California has faced challenges in retaining its dominance in broadcast production and distribution for several reasons: 1. **Cost of Living**: California's high cost of living, especially in major production hubs like Los Angeles, has driven up production costs significantly. This includes expenses related to studio space, labor, and permits. Many production companies seek more cost-effective alternatives elsewhere. 2. **Tax Incentives**: Other states and countries offer attractive tax incentives to lure productions away from California. These incentives can significantly lower production costs for filmmakers, making it more financially appealing to shoot elsewhere. 3. **Competition**: With the rise of digital streaming platforms like Netflix, Amazon Prime, and Hulu, there's increased competition for content production. These platforms may choose to produce content in locations outside of California for various reasons, such as tax incentives or access to unique landscapes. 4. **Globalization**: The globalization of the entertainment industry means that productions are no longer confined to traditional hubs like Hollywood. Filmmakers can now access talent, resources, and locations from around the world, reducing the need to base productions solely in California. 5. **Technology**: Advancements in technology have made it easier for productions to take place anywhere with sufficient infrastructure. Remote collaboration tools, digital effects, and virtual production techniques have reduced the necessity of being physically present in California for all stages of production. 6. **Regulatory Environment**: California's regulatory environment, including labor laws and environmental regulations, can sometimes be seen as restrictive or burdensome compared to other locations, prompting some productions to seek alternatives. Despite these challenges, California still remains a significant player in the entertainment industry, with Hollywood remaining a symbol of filmmaking excellence globally. However, it's increasingly facing competition from other regions and platforms.
Alberto Negron’s Post
More Relevant Posts
-
Lights, Camera, Action... PROFIT! Understanding Film Rights & Distribution Deals. 🎥✨ Ever wondered how movies journey from set to your TV screen? It's a complex web of distribution deals, each unlocking revenue streams. We, as Media Lawyers, navigate this world to unlock the full potential of films. Here's a breakdown of these rights: 1. Linear & Local Cable Rights: Reach audiences through traditional TV schedules & local cable operators (free & pay TV). 📺 2. Catch-Up & On-Demand Rights: Stream or download films after broadcast (cable catch-up), watch early (pay-per-view), or anytime (subscriptions like Netflix), or with ads (YouTube). ▶️ 3. Subtitling & Dubbing Rights: Enhance accessibility with subtitles & resonate globally through dubbing in multiple languages. 💬🗣️ 4. Syndication Rights: Grant sub-licensing rights.💵 5. Editing Rights: Tailoring films for censorship, scheduling or platform requirements.✂️ 6. Promotional Rights: Using the content of the Film for Promotions through Promos. 🎥✨ 7. Promotion & Merchandising Rights: Leverage promotional materials & create merchandise to extend brand visibility beyond the screen. 🎎 8. Theatrical, Television & Streaming: Showcase films in cinemas, sell to TV networks & broaden reach on streaming platforms. 📺📱 9. Home Entertainment & VOD: Distribute physical copies (DVD/Blu-ray) & enable convenient viewing through VOD platforms.💿 10. Airline, Hospitality & Educational: Entertain airline passengers, hotel guests, & educate audiences in institutions. ✈️🏥🏫 11. Remastered Editions & Limited Releases: Offer enhanced versions & strategic theatrical screenings for targeted audiences.🎦 12. Festivals & Cable Repeats: Gain industry recognition at film festivals & extend viewership through cable/satellite re-broadcasts. 🎠📺 13. Clip Licensing & Digital Distribution: Generate revenue by licensing clips & explore niche internet/mobile streaming platforms.🎞️ 14. Remake & Adaptation: Expand the film's universe through remakes, adaptations & spin-off projects.🎬 15. Territorial & Ancillary Rights: Tailor distribution for specific regions & leverage supplementary rights (music sales, etc) for additional revenue.🌐 16. Product Placement & Overseas Rights: Collaborate with brands & secure licensing for international markets.👜💄🌎 17. Music & Merchandising Rights: License soundtracks & create merchandise to further immerse audiences in the film's world.🎼 18. Literary & Digital Interactive Rights: Secure rights for underlying literary properties & interactive adaptations.📝 19. Public Performance Rights: Engage live audiences with theatrical screenings & public events.📽️ From theatrical releases to films on streaming platforms, film rights unlock a diverse revenue landscape. Media lawyers navigate this intricate world, ensuring filmmakers maximize a film's reach, impact & full potential of cinema by leveraging these Film Rights the right way! 🎬 #FilmDistribution #Filmmaking #MediaLaw
To view or add a comment, sign in
-
-
