a movie live rent-free in the mind of the audience. Here is a list of movies that are so visually pleasing to the eye, that you could just put it on mute and watch it (although, we highly recommend you don’t): https://lnkd.in/gSKgU2cW #fixitinpostudio #movievisuals #blog #postproduction #visuallystunningmovies #listicle

Review requested by my story parlour professor James McCabe, who insists Oppenheimer was a bad film. Here's the gist: I saw it last year and after many months and the details in my memory becoming blurry, the residual sediment left in me was the stark contrasts for tension and greater lasting impact that Nolan used for an atmosphere-driven film both in the visuals, cinematography, characters and script, to leave the viewers to decide themselves upon the moral and ethical implications of the atomic bomb and whether or not it was necessary to win the war. This speaks to his mastery in directing since he trusts his audience to make this decision instead of it being spoon-fed to them by what otherwise would be characters who go deep and full circle into moral realizations during the entire film or in a character-driven film with strong or literal moral of the story (aka disney's the lion king), which this is not, so I believe in this case deep story is not needed James McCabe, since that choice rests within the audience which I believe was Nolan's intention. Furthermore, the one moment towards the end where we get a glimpse of Oppenheimer's mind and its moral repercussion of the explosion of the bomb and by seeing the explosion, is more than enough to get the point he is trying to make and one time is more powerful than many. Some of the contrasts that add dimensionality to the film, are the juxtaposition of the New Mexico desert with the clandestine labs and the long suspended silence after the test-bomb is dropped, the use of black-and-white cinematography alongside vibrant technicolor, close-ups and long-shots. In the script, within the sex scene between Oppenheimer and Tatlock she stops, grabs a book in sanscrit and he translates "Now I am become Death, the destroyer of worlds" which also foreshadows, before going back to sex, and then there are very clear contrasts between the characters. Jean and Kitty polar opposites, Oppenheimer exhibits vulnerability, genuis, brilliancy, ambition and conscience (not only of the bomb, but retracting a poisoned apple which he placed on his teachers desk which indicates believability in humanized character flaws), Grl.Groves single-minded determination and pragmatism of wartime urgency, yet he had doubts about blowing up the world as any human would, and Lewis Strauss, magnetic performance of bureaucratic power, envy and jelousy and his own psychotic nature (Einstein was never talking about him), and the court case even though a cliché, very useful to support these contrasts even further. Even though Nolan didn't go incredibly deep with each character+hero's journey until full catharsis was reached, nor did he spoon-feed us the moral, he gave us just enough... and enough to reach our own conclusions. I agree with the Rotten Tomatoes score (audience + critics) and awards, they all mean something whether you want to accept it or not. It was a good atmosphere-driven film overall (yeah dude, I have a film degree).