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The Acolyte: The Acolyte (2024)
A little Hope in an Otherwise Galactic Flop
The final episode stands out as one of the better epidoses and the closest to capturing the essence of Star Wars. Its atmosphere is compelling, though it's unfortunate that this level of immersion only appears in the concluding chapter. This should have been established much earlier in the series.
The series' primary issue is its writing. The scripts lack depth, and the conceptual planning is disastrous for a project of this scale. There isn't a coherent story being told, and the characters are poorly developed, making it difficult to connect with any of them. Additionally, the series frequently disregards established Star Wars canon, though that topic has been extensively debated
In summary, while the last episode offers a glimpse of what could have been, it arrives too late to redeem the series as a whole. Star Wars: The Acolyte had potential, but it was ultimately let down by poor writing and execution.
Ripley (2024)
Just Great - the power of minimalist storytelling
One of the most remarkable aspects of "Ripley" is how it keeps viewers on the edge of their seats despite its slow pacing. Each scene is meticulously crafted, drawing the audience deeper into the narrative without the need for fast-paced action or complex plot twists. The black and white aesthetic not only adds to the timeless feel of the series but also enhances the emotional depth and intensity of each moment.
The main character's portrayal is nothing short of exceptional. The actor's performance brings a nuanced depth to the role, making the character's journey compelling and relatable. The supporting cast also delivers strong performances, adding layers of intrigue and tension.
The Netflix series feels like a work from another time while still being modern and fascinating. The extremely beautiful cinematography is a true highlight. Despite some static shots, the series manages to develop its own unique visual language. Filmed in black and white, "Ripley" demonstrates with great ingenuity that the black and white film is far from dead. The simple, linear, and straightforward story revolves around an excellent and well-acted main character, generating incredible suspense.
"Ripley" is a testament to the power of minimalist storytelling and visual artistry. It's a series that proves that sometimes, less is more, delivering a gripping and visually stunning experience that is both nostalgic and refreshingly original.
The Adventures of Young Indiana Jones (2002)
With the heart of George Lucas - A Lovingly Crafted Adventure
The series shines with its likable characters and self-contained episodes that capture the adventurous spirit George Lucas masterfully brought to the big screen. While the series doesn't achieve the same level of bombast as the films, that would be too much to expect from a TV production. Instead, it delivers a delightful mix of humor, action, and adventurous entanglements that are consistently entertaining.
A lovingly crafted series that also appeals to younger viewers. The first season offers an enjoyable journey through the early years of Henry "Indiana" Jones, before he became the legendary archaeologist we know from the movies.
Admittedly, not every episode in the first season is a hit, but the majority are engaging and captivating. It's a shame that more episodes weren't produced, as the series had the potential for many more exciting stories.
Overall, "The Young Indiana Jones Chronicles" is not a groundbreaking masterpiece, but that was likely never George Lucas's intention. The series offers a charming and entertaining addition to the well-known Indiana Jones films, told with great attention to detail and a heart for adventure.
The Young Indiana Jones Chronicles (1992)
A Lovingly Crafted Adventure for All Ages!
The series shines with its likable characters and self-contained episodes that capture the adventurous spirit George Lucas masterfully brought to the big screen. While the series doesn't achieve the same level of bombast as the films, that would be too much to expect from a TV production. Instead, it delivers a delightful mix of humor, action, and adventurous entanglements that are consistently entertaining.
The first season offers an enjoyable journey through the early years of Henry "Indiana" Jones, before he became the legendary archaeologist we know from the movies.
Admittedly, not every episode in the first season is a hit, but the majority are engaging and captivating. It's a shame that more episodes weren't produced, as the series had the potential for many more exciting stories.
Overall, "The Young Indiana Jones Chronicles" is not a groundbreaking masterpiece, but that was likely never George Lucas's intention. The series offers a charming and entertaining addition to the well-known Indiana Jones films, told with great attention to detail and a heart for adventure.
The Acolyte: Choice (2024)
Plot Twists Over Character Depth
This isn't to say that "The Acolyte" has gone downhill - far from it. However, this episode felt a lot like what happened to Daenerys Targaryen in "Game of Thrones" - characters being forced into roles that serve the plot rather than their development. So many open questions...
Despite these issues, Sol was the highlight of the episode for me, along with the adorable young twins. I still stand by my theories on what might happen by the end.
