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Outlander #9
Go Tell the Bees That I Am Gone
Goodreads Choice Award
Nominee for Best Historical Fiction (2022)The past may seem the safest place to be . . . but it is the most dangerous time to be alive. . . .
Jamie Fraser and Claire Randall were torn apart by the Jacobite Rising in 1746, and it took them twenty years to find each other again. Now the American Revolution threatens to do the same.
It is 1779 and Claire and Jamie are at last reunited with their daughter, Brianna, her husband, Roger, and their children on Fraser’s Ridge. Having the family together is a dream the Frasers had thought impossible.
Yet even in the North Carolina backcountry, the effects of war are being felt. Tensions in the Colonies are great and local feelings run hot enough to boil Hell’s teakettle. Jamie knows loyalties among his tenants are split and it won’t be long until the war is on his doorstep.
Brianna and Roger have their own worry: that the dangers that provoked their escape from the twentieth century might catch up to them. Sometimes they question whether risking the perils of the 1700s—among them disease, starvation, and an impending war—was indeed the safer choice for their family.
Not so far away, young William Ransom is still coming to terms with the discovery of his true father’s identity—and thus his own—and Lord John Grey has reconciliations to make, and dangers to meet . . . on his son’s behalf, and his own.
Meanwhile, the Revolutionary War creeps ever closer to Fraser’s Ridge. And with the family finally together, Jamie and Claire have more at stake than ever before.
Jamie Fraser and Claire Randall were torn apart by the Jacobite Rising in 1746, and it took them twenty years to find each other again. Now the American Revolution threatens to do the same.
It is 1779 and Claire and Jamie are at last reunited with their daughter, Brianna, her husband, Roger, and their children on Fraser’s Ridge. Having the family together is a dream the Frasers had thought impossible.
Yet even in the North Carolina backcountry, the effects of war are being felt. Tensions in the Colonies are great and local feelings run hot enough to boil Hell’s teakettle. Jamie knows loyalties among his tenants are split and it won’t be long until the war is on his doorstep.
Brianna and Roger have their own worry: that the dangers that provoked their escape from the twentieth century might catch up to them. Sometimes they question whether risking the perils of the 1700s—among them disease, starvation, and an impending war—was indeed the safer choice for their family.
Not so far away, young William Ransom is still coming to terms with the discovery of his true father’s identity—and thus his own—and Lord John Grey has reconciliations to make, and dangers to meet . . . on his son’s behalf, and his own.
Meanwhile, the Revolutionary War creeps ever closer to Fraser’s Ridge. And with the family finally together, Jamie and Claire have more at stake than ever before.
902 pages, Hardcover
First published November 23, 2021
About the author
Diana Gabaldon
143 books178k followersDiana Jean Gabaldon Watkins grew up in Flagstaff, Arizona and is of Hispanic and English descent (with a dash of Native American and Sephardic Jew). She has earned three degrees: a B.S. in Zoology, a M.S. in Marine Biology, and a Ph.D in Ecology, plus an Honorary Doctorate from the University of Glasgow, for services to Scottish Literature.
She currently lives in Scottsdale, Arizona .
She currently lives in Scottsdale, Arizona .
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Displaying 1 - 30 of 6,645 reviews
December 8, 2021
3.5 stars?
I think seven years of waiting means this definitely qualifies as my most anticipated book of the year if not the decade. Was this book worth that long wait? Well.....yes and no.
I honestly think Gabaldon forgot how to make a book have a plot. Clocking in at 902 pages long, you would be inclined to think there will be some epic storytelling going on in this bad boy, and you would be wrong. But I say that with love, because Gabaldon doesn't need a plot. She has made these characters come to life in a way that few present-day authors can. Does she want to tell me about some bees? How about building yet another house? Travelling somewhere to buy some things? Tell me more! I love these characters and I am obviously biased and will happily read their grocery list. And that's a good thing, because at one point Claire does indeed give Jamie a shopping list. This is definitely a character study novel with a large cast of characters. So if you are already an Outlander series fan, then this book will hopefully satisfy your seven year itch. However, if you are already kind of on the fence or you have been missing the excitement of the earlier novels featuring just Jamie and Claire and the impending doom of Culloden, well, this book isn't likely to improve your opinion of the series. This book is very much giving 'second book in a trilogy' vibes - there is a lot of setup going on for some big events coming soon. It just might take another 7 (or 14?) years until we get to see that pay off. I'll be waiting.
I think seven years of waiting means this definitely qualifies as my most anticipated book of the year if not the decade. Was this book worth that long wait? Well.....yes and no.
I honestly think Gabaldon forgot how to make a book have a plot. Clocking in at 902 pages long, you would be inclined to think there will be some epic storytelling going on in this bad boy, and you would be wrong. But I say that with love, because Gabaldon doesn't need a plot. She has made these characters come to life in a way that few present-day authors can. Does she want to tell me about some bees? How about building yet another house? Travelling somewhere to buy some things? Tell me more! I love these characters and I am obviously biased and will happily read their grocery list. And that's a good thing, because at one point Claire does indeed give Jamie a shopping list. This is definitely a character study novel with a large cast of characters. So if you are already an Outlander series fan, then this book will hopefully satisfy your seven year itch. However, if you are already kind of on the fence or you have been missing the excitement of the earlier novels featuring just Jamie and Claire and the impending doom of Culloden, well, this book isn't likely to improve your opinion of the series. This book is very much giving 'second book in a trilogy' vibes - there is a lot of setup going on for some big events coming soon. It just might take another 7 (or 14?) years until we get to see that pay off. I'll be waiting.
Want to read
November 5, 2021To all the people reviewing this without reading it. STOP! Good, bad, or indifferent. If you haven't read a book, you shouldn't be reviewing it. A review requires you to have knowledge of the contents. Also, this isn't the place to complain about the price of the book, orders being canceled, or for calling people Karens because they tell you it's wrong to "review" a book you haven't read. Also, what is wrong with all of you 1-Star raters? You haven't read it. What is your issue? What is wrong with you? Wait for the book to come out and READ THE DANG BOOK! Only then should you bother reviewing it. So rude.
November 30, 2021
Self indulgence. 900 + pages of self-Indulgence.
I picture a conversation:
Publisher: please, Diana. Please will you give us the new book? We’ve been waiting 7 years
Diana Gabaldon: it’s not finished yet. I keep thinking of new chapters I want to add, so that people can know about the smells and sounds that a cadaver makes.
Publisher: for the love of God, just give it to us!
DG: for the love of God…that reminds me, I need another chapter featuring a long religious service, or maybe two characters can just discuss religion for like 10 pages.
