ARRI Rental

After a successful Cannes premiere, "The Village Next to Paradise" is now screening as part of the 41st FILMFEST MÜNCHEN. Cinematographer Mostafa El Kashef shot the story of a Somalian single father, his son, and his newly divorced sister navigating the challenges of family life, with camera equipment from #ARRIRental. Screening from July 5, 2024. 📷: Freibeuter Film GmbH #ARRI #FFMUC

#ARRIRental announces the expansion of its service offerings in Vienna with the opening of a new facility supplying lighting and grip equipment as well as logistics to productions of all types and sizes. Camera equipment will continue to be offered through the existing ARRI Rental Vienna office. Located at 7 Haidequerstraße 6, 1110 Wien, the new ARRI Rental facility is located on the premises of the state-of-the-art hq7 studios complex, which will open this summer as a premiere European production center, capable of accommodating major international film and TV productions. The area is ideal for easy access to the airport, central station, and city center. Read more in our latest press release: https://arri.link/4cthfTq #TeamARRI #ARRI #hq7 studios Photos: © 2024 Philipp Lipiarski

Franz Kraus Production Award winner "Sonnenplätze" ("Places in the Sun") was shot by DP Tobias Blickle and had its world premiere at Filmfest Munich. Tobias comments in our interview on the shoot: "The great thing about the #ALEXAMiniLF is that it is so versatile and reliable. We wanted lenses that provided a natural and soft picture. With an open aperture, the #Moviecams are almost impressionistic in their effect, especially at night when there are light sources in the frame. For night scenes we added some #DNALF focal lengths to the Moviecams. " The award winning Maverick Film production and turbulent comedy between old conflicts and new opportunities by writer/director Aaron Arens, producers Tristan Bähre and Philipp Maron, and cinematographer Tobias Blickle is playing one more time on Saturday at the 2024 Munich Film Festival. Read the interview here: https://arri.link/4bsdZpZ #ARRIRental #FFMUC

Lee Miller's images are among the most important photographic works of the 20th century. The story of how she reported from World War II and changed war photography is retold in "Lee." Director Ellen Kuras ASC collaborated with cinematographer Paweł Edelman to tell the story of this extraordinary woman. Shot on the ARRI ALEXA 35 from ARRI Rental. "Lee" is screening this week as part of the 41st FILMFEST MÜNCHEN. FILMFEST Münich. #ARRIRental #ARRI #FFMUC #ALEXA35

ARRI’s classic SkyPanels and Orbiter provided optimal lighting on the Red Carpet and at the after-show party of the Filmfest München Opening Ceremony yesterday, while SkyPanel X illuminated the outside of the venue. Festival director Christoph Gröner and artistic co-director Julia Weigl welcomed 1,500 guests, including cast and crew of the opening film “Two to One” (OT: “Zwei zu eins”). The comedy directed by Natja Brunckhorst, shot on ALEXA Mini LF by DP Martin Langer and lit with ARRI M-Series lighting fixtures, celebrated its world premiere. The ARRI team really enjoyed this wonderful evening. Thank you FILMFEST MÜNCHEN! Until July 7, 2024, the 41st Filmfest München screens more than 150 films from 53 countries, including many world, European, and German premieres. ARRI supports the festival as sponsor, donator of the ARRI Award for the best international film in the CineMasters competition, and with ARRI Rental as technology partner. We wish all guests and participants a wonderful festival. Photos: © 2024 Filmfest München/Ronny Heine/Kurt Krieger #FFMUC #ARRI #ARRIRental #ARRILighting #SkyPanel #SkyPanelX #ARRIOrbiter #ALEXAMiniLF #femaledirectors #zweizueins #NatjaBrunckhorst #SandraHüller #MaxRiemelt

Set for theatrical release on November 15th, “Heretic” is a thriller about a game of cat and mouse in which two women set out on a religious mission only to be kidnapped. Captured by Chung-hoon Chung, ASC with #ALEXA35 paired with Apollo Anamorphics and ARRI Rental’s #ALFA lenses. — Serviced by #ARRIRental Vancouver.