With this flashback episode, we're left waiting with bated breath for the eighth and final episode of "Star Wars: The Acolyte." Happy about Star Wars, but afraid about the final...
History of Horror (2018)
Terrifyingly Entertaining. Dive into the Darkness
What fascinated me about Eli Roth's History of Horror is the sheer number of voices, from Stephen King to Rob Zombie. This series is a love letter to horror, offering a deep exploration of its many facets. The intimate, relaxed interviews feel like casual hangouts among friends, with lively exchanges like those between Roth and Quentin Tarantino adding charm. Featuring guests like Leigh Whannell, Elijah Wood, and Jamie Lee Curtis, the series covers sub-genres from zombies to slashers and more. With bonus features and extended interviews, this must-watch series offers rich insights for any horror fan.
Beverly Hills Cop: Axel F (2024)
Nostalgia Overload Fails to Recapture the Magic
The return of Eddie Murphy as Axel Foley in "Beverly Hills Cop, Axel F." was meant to be a highlight of Hollywood's nostalgia wave this year. However, the film only partially succeeds in capturing the magic of the original series.
The humor, once a hallmark of the franchise, now feels dated. The jokes that were fresh and edgy in the '80s and '90s fall flat today. The screenplay relies too heavily on old gags and lacks new, innovative ideas, resulting in a story that feels banal and predictable.
The plot is transparent, with few surprises. It's clear from the outset where the story is headed, and it unfolds without any significant twists. This might satisfy die-hard fans looking for familiar elements, but for a broader audience, it comes off as dull and uninspired.
Eddie Murphy still shines as Axel Foley, delivering a performance full of energy. Joseph Gordon-Levitt also fits surprisingly well into the cast, bringing a fresh dynamic. The enthusiasm of the actors is evident and is one of the film's few bright spots.
Despite solid performances, the film falters due to its reliance on nostalgia. Hollywood's trend of exploiting franchises is glaringly obvious here. The attempt to lure fans with familiar faces and old jokes, without offering anything genuinely new, feels forced and underscores a lack of creativity in the industry.
Overall, "Beverly Hills Cop, Axel F." feels out of place and out of time. The nostalgia wave has hit hard, showing that past successes can't simply be recycled. A bit more innovation and less reliance on the past could have made a significant difference. As it stands, the film is another attempt to cash in on a once-glorious franchise, unfortunately without the expected brilliance.
Sous la Seine (2024)
A Promising Start Derailed by Absurdity
The film starts off nice but quickly descends into absurdity. The plot, which initially promises suspense, unfolds as a showcase of half-baked ideas and poor execution. Léa Léviant portrays Mika, a young environmental activist, who stumbles into the story, reminding viewers that even the most dedicated activism can't save disastrous storytelling. Her discovery of a giant shark in the Seine-a shark in a river in Paris, no less-is as ridiculous as it is implausible. What follows isn't a clever satire but a sincere attempt at generating tension, which ultimately falls flat. The film's serious tone only highlights its many flaws, making it difficult to engage with or take seriously. The character development is shallow, the dialogue often cringe-worthy, and the pacing uneven. Despite Léviant's earnest performance, "Into the Waters of the Seine" fails to make a splash, drowning instead in its own convoluted premise and lackluster execution. What could have been a quirky, thrilling narrative ends up as a missed opportunity, leaving the audience disappointed and incredulous.
The Acolyte: Teach/Corrupt (2024)
Strong idea but poorly told
Episode 6 of "The Acolyte" slows down after the action-packed lightsaber battles of the previous episode. This quieter pace allows for character development but might leave viewers feeling mixed. With only two episodes left, the pressure is on to wrap up the story satisfyingly. There's a risk of an irritating cliffhanger if the final episodes don't pick up the pace.
"The Acolyte" shows great potential but often feels underdeveloped. Interesting ideas are present but poorly executed, leaving viewers wanting more emotional depth. Despite its flaws, the series remains intriguing, and fans hope it can deliver a fulfilling conclusion.