Publisher: please! The holidays are coming and if we publish it today we’ll still make the holiday shopping season!
DG: ok, you can have it, but no one has edited it.
Publisher: it doesn’t matter! Send it to the printer!!
This is the only explanation I can come up with for why this book is so bad. That people waited so long for such a bad book…it’s a tragedy. It’s like no one will tell her that her writing has gone in the crapper, or maybe she just doesn’t care anymore. That’s what it feels like.
If the next book does not conclude this series than I think it will never end. Diana Gabaldon doesn’t know how to let go.
I picture a conversation:
Publisher: please, Diana. Please will you give us the new book? We’ve been waiting 7 years
Diana Gabaldon: it’s not finished yet. I keep thinking of new chapters I want to add, so that people can know about the smells and sounds that a cadaver makes.
Publisher: for the love of God, just give it to us!
DG: for the love of God…that reminds me, I need another chapter featuring a long religious service, or maybe two characters can just discuss religion for like 10 pages.
Publisher: please! The holidays are coming and if we publish it today we’ll still make the holiday shopping season!
DG: ok, you can have it, but no one has edited it.
Publisher: it doesn’t matter! Send it to the printer!!
This is the only explanation I can come up with for why this book is so bad. That people waited so long for such a bad book…it’s a tragedy. It’s like no one will tell her that her writing has gone in the crapper, or maybe she just doesn’t care anymore. That’s what it feels like.
If the next book does not conclude this series than I think it will never end. Diana Gabaldon doesn’t know how to let go.
December 28, 2021
I loved it and didn’t love it. I slept through through a lot of it so I would really like the reread of the whole series. We shall see …
Mel 🖤🐶🐺🐾
Mel 🖤🐶🐺🐾
December 20, 2021
"Disappointing" (followed by, "she's really not much as a writer...") about says it all. We've waited a long time for this installment, and I had the fantasy that DG had ample time to polish whatever she was brooding on, but...no. Apologies to those who are enraptured by her "detailed descriptions": One would think that a writer who had six or seven years in production of a novel would have ironed out the more egregious flaws, as well as twigged to the fact that this particular offering goes nowhere fast. Now that I have pissed off all the loyal DG groupies out there, I will, of course, expand on that assertion.
First, and I have multiple readings of the previous eight in the series to back me up here: DG has certain "ticks" as a writer that an editor really worth his salt should have caught and dealt with. I refer to her overuse of certain stock expressions, as well as niggling inconsistencies in the continuity within and between scenes. To wit: Her characters react to everything from mild surprise to being belted in the head with a heavy object by "shaking [their] head[s]" - or, worse, "shaking [the] head to clear it." The last shows up six times, word for word (yes, I counted), which might could be excused by the sheer length of the book, EXCEPT for the fact that this is long-standing bad habit (more wide-spread in other volumes; I counted those, too!), and one that is fairly easy to correct, given modern computer-assisted editing. All that head-shaking is mind-boggling in more ways than the obvious, and revealing of shoddy attention to detail that is basic to the writing process. There are other overuses, but I don't wish to belabor the point.
The inconsistencies: Is it too much to ask that, when a character empties a brandy bottle in Scene X, it stays empty, and he doesn't pick it up for another glug a breath later? Or that a character introduced as "Corporal So-and-so" in one line remains in his rank, not becoming "Sergeant So-and-so" in the next line? (See Claire's operation on Corporal/Sergeant Jackson's compound leg fracture.) That "Fizzy" not become "Lizzy" then revert, as does Fergus' daughter?
I think it's telling that these carelessnesses remain in a novel which carries an Afterword that tries very hard to impress us with all the historical research that went into making it a thing of factual accuracy. A little of the effort expended could have gone into a first-rate job of editing. (After all, DG goes to great lengths to get the plants, the foods, the methods of house-building right, why not the presentation?)
That this offering in the series "goes nowhere": The first half carries the slow freight of nailing down where all the important characters of the first eight novels have got to since we saw them last. That feels a lot like drudgery. The second half gets the plot, such as it is, moving in some direction like forward, but not by much, and not steadily. The pace is uneven - lots of space given to the trajectory of Revolutionary War in the abstract, yet a whole pregnancy's-worth of time on Fraser's Ridge collapsed in the gap between one chapter and the next. The shift between one locale another, one group of characters and another goes by like whiplash. The "ending" we rush to for some shred of resolution is merely a pause while we wait expectantly for the 10th book, leaving me feeling a little used and unsatisfied. Number 9 is a bridge between what DG left off saying in Number 8 and what she really wants to say in Number 10. There's not much more to it than that.
Therein lies my disappointment with "Bees" and its misleading title. Nobody is "gone" to make the title more than a grab for attention. Nowt happens - though there are intimations of things that might happen, soon, in the next book, maybe... It doesn't stand on its own, it's an attempt to keep us reading a series that is winding down, and it's more of DG's same old stuff. I, for one, had hoped for more.
First, and I have multiple readings of the previous eight in the series to back me up here: DG has certain "ticks" as a writer that an editor really worth his salt should have caught and dealt with. I refer to her overuse of certain stock expressions, as well as niggling inconsistencies in the continuity within and between scenes. To wit: Her characters react to everything from mild surprise to being belted in the head with a heavy object by "shaking [their] head[s]" - or, worse, "shaking [the] head to clear it." The last shows up six times, word for word (yes, I counted), which might could be excused by the sheer length of the book, EXCEPT for the fact that this is long-standing bad habit (more wide-spread in other volumes; I counted those, too!), and one that is fairly easy to correct, given modern computer-assisted editing. All that head-shaking is mind-boggling in more ways than the obvious, and revealing of shoddy attention to detail that is basic to the writing process. There are other overuses, but I don't wish to belabor the point.
The inconsistencies: Is it too much to ask that, when a character empties a brandy bottle in Scene X, it stays empty, and he doesn't pick it up for another glug a breath later? Or that a character introduced as "Corporal So-and-so" in one line remains in his rank, not becoming "Sergeant So-and-so" in the next line? (See Claire's operation on Corporal/Sergeant Jackson's compound leg fracture.) That "Fizzy" not become "Lizzy" then revert, as does Fergus' daughter?
I think it's telling that these carelessnesses remain in a novel which carries an Afterword that tries very hard to impress us with all the historical research that went into making it a thing of factual accuracy. A little of the effort expended could have gone into a first-rate job of editing. (After all, DG goes to great lengths to get the plants, the foods, the methods of house-building right, why not the presentation?)