How to find your funding and keep your production rock-solid. Hire an expert short-term to help. Some of our senior executive producers like to work as consultants on productions, it's a really cost-effective way for an indie to keep on track - useful with a new format, an overtasked exec producer or a less experienced production team. One of our execs even specialises in finding your production funding and building the best fiscal structures. Dominique Walker was a C4 commissioning editor for 7 years, and the senior creative on a wide range of high-profile factual series - now she’s a production enabler and troubleshooter. She works collaboratively with indies to successfully deliver challenging productions - engaging at the development stage, in the heat of the shoot, or through the edit. She's there to advise and guide the whole team, helping manage the often-tricky relationship with the commissioner, to ensure your production achieves its creative potential and stays on schedule and on budget. This is usually done by booking a limited number of days of Dominique’s work across the schedule. Dale Templar is an adventure and wildlife specialist who guides the creative, logistical, safety and budgetary aspects of setting up complex shoots in hostile environments. She runs her own company and helps others with navigating production deals and troubleshooting productions. David Pounds can find your production funding. His advisory work includes financing raising for both content and corporate purposes, advising on management and production team structuring, restructuring and exit strategies, all for both large and small companies. He is a highly experienced, award winning co-production specialist, having initiated over 400 hours across all production phases, developing, pitching, finance raising, production and distribution. David has extensive experience of the complex US and UK content markets, where he has established working relationships with broadcasters, VOD streamers, financiers and distributors. And then there are the 'under the counter’ specialists… Aside from the consultant executive producers that you can see on our website, we also have some people who don’t choose to publicise their advisory work as the optics may clash with their work running successful indies. Call Moray Coulter or Natalie Spanier at Stern & Wild for a confidential discussion about what your needs are at any time, and let us suggest someone who could help you. Top directors add their Creative Vision for your Pitching Production companies are now using our senior directors on a short term basis to add their ‘director’s vision’ to a pitch or sizzle, strengthening the development team’s proposal and adding clarity for the commissioner. This can range from a couple of days’ commitment to weeks, depending on your development’s needs. The role is warmly welcomed by many of our directors. https://lnkd.in/eWCx2enR
To view or add a comment, sign in
-
OBSERVATIONS: What are the rights involved in a distribution agreement and what would generally be the mode of transfer of these rights? In a film distribution agreement, various rights are typically involved, and the mode of transfer for these rights is negotiated between the parties involved. The key rights include: Theatrical Distribution Rights: · Definition: The right to exhibit the film in theatres or cinemas. · Transfer Mode: Usually, these rights are transferred exclusively to the distributor for a specified territory and duration. Home Video and DVD Rights: · Definition: The right to distribute the film for home viewing through physical copies or digital downloads. · Transfer Mode: This right may be granted exclusively or non-exclusively, and the mode of transfer depends on negotiation. Television and Broadcasting Rights: · Definition: The right to air the film on television or other broadcasting platforms. · Transfer Mode: Transfer can be exclusive or non-exclusive, and the terms may specify the number of broadcasts, territories, and duration. Digital and Streaming Rights: · Definition: The right to distribute the film through online streaming platforms. · Transfer Mode: Transfer may include exclusive or non-exclusive rights for specific territories and a defined duration. Ancillary and Merchandising Rights: · Definition: Rights related to merchandise, soundtracks, and other ancillary products associated with the film. · Transfer Mode: Ancillary rights may be granted separately or bundled with other distribution rights. Remake and Sequel Rights: · Definition: The right to create remakes or sequels based on the original film. · Transfer Mode: Transfer may involve exclusive or non-exclusive rights, and the terms may specify conditions for exercising these rights. Censorship and Editing Rights: · Definition: The right to make necessary edits to comply with censorship requirements. · Transfer Mode: This right is often retained by the producer but may be subject to negotiation. Language and Subtitling Rights: · Definition: The right to translate the film into different languages or add subtitles. · Transfer Mode: Transfer may be exclusive or non-exclusive, with specific terms on languages and territories. The mode of transfer for these rights is outlined in the distribution agreement. Transfer modes can be exclusive, granting the distributor sole rights, or non-exclusive, allowing multiple parties to exploit the rights simultaneously. The agreement also specifies the territory, duration, and any conditions or limitations associated with each right. Careful negotiation and drafting of these terms are crucial to ensure a clear understanding of the rights granted and to avoid potential conflicts. Legal advice is recommended to navigate the complexities of distribution agreements.
