Anita Ko Jewelry’s Post

Chances are you are hiring production professionals who are faking it. This is just facts. Most up and coming in the regional markets weren't trained, weren't brought up on set, or in a production office. Production isn't easy... well unless your creative is weak and you have a big budget, then its impossible not to screw it up. And many have figured out, hire a good DP, say yes to everything and "you too can be an exec producer or even a director!" I'll leave you with this. In Wherespot FB group this past week this was a post: A client wants to hire me to produce a few commercial spots in Houston. The project requires Talent, Director, DP, key grip with gear, and multiple locations, so maybe a location scout. So my question is, what is the person called to put all these pieces together? Would that be the Production Manager? I am looking for a person in Houston who can help me put all these assets together and give me price points for these individuals. Any assistance would be greatly appreciated. Sigh... this was not satire. This person was being hired to "produce" for a client, and literally asked for help "producing" the job without knowing what he was being asked to do or how.

Brilliantly done as always

You Better Recognize! A talented supervisor or manager is astute enough to understand that an employee is not defined by his or her job title/description. I once worked at a film production company where I was promoted three times in six months. I started out answering phones and making coffee and was soon the Visual Effects Coordinator for the biggest budget IMAX film to that date. Why? Because the producer (who went on to found RealD 3-D) could see that my skills of working hard, doing things quickly and always saying ‘yes’ to what I was asked would translate into the 60+ hours per week on a film set. How could a ‘receptionist’ become an integral part of a multi-million dollar production? How could a production assistant for a home shopping network become the Operations Director of the network in less than a year? Yep… same guy. Thanks to supervisors, managers, executives and corporate presidents who could all assess talent and not be confined by a title. So, hiring managers… take a closer look at that resume from the person that doesn’t have the exact qualifications or job title you’re looking for. Dig deeper. Look for qualities, talents and skills rather than a direct 1:1 correlation. A more well-rounded candidate might just be available.

Good opportunity

What Does a Production Assistant Do? https://ift.tt/dSzW7EG So you want to get into the film business, but have no idea where to start. Well, many people start as production assistants. They can be the first job you get, and they're a position where you don't need much experience to start. But what exactly do production assistants do? And how much can you expect to make? Today, I want to go over the job of the production assistant and talk about how important they are on set and how valuable your time working as one can be if you can get your foot in the door. And if you have other questions about film crew jobs, check out our breakdown of every job on set. Ready? Let's jump in. 'Wonder Woman' behind the scenes Credit: Warner Bros. What Does a Production Assistant Do? And How Much Do Production Assistants Make? Hollywood is full of jobs that people outside the industry have never thought about. But to make movies and TV shows, hundreds if not thousands of people have to be employed. The very lowest on the totem pole is the humble production assistant, or PA. Without them, nothing would ever happen. What Is a Production Assistant? A production assistant, also known as a PA, is a member of the crew on a film and TV show. They are entry-level jobs on set, reserved for people who are breaking into the industry. The job of a PA is different based on the specific needs of the set and the size of the production. It also matters whether or not the production you're on is union or not, because the union can guarantee you more pay and better-defined roles. There are times when specific PAs are attached to the filmmaker or actors and help them out as individuals as well. 'Fatherhood' Credit: Netflix What Does a Production Assistant Do on Set? Your job as a PA will vary depending on the size of the budget as well as your relative experience on set. More experienced production assistants might be helping the director or writer exclusively. Someone new might stand at the end of a road and make sure no one drives down it. The basic job each PA has, no matter how experienced, is to help the 1st Assistant Director make sure that the production has everything it needs. That means you'll be doing tasks for pretty much every department. It's difficult to say exactly what you can expect to do on any given day, but suffice it to say you'll be doing everything and anything the 1st AD asks of you, whether that's moving things from point A to point B, wrangling cords, grabbing coffee, or setting up props. If you're unsure how you should prepare for the job, check out these dozens of tips on how to prepare for your first PA gig. What Are the Production Assistant Hours on Set? PAs work very long hours. Their shifts are usually 12 hours but can go upwards of 16 hours, thanks to overtime. There are specific laws concerning how long you can work on set one day and what time you would have to report the next day. Make sure you learn what's legal i...

