Alchemy Media’s Post

The Evolution of Movie Makeup - A Historical Perspective https://www.rfr.bz/lldtcy3

TOTHCARDS #4 is live on my YouTube channel. Alex Toth talks about WB’s Batman Animated, Timm, Alex Ross' painted art & rates, and more! Thanks & if you enjoy, please like, share, comment, ascribe, describe, inscribe, & subscribe! REPEATEDLY!

Yep, it's that floating heads poster again! Guess who's back? Scorsese's dropped what seems like an epic movie. It's based on a fascinating piece of history, boasts an all-star cast, and rumor has it that DiCaprio's performance is off the charts – possibly his best yet! But here's the kicker: the poster doesn't quite do the movie justice, at least in my book. Just so you know, I'm no expert in this stuff. So, I whipped up my version. I think the image on this one is like a sneak peek of the movie's historical backdrop. Plus, it's got that same vibe that matches the film's mood. #IMDB #Movie #MoviePoster #Design #PosterDesign

"Vicente Sánchez Biosca" exploration of visual culture and film montage. A dance between image and meaning, Biosca's work unravels the intricate choreography of montage in cinema 🎥. The montage is not merely a technical tool; it's a philosophical inquiry into our perception of reality. It resonates with Heidegger's concept of attunement, shaping our "being in the world." A must-read for those seeking to understand the interplay between art and existence. #FilmPhilosophy #VisualCulture #FilmMontage

2/2 The first film was roundly criticized for its lack of memorable dialogue, plot elements or characters, and this one doesn’t do much to improve those aspects unless you consider Titus singing a mournful lament prior to going into battle to be a plus (Hounsou does have a surprisingly nice voice). None of the actors can really be faulted, since they exhibit an impressive commitment to their physically strenuous roles, many of them displaying the sort of toned, muscular physiques that the mere mortals among us can only dream of. Boutella and Skrein are particularly notable in this regard, especially as demonstrated in a kick-ass hand-to-hand fight sequence, taking place on an out-of-control spaceship, that seems to go on for hours (I’m not sure that it actually doesn’t). The extended battle scenes with which Rebel Moon concludes prove undeniably impressive, which is for the best since they’re the film’s raison d’etre. Snyder provides an ample display of the visual flair and skill for action that have endeared him to legions of fans who exhibit so much dedication that they’re willing to sit through numerous versions of his films. As is the case with these two, for which Snyder has announced he’ll soon be providing R-rated director’s cuts running some three hours each. Which makes one wonder: Why bother to watch these versions that clearly don’t have his full endorsement?

*Fast and Loose (II)*, helmed by director Kelly Marcel and produced by Columbia Pictures in collaboration with Marvel Entertainment, is poised as the sixth installment in Sony's Spider-Man Universe. IMDb ratings for the movie are currently unavailable. Tom Hardy returns to portray Eddie Brock and Venom, doubling as a producer. The film, set as a sequel to *Venom* (2018) and *Venom: Let There Be Carnage* (2021), introduces Juno Temple and Chiwetel Ejiofor in undisclosed roles. While the official plot remains undisclosed, sources suggest an intriguing turn of events. Eddie Brock faces an attack after his symbiote Venom departs, initiating a quest to locate Spider-Man. The narrative unfolds as a new threat, Sleeper, confronts Eddie Brock. Scheduled for release in the United States on November 8, 2024, *Fast and Loose (II)* promises an enthralling continuation of the Spider-Man Universe.

🎥 Exploring the Fascinating World of Camera Techniques 🎬 Ever heard of the dolly zoom technique, also known as the Vertigo effect or Zolly? It's a captivating camera technique that adds a unique visual dimension to films by altering the size and perspective of the background while keeping the subject constant in the frame. How is this mesmerizing effect achieved? Here are the key steps: - Dolly In, Zoom Out: Bringing the camera closer to the subject while zooming out. - Dolly Out, Zoom In: Moving the camera away from the subject while zooming in. Originally popularized by Alfred Hitchcock in his 1958 masterpiece "Vertigo," this technique is widely used to evoke feelings of disorientation, tension, or unease in films. Its ability to convey emotional and psychological effects has made it a powerful tool in the hands of filmmakers. 🎬 Have you noticed this technique in any of your favorite movies? Share your thoughts below! 🍿 #CameraTechniques #DollyZoom #FilmIndustry #AlfredHitchcock #VertigoEffect

Interesting article about current resurgence of film use coupled with abandonment of the negatives!

"Just one last time" x7 😂 But why does it take several attempts to get the perfect shot? The truth is that there's so many variables at play. Coordinating the timing, technical camera moves, focus and framing, acting, etc... And sometimes, getting everything just right requires multiple takes. Take legendary director Stanley Kubrick, for example. That guy was all about the details. He was known to film as many as 50-100 takes of a single scene. That's dedication to the craft on a whole other level. "Brandon, are you calling yourself Stanley Kubrick?" Yes. That was the whole point of this post. Lol, but for real - perfection often comes with persistence and a whole lot of takes. P.S. Thanks to everyone on set for staying patient and trusting the process 🎬 Click here to view the whole project and watch the BTS vlog: https://lnkd.in/gbgTa8Ur

If I were to teach a class on film, and I could only choose 7 movies based on different aspects to study, these would be my picks: 1. El Sur by Erice (with a focus on characters) 2. La Dolce Vita by Fellini, or 2001: A Space Odyssey by Kubrick (with a focus on structure) 3. Opening Night by Cassavetes (with a focus on acting) 4. Vampyr by Dreyer, or The Turin Horse by Tarr (with a focus visual storytelling) 5. Three Colors: Blue by Kieslowski (with a focus on motifs) 6. My Dinner with Andre by Malle (with a focus on artistic choices and restraint) 7. Das Boot by Petersen (with a focus on immersion) [Gif from 2001: A Space Odyssey, by Stanley Kubrick]