To view or add a comment, sign in
-
Unscripted producers ignore production incentives at their own peril. Read below about three states with GREAT incentives and tell us: where are YOU filming this year? Will you be receiving an incentive? #production #productionfinance #incentives #unscripted #filmindustry #streamingmedia https://lnkd.in/evVySZyc
Are YOU Overlooking These Valuable Funding Resources for Your Next Production?
productionincentivesinsider.com
To view or add a comment, sign in
-
Did YOU know about the valuable incentives programs in these three US states? And unscripted qualifies! #production #streamingmedia #streamingvideo #streamingtv #productionfinance #incentives
Unscripted producers ignore production incentives at their own peril. Read below about three states with GREAT incentives and tell us: where are YOU filming this year? Will you be receiving an incentive? #production #productionfinance #incentives #unscripted #filmindustry #streamingmedia https://lnkd.in/evVySZyc
Are YOU Overlooking These Valuable Funding Resources for Your Next Production?
productionincentivesinsider.com
To view or add a comment, sign in
-
With the new free QuineCopy tool, Quine wants to give smaller and mainstream-producers, students and dreamers access to simple to use, professional and automated-workflow tools and a scalable platform. Too often we see that enthusiasts starts off without little planning, and then if things become successful and get traction, the added demands kills the enthusiasm or the budget. QuineCopy is a tool that can grow with you beyond the needs you thought you had. For free. Cameras and post-tools like DaVinci Resolve has helped democratizing the access to good tools on-set and in post, but the management of files and codecs and workflows is more than painful for most budding filmmakers and producers alike. It is our dream that QuineCopy can help democratizing the solution to workflow challenges you inevitably meet as an experienced or inexpperienced film-maker alike. QuineCopy is the little brother of QuineIngest, both based on the propretary and unique CopySafe™ technology, jointly developed by the Quine founders since 2017. Up until now, Quine has focused mostly on larger demanding production companies and broadcasters. But through that work, we have time and again been exposed for the need for simpler productions for good accessible entry-level tools to have their backs covered. Some of these “small” productions and producers grow into becoming pretty big, and if they haven’t implemented good workflows and practices, that growing-pain of consistncy demands can become destructive. QuineCore has served broadcasters, film-makers and producers on productions edited in Premiere, MediaCompser and Resolve in the genres of drama, documentaries, reality-TV, commercials and feature films. In only three year’s we have had QuineCore managing and automating the data management for: 100’s of of full productions 1000’s of deliverables (like an episode or a single commercial) Millions and millions of files and Petabytes of data. We’re proud to have contributed on 18 Gullruten (Norwegian Emmy’s) nominee’s and winners in the relatively small Norwegian market. With QuineCopy we hope to help even more film-makers and producers to: Dream Harder! See you at IBC 2023
To view or add a comment, sign in
-