That this offering in the series "goes nowhere": The first half carries the slow freight of nailing down where all the important characters of the first eight novels have got to since we saw them last. That feels a lot like drudgery. The second half gets the plot, such as it is, moving in some direction like forward, but not by much, and not steadily. The pace is uneven - lots of space given to the trajectory of Revolutionary War in the abstract, yet a whole pregnancy's-worth of time on Fraser's Ridge collapsed in the gap between one chapter and the next. The shift between one locale another, one group of characters and another goes by like whiplash. The "ending" we rush to for some shred of resolution is merely a pause while we wait expectantly for the 10th book, leaving me feeling a little used and unsatisfied. Number 9 is a bridge between what DG left off saying in Number 8 and what she really wants to say in Number 10. There's not much more to it than that.
Therein lies my disappointment with "Bees" and its misleading title. Nobody is "gone" to make the title more than a grab for attention. Nowt happens - though there are intimations of things that might happen, soon, in the next book, maybe... It doesn't stand on its own, it's an attempt to keep us reading a series that is winding down, and it's more of DG's same old stuff. I, for one, had hoped for more.
November 27, 2021
I finished listening through the audiobook a couple of hours ago, and still feel like crying. But this time the tears are not from actually emoting along with any characters, or from frustration from having to leave them and wait for the next book. This time I fell like crying because Diana Gabaldon has somehow managed to kill the series for me.
For so many years, I loved this series. Most of the characters were relatable, even some of the antagonists (but Stephen Bonnet was always a bit of a cartoon, his psychology was never quite credible). Some of the characters were harder to like, but by the end of the last book, I was cheering hard for Brianna and Roger, who had finally become full people, good and bad, with strong drivers.
And then, after an interminable wait, I return to Fraser's Ridge to find minutiae, biblethumping and nothing really happening at all except people travelling all over the place. It feels a bit like Diana saw most of the family gathered and rebuilding their society after several difficult experiences, and then thought: "Can't have that, they might develop as characters through actually interacting, let's throw these ones over here, those over there, and, hm, add a bunch around here. Oh, wasn't I supposed to bring some answers? Well, never mind, I will just remove some of the science and replace it with woo-woo, and give religion the main role in this book!"
I wonder if it is possible to love this book if you are not religious? In my case, it made my tendency towards strongly disliking religiosity much stronger, and I doubt that I will be able to ever re-read this book, the way I have with all the previous 8.
And where did the guts go? Why push so hard for Agnes and Fanny to go down the traditional route after having given much more exciting alternatives in an earlier case? Why put Lord John back into the same old predicament and kill off one of the more interesting characters in that horrible way instead of showing some personal growth and ability to actually share deep emotions despite the society frowning upon it?
Why plopping out babies all over the place, including one to a woman whose heart should have struggled with a pregnancy and birth instead of magically just bearing all of that without any issues, whatsoever? Oh, and if a child does not fit in here, why just drop them in somewhere else and never deal with any of the deep scars such uprooting can lead to?
Everything just seem so superficial, so virtuous and so obvious that it never became possible to believe in any of the threatening events. They all travel through war and weather without negative consequences, including some suspiciously easy smuggling, and equally suspicious intercultural understanding and tolerance all over the place, including sitting through three different religious services back to back (recounted in sooooo much detail!) and no problems whatsoever in marrying people of different faiths.
Even the great event that we FINALLY get to in the end becomes boring, because anyone with a brain could predict exactly what would be the result after all that foreshadowing!
I might read the tenth book, but will definitely not seek it out! After this book, I don't really care what happens to Roger (barf!), Brianna (boooooooring!), Mandy (annoying as hell), Fergus (who no longer has any personality, apparently), Marsali (who is actually reduced to a baby-machine), Ian (who no longer has personality, either, just saintly patience and goodwill to all), Jamie (who has become insufferable in his preaching and "perfection"), Claire (who is apparently now almighty, and at the same time flat and completely uninteresting, how the hell did such a snappish woman become tame?) or even William (who is just a still angsty teenager spewing privilege, yet always right about everything now). The only characters I still feel able to read about are Jemmy and Jenny, whose names are so similar, but still have a little bit of spark left. And I am kinda eager to see the end of the slave who acted so honorably through an entire life, yet in this book became a total villain for no reason. Sigh!
For so many years, I loved this series. Most of the characters were relatable, even some of the antagonists (but Stephen Bonnet was always a bit of a cartoon, his psychology was never quite credible). Some of the characters were harder to like, but by the end of the last book, I was cheering hard for Brianna and Roger, who had finally become full people, good and bad, with strong drivers.
And then, after an interminable wait, I return to Fraser's Ridge to find minutiae, biblethumping and nothing really happening at all except people travelling all over the place. It feels a bit like Diana saw most of the family gathered and rebuilding their society after several difficult experiences, and then thought: "Can't have that, they might develop as characters through actually interacting, let's throw these ones over here, those over there, and, hm, add a bunch around here. Oh, wasn't I supposed to bring some answers? Well, never mind, I will just remove some of the science and replace it with woo-woo, and give religion the main role in this book!"
I wonder if it is possible to love this book if you are not religious? In my case, it made my tendency towards strongly disliking religiosity much stronger, and I doubt that I will be able to ever re-read this book, the way I have with all the previous 8.
And where did the guts go? Why push so hard for Agnes and Fanny to go down the traditional route after having given much more exciting alternatives in an earlier case? Why put Lord John back into the same old predicament and kill off one of the more interesting characters in that horrible way instead of showing some personal growth and ability to actually share deep emotions despite the society frowning upon it?
Why plopping out babies all over the place, including one to a woman whose heart should have struggled with a pregnancy and birth instead of magically just bearing all of that without any issues, whatsoever? Oh, and if a child does not fit in here, why just drop them in somewhere else and never deal with any of the deep scars such uprooting can lead to?
Everything just seem so superficial, so virtuous and so obvious that it never became possible to believe in any of the threatening events. They all travel through war and weather without negative consequences, including some suspiciously easy smuggling, and equally suspicious intercultural understanding and tolerance all over the place, including sitting through three different religious services back to back (recounted in sooooo much detail!) and no problems whatsoever in marrying people of different faiths.
Even the great event that we FINALLY get to in the end becomes boring, because anyone with a brain could predict exactly what would be the result after all that foreshadowing!