One Life (2023)
Anthony Hopkins shines in an average biopic of a Real-Life Hero
"One Life," directed by James Hawes, offers a compelling portrait of Nicholas Winton, whose courageous efforts saved many children from the brink of disaster. Sir Anthony Hopkins delivers a standout performance, embodying Winton's quiet heroism with remarkable depth. The film's structure, featuring two distinct timelines, sometimes feels disjointed, creating a sense of separation between them. While the climactic, emotionally charged moments are powerful, the film occasionally struggles to maintain consistent engagement. Despite its strong tribute to Winton's legacy, "One Life" falls short of being a fully immersive and riveting biopic.
Dune: Part Two (2024)
Spectacular Visuals and Haunting Score, but Drags with Pacing Issues
Denis Villeneuve's continuation of Frank Herbert's epic "Dune" delivers a cinematic experience that is both awe-inspiring and demanding.
The film maintains the visual grandeur of its predecessor, presenting the expansive desert landscapes of Arrakis in breathtaking detail. Villeneuve continues to employ outstanding special effects and meticulously crafted sets that fully immerse the audience in the world of "Dune."
Hans Zimmer's score once again provides an impressive musical backdrop that perfectly complements the film's mood. The music enhances the emotional depth of the scenes, creating an atmospheric richness that captivates the viewer. Zimmer's powerful and evocative soundtrack significantly contributes to the film's epic feel.
The performances are consistently strong. Timothée Chalamet portrays Paul Atreides with a blend of vulnerability and resolve, making his journey as a rising leader believable. Rebecca Ferguson shines as Lady Jessica, while Zendaya takes on a more prominent role as Chani, with her chemistry with Chalamet being notably palpable. Stellan Skarsgård as Baron Harkonnen and Javier Bardem as Stilgar bring necessary depth and intensity to their roles.
However, a notable critique is the film's occasional sluggishness. While the detailed portrayal of the world and character development is appreciated, the narrative sometimes drags. Some scenes feel extended and could have benefited from tighter editing to maintain a brisker pace. This languid pacing can occasionally pull the viewer out of the story and diminish the suspense.
Overall, the film is an immensely powerful continuation that impresses both visually and audibly. Hans Zimmer's music and the strong performances contribute significantly to the film's atmosphere. Despite the episodic slow spots, which can make the viewing experience somewhat taxing, the film remains essential for fans of the first part and the science fiction genre who are ready to engage in a profound and visually opulent adventure.
Furiosa: A Mad Max Saga (2024)
Dive into Madness!
What is truly remarkable is that director George Miller, at nearly 80 years old, has once again delivered a film that is both innovative and extraordinary, achieving what many younger directors struggle to accomplish.
While the level of action is somewhat reduced compared to its predecessor, the film makes up for it with its immersive world and captivating characters.
Anya Taylor-Joy shines in the role of the silent heroine Furiosa. Her emotions and inner turmoil are powerfully conveyed through her expressive eyes, adding significant depth to her character. Taylor-Joy's performance is both intense and moving, making Furiosa a memorable figure in the "Mad Max" saga.
Equally noteworthy is Chris Hemsworth's portrayal of a deranged motorcycle gang leader. His character's constant chatter and raw, primal instincts bring a unique and thrilling energy to the film. Hemsworth's performance showcases his versatility as an actor, effectively contrasting with Taylor-Joy's more subdued and introspective role.
Kingdom of the Planet of the Apes (2024)
A Visually Stunning Adventure
The movie offers solid entertainment with deep character development and an engaging, long adventure story. In the age of TV series, drawing people to the cinema is challenging. The film has its flaws-plot holes, lengthy dialogues-but with a runtime of over two hours, breathtaking animation, and the effort to blend rich characters with action, it's worth seeing.
The impressive visual effects are a highlight, making the apes incredibly lifelike and immersing the viewer in the film's world. The detail and emotions captured through motion-capture technology are remarkable, helping the audience connect with the characters.
As the start of a hoped-for new trilogy, "Planet of the Apes: New Kingdom" is a successful reboot. However it needs more depth. The earlier films were known for posing philosophical questions and addressing societal themes. I hope future installments uphold or surpass this standard.
The film offers enough excitement and visual splendor to captivate both fans and newcomers. The return to the big screen is worth it for the stunning visuals and epic storytelling. Despite some narrative weaknesses, "New Kingdom" is an adventure not to be missed.
Civil War (2024)
Disturbing and brutal, but probably realistic
Disturbing and brutal, but probably realistic. I'm not quite sure what to make of the film. It definitely stays in my mind.