When Will The Creator Premiere Digitally? Release Date, Platform And All You Need To Know When Will The Creator Premiere Digitally? Release Date, Platform And All You Need To Know - Premiere Date Surprise: November 14 for Digital Release On November 14, science fiction enthusiasts can immerse themselves in Gareth Edwards' thrilling sci-fi masterpiece, The Creator, from the comfort of their homes. Originally slated for an October 6 release, the premiere was moved up a week due to unforeseen circumstances, much to the delight of fans eagerly anticipating this cinematic spectacle. https://lnkd.in/dvB8b3UD Multiple Format Options: 4K Ultra HD, Blu-ray, and DVD For those who prefer physical copies, The Creator will be available on 4K Ultra HD, Blu-ray, and DVD starting December 12. This allows viewers to experience the film's gripping narrative and stunning visuals in various formats, catering to different preferences. Digital Streaming Platforms and PVOD Services Following its digital premiere, The Creator will find its way onto Paid Video On Demand (PVOD) services, offering viewers the option to purchase or rent the movie. While the exact date for digital availability has been hinted at being around November 2023, fans can anticipate the convenience of enjoying the film, possibly just in time for the Thanksgiving holiday. https://lnkd.in/eCjsBCR7 Streaming Platforms Lineup: Disney+, Hulu, Prime Video, and More After the initial digital release, The Creator is set to make its debut on popular streaming platforms like Disney+, Hulu, and Prime Video. Although the specific release dates on these platforms have yet to be announced, viewers can expect the movie to become accessible to a wider audience, allowing even more fans to delve into the movie's captivating storyline. https://lnkd.in/dSybbS9G An Unforgettable Cinematic Experience: The Plot and Cast The Creator unfolds in a future where humanity's relentless conflict with artificial intelligence takes center stage. Viewers are introduced to Joshua, portrayed brilliantly by John David Washington, a former special forces agent tasked with tracking down and eliminating the enigmatic character known as The Creator. The film boasts an impressive ensemble cast, including Gemma Chan, Allison Janney, Sturgill Simpson, Ken Watanabe, and Madeleine Yuna Voyles, each contributing to the movie's immersive narrative. https://lnkd.in/dzcQmAiV Critical Acclaim and Box Office Success Despite some script flaws and ethical uncertainties, The Creator has received positive reviews from critics and fans alike. The film's unique blend of adventure, action, drama, and science fiction creates a cinematic experience that resonates with audiences. Notably, The Creator managed to earn around $100 million at the box office, a commendable feat considering its $1 millio
When Will The Creator Premiere Digitally? Release Date, Platform And All You Need To Know
theviralpink.com
To view or add a comment, sign in
-
This is insightful analysis from Howard Homonoff.
My thoughts on an agonizing time in the TV and film business, but with a few ideas on how we might be able to manage this moving forward. #streamingmedia #cable #tv #media #streamingvideo #sagaftra #wga #actors #writers #motionpictures #innovation
Studios Vs. SAG-AFTRA & WGA: How To Collaborate In Disruptive Times
forbes.com
To view or add a comment, sign in
-
Leading General Counsel | Expert in Financial Services, Entertainment Law, and Compliance | Driving Legal Excellence and Strategic Solutions for Complex Business Challenges
𝗧𝗼𝗱𝗮𝘆’𝘀 𝗛𝗶𝗴𝗵𝗹𝗶𝗴𝗵𝘁𝘀 - 𝗕𝘂𝗱𝗴𝗲𝘁 𝗖𝘂𝘁𝘀 𝗮𝘁 𝗙𝗶𝗹𝗺𝟰: Film4 has recently faced a significant reduction in its annual budget, plummeting from £25m to £22.5m, marking a 10% decrease. This drastic change could cast a shadow over their future film productions and investments. 𝗕𝗼𝘅 𝗢𝗳𝗳𝗶𝗰𝗲 𝗦𝘂𝗰𝗰𝗲𝘀𝘀 𝗳𝗼𝗿 '𝗖𝗶𝘃𝗶𝗹 𝗪𝗮𝗿': The war drama 'Civil War' set a new box office record for A24 with a $25.7 million opening, surpassing the previous record held by "Hereditary". 𝗖𝗵𝗮𝗹𝗹𝗲𝗻𝗴𝗲𝘀 𝗶𝗻 𝗦𝗼𝘂𝘁𝗵𝗲𝗮𝘀𝘁 𝗔𝘀𝗶𝗮 𝗳𝗼𝗿 𝗦𝘁𝗿𝗲𝗮𝗺𝗶𝗻𝗴 𝗚𝗶𝗮𝗻𝘁𝘀: Major streaming platforms are withdrawing from original production in Southeast Asia. Once a growth hub, this region now sees reduced investments and layoffs due to strategic shifts by companies like Prime Video and Disney+. 