I might read the tenth book, but will definitely not seek it out! After this book, I don't really care what happens to Roger (barf!), Brianna (boooooooring!), Mandy (annoying as hell), Fergus (who no longer has any personality, apparently), Marsali (who is actually reduced to a baby-machine), Ian (who no longer has personality, either, just saintly patience and goodwill to all), Jamie (who has become insufferable in his preaching and "perfection"), Claire (who is apparently now almighty, and at the same time flat and completely uninteresting, how the hell did such a snappish woman become tame?) or even William (who is just a still angsty teenager spewing privilege, yet always right about everything now). The only characters I still feel able to read about are Jemmy and Jenny, whose names are so similar, but still have a little bit of spark left. And I am kinda eager to see the end of the slave who acted so honorably through an entire life, yet in this book became a total villain for no reason. Sigh!
December 15, 2021
I adored this book.
Here is the thing about Outlander. My mom read the books in the late 1990s, and got my grandpa and me both hooked on them. Which means I have been reading these books for at least 20 years (more than half of my life). I love them. I don't just love them -- they're a living part of my life.
Now there's the TV show and a lot more people know about them. Which is fantastic! And a lot of people (including the author!) seem to like the show (which is great!) I don't, and here's why.
My favorite things in Outlander are not the things that happen but the characters and the way Gabaldon writes about them. From the show, and the "just like Game of Thrones!" advertising around it, people seem to focus on the sex and the violence. However, those, to me, are the least important parts of the books. I read these books because they are wonderful to live in. Honestly, I occasionally skim the sex and violence. Those aren't the heart of the story.
Gabaldon is an ecologist, and she writes like one. Her books are rich with detail, with nature, and with the small and wonderful stories that happen all around us all the time. (What shall we make for dinner? Are there enough clothes clean? Is the horse's hoof a disaster or just a rock? Why is the floor so dirty? Did someone let the fire go out?) These intimate details, the tiny bits of historical accuracy, the wonderful way she embraces all her characters: That, to me, is what makes the books worth reading.
A lot of people get hung up on reading The Fiery Cross I think because that's where the books start to slow down. It's one of my favorites of the books for that reason. Go Tell the Bees that I Am Gone is in that vein. It's not as breakneck as An Echo in the Bone, and I love it more.
I adore these books. I love Gabaldon's work. I love Brianna and Roger and John and Fergus and Marsali and Jenny and William and Ian and Rachel and Claire and Jamie and Lord John and Hal and Clarence the mule, and all the dogs and horses and kids. I love the characters, I love the details, I love the life Gabaldon breathes into the stories.
These are some of my favorite books in which to live.
Here is the thing about Outlander. My mom read the books in the late 1990s, and got my grandpa and me both hooked on them. Which means I have been reading these books for at least 20 years (more than half of my life). I love them. I don't just love them -- they're a living part of my life.
Now there's the TV show and a lot more people know about them. Which is fantastic! And a lot of people (including the author!) seem to like the show (which is great!) I don't, and here's why.
My favorite things in Outlander are not the things that happen but the characters and the way Gabaldon writes about them. From the show, and the "just like Game of Thrones!" advertising around it, people seem to focus on the sex and the violence. However, those, to me, are the least important parts of the books. I read these books because they are wonderful to live in. Honestly, I occasionally skim the sex and violence. Those aren't the heart of the story.
Gabaldon is an ecologist, and she writes like one. Her books are rich with detail, with nature, and with the small and wonderful stories that happen all around us all the time. (What shall we make for dinner? Are there enough clothes clean? Is the horse's hoof a disaster or just a rock? Why is the floor so dirty? Did someone let the fire go out?) These intimate details, the tiny bits of historical accuracy, the wonderful way she embraces all her characters: That, to me, is what makes the books worth reading.
A lot of people get hung up on reading The Fiery Cross I think because that's where the books start to slow down. It's one of my favorites of the books for that reason. Go Tell the Bees that I Am Gone is in that vein. It's not as breakneck as An Echo in the Bone, and I love it more.
I adore these books. I love Gabaldon's work. I love Brianna and Roger and John and Fergus and Marsali and Jenny and William and Ian and Rachel and Claire and Jamie and Lord John and Hal and Clarence the mule, and all the dogs and horses and kids. I love the characters, I love the details, I love the life Gabaldon breathes into the stories.
These are some of my favorite books in which to live.
November 25, 2021
Didn't live up
I was already incredibly disappointed by the 50% mark of this book. The writer just seems content to allow the plot to ramble on , at times in an incredibly confusing fashion. She doesn't seem sure where the book is meant to go. The main focuses seems to be on constructing prose on the most mundane things imaginable.
For a book of over 900 pages, very little happens in this latest installment. By the 80% mark it was disappointingly clear that very little would come of it. For a book years (YEARS!) In the making I truly thought there would have been more storyline to the actual , well story.
Rumor has it there will be a tenth book( hopefully while I'm still young enough and in control of my mental facilities to read it). Hopefully, the focus can be on wrapping up the various plots to a reasonable satisfaction.
I was already incredibly disappointed by the 50% mark of this book. The writer just seems content to allow the plot to ramble on , at times in an incredibly confusing fashion. She doesn't seem sure where the book is meant to go. The main focuses seems to be on constructing prose on the most mundane things imaginable.
For a book of over 900 pages, very little happens in this latest installment. By the 80% mark it was disappointingly clear that very little would come of it. For a book years (YEARS!) In the making I truly thought there would have been more storyline to the actual , well story.
Rumor has it there will be a tenth book( hopefully while I'm still young enough and in control of my mental facilities to read it). Hopefully, the focus can be on wrapping up the various plots to a reasonable satisfaction.
November 29, 2021
I have eagerly read all of Diana Gabaldon's books and watched the series. This book is by far the worst of the lot. It drags on, is repetitive, and just plain dull and boring. It badly needs a good editor and a less self-satisfied author. I feel she is pandering to diehard fans who are in love with the world she has created and are loathe to be critical. These fans don't want the story to end, so she gave them a largely filler book which just prolongs the story without adding anything at all to character development, relationships, story arc, or even pure entertainment. It is sad. I am giving away my copy of this book to the first person I can find who wants it.
November 28, 2021
Tell the Bees that Ms. Gabaldon stayed too long at the fair, placing her iconic characters in repetitive situations in overlong tomes stuffed with minutiae either because she can't bear to say goodbye to Jamie and Claire or the money they bring in or she wouldn't know what to do with herself if she isn't writing about them. The readership that keeps begging her for more of the same, patiently waiting years seem equally emotionally hooked but I broke out of the trance into a more critical stance after book 4 or 5 and stopped reading after 6 or 7, just skimming for plot lines. The latter books sit on my shelf, not really beckoning anymore.
