On Saturday (6.22), the Academy of Country Music (ACM) continued Pride Month celebrations by taking to Broadway to walk in the Nashville Pride Parade, joined by ACM members, family, and friends. This follows in the footsteps of our inaugural ‘ACM Country for Y’all’ showcase on Thursday (6.20), exclusively for ACM Members. Taking place at Frankie J’s in Nashville, the event aimed to shine a light on the talented voices within the Country genre and LGBTQIA+ community, featuring performances from Adam Mac, Brooke Eden, Chris Housman, and Denitia. With a mission to remain relentlessly committed to creating a more inclusive environment for underrepresented groups in the Country music industry, the Academy continues to celebrate Pride Month by spotlighting additional LGBTQIA+ artists through curated takeovers of the official ACM Instagram account throughout the month of June.
Academy of Country Music’s Post
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Like any industrial sector, cultural careers need to be underpinned by skills development and formal education, as well as life experience. This Inquiry is a chance to have your say. So use it.
The NSW parliament has established a committee to look in to Arts and Music Education in NSW and Hume Conservatorium has been invited to make a submission. We look forward to speaking to music and arts education in the southern Highlands and tablelands. The committee also has a questionnaire for the general public. We’re encouraging all members of the Hume Con community to have their say about Regional Conservatoriums and music education (by 25th July 2024). https://ow.ly/7nt650SwCN9 Music Education in NSW faces many challenges, whether in the Regional Conservatoriums, Public Schools and beyond. Please respond to this questionnaire to help support our work, and secure a stronger future for music education in NSW and highlight the important role our Regional Conservatoriums play.
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Stage Manager at Earth Wind and Fire / "All Ways Gone Touring, Inc.". CoFounder of Roadies Of Color United Professional Association.
As we near our 15th year….. The Roadies Of Color United Association (ROCU) has had a transformative impact on the music industry. Through their advocacy and activism, ROCU has played a crucial role in promoting equity, diversity, and representation within the realm of roadies. One significant impact of ROCU is its ability to challenge and dismantle systemic biases within the industry. By raising awareness about the experiences and challenges faced by roadies of color, ROCU has compelled the music industry to address issues of racism, discrimination, and unequal opportunities. This has led to a greater emphasis on creating inclusive environments and breaking down barriers for roadies from marginalized communities. ROCU has also fostered a strong sense of community and support for roadies of color. Through networking events, mentorship programs, and educational initiatives, ROCU has facilitated connections and provided resources for individuals within the community. This has not only contributed to the professional growth and development of roadies of color, but it has also created a sense of empowerment and solidarity among its members. Moreover, ROCU's presence and influence have brought a fresh and diverse perspective to the music industry. By advocating for greater representation both on and off stage, ROCU has encouraged artists, production companies, and venues to diversify their teams and engage with new voices. This has led to a richer and more dynamic music industry, with a wider array of perspectives contributing to the overall creative process. In summary, ROCU has had a profound impact on the music industry by challenging systemic biases, fostering a sense of community and support, and promoting diversity and representation. Through their advocacy and initiatives, ROCU continues to shape a more inclusive and equitable landscape for roadies of color within the industry.
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🚨#Survey alert for all AEC members! We are investigating issues regarding the preparation of young people striving for a career as professional #musicians and their admission to pre-college programmes and #highermusiceducation institutions (HMEI) at the bachelor level. 🔦 Help us gain insight into the #admission procedures to both pre-college and higher music education studies! The survey was developed by the joint AEC / YMTE Working Group on Pre-College #music education and it is launched in the frame of the AEC - Empowering Artists as Makers in Society project (#AEC_ARTEMIS, 2022-2025), co-funded by the #CreativeEurope programme of the European Commission. #highereducation #precollege #YMTE #questionnaire #conservatoire
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It’s Juneteenth AND June is Black Music Month, which celebrates the vast influences that Black artists have contributed to various genres and musical traditions. Check out our latest story on how Black listeners enjoy audio experiences. Some highlights: 🎶When it comes to music discovery and engagement, traditional radio remains critical for the U.S. Black audience, especially younger generations. Black 18-to-34-year-olds in the U.S., for example, are nearly 20% more likely than the general population to discover new music by listening to traditional radio. 🎤According to a recent Black Diaspora study from Nielsen, two thirds of Black Americans agree that attending concerts and festivals is a great way to connect with their culture. https://lnkd.in/dQ2dj7ac
The “Cowboy Carter Effect” — Increasing young Black listeners’ engagement with country music
nielsen.com
