Lilian Manansala

Are you a CALIFORNIA VOTER? Governor Newsom has proposed a 58% cut to arts program funding in the 24-25 May revise of California budget. While Newsom shared that “core services are protected,” his proposal includes decimating 100% of the funding for implementing SB 1116, the Performing Arts Equitable Payroll Fund ($12.5 million) and 38% ($10 million) of the state arts agency or California Arts Council’s $26 million in grants to arts nonprofits. California’s artists, tradition bearers, cultural organizations and creative businesses have long carried the weight of the state’s preeminence as a cultural producer and creative economy on their shoulders alone, without adequate sustained public investment. Access to arts, culture and creative expression is a core service that delivers a multitude of public impacts. These opportunities weave the social fabric of our communities, empower individuals, engage youth, vivify places, bond groups, bridge differences and transform lives, building community health while driving over 8% of the state’s economy, supporting 847,688 jobs and generating 7.3% of state tax revenue. @CAArtsAdvocates with coalition partners @ActorsEquity and @TheatreproducersofSoCal will work alongside creative industry leaders and statewide advocates to urge the Governor and Legislature to recognize the drastic nature of these cuts and the destabilizing threats they pose to the livelihoods of the creative workforce and to the promise of core California values. TAKE ACTION TODAY! Read the full press release: https://lnkd.in/eWTj6kjR PLEASE send a Letter to your California Reps: https://lnkd.in/esS8BJvD Please and Thank You! #ArtsWorkIsRealWork #CAisCreative #InvestCAArts #fundCAArts #CreativeEconomy #CAC #OpposeArtsCuts

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America’s increasingly diverse audiences prefer diverse content in streaming film releases. The Hollywood Diversity Report 2024, Part 2: Streaming is out now. Some highlights (and lowlights) from UCLA's research • Women made up the majority of viewers for nine of the top 10 streaming films of 2023, while households of color were also overrepresented as viewers for nine of the top 10. • Among creators, women and people of color still find more opportunities in streaming than in theatrical productions but continue to face limited resources as white male directors helm the few high-budget projects. • Women reached proportionate representation as leads in films but were most likely to star in films with smaller budgets and continue to lag in terms of overall cast. • People of color remain underrepresented behind the camera, though they reached proportionate representation in terms of total cast on screen and their largest share of film leads for the first time in the report series https://lnkd.in/eyXNcznv

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🌟 Celebrating Hollywood's Commitment to Safety and Justice As the CEO of DripsyDrown Entertainment, based in Los Angeles, California, William Drown is not only a prominent figure in the film and entertainment industries but also a passionate advocate for social causes. Today, we shine a spotlight on his unwavering support for Meagan's Law and Hollywood's commitment to ensuring safety and protection for all. 🔍 About William Drown: - William Drown spent his formative years in Memphis, Tennessee, and Jonesboro, Arkansas. - He served multiple combat tours in Iraq and Afghanistan,demonstrating courage and resilience. - Now, he channels his energy into the world of film and entertainment, providing access for clients and teams within his company and facilitating placements in other outside projects 🌐 DripsyDrown Films and Meagan's Law: - Meagan's Law is named after Meagan Kanka, a young girl who tragically lost her life due to a sexual predator. The law aims to protect communities by requiring sex offenders to register their information publicly. - DripsyDrown Films, under William Drown's leadership, actively supports the enforcement of Meagan's Law within the Hollywood community. - By raising awareness, advocating for stronger legislation, and fostering a culture of safety, DripsyDrown Films contributes to a safer environment for everyone. 🎬 Taking Action: - DripsyDrown Films collaborates with industry professionals, law enforcement agencies, and community organizations to promote awareness and education. - Through powerful storytelling and impactful films, they shed light on the importance of safety measures and the need to prevent sexual offenses. 🙌 Join the Movement: - Let's stand together in support of Hollywood's commitment to safety and justice. - Share this post to spread awareness and encourage positive change. - Remember, safety is everyone's responsibility, both on and off the screen. 📸 Photo:*William Drown, CEO of DripsyDrown Entertainment #SafetyFirst #MeagansLaw #HollywoodSupportsSafety --- Connect with William Drown on [LinkedIn](https://lnkd.in/dxveYb-r Learn more about DripsyDrown Entertainment on [IMDb](https://lnkd.in/dKb2cnH9 --- *Disclaimer: This post is for informational purposes only and does not constitute legal advice. Please consult legal professionals for specific guidance on Meagan's Law and related matters.  ¹: [William Drown - IMDb](https://lnkd.in/deH9rTi4) Source: Conversation with Bing, 5/7/2024 (1) William Drown - IMDb. https://lnkd.in/deH9rTi4. (2) William Drown - Biography - IMDb. https://lnkd.in/dg6X-bWx. (3) @williamdrown | Linktree. https://lnkd.in/dc87py-Z. (4) DripsyDrown entertainment | Los Angeles CA - Facebook. https://lnkd.in/deARevWv.