I would recommend any lover of romance fiction to read the seminal work Outlander even though the author insists her maiden work along with its sequels is "not a romance". However, observation of long comment threads demonstrates conclusively that her readers or watchers of the TV series who are overwhelmingly female are not feverishly loyal for the background history or lessons in botany. Those just get in the way of their obsession with the main pair or probably more accurately, Jamie - "king of men". A woman who was in her 30's when Outlander came out in 1991 is now in her 60s, ironically aging almost in pace with the characters she adores so their greying hair does not bother her but I wonder about an unwary youngster starting at the beginning, how long she'll binge read when it becomes about Gramps and Grandma Fraser? Most youngsters cringe at senior sex. Then there's the problem of the vast bulk of the series taking place in America during a very well known Colonial epoch so boredom sets in.
Rating the series to date, it started out 5 star for me but the author's inability to resist any stray thought in her head thus diluting the power of the admittedly wonderful characters she created, clouding them behind detail merely because she can't bear to let them go is steadily decreasing the rating. It remains to be seen if she manages to stick the ending after a stretched out 10-behemoth build-up or stumble into a disappointing anti-climax. (The TV series Lost comes to mind). Maybe she'll return to 5 stars, but not with this penultimate volume, dedicated to readers so invested in Jamie and Claire it seems possible they'll mourn their eventual loss more than some friends in real life. Well, there's always re-reading...at least the first trilogy!
I would recommend any lover of romance fiction to read the seminal work Outlander even though the author insists her maiden work along with its sequels is "not a romance". However, observation of long comment threads demonstrates conclusively that her readers or watchers of the TV series who are overwhelmingly female are not feverishly loyal for the background history or lessons in botany. Those just get in the way of their obsession with the main pair or probably more accurately, Jamie - "king of men". A woman who was in her 30's when Outlander came out in 1991 is now in her 60s, ironically aging almost in pace with the characters she adores so their greying hair does not bother her but I wonder about an unwary youngster starting at the beginning, how long she'll binge read when it becomes about Gramps and Grandma Fraser? Most youngsters cringe at senior sex. Then there's the problem of the vast bulk of the series taking place in America during a very well known Colonial epoch so boredom sets in.
Rating the series to date, it started out 5 star for me but the author's inability to resist any stray thought in her head thus diluting the power of the admittedly wonderful characters she created, clouding them behind detail merely because she can't bear to let them go is steadily decreasing the rating. It remains to be seen if she manages to stick the ending after a stretched out 10-behemoth build-up or stumble into a disappointing anti-climax. (The TV series Lost comes to mind). Maybe she'll return to 5 stars, but not with this penultimate volume, dedicated to readers so invested in Jamie and Claire it seems possible they'll mourn their eventual loss more than some friends in real life. Well, there's always re-reading...at least the first trilogy!
May 23, 2023
Rated an AMAZING 5 🌟
I’m late to this “party” of reading GO TELL THE BEES THAT I’M GONE, but that’s actually by design. The only books that I buy anymore that aren’t ebooks are those written in the Outlander series. In order to fully appreciate and immerse oneself in the story, I feel I must breathe in the perfume of its pages and sense the story through my fingertips.
This being the ninth book in the series, the 880 pages didn’t dissuade me. I’ve read previously that Gabaldon researches the subject matter skillfully for years and when writing the masterpiece at hand it again takes years. I tell you readers that the end result is a work of art.
I knew that when I began this book that it would be a time commitment. So what?! All of that research is used to build the layers of the background, the characters’ lives and the adventure! The reader is the benefactor of all the hard work the author has done to present an intelligent, magnificent, remarkable story.
If you don’t like history, don’t read this book. If you love to learn about the past, if you love to increase your vocabulary, if you love vibrant characters and, if you love realistic or fantastic adventure..read this book!
I’m late to this “party” of reading GO TELL THE BEES THAT I’M GONE, but that’s actually by design. The only books that I buy anymore that aren’t ebooks are those written in the Outlander series. In order to fully appreciate and immerse oneself in the story, I feel I must breathe in the perfume of its pages and sense the story through my fingertips.
This being the ninth book in the series, the 880 pages didn’t dissuade me. I’ve read previously that Gabaldon researches the subject matter skillfully for years and when writing the masterpiece at hand it again takes years. I tell you readers that the end result is a work of art.
I knew that when I began this book that it would be a time commitment. So what?! All of that research is used to build the layers of the background, the characters’ lives and the adventure! The reader is the benefactor of all the hard work the author has done to present an intelligent, magnificent, remarkable story.
If you don’t like history, don’t read this book. If you love to learn about the past, if you love to increase your vocabulary, if you love vibrant characters and, if you love realistic or fantastic adventure..read this book!
November 28, 2021
I'm highly disappointed in this long-awaited book. While I know Gabaldon doesn't write in a linear fashion, this book seems very disjointed and many scenes were extraneous to any of the story lines. Which is another problem - there are so many insignificant characters from previous books who are reintroduced in this book, but they add nothing to the story (can we please kill off Percy Wainwright yet?).
I hate to say it, but I was bored throughout this whole book. Normally I cannot put down an Outlander book, but this one did not hold my attention at all.
I hate to say it, but I was bored throughout this whole book. Normally I cannot put down an Outlander book, but this one did not hold my attention at all.
November 27, 2021
i’m probably going to get hate for this but, to be perfectly frank, all but the last ~15% and the business with amy was boring. all these stars go to john and william’s portions. this was a disservice to the previous books and to the characters.
![Profile Image for Anna [Bran. San. Stan].](https://cdn.statically.io/img/i.gr-assets.com/images/S/compressed.photo.goodreads.com/users/1593184464i/98245866._UX200_CR0,0,200,200_.jpg)
May 20, 2023
Nothing will ever be as great to me as the early Outlander books, which is partly owed to the fact that they are more romance than family saga – which this series has become by now – and partly because the setting, bonnie Scotland, just held more magic to me. The mixture of domestic scenes, the episodic if not meandering storytelling with a side of drama is far from what I used to love about book 1.
Still, after almost 20 years - and after waiting 8 long years (!) for this book -, I will always return to this series and get my hands on any bit of Jamie and Claire even if it’s no longer as addictive as it used to be. And even if by now I’m more interested in William, Jamie’s “natural son” – probably because his character arc is still developing.
(I picture William as Christoper Mason ⬇️, not just because he resembles Sam Heughan aka Jamie 😉 )
Speaking of character arcs: the general lack of character development is probably my biggest disappointment. After waiting for so long, I can’t say my expectations have been met. This book just felt like another step towards big moments that are still yet to come. The journey remains unfinished – with a cliffie no less – and I shudder to think how long it’s gonna be until the next book comes out. Another 8 years??
