Editing
Cutting Remarks
Editor Yorgos Mavropsaridis tells IndieWire about cutting the anthology as alternate realities, as well as a deleted scene about Emma Stone eating her own liver in "R.M.F. Is Flying."
Cutting Remarks
Editor Philip Neel tells IndieWire about strategically cutting a family meal in the legal thriller to become a cross-examination of Jake Gyllenhaal.
Editors Jake Hostetter and Robert A. Martinez talk about the pleasures and challenges of telling the iconic band's story in the new Disney+ documentary "The Beach Boys."
"It's the end of the version where we're not breaking the fourth wall."
Desert Power
Editor Joe Walker described cutting together Denis Villeneuve's epic ensemble film as like "making an Alexander Calder mobile."
Cutting Remarks
The opening of "Anatomy of a Fall," the nighttime montage from "The Holdovers," the emotional breakdown in the woods from "Oppenheimer," and Bella's dance from "Poor Things" are dissected by their editors.
David Fincher's Oscar-winning go-to editor, Kirk Baxter, helped achieve a new kind of subjective cinema with Michael Fassbender's assassin character.
Director Greta Gerwig and editor Nick Houy admitted to cutting it for coming "in the wrong place."
Oscar-winning editor William Goldenberg, who will soon direct the "Unstoppable" wrestling biopic for Ben Affleck and Matt Damon, discusses the film's '80s vibe and breaking out of the mold at Nike.
Editor Nathan Orloff tells IndieWire about combining score and source music and his approach to creating a new temp score for "John Wick: Chapter Four" out of elements from the previous films.
Sequestered in the middle of nowhere, the writer-director and editor were forced to consider their ever-shifting reactions to the elusive Lydia Tár with each new edit.
Director Park Chan-wook, editor Kim Sang-bum, and composer Cho Young-wuk tell IndieWire how they crafted the delicate nuances of their masterful romantic thriller.