Alex Garland presents a hauntingly disturbing yet strikingly realistic vision of the near future of the United States in his 2024 film "Civil War." In this narrative, the profound political and social divisions within the country have escalated to such an extent that they erupt into a full-blown civil war. The film provides audiences with a visceral and immersive experience, as they witness the devastating consequences of this internal conflict and its ultimate resolution.
Unlike traditional war films that focus on the chaos and carnage of the battlefield, "Civil War" takes a different approach. Garland intentionally avoids the use of sensational and graphic images of frontline combat. Instead, he chooses to delve deeper into the personal and societal impacts of the war. The film follows its protagonists who, rather than being in the thick of the fighting, navigate the peripheries of the conflict. This narrative choice allows the audience to experience the war's effects through a series of interconnected, episodic stories that reveal the profound changes and disruptions in the lives of ordinary citizens.
The cast delivers powerful performances, with standout roles by Wagner Moura and Kirsten Dunst, whose characters embody the struggles and resilience of people caught in the turmoil. Their nuanced portrayals add depth to the film, making the audience empathize with their plights and hopes.
Garland's "Civil War" doesn't aim to be a conventional war epic filled with heroism and glory. Instead, it is a poignant exploration of a nation torn apart, highlighting the human cost of division and conflict. The film's narrative structure and character-driven storytelling offer a sobering reflection on the fragility of societal cohesion and the dire consequences when it fractures. This thought-provoking and chilling depiction of a potential future remains etched in the viewer's mind, long after the credits roll.
The Acolyte: Night (2024)
Boom! Finally!
After a rocky start to the series "The Acolyte," the fifth episode finally reaches a level that will make fans' hearts beat faster. While the first four episodes were often characterized by long, boring passages, Episode 5 offers almost nonstop action. For Star Wars standards, this episode is surprisingly brutal, setting a clear tone for the intensity expected in the upcoming episodes.
The noticeable increase in excitement and action in this episode is a welcome relief. The hectic fights and breathtaking effects almost make you forget how sluggish the series has been so far. For the first time, there is a genuine sense of anticipation for Episode 6.
However, despite all the positive developments, there are still weaknesses that cannot be overlooked. The dialogues still seem aimless and contrived, often disrupting the immersion. Some scenes appear unnecessary and feel like they were included merely to fill screen time. These points diminish the overall experience and sometimes leave you frustrated despite the action-packed scenes.
Overall, Episode 5 of "The Acolyte" is a step in the right direction. The increased excitement and focus on action make it the best episode of the series so far. It remains to be hoped that the upcoming episodes will build on this level and further reduce the weaknesses in dialogues and scene structures. For fans who have persevered until now, there is finally a ray of hope and a reason to be excited about Episode 6.
The Acolyte: Day (2024)
Its getting better. Outstanding Cliffhanger
This week, The Acolyte was definitely better than last week.
Still, the episode wasn't great. It ends with an annoying cliffhanger after just 30 minutes. Normally, I prefer weekly releases over binge-watching, but Disney's Star Wars series are an exception.
Andor, one of my favorite shows, should have been released with three episodes at a time, like in the first season. Apparently, this is also the format for the second season with bigger time jumps between acts. The Acolyte could benefit from releasing at least two episodes weekly, especially given their brevity.
Summary: Jedi and Osha discuss their next steps on Coruscant. Osha plans to go alone, but Jedi Master Sol convinces her to join his team going to Khofar, where they suspect her Jedi-killing twin sister, Mae, will go next.
Mae and Qimir are already on Khofar pursuing their own plans. There's a conflict between them, and when Mae finds Kelnacca dead, it leads to a showdown with the Jedi.
I'm curious to see how it unfolds!
The Acolyte: Destiny (2024)
A Solid Addition to the Star Wars Universe
The third episode of "The Acolyte" admirably expands the Star Wars universe and offers much to ponder and discuss. The portrayal of the Jedi and their methods of recruiting children is shown in a new light, sparking interesting debates. Despite some narrative weaknesses, the series gets better
The episode offers exciting hints about the origins of Osha and Mae, who were born without a father, carried by Mother Korril, and created by Mother Aniseya. This recalls Anakin Skywalker's seemingly immaculate conception and hints at dark machinations.