I also felt like the focus of this historical romance/family saga was mostly on history and establishing a historically accurate time period (including very vivid olfactory descriptions) and less on character arcs. Still, Gabaldon is a great writer, researcher, and storyteller and I was always looking forward to continue reading; hence the 4 stars for keeping me emotionally invested.
*********************************************************************************************
Feel free to stop reading here (maybe look at the images though 😉) - next up:
My reading experience in live updates:
0%: It’s been almost 8 years since the last book. Once upon a time, I used to reread all previous books before reading a new installment but a) there are just too many of them and they keep getting longer so I don’t have the time for that and b) I’m just not that into the series as I was when I started reading Outlander at the tender age of 18. I really hope Gabaldon will catch us readers up on the events of the previous books.
7% I need more detailed recaps on book 8. My mind is sadly not a steel trap.
8% Who are all these people.
8% ”When I wake sometimes in the early morning, and I see ye there beside me. I doubt you’re real. Until I touch ye – or until ye fart.”😂 😂 😂
9% Ah, sweet William. Man, I hope he will cross paths with his father and/or sister soon! I live for that!
10% Who are all these people.
12% Thank you for some recaps: Time traveling is so weird. Meeting your father when he is younger than you? Wild. Also, Jamie 💔.
13% Roger and Bree bringing a medical book for Claire and Lord of the Rings for Jamie from the 20th century to the 18th? Love it! And a history book! Fucking finally.
17% I’m crying over a little boy receiving a letter from his mother.
20% Enough of those domestic scenes. How about some action?
23% Oh, Brianna, lass, you should have used your brain. I wonder what the repercussions will be… I might get the action I thought I wanted. At some point.
26% Damn it. Now I’m teary-eyed again. Fanny and her sister Jane‘s past will do that to you. Can’t believe I forgot about that since the last book. And Jamie is just the best at comforting people. I want to sit on his knee, being stroked and talked to in Gaelic when I’m upset. And I mean that in a completely non-sexual way. This time.
27% To all French speakers: Would you say “voulez-vous coucher avec moi” to your wife? It sounds weird to say “vous” to your spouse…
27% Be careful what you wish for, Anna. That wasn’t the kind of action I had in mind.
28% How depressing is it that it’s custom to weave your shroud while you’re expecting. Expecting death, more like.
30% Fucking finally, more on my boy William!
31% So Lord John and Manoke were (are?) lovers methinks (but menotremembers). Going fishing sure sounds like code for sex lol.
31% I do love John Grey. Maybe I ought to read more of the Lord John series.
36% Jealous Jamie should be a new expression much like Negative Nancy. Sheesh.
36% So we went 300 pages without an explicit sex scene. And I can’t say I missed it. But angry sex sure is fun - and also very brief. (Page total: 1) Go, Jealous Jamie.
38% Yes, please, Lord John. Set up a meeting between Brianna and William. I want brother and sister to finally get to know one another!
46% So Claire really is a witch, huh. I was wondering when that sort of thing would happen. Didn’t that old Native American lady predict she would gain full access to her powers when her hair had turned white?
48% Culloden. Murtagh. Those memories are breaking my heart.
52% Everybody is setting out on different quests far from home… Ian, Rachel, and Jenny. Roger, Brianna and the kids. I guess things are about to go wrong?
56% It’s honestly cool that by now that Fergus (and Ian and Jenny) know about the time traveling. I love those conversations!
56% Thank you for the reminder that almost all the main characters have been raped at some point. Too much drama? Yes.
58% Sorry, I can’t find having sex with a woman who’s mostly asleep appealing. Big fat nope from me. Even if it’s Jamie and Claire.
60% If Jamie was described being aroused by another woman, we’d all hate him. So why is this ok for Ian?
60% The book‘s title should have been Taking in Strays. First Agnes, now Silvia and her three kids.
61% I’m sorry to say I don’t care that much for that Ian/Rachel/Jenny storyline…
62% What the absolute fuck??!! What a bastard. He should be castrated. And that’s me being kind.
64% Yay! A puppy! And my alternate title for the book is confirmed. Also, I really want to know if Tòtis is Ian‘s son!! It seems I changed my mind: I do care for that storyline after all.
64% “Gabriel said their names over and over, like an incantation against their disappearance.” Gabaldon has such a way with words.
67% Fucking finally! It’s been almost 250 pages since I last read about William. Not cool.
68% Well, at least William acknowledges Bree as his sister. I guess that’s progress.
71% I really dislike Amaranthus. Hands off William and hands off, William!
79% Sometimes I forget the supernatural element to this series. Having an “I-see-dead-people“ moment. Maybe that accounts for people sensing dead loves ones from time to time? On second thought, how can Frank‘s ghost be around 1780‘s North Carolina? He hasn’t technically been born yet?
80% Is it that hard to find a native German to correct those sorts of mistakes? Smh.
83% I can’t help being disappointed that William and Bree did not have more meaningful encounters. I guess I built it up too much beforehand.
86% The plot thickens…
88% I hate it when something illogical takes me out of the story.
90% Oh shit.
92% I have never considered that, had the American colonies remained part of the British Empire, slavery would have been abolished sooner and there might not have been a civil war. (How sadly ironic.) Kind of hard to fault someone for fighting for Britain with that goal in mind.
95% Oh shit.
98% Oh shit.
100% A cliffhanger. And so many loose ends. Oh come on!
End of reading experience. Settling in to wait another 8 (?) years.
Still, after almost 20 years - and after waiting 8 long years (!) for this book -, I will always return to this series and get my hands on any bit of Jamie and Claire even if it’s no longer as addictive as it used to be. And even if by now I’m more interested in William, Jamie’s “natural son” – probably because his character arc is still developing.
(I picture William as Christoper Mason ⬇️, not just because he resembles Sam Heughan aka Jamie 😉 )
Speaking of character arcs: the general lack of character development is probably my biggest disappointment. After waiting for so long, I can’t say my expectations have been met. This book just felt like another step towards big moments that are still yet to come. The journey remains unfinished – with a cliffie no less – and I shudder to think how long it’s gonna be until the next book comes out. Another 8 years??
I also felt like the focus of this historical romance/family saga was mostly on history and establishing a historically accurate time period (including very vivid olfactory descriptions) and less on character arcs. Still, Gabaldon is a great writer, researcher, and storyteller and I was always looking forward to continue reading; hence the 4 stars for keeping me emotionally invested.