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I love music teachers! What an incredible difference they have made in my life. So you'll understand why I'm excited to tell you that the Center for Latter-day Saint Arts is announcing its 2024 Prize of The Ariel Bybee Endowment at the Center for Latter-day Saint Arts today. This year, it is a prize "to create something new in the field of music education. Your proposal will include three separate components: 1) Define a need in music education; 2) Create a plan for a new program and outline how you will address the problem in K-12 music education; and 3) Describe the program in detail and how it would be used in school." It comes with a $5,000 award and up to an additional $5,000 for development costs, if required, to the winner. Proposal submissions are open now, and the deadline is January 15, 2024. When we were looking at what other teachers, performing arts organizations, and tech developers are doing in this field, I was so inspired. Wow! There are some amazing things happening. (The call on the Center's website has some examples that will get your heart racing and mind spinning.) You don't have to be a music teacher to apply. I think you do have to love music though. Small caveat. :) Spread the word and put on those musical thinking caps! https://lnkd.in/ddKm2niK
Bybee 2024 Prize Call — Center for Latter-day Saint Arts
centerforlatterdaysaintarts.org
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Celebrating 21 February - National Youth Day with our Catholic Youth Voices of the Youth Miriam Matipira - "Youth in Music" Realising that a lot of our choirs are made up of young people, one can envision the presence of more youth activity in the realm of music. Establishing youth choirs specifically to the interests and preferences of youths, could be one of the ways to encourage the youth to be part of the bigger communal and liturgical life of the Church. While maintaining the spiritual aspect of the Catholic Church, more youths could reach out to more forms of musical expression. Putting youth focus on music education and instrumental skills development by having workshops and training sessions is another way of safeguarding the future of Catholic Music. It is up to us to provide opportunities for young musicians to learn from experienced mentors and improve our musical abilities. By creating more room to encourage youths to contribute their talents, creativity and enthusiasm, one sees the possibility of improving the musical worship experience, especially in areas where youths are becoming more disinterested. In the spirit of Lent, there is also a possibility in which, we can use music as at tool for evangelization by organising concerts, music festivals or even community events. I believe by doing this music brings together Catholic youths from different parishes and communities, and even backgrounds. This creates opportunities for spiritual growth for us as youths on the other hand it can boost participation in the community
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Always happy to give my $.02 to NPR - there are so many sustainability issues with respect to music/musicians. this issue that SoundExchange has been fighting the good fight on for some time is a big one. obviously, there are other pressing issues - Spotify’s moral bankruptcy, companies building enterprise value on the back of musicians’ work w/o anywhere near appropriate compensation or consideration, entrepreneurs with no concern for artist sustainability with respect to AI etc…. all that - doom and gloom - said, there is still hope. For instance, a new Bandcamp is there for the taking for someone who presents an artist-centric approach; and new technologies, whether AI or web3, do not have to be detrimental to artists, and in fact can be hugely positive sum for artists and entrepreneurs. certainly been my bias/life’s work.
Sadly, what Berklee College of Music professor of Music Business George Howard tells NPR is 100% true. But it doesn’t have to be – Join musicFIRST in urging Congress to pass the American Music Fairness Act (AMFA)! Read the full article: https://lnkd.in/e7ZBCsgJ Take action to pass AMFA: https://lnkd.in/gugnjhNW
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June is also Black Music Month. Here's how it all got started. https://lnkd.in/eed7nBZs #blackmusicmonth #diversityequityandinclusion #diversityequityinclusion #diversityequityinclusionbelonging
Black Music Month 101: How It All Started | iHeart
iheart.com
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Denver Urban Spectrum, here To educate, inform, and enlighten by sharing the news and stories about people of color since 1987
Black Music Appreciation Month is a time to celebrate the profound impact of Black musicians on American culture, particularly in the realm of music. From the earliest days of rock and roll to the modern era of alternative rock, Black artists have played a pivotal role in shaping the genre and pushing boundaries. The history of alternative rock is deeply rooted in rebellion and counterculture, and Black musicians have been at the forefront of this movement. Sister Rosetta Tharpe, Bo Diddley, Fats Domino, Little Richard, Tina Turner, Jimi Hendrix, and Prince are just a few of the pioneering Black musicians who have left their mark on rock music. Despite the stereotypes that often surround certain genres, Black musicians have consistently demonstrated their ability to create diverse and unique sounds, blending influences from punk rock, hard rock, hip hop, and folk music. The Black Alt-rock bands of the 1980s and 1990s, such as Living Colour, Rage Against the Machine, Fishbone, and Bad Brains, have made significant contributions to the genre, pushing boundaries and blending different styles to create something entirely new. In Denver, artists like Elyjah “Tribe” Youngblood are challenging stereotypes and showcasing the diversity of the music scene. Youngblood, a Black Alt-rock artist, is a prime example of the power of music to challenge the status quo and express individualism. As we celebrate Black Music Appreciation Month, let's take a moment to reflect on the contributions of Black musicians to music and culture, and to recognize the diversity of sounds and styles that make up the rich tapestry of American music. Read "Black Alternative Music" by CHRISTEN ALDRIDGE #blackmusicappreciationmonth #altrock #blackrockhistory #diversityinmusic #musicforsocialchange
Black Alternative Music - Denver Urban Spectrum
https://www.denverurbanspectrum.com
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Young people see music beyond enjoyment—it shapes their identity and social dynamics. Valuable insights for enhancing music education in classrooms. #Music #Identity #Education #REP @UNIRUniversida https://lnkd.in/d6MwP5WY
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