Aprajita Lal’s Post

Part 1/2: At the London Art Fair this month, the panel “What’s next in the art market?” shed new light on the challenges and opportunities the art world is set to navigate in 2024. Moderated by ArtTactic's Lindsay Dewar, and featuring industry experts including Sotheby's Head of Middle Market, Marina Ruiz Colomer, dealer Peter Osborne of Osborne Samuel Gallery, and Hong Kong based collector, Kitty Go. We first explore the five challenges. Read more on the link in comments ⬇ #ArcualTech #ArtTech #ArtMarket #LondonArtFair #ArtMarketTrends

July and August are low seasons for the art market with many collectors and market participants enjoying summer holidays. Starting in early September, though, important art fairs are being staged again in cities like Seoul, New York, London and Paris. I suggest you read our short report to learn about the details of these fairs and why they are relevant. And, of course, I recommend you visit these fairs to experience some fantastic art! #partasio #artinvestment #diversification #alternativeinvestments

This article explores how new methods are reshaping art showcases globally. Discover the evolving landscape of art fairs through Esther's innovative approaches in 'Future Art Fairs: Alternative Previews.' 🎨🔄 #ArtFairs #Innovation #ArtNews

How to make the most of your time at Art Basel, with advice from the art world figures that know the fair best.

Latest blog is out:

Many in the art community complain about what is happening in museums with for example the Metropolitan Museum of Art suddenly changing the way it has hung its galleries. The truth is it’s curators see the rise of a new generation wanting to experience not study art history . Walk into this great New York museum on Fith Avenue and you will see art from different time periods and genres juxtaposed on its walls. Here a triptych with Madonna and Christ on the cross bleeding for mankind hangs next to another triptych where German Expressionism expresses a growing disruption of society; its beliefs; peoples and values . Like it or not our age is going through an evolution and revolution. A new viewing public is one where technology is shifting mind; thought and interpretation. Technology marches forward and Basel, that city of great art fairs, now embraces the block chain,Thank you #georgbak for keeping us updated. #basel #technology #digitalart #nft #metaverse #cryptoart

Of course!!

How to Make Your Museum Shine with Light Projectors 💡 Light projectors are like magic wands in museums that help excite exhibits. They light up artifacts and artworks, making them look amazing and helping visitors see all the little details. Projectors also do amazing things like: 🌌 Brightening Displays: They make things in museums look even better by shining a light on them in just the right way. 🎨 Creating Art Shows: Projectors can turn museum walls into giant art canvases, showing off amazing pictures and designs. 🌟 Making Things Fun: Some projectors let visitors play with light and colors, making their museum trip more fun and memorable. Imagine a spotlight shining on a special artifact, making it look even more amazing. The projectors can do that, drawing attention to the best parts of a museum's collection. If you need projectors or any professional lighting equipment for your venues, just contact us today! #MuseumMagic #LightProjectors #projectors #museums #whitemarlin #whitemarlinuae

Two years after COVID, the art market has taken on a renewed shape. With the knowledge we have now, Jeannette examines earlier expectations and the outcomes achieved in the post-pandemic era. What did people buy during lockdown, who were those buyers, and how does that compare to the current situation? How did the market weather the crisis, and how did it recover? And what impact has COVID had on the global art fair organization? Find all the insights in Jeannette's latest article for Tableau Fine Arts Magazine Link: https://lnkd.in/enuuVvVS

Alaine Arnott, Ph.D. Arnott, Ph.D. I’m curious what you mean by “being ostracized, for not ‘conforming’ to another”, what exactly do you believe the museum has been pressured to conform to? What about these requirements are harmful or unhelpful? Ideally, diversity and inclusion should be viewed as progress, correct? So where is the disconnect in the policy that’s written? Do you feel speaking out on what’s happening to the Palestinian people would be “conforming” to what’s being asked of the museum? I for one would love to see the museum standing firmly in it’s advocacy for the rights of those who need their voices amplified. No matter the cost. I would’ve felt immensely more supported as an employee and a woman if the museum had shown any kind of support or solidarity when Roe v. Wade was overturned, knowing the staff is majority women. But the institution was completely silent. Maybe I need to do some research of my own on DEI requirements to understand why they seem to be so oppressive to the mission of National Liberty Museum? Is this a shortcoming of DEI requirements, or the shortcoming of a institution that ultimately wishes to be conservative? If that’s the case…. Just own it. But if your institution truly wants to fight for liberty, there should be no question of how to remain steadfast in that goal.