*********************************************************************************************
Feel free to stop reading here (maybe look at the images though 😉) - next up:
My reading experience in live updates:
0%: It’s been almost 8 years since the last book. Once upon a time, I used to reread all previous books before reading a new installment but a) there are just too many of them and they keep getting longer so I don’t have the time for that and b) I’m just not that into the series as I was when I started reading Outlander at the tender age of 18. I really hope Gabaldon will catch us readers up on the events of the previous books.
7% I need more detailed recaps on book 8. My mind is sadly not a steel trap.
8% Who are all these people.
8% ”When I wake sometimes in the early morning, and I see ye there beside me. I doubt you’re real. Until I touch ye – or until ye fart.”😂 😂 😂
9% Ah, sweet William. Man, I hope he will cross paths with his father and/or sister soon! I live for that!
10% Who are all these people.
12% Thank you for some recaps: Time traveling is so weird. Meeting your father when he is younger than you? Wild. Also, Jamie 💔.
13% Roger and Bree bringing a medical book for Claire and Lord of the Rings for Jamie from the 20th century to the 18th? Love it! And a history book! Fucking finally.
17% I’m crying over a little boy receiving a letter from his mother.
20% Enough of those domestic scenes. How about some action?
23% Oh, Brianna, lass, you should have used your brain. I wonder what the repercussions will be… I might get the action I thought I wanted. At some point.
26% Damn it. Now I’m teary-eyed again. Fanny and her sister Jane‘s past will do that to you. Can’t believe I forgot about that since the last book. And Jamie is just the best at comforting people. I want to sit on his knee, being stroked and talked to in Gaelic when I’m upset. And I mean that in a completely non-sexual way. This time.
27% To all French speakers: Would you say “voulez-vous coucher avec moi” to your wife? It sounds weird to say “vous” to your spouse…
27% Be careful what you wish for, Anna. That wasn’t the kind of action I had in mind.
28% How depressing is it that it’s custom to weave your shroud while you’re expecting. Expecting death, more like.
30% Fucking finally, more on my boy William!
31% So Lord John and Manoke were (are?) lovers methinks (but menotremembers). Going fishing sure sounds like code for sex lol.
31% I do love John Grey. Maybe I ought to read more of the Lord John series.
36% Jealous Jamie should be a new expression much like Negative Nancy. Sheesh.
36% So we went 300 pages without an explicit sex scene. And I can’t say I missed it. But angry sex sure is fun - and also very brief. (Page total: 1) Go, Jealous Jamie.
38% Yes, please, Lord John. Set up a meeting between Brianna and William. I want brother and sister to finally get to know one another!
46% So Claire really is a witch, huh. I was wondering when that sort of thing would happen. Didn’t that old Native American lady predict she would gain full access to her powers when her hair had turned white?
48% Culloden. Murtagh. Those memories are breaking my heart.
52% Everybody is setting out on different quests far from home… Ian, Rachel, and Jenny. Roger, Brianna and the kids. I guess things are about to go wrong?
56% It’s honestly cool that by now that Fergus (and Ian and Jenny) know about the time traveling. I love those conversations!
56% Thank you for the reminder that almost all the main characters have been raped at some point. Too much drama? Yes.
58% Sorry, I can’t find having sex with a woman who’s mostly asleep appealing. Big fat nope from me. Even if it’s Jamie and Claire.
60% If Jamie was described being aroused by another woman, we’d all hate him. So why is this ok for Ian?
60% The book‘s title should have been Taking in Strays. First Agnes, now Silvia and her three kids.
61% I’m sorry to say I don’t care that much for that Ian/Rachel/Jenny storyline…
62% What the absolute fuck??!! What a bastard. He should be castrated. And that’s me being kind.
64% Yay! A puppy! And my alternate title for the book is confirmed. Also, I really want to know if Tòtis is Ian‘s son!! It seems I changed my mind: I do care for that storyline after all.
64% “Gabriel said their names over and over, like an incantation against their disappearance.” Gabaldon has such a way with words.
67% Fucking finally! It’s been almost 250 pages since I last read about William. Not cool.
68% Well, at least William acknowledges Bree as his sister. I guess that’s progress.
71% I really dislike Amaranthus. Hands off William and hands off, William!
79% Sometimes I forget the supernatural element to this series. Having an “I-see-dead-people“ moment. Maybe that accounts for people sensing dead loves ones from time to time? On second thought, how can Frank‘s ghost be around 1780‘s North Carolina? He hasn’t technically been born yet?
80% Is it that hard to find a native German to correct those sorts of mistakes? Smh.
83% I can’t help being disappointed that William and Bree did not have more meaningful encounters. I guess I built it up too much beforehand.
86% The plot thickens…
88% I hate it when something illogical takes me out of the story.
90% Oh shit.
92% I have never considered that, had the American colonies remained part of the British Empire, slavery would have been abolished sooner and there might not have been a civil war. (How sadly ironic.) Kind of hard to fault someone for fighting for Britain with that goal in mind.
95% Oh shit.
98% Oh shit.
100% A cliffhanger. And so many loose ends. Oh come on!
End of reading experience. Settling in to wait another 8 (?) years.
December 25, 2021
Update as of 25 Dec 2021...
So I've been reading reviews of this book from longtime Outlander fans who were not happy with the quality of the book. I can't say I am surprised, because I went through the same exact thing with Jean M. Auel and her Clan of the Cave Bear series.
The first books in both series start off very strong. You are sucked into the world these authors create. So when they write more books, you're happy.
I fell in love with Jean M Auel's series and read the five books that at that time were available. As I read the books, I noticed a decline in quality, and a increase in repetition, something that I hear about the later books in the Outlander series.
The second-to-last book of the Cave Bear really dragged on, with a lot of fixation on the main character (another complaint I see echoed in reviews for Go Tell the Bees I am Gone) but I was glad when book 6 came out because Ms. Auel had announced it was the final book. However, I was let-down by it, as many of my fellow fans were.
So Outlander fans who were disappointed with this book, I feel your pain, because I've been through the same thing with a different author. How much it sucks to invest yourself into a series, only to watch it peter out due to repetition, laziness, the characters becoming Mary Sues, etc... I also experienced much of the same with Anne Rice's vampire series and how she turned Lestat into a Gary Stu.
I stand by the original review I wrote for this book way before a release date was even announced, because what I was afraid would happen, DID happen. I know the pain of being disappointed in something you love, and from the criticisms I see of this book, it seems like the final Outlander book is going to be even worse unless Gabaldon gets off her high horse and gets her shit together, or given the increased wait between subsequent books of the series, DG might very well die before she finishes it, just as GRRM might die before he finishes the Song of Ice and Fire series (another series I used to love but grew disappointed in)
Books are wonderful, but it's a shame when authors let this happen to their own series and creations.