However, there are weaker moments, such as the awkward depiction of the witches' ceremony and the inconsistent storytelling, especially regarding Mae's miraculous survival and her inexplicable murderous intentions towards Osha. Sol's secrets and the twins leave many questions unanswered, and it is hoped that the series will address these in future episodes.
Barry (2018)
From Hitman to Hollywood
The series offers a fascinating and absurd mix of drama and dark humor, skillfully highlighting the duality of human life and the search for identity. A depressed hitman who aspires to an acting career in Los Angeles after accidentally stumbling into a theater class. This setup creates a unique tension between his dark past and his newly discovered artistic ambitions.
Hader's portrayal of Barry is both empathetic and complex, as he authentically embodies the inner conflict and desire for a better life. The series cleverly uses the theater class as a metaphor for self-discovery and transformation. While Barry brings his murderous skills, he discovers an unexpected passion and an opportunity to reinvent himself in acting.
"Barry" shines not only through its main character but also through a strong supporting cast. Henry Winkler as the eccentric acting teacher Gene Cousineau and Sarah Goldberg as the ambitious actress Sally Reed add additional depth and humor to the series. The show skillfully balances grotesque violence and comedic moments, creating an unusual yet captivating atmosphere.
Another notable aspect is the visual and narrative direction, which often depicts the gap between Barry's two worlds. The tension escalates as his criminal activities intertwine with his new passion, leading to a series of unpredictable and often tragically comic events.
Overall, the first season of "Barry" offers an innovative and profound narrative that is both entertaining and thought-provoking.
Ant-Man and the Wasp (2018)
Ant-Man meets Star Wars
Here are my movie reviews of "Ant-Man and the Wasp: Quantumania." Please translate my reviews into English and expand them with further thoughts:
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The whole thing has a bit of a Star Wars vibe and the desert dwellers of Tatooine. All in all, it's a nice idea but more like nicely borrowed. The resemblance to Star Wars is hard to miss, with the film borrowing heavily from the aesthetic and atmosphere of the iconic Tatooine scenes. While this brings a sense of nostalgia, it also feels somewhat unoriginal, as if the filmmakers leaned too heavily on familiar tropes rather than forging their own unique path.
It's a great world for kids, full of vibrant colors and quirky characters that are sure to capture their imaginations. The visual effects are impressive, and the world-building in the quantum realm is intricate and engaging, providing a feast for the eyes. However, for adults, it falls short. There's no tension, no surprises; everything is predictable and flat. The plot unfolds in a very linear and expected manner, leaving little room for the excitement or intrigue that one might hope for in a superhero film. The charm of the first Ant-Man film, which was full of humor and heart, is entirely gone. The quirky, endearing elements that made the original stand out seem to have been lost in the attempt to create a grander, more epic narrative.
For a while now, I just haven't felt like I'm missing out on anything if I skip a Marvel movie or even an entire series of Marvel films. This feeling has only been reinforced by "Quantumania." The oversaturation of the market with Marvel content has led to a diminishing return on investment for the viewer, with each new installment feeling less essential than the last. The magic and excitement that once accompanied a new Marvel release have faded, replaced by a sense of obligation and routine. The interconnected nature of the Marvel Cinematic Universe, which was once its greatest strength, now feels like a burden, making it difficult for any single film to stand out.
"Star Wars on the quantum level" might sound intriguing, but in practice, it falls flat. The film tries to balance too many elements and ends up not excelling in any. The stakes never feel real, and the emotional beats don't hit as hard as they should. For a film that aims to explore the mysteries of the quantum realm, it does very little to push the boundaries of what we've already seen. Instead of offering fresh perspectives and groundbreaking concepts, it rehashes familiar themes and ideas, leaving the audience with a sense of déjà vu.
In conclusion, "Ant-Man and the Wasp: Quantumania" is a visually appealing but ultimately shallow experience. It's a film that tries to do too much but achieves too little, relying on borrowed ideas and predictable storytelling. While it may entertain younger audiences, it leaves much to be desired for older fans seeking the depth and charm of earlier Marvel films.