𝗡𝗲𝘄 𝗙𝗶𝗻𝗮𝗻𝗰𝗶𝗻𝗴 𝗠𝗼𝗱𝗲𝗹𝘀 𝗶𝗻 𝗛𝗼𝗹𝗹𝘆𝘄𝗼𝗼𝗱: Hollywood producer Michael Sugar is introducing a new upfront event to convince brands to finance movies and TV shows, offering them a larger part of the financial returns rather than just traditional advertising or product placements. 𝗖𝗵𝗮𝗻𝗴𝗲 𝗶𝗻 𝗡𝗲𝘁𝗳𝗹𝗶𝘅'𝘀 𝗙𝗶𝗹𝗺 𝗦𝘁𝗿𝗮𝘁𝗲𝗴𝘆: Netflix is shifting its focus from offering complete creative freedom to filmmakers to prioritising audience preferences and commercial success in its film projects. 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 𝗼𝗳 𝘁𝗵𝗲 𝗜𝗻𝗱𝘆 𝗔𝗽𝗽 𝗶𝗻 𝗧𝗵𝗲𝗮𝘁𝗿𝗲𝘀: The Indy app is poised to revolutionise the movie theatre experience by seamlessly integrating various operational aspects like ticket and concession sales into one platform. This innovative approach, driven by data analytics for better customer management, promises a more efficient and enjoyable movie-going experience. 𝗟𝗲𝗮𝗱𝗲𝗿𝘀𝗵𝗶𝗽 𝗖𝗼𝗻𝘁𝗲𝗻𝗱𝗲𝗿𝘀 𝗮𝘁 𝗗𝗶𝘀𝗻𝗲𝘆: Speculation surrounds Bob Iger's potential successors at Disney, with internal candidates from different company branches being considered. 𝗣𝗿𝗲𝗺𝗶𝗲𝗿𝗲 𝗼𝗳 '𝗦𝘁𝗼𝗹𝗲𝗻' 𝗼𝗻 𝗡𝗲𝘁𝗳𝗹𝗶𝘅: This film is notable as the first Sámi feature film produced by Netflix, highlighting the platform's expansion into diverse cultural content. 𝗦𝗺𝗮𝗿𝘁 𝗧𝗩𝘀 𝗮𝗻𝗱 𝗔𝗱𝘃𝗲𝗿𝘁𝗶𝘀𝗶𝗻𝗴: There's growing concern that smart TV makers' pursuit of advertising revenue could degrade the quality of viewer experience, potentially ending the current golden age of television. 𝗗𝗲𝘃𝗲𝗹𝗼𝗽𝗺𝗲𝗻𝘁 𝗮𝗻𝗱 𝗙𝗶𝗻𝗮𝗻𝗰𝗶𝗻𝗴 𝗖𝗵𝗮𝗹𝗹𝗲𝗻𝗴𝗲𝘀 𝗶𝗻 𝘁𝗵𝗲 𝗘𝗻𝘁𝗲𝗿𝘁𝗮𝗶𝗻𝗺𝗲𝗻𝘁 𝗜𝗻𝗱𝘂𝘀𝘁𝗿𝘆: An event titled "The Roadmap to Greenlight" discusses the difficulties in financing independent projects, featuring insights from various industry experts on overcoming these challenges. Subscribe to our daily updates at the link below.
TV, Film & Media Industry News Roundup, Monday 15 April 2024
furtherandbetter.substack.com
To view or add a comment, sign in
-
My personal philosophy is based on The Multiplier Effect: how to ensure 1+1 = 11 in every relationship. Forget B2C or B2B; focus on H2H interaction. Zero sum solutions are passé!
There is a reason why studios should remain the creative hubs, and there is a reason why distribution should be kept separate. Every single centralized media company has blurred the lines of content and distribution, and they are paying the price for this globally, in spite of having all the data in the world which should be their north star in terms of content production and distribution. This is what happens when Wall Street overtakes Real Street! I see a very bright future for independent and decentralized media and entertainment companies, who are willing to work with outliers and redefine the distribution landscape and truly make 1 + 1 equal 11 for all the partners that they work with. Centralized media was solely responsible for the Hollywood strikes and their continued blackmailing of money will result in a revaluation of their existing business models. The biggest cause of failure is success and I'm constantly reminded of this every time I see an announcement of another superhero film franchise launch. The streamers misunderstood the landscape when they crossed the line to become a studio; they focused on their own content and lowballed the independent filmmakers. Good to see that the tides are shifting. There is so much beautiful content available globally and we at Beacon Media are truly inspired to have some phenomenal content partnerships with Deepak Chopra MD (official), Toric Films Daljit DJ Parmar Pirexia Films Silverbacks Holdings Fadi Ismail Zuby Udezue to name a few. Watch this space! We are just getting started! Gurpreet Chandhoke Luke Beermann Rolando Zubiran Robert Ph.D. Steve Olson Waseem Shabout Gerald Gallagher Marc Iserlis Kendrick Nguyen Neil Cabral James LaRosa Poonacha Machaiah Harry Hawks Ibrahim Sagna #media #streaming https://lnkd.in/d89E8KnG
Netflix Co-CEO Ted Sarandos On The Return Of Licensing – “It’s The Natural State Of The Business”
https://deadline.com
To view or add a comment, sign in