How did cinematographers Jonathan Freeman ASC and Richard Donnelly ISC set the look on the first two episodes of sci-fi drama “3 Body Problem”? The eight-part Netflix series was captured on the ARRI ALEXA Mini LF, combined with a mix of ARRI Rental’s exclusive ALFA anamorphic and DNA LF lenses to distinguish between realities. Subsequent episodes were shot by P.J. Dillon ASC, ISC and Martin Ahlgren ASC. Click here for the full article on behind the scenes: arri.link/3RL9DTP Serviced by #ARRIRental London, “3 Body Problem” is available on Netflix. 📷: Netflix #ARRI #CapturedwithARRI #ServicedbyARRIRental #BehindTheScenes #BTS #Filmmaking #Cinematography #SetLife #3BodyProblem

Earlier this year, director Ethan Coen released "Drive-Away Dolls." The comedy follows two young women, Jamie and Marian, who journey to Florida by signing into a transport car, with Jamie focused on visiting as many lesbian bars to help Marian have more sex after a breakup. However, both are unaware of the car trunk's valuables and the people after it. Ari Wegner ACS, ASC created a distinct visual appeal with an oversaturated look on the ARRI #ALEXA35 and Ultra Prime lenses. Camera and lenses were serviced by #ARRIRental New York. — #ARRI #prideinfilm #lgbtq #pride #loveislove

“Dovecote” is a short film set on the day an anonymous prisoner is released from Giudecca prison to pursue a journey of self-discovery and existential reflection. It was directed by Marco Perego and stars Zoe Saldaña, with cinematography by Javier Julia ADF, who comments: “We decided to work in 4:3 format in color for the introduction and epilogue that take place on the outskirts of Venice, but then expand our vision to 2.2:1 in black and white for scenes inside the prison. The absence of color forces us to focus on the emotions and details of the story. Through a long continuous shot, we emerge into the prison experience in real time. Lighting possibilities in the prison environments were limited, so the #ALEXAMiniLFMonochrome was the perfect tool. Its sensitivity and wide dynamic range allowed me to capture images with great richness of detail and emotional depth. This was complemented by #ARRIRental’s #DNALF lenses, which have a beautiful combination of clarity and sharpness, but also a creamy smoothness that lends the image a daydream quality. We mainly used the 21 mm and 25 mm focal lengths, allowing viewers to connect with the lead character in a visceral way.” Realized with the invaluable contributions of TRINITY/Steadicam operator Matías Mesa, “Dovecote” is a tribute to the resilience of the human spirit and an exploration of the limits of freedom and identity. Screening now in the Venice Biennale 2024, at the Vatican Pavilion in Giudecca Women’s Prison, Venice. Photos: Lorenzo Sisti

After his nine-year-old son, Edgar, goes missing in New York, unhappily married puppeteer Vincent spirals into increasingly volatile behavior, alienating his friends, family, and coworkers. Struggling with substance abuse, grief-stricken Vincent becomes convinced that he can reunite with Edgar with the help of his seven-foot-tall puppet, Eric. Cinematographer Benedict Spence BSC shot the moving Netflix mini-series “Eric” from director Lucy Forbes with camera equipment including the ALEXA 35 from ARRI Rental Budapest. In an interview with ARRI, he comments… “I had at least another stop in the shadows with the ALEXA 35…There are always times in the grade when you want to lift someone’s face in the darkness, so having that extra information is very useful. In particular I loved the camera’s ES [Enhanced Sensitivity] mode. There were moments on set where Lucy or I wanted to shoot a little bit of 50 fps when it hadn’t been planned, or where we wanted to use a zoom but the lighting hadn’t been set up for the slower T-stop of a zoom. ES mode gives you those extra stops of sensitivity, allowing me to say yes to a creative request, instead of no.” Tap the link below to read the full interview with Benedict Spence BSC and colorist Toby Tomkins! Streaming now on Netflix. 📷: Netflix #ARRI #ARRIRental #Eric #ALEXA35 #CapturedWithARRI #CapturedWithALEXA35 #ServicedByARRIRental #Cinematography