Our closing panel of the Global Music Publishing Summit at 4:30pm will focus on fraud. Titled "Unveiling the Shadows: Navigating Fraud (and Legitimate Streaming Promotion) in Music," moderator Abby North will be joined by panelists Amanda Jonat, Christine Barnum, Larry Mills, Morgan Hayduk, and Nermina Mumic to unravel the complexities of both sound recording and composition fraud and manipulation practices, striving for a more transparent and equitable future for both the creator and the listener, guiding indies on how to capitalize on streaming as the majors do. You can view the full schedule for the summit here: https://lnkd.in/eurAWnWF Don't forget to register - Ticket prices go up to full price on June 1st! www.aimpsummit.com
Association Of Independent Music Publishers (AIMP)’s Post
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The GMPS wrapped up with “Unveiling the Shadows: Navigating Fraud (and Legitimate Streaming Promotion) in Music,” which gathered panelists Erica Clayton (Vice President of Artist Support & Operations, TuneCore), Larry Mills (SVP, Sales, PEX), Morgan Hayduk (Founder & Co-CEO, Beatdapp), Nermina Mumic (CEO & Founder, Legitary), Amanda Jonat (Sr. Partner Manager, Content Licensing, Pandora), and moderator Abby North (AIMP LA Board Member; President, North Music Group) to discuss what is and is not OK when it comes to marketing music. They began by revealing several tell-tale signs of streaming fraud, including tactics for manipulating non-interactive platforms like Pandora, and discussing how DSPs and distributors work together to identify multiple uploads of the same “audio identity,” root out fraudulent ones, and work to get royalties for those fraudulent tracks reallocated to the proper rights-holders.
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The GMPS lived up to the “global” in its name with the next panel, “Opportunities Abroad: Maximizing Overseas Collections.” Moderator Michael Simon (AIMP NY Board Member; President and CEO, HFA; President, Rumblefish) led panelists Alexander Wolf (President, SESAC International), David Alexander (Founder, MusicIndustry.Africa and AIMP Atlanta Board Member), Mark Chung (Managing Director of Freibank Music Publishing and IMPF Board Member) and Tomas Ericsson (CEO, AMRA) through a far-ranging conversation that covered everything from the need for local sub-publishers in unfamiliar territories to the differences between Europe, Africa, and Southeast Asia. They also discussed data registration, management, and clean up across borders and the level of technical sophistication required for U.S. music publishers to engage with sub-publishers internationally.
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PROs and CMOs then took center stage for “Navigating the New Harmonies: Evolution of Performance Rights Organizations” with panelists Alison Smith (Executive Vice President Distribution, Publisher Relations and Administration Services, BMI), Andrea C. Martin, ICD.D (CEO, PRS for Music), Jennifer Brown (CEO, SOCAN), Nicholas Lehman (Chief Strategy & Digital Officer, ASCAP), Scott Jungmichel (President & COO, SESAC) and moderator Joanne Kelsey (AIMP NY Board Member; VP, Royalties and Administration, Anthem Entertainment). They explained how they have collaborated with each other and areas where they see future collaboration as a possibility, the need for transparency and how they work to ensure it, how they allow for their members to hold them accountable, and new initiatives such as PRS for Music’s Project Nexus, which would provide provisional ISWC codes for recordings in collaboration with CISAC.
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To kick off the afternoon sessions, Chris Barkley (Senior Vice President, Government Affairs, NMPA), Clara Kim (Chief Legal and Business Affairs Officer, ASCAP), Morna Willens (Chief Policy Officer, RIAA), and moderator Amber C. (AIMP NY Board Member; Senior Director of Legal and Business Affairs, Downtown Music Holdings) delivered the “Washington, D.C. Update.” Together, they discussed upcoming and proposed legislation affecting the music publishing community, including several proposals to establish a federal right of publicity in light of the rise of generative AI, the NMPA’s proposal to allow rights-holders to opt out of compulsory licensing, and more.
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