-----
Update as of 24 Sept 2021... When I first wrote my review for this book back in January, I was venting a little because at that time, DG had been putting off the release of this book for years now, and the date and cover had not yet been released. As someone who has (or had, since I've given up now) been waiting for the next Game of Thrones book, it looked like DG had been befallen by the dreaded GRRM syndrome. I had been watching the Outlander series on Netflix and read book 4.
So I wrote the following review with that in mind, and did NOT give this book a star rating since I had not read it and did not feel it would be fair, but still had to put in my .02.
However, some whiny-ass Karens decided to give me grief over this review, and after the most recent whiny-ass comment, I decided, fuck it, I'll go ahead and give this 1 star. After all, a bunch of people are giving this 5 stars despite not having read it.
So yeah, I'm giving this book 1 star. Jamie and Claire need a break already, and I hope they get one in book 9.
-----
Original review as of Jan 2021...
Methinks it's time to just... wrap things up.
Now, I know a fair amount of this author's fans will disagree, hate on me, or dismiss me as a troll. but I need to make it clear that I am not trying to attack the author personally, nor am I giving this book any stars as I have not read it.
The one book I did read was Drums of Autumn, which had been given to me as a gift not long after its release by a relative who knew I enjoyed reading and assumed I would enjoy something that was popular. And don't get me wrong, Drums of Autumn was well-researched and written. I DID enjoy it, but did not read any more of the Outlander books because I had plenty of other books in my TBR pile.
However, I recently discovered Outlander on Netflix and watched all 4 seasons of it (as of this date) So many fucking twists and turns, so I decided to spoiler myself on the books via some Wikia reading (yes, I am a spoiler hound) and can't help but feel overwhelmed and dismayed at how many times Jamie and Claire keep getting torn apart only to find one another, only to get torn apart fucking again.
All of the 8 Outlander books - not including the side-stories - are pretty damn thick novels and I felt exhausted reading about all the twists and turns. It feels too much like the Clan of the Cave Bear series (which I actually read all of them) where the first book was awesome but then the rest of the series went into a decline/drag.
Come on, Ms. Gabaldon. Can you just give Jamie and Claire a fucking break? Reunite them and THIS TIME JUST LET THEM STAY TOGETHER.
EDIT - This review was written BEFORE the cover and publication date were announced - at that time, I had legit reason to believe that the author was suffering from GRRM syndrome (Game of Thrones reference for those who don't know who GRRM is)
I'm pretty tempted to give this book 1 star just because of all the bitches whining and complaining about by review.
So I've been reading reviews of this book from longtime Outlander fans who were not happy with the quality of the book. I can't say I am surprised, because I went through the same exact thing with Jean M. Auel and her Clan of the Cave Bear series.
The first books in both series start off very strong. You are sucked into the world these authors create. So when they write more books, you're happy.
I fell in love with Jean M Auel's series and read the five books that at that time were available. As I read the books, I noticed a decline in quality, and a increase in repetition, something that I hear about the later books in the Outlander series.
The second-to-last book of the Cave Bear really dragged on, with a lot of fixation on the main character (another complaint I see echoed in reviews for Go Tell the Bees I am Gone) but I was glad when book 6 came out because Ms. Auel had announced it was the final book. However, I was let-down by it, as many of my fellow fans were.
So Outlander fans who were disappointed with this book, I feel your pain, because I've been through the same thing with a different author. How much it sucks to invest yourself into a series, only to watch it peter out due to repetition, laziness, the characters becoming Mary Sues, etc... I also experienced much of the same with Anne Rice's vampire series and how she turned Lestat into a Gary Stu.
I stand by the original review I wrote for this book way before a release date was even announced, because what I was afraid would happen, DID happen. I know the pain of being disappointed in something you love, and from the criticisms I see of this book, it seems like the final Outlander book is going to be even worse unless Gabaldon gets off her high horse and gets her shit together, or given the increased wait between subsequent books of the series, DG might very well die before she finishes it, just as GRRM might die before he finishes the Song of Ice and Fire series (another series I used to love but grew disappointed in)
Books are wonderful, but it's a shame when authors let this happen to their own series and creations.
-----
Update as of 24 Sept 2021... When I first wrote my review for this book back in January, I was venting a little because at that time, DG had been putting off the release of this book for years now, and the date and cover had not yet been released. As someone who has (or had, since I've given up now) been waiting for the next Game of Thrones book, it looked like DG had been befallen by the dreaded GRRM syndrome. I had been watching the Outlander series on Netflix and read book 4.
So I wrote the following review with that in mind, and did NOT give this book a star rating since I had not read it and did not feel it would be fair, but still had to put in my .02.
However, some whiny-ass Karens decided to give me grief over this review, and after the most recent whiny-ass comment, I decided, fuck it, I'll go ahead and give this 1 star. After all, a bunch of people are giving this 5 stars despite not having read it.
So yeah, I'm giving this book 1 star. Jamie and Claire need a break already, and I hope they get one in book 9.
-----
Original review as of Jan 2021...
Methinks it's time to just... wrap things up.
Now, I know a fair amount of this author's fans will disagree, hate on me, or dismiss me as a troll. but I need to make it clear that I am not trying to attack the author personally, nor am I giving this book any stars as I have not read it.
The one book I did read was Drums of Autumn, which had been given to me as a gift not long after its release by a relative who knew I enjoyed reading and assumed I would enjoy something that was popular. And don't get me wrong, Drums of Autumn was well-researched and written. I DID enjoy it, but did not read any more of the Outlander books because I had plenty of other books in my TBR pile.
However, I recently discovered Outlander on Netflix and watched all 4 seasons of it (as of this date) So many fucking twists and turns, so I decided to spoiler myself on the books via some Wikia reading (yes, I am a spoiler hound) and can't help but feel overwhelmed and dismayed at how many times Jamie and Claire keep getting torn apart only to find one another, only to get torn apart fucking again.
All of the 8 Outlander books - not including the side-stories - are pretty damn thick novels and I felt exhausted reading about all the twists and turns. It feels too much like the Clan of the Cave Bear series (which I actually read all of them) where the first book was awesome but then the rest of the series went into a decline/drag.
Come on, Ms. Gabaldon. Can you just give Jamie and Claire a fucking break? Reunite them and THIS TIME JUST LET THEM STAY TOGETHER.
EDIT - This review was written