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We have some exciting news about locking down our well-known (read: “marketable”) and masterful director coming down the pike on our #SanDiego Comic-Con International documentary in conjunction with EP David Permut (RUSTIN, FACE/OFF) and producer Oscar Boyson (Greta Gerwig’s MISTRESS AMERICA and FRANCES HA, as well as all of the Safdie Bros.’ films). This development brings us right to the brink of final steps toward needful substantial financing and streaming/studio deals and, ultimately, production. For those who have been following along, this has been a lonnnnnnng process, starting with my SiriusXM / Stitcher podcast series COMIC-CON BEGINS (now available FREE on all audio platforms) during Covid, the follow-up book SEE YOU AT SAN DIEGO (Fantagraphics Books, 2022) and now … the next inevitable step: the film! It’s more than Comic-Con. It’s more than #comics and #sciencefiction and #fantasy. More than #videogames and #manga / #anime and #movies and #cartoons. It’s more than just the story of #popculture, but also about how the #geeks inherited the Earth and made everything you know and love in the realm of #StarWars, #StarTrek, #HarryPotter, classic movie monsters and #Godzilla and #KingKong and #LordOfTheRings and #ChroniclesOfNarnia and #TheMuppets … and all of the rest of it take over mainstream culture itself, going from being the fringe to the most major aspects of our day-to-day lives. Our doc is, in the end, the story of how a small group of weirdos and artists and science nerds in their early teens came together in the late 60s and early 70s Southern California to create their own #fandom conference where they could celebrate the things they loved, their creator heroes and each other each year … never knowing it would one day become the BIGGEST POP CULTURE GATHERING ON THE PLANET (clocked twice by Guinness World Records!). And, now … with our director nearly onboard … we’re that much closer to the final frontier or boldly going where now fanboy or fangirl has gone before: The full and true story of Comic-Con onscreen told by those who made it all happen. Soon …

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Today’s #entertainment news comes out of L.A, where film and T.V production continues to struggle post-strike. Starting July 1, FilmLA, the official film office of Los Angeles, will implement a roughly 4% increase in permit fees. This adjustment, as announced on their website, stems from decreased revenue due to the ongoing production slowdown in the greater L.A. area, as well as rising costs to maintain staff salaries and benefits. This fee hike reflects the broader trend of rising production costs in Los Angeles, prompting many studios and independent producers to seek more affordable locations with tax incentives and other benefits. #FilmLA #FilmProduction #LosAngeles #FilmingPermits #EntertainmentIndustry https://lnkd.in/eFvMRT2n

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Inside Out 2 maintains its tradition of exploring profound human themes through animated storytelling. The sequel delves into the themes of self-identity and worth, introducing new characters like Envy, Boredom, Embarrassment, and Anxiety alongside familiar faces. Dive deeper into the emotional journey with Joy, Anger, Sadness, Disgust, and Fear in this thought-provoking installment. #moviereview #insideout2 Read more about the movie review here: https://lnkd.in/gGPqq8Kw

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Working in the film industry has never been easy.

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Post Two in my series explaining who's who on a film shoot, and ever wonder who oversees the entire production process? Meet the Executive Producer. The Executive Producer, or EP, is more senior than a Producer and is the person behind the scenes ensuring a film gets made on time, on budget, and at the highest quality. Here’s what they do: 1️⃣ Secure Funding The EP’s first mission is often to find the money. Whether it’s from studios, investors, or brands, they make sure the project has the financial backing it needs to get off the ground. 2️⃣ Assemble the Team The EP hires the director, key crew members, and often the main cast. They bring together the right mix of talent to make the film or video shine. 3️⃣ Manage the Budget Once the money is secured, the EP keeps a close eye on the budget. They ensure that every penny is spent wisely and that there are no nasty financial surprises during the production. 4️⃣ Creative Oversight While they might not be involved in the day-to-day creative decisions, EPs have the final say on major creative aspects. They're there to ensure the film stays true to its vision and appeals to its target audience. 5️⃣ Problem Solver in Chief Every production hits a snag or two. The EP is the go-to person for solving problems, smoothing over conflicts, and keeping everything on track. 6️⃣ Marketing and Distribution After the film is made, the EP often plays a role in its marketing and distribution. They work to get the film seen by as many people as possible. Of course, roles and responsibilities can vary due to the type of project. In short though, the Executive Producer is the glue that holds the entire production together. They make tough decisions, manage finances, and ensure the project stays on course. I’m clearly biased (because I am one!), but having a strong EP is key to any successful production. Looking to hire an elite production crew to shoot a video for your business? Drop me a message! #VideoProduction #FilmMaking #ExecutiveProducer #ProductionCrew #BehindTheScenes #208Films