#MeetTheTeam - Jessica Motler Jess is a skilled Production Manager who oversees the entire production process from conception to delivery, prioritising both client satisfaction and budget constraints. She also prioritises a safe and positive environment on set, ensuring the well-being of everyone involved. Her commitment to efficiency and effectiveness is unmatched. What inspired you to pursue a career in this role? My passion for working behind the camera began in high school and led me to pursue a degree in TV Production at university. After gaining experience through unpaid work and assisting on sets, I discovered my talent for Production Management. I enjoy creating plans and working with a team to bring productions to life. Strong relationships with colleagues inspire me to continuously challenge myself and reach new heights in my career. What do you most enjoy about it? My team and I share unmatched camaraderie and approach every job, big or small, with positivity and a can-do attitude, striving to exceed expectations. We embrace the unpredictable nature of the industry and enjoy its unique challenges. Even when things don't go as planned, we find ways to overcome obstacles and have fun while doing it, turning setbacks into funny stories to share long after the production has wrapped. What value do you bring to clients? I assemble highly skilled and efficient crews for productions, handpicking the perfect team for each project through my strong relationships with talented professionals. My greatest strengths include quickly adapting to change, handling last-minute requests, and sourcing necessary equipment and personnel to keep the production on schedule and within budget. By taking care of logistical details, producers are free to focus on building positive client relationships. What’s your biggest career achievement to date? Throughout my career, I've been passionate about the constantly evolving TV industry and achieving the position of Production Manager & Company Director of a company I'm proud of is a significant milestone. Career highlights include shooting on film sets in the Sahara Desert and collaborating with Hollywood royalty in New York City. Each project presents unique challenges and rewards, inspiring me with its stories and achievements. Working in such a dynamic industry and bringing creative visions to life is a privilege.

Most of you know me as a filmmaker, but for the past three years, I've had the pleasure of working at Picture Head, the world's largest trailer finishing company. I was brought on board to launch their first-ever Premiere finishing division. Building a global team from scratch has been an absolute blast. We crafted a new workflow and landed Amazon as a major client. If you've seen trailers for Lord of the Rings, Arcane, or Air on your TV or smartphone, that's likely our handiwork. The folks at Picture Head are truly top-notch at what they do. I've honed some new skills you wouldn't typically associate with a documentary director, like integrating a global workforce, designing a communication system for 300 employees, streamlining financial workflows, and developing a post-production pipeline that churns out hundreds of files daily. With the pipeline now running, the job is complete. It's an interesting time out there, so I'm open to many things. I'm searching for documentary work, but I also have a lot of knowledge in post-production, corporate optimization, and even launching a business. Have something in mind, I'd love to hear it. #Filmmaker #Documentary #PostProduction #CorporateOptimization #BusinessGrowth #Collaboration #NewOpportunities

When I was working my first Production Assistant gig, I learned one lesson that has applied to basically ever other position I've worked in my career. "The smaller the production, the larger the role you need to play." Now this was told to me while I was a PA on a 40+ person television production, but it has stayed true across every project I've worked on since. This doesn't mean that working on small projects or as a part of a large organization is bad. Both environments can be fantastic for you in the right scenario. To me, this phrase helps you understand where you efforts will serve your team the best. For me now, it's taught me that I enjoy working in small to mid-size operations. These are the spaces that allow my natural desire to broaden my horizons and pick-up new skills to also be incredibly beneficial to the team as a whole. If you prefer to master the tasks at the core of your position, and add value by pushing further down one specific area of expertise, then maybe being part of a large operation is a better fit. Just my experience reflecting on the variety of environments I've been in. What do you think?

#MeetTheTeam Jessica Motler Jess, as Production Manager, oversees the entire production process from conception to delivery. She carefully selects crews and suppliers to meet client expectations within budget. Jess prioritises a smooth and happy shoot, emphasising health and safety. Her dedication ensures everyone involved is well cared for while managing each aspect of the project efficiently. What inspired you to pursue a career in this role? From choosing my options in high school, I knew I wanted to work within the media, always behind the camera and finding behind-the-scenes insights fascinating. I went on to study TV Production at university before landing my first job in TV. After plenty of unpaid work experience and brew-making, I quickly learnt that Production Management was where my skills lay. I love a well-crafted plan! Throughout my TV Production journey, I have made many close friends who have inspired me to always believe in myself and aim high, getting me to where I am today. What do you most enjoy about it? I love my team! I believe we work really well to take on jobs of all sizes with a positive, can-do attitude. Nothing is too much trouble for us, no production is too small, and no two days are the same. We never know what’s about to land, and I love that whatever happens, we enjoy each shoot and always have a funny story to tell afterwards. What value do you bring to clients? I focus on bringing together a strong, well-chosen crew based on the years I have spent getting to know them and their strengths. Having a strong understanding of each production allows me to run the jobs logistically, supporting the producers. I’m expeditious and can turn a shoot around by sourcing the right crew and equipment with ease, and adapting to change and last-minute requests. The producers can rely on me, and they can concentrate on building happy relationships with their clients. What’s your biggest career achievement to date? From an early age, I have wanted to work within the TV industry, so finding myself now as a Production Manager & Company Director of a company I can be proud to call my own is the biggest career achievement of them all. Career highlights have varied from film set shoots in the Sahara Desert to flying over to NYC to work with Hollywood royalty. No two productions are ever the same, and neither are the stories and achievements that come with them.