Wir Weltmeister. Abenteuer Fußball-WM 2014 (2024)
Unexpected Insights into the German World Cup Stoey
Everyone knows how the World Cup ended. But that's not what this four-part series is about. It captivates with its entirely new perspectives. Beyond the beautifully captured and skillfully edited footage from Brazil, the film shines through its powerful interviews. Benedikt Höwedes openly admits how much he still suffers from the serious car accident at the training camp in South Tyrol. Mario Götze reveals that, in hindsight, he wishes he hadn't scored the decisive final goal at such a young age. Thomas Müller talks in his inimitable way about the psychology behind his goals. Who doesn't remember Jogi Löw coming to the Campo Bahia pool in his pajamas after an overly exuberant group stage victory celebration to unplug the music system? Some locations of the perfect German football tournament have since turned into "Lost Places."
The Acolyte: Revenge/Justice (2024)
Much darkness, little substance
Much darkness, little substance - After the hopeful start in Episode 1 of the season, this episode is rather weaker, plunging at times into boredom and poor dialogues. Nevertheless, it consistently finds a hook to draw viewers into its mystery and crime story, something quite unfamiliar in Star Wars. It feels like a classic TV crime drama that doesn't require much attention to understand. Combined with the great sets shown in this episode, it makes the whole episode worth watching. However, the character development remains shallow, leaving viewers disconnected from the protagonists. The pacing issues also disrupt the overall narrative flow, making it challenging to stay engaged throughout.
The Acolyte: Lost/Found (2024)
New Characters, New Atmosphere
Everything feels different from the usual Star Wars franchise. Not quite convincing yet, but still a strong start. I love the worlds, planets, and the many small details of this era that we don't get to see in other series. The plot is somewhat chaotic, even though it is actually very thin. "The Acolyte" has an interesting story to tell, but the acting performances are unfortunately weak. Those who liked The Mandalorian or Boba Fett will find little of that here, but they will discover new facets of Star Wars. Perhaps this is just the slow start of a season that will unleash a true fireworks display in the second half. I'm definitely intrigued. So, while the first episode is not entirely convincing, I definitely want more.
The Acolyte (2024)
A dark side of Star Wars
Darker, martial arts-oriented, and set in a relatively unknown era of the Star Wars cosmos. "The Acolyte" presents a side of Star Wars that I have missed for years. However, I understand that this can be a very subjective matter. The Acolyte is not Andor, which, at least for me, sets the standard by which I like to measure Star Wars series.
Nevertheless, "The Acolyte" falls short of my expectations with its irregular pace and superficial character development. Despite the attempt to blend a crime story with classic Star Wars elements, the execution feels disjointed and lacks the necessary dark tone.
What the series does achieve: It piques curiosity from episode to episode. As a true Star Wars fan, I can overlook the occasionally mediocre soundtrack that merely tries to imitate its predecessors. This is an indication of what can be summarized as follows: An absolutely worth-watching series for fans, but it is indeed a "new" Star Wars.
Maxton Hall - Die Welt zwischen uns (2024)
Fifty Shades of Grey for teenagers
Surprisingly entertaining for this target audience. A series for young girls who are too old for kids' shows but still too young for "Fifty Shades of Grey." It's a collection of every cliché found in most teen movies: a shy, good girl just wants to study, but then the arrogant bad boy James shows up. Of course, they can't stand each other at first, but fate brings them together. You don't need to be a psychic to know how it all ends.
Unfortunately, the main characters remain one-dimensional and cliché-ridden. James' father is a villain - obviously, since he's a millionaire, he must be cold and mean - while Ruby's poorer parents are kind-hearted people.
In the past, it was "Twilight," but now it's Mona Kasten's trilogy "Save Me," on which the series is based.
The Tattooist of Auschwitz (2024)
A Love in Hell
A Love in Hell. I think that describes the series quite well. But also a quote from Sokolov himself, a Holocaust survivor whose book the series is based on: "this is a love story," he says. And I think that's how it should be viewed.
Even though I haven't read the book, the series is very moving. Whether it does justice to the millions of Holocaust victims, I cannot judge. However, it seems to me that it is sometimes too superficial and not in the spirit of the survivors. But who can really say? One should probably read Sokolov's book, a Holocaust survivor around whom the series revolves.
Some moments in the series seem fake and not real. But how can one possibly empathize with something so terrible? But there have been better film adaptations. But that's mainly why you're in a love story.
Despite all the horror caused by the Holocaust, this perspective, namely that of love, is an interesting, if not even necessary one, to fully complete this chapter of history.