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This is actually what I said would happen years ago... ...Like Stan Lee said... "People don't really want change...you can't sell real change...they want the illusion of change..." That's true... And I mean, the bundling of the streaming services is a savvy business move...after all, do you really want to compete with your professional friends and industry colleagues...when you don't have to (...!?...) It doesn't make sense to compete in that way...better to split the cost and come to a gentleman's agreement on whom-gets-what-when versus spending money where you simply don't need to... This industry (and particularly the studios) has always been interdependent (remember, we are all making different versions of the same product...); and so as much as we compete with each other in this industry... The competing entities want (and need) each other to survive... Because it's not an industry if there's only one player... #cometogether

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It's a deal! IATSE, the union representing Hollywood's below-the-line workers, and the AMPTP, which reps the studios, reached a tentative agreement on a new three-year basic contract covering roughly 50,000 people. The tentative deal includes updated terms related to pay, pension and health benefits, work-life balance, job security, subcontracting, streaming residuals and artificial intelligence. It comes at a pivotal time for entertainment industry workers, who are dealing with the economic ramifications of the studios' pullback on spending post-streaming wars. Read more of our coverage to see the basics of what we know about the deal so far. #iatse #hollywood #entertainmentindustry

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The latest on the "Succession"-like drama that is Paramount's deal process. -The Skydance consortium, which has been in talks to acquire Paramount, is prepared to walk away from its bid if it doesn't get a firm commitment from Shari Redstone, according to a person familiar with the matter. -Further uncertainty was thrown into the mix this week when PE firm Apollo and Sony Pictures sent a letter to Paramount's board expressing formal interest in buying the company for about $26B. -Redstone, the controlling shareholder, has been guiding the process. She's been partial to the offer that would keep Paramount a whole company following a sale -- unlikely in a scenario where PE is the acquirer, CNBC has reported. It's also unclear if the Sony-Apollo bid gives her the same premium as the Skydance offer. -The exclusive window for deal talks between Paramount and Skydance ends Friday, and won't be extended. More from me and Alex Sherman on CNBC about this roller coaster deal process:

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Terrific opportunity! I’ve put the direct application link in the first comment below. #entertainment #tv #television #directing #firsttimedirecting #disneytv #mentoring #professionaldevelopment #networking #scriptedseries #unscriptedseries #opportunity

Cautious Optimism for the Box Office in 2025 While there is optimism for 2025, several factors urge caution. Box office revenue in 2024 has seen a dramatic 24% decline mid-year compared to the previous year, totalling only $2.68 billion, signalling significant recovery challenges. The industry’s continued reliance on sequels, prequels, spin-offs, and remakes, with only a few achieving commercial success, highlights a lack of fresh content. Rising production budgets make profitability increasingly difficult, with many films failing to meet even modest expectations. Momentum in business is crucial, and while improvements are expected, the multifaceted challenges of 2024 are likely to impact 2025, necessitating a cautious outlook. #BoxOffice #FilmIndustry #2025Outlook #EntertainmentTrends #BusinessChallenges #MovieRevenue #Cinema #FilmProduction #IndustryInsights #BusinessStrategy

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The Skydance offer is the best option on the table for Paramount Global. This offer guarantees the best chance of this iconic studio surviving. I hope Shari Redstone sees the value the Skydance merger will bring to the Hollywood brand that has been her family's business for more than thirty years. Some reports on the M&A offer say that Ms. Redstone is "hesitant" to approve the revised deal which gives her less for her share of National Amusements Inc. than the previous offer. I think the trades who are reporting on this whole M&A process are looking to hype the drama instead of allowing for the time it takes to ponder each step in the process. More decisions in this business should be made after careful consideration and not rushed. #ParamountGlobal #Skydance #MandA #ParamountPictures #CBS #ParamountPlus https://lnkd.in/gT4tBiGS

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It looks like Netflix saw a positive impact on the subscription metrics of customers that visited in-person experiences (like Stranger Things: The Experience). I will be interested to see once these open if Netflix shares any of the data on how visitors to Netflix House engage with the online platform (lower churn, sampling new shows, purchasing ancillary merchandise more often, etc.). What will be very telling is if these venues can generate strong 4-wall profits on their own, or if Netflix will justify their expense through lower blended customer acquisition cost and improved subscription metrics (which drives a majority of the stock price anyways!).

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'The Strangers: Chapter1' Film Review: Offers No New Scares, Skip This Remake! Genre: Horror, Thriller Language: English Director: Renny Harlin Cast: Madelaine Petsch, Froy Gutierrez Rating: 2 stars Runtime: 93 minutes Available In: Theatres Rating: 2 star The Strangers: Chapter 1 is a Disappointing Return of Masked Terror The Strangers: Chapter 1 tries to bring back the fear of masked attackers from an older movie, but it falls flat. The story feels like a copy of the earlier film, with no new scary ideas or twists. Plot Two young lovers, Maya and Ryan, are on a trip. Their romantic getaway at a cabin in a small town turns into a terrifying night of struggle for survival when they're attacked by creepy strangers wearing masks! What's missing? Lack of Stakes However, the film's failure to provide insight into the killers' motivations leaves viewers questioning their investment in the characters' fates. With no clear stakes and an uncertain outcome, the story loses some of its impact. Lack of Suspense Directed by Renny Harlin, the film lacks the patience and attention to detail required to build suspense effectively. Despite competent direction, there's a notable absence of dread and tension, resulting in a lackluster viewing experience. Artificiality Over Authenticity The original film had a raw and unsettling atmosphere. In contrast, The Strangers: Chapter 1 feels fake and unpleasant. Filmed in Slovakia but set in Oregon, it lacks the gritty realism of its predecessor. The movie looks more like a staged performance than a genuinely scary experience. A Prequel? A Reboot? The Strangers: Chapter 1 is a letdown for the horror genre. It offers little that's new and feels like a tired retread. Trying to be a prequel, reboot, and the start of a new trilogy at the same time, it fails to convince viewers it's anything more than a cheap attempt to cash in on an old franchise. Final Verdict: Skip it! The Strangers: Chapter 1 is a boring horror movie. It's not scary and doesn't offer anything new or exciting. If you're looking for a movie that will give you chills and keep you on the edge of your seat, this isn't it!

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Please read 5-star Reviews at Amazon Books. Inspired by one of William Wordsworth’s 5 Lucy poems. Global 1st Place eBook Award Winner! “BEST HISTORICAL FICTION BOOK OF THE YEAR!” (ERA 1500-1940) One of the great untold love stories in English literature is the love affair between 28-year-old British poet, William Wordsworth (1770-1850), and the mysterious 17-year-old Lucy Sims. Lucy was the subject of the poet’s famous Lucy poems, a series of five poems composed by Wordsworth that are credited with ushering in the Age of Romanticism in English Literature. To this day Lucy remains a subject of debate among literary scholars. Who was she? Where did she come from? Was she a compilation of William’s sister, Dorothy, and a friend? Or, was she a figment of the poet’s imagination? Our story, based upon true characters and events, gives us a fictionalized answer to William Wordsworth’s forbidden love affair. Amazon.com hhtps://https://lnkd.in/dCg3TSM /dp/1456361430/ref=nodl_ Script, budget, and Presentation available. “Sensitively written with a foot in two centuries, this book provides the kind of retreat from contemporary problems the Romantic era embodied.” - US REVIEW OF BOOKS “A strong pick for any historical fiction collection. Highly recommended.” - THE MIDWEST BOOK REVIEW “If you love history, read this book. If you love brilliant writing, read this book. If you love romance, read this book. If you love a page-turning ending, read this book. Yes, even though it's based on historical facts, William & Lucy delivers an ending that will have your heart pumping. I can't rate this book high enough—I'll say five stars because that's the norm, it seems, but it's worthy of ten.” - CB REVIEWS This historical fiction based on real characters and events, especially its exploration of William Wordsworth's romantic entanglements, is a literary treat. The accolades and reviews you've shared speak volumes about the quality of this book, making it a must-read for those who appreciate both history and romance. It's wonderful to see literature shedding light on lesser-known love stories from the past. Author Tom Patrick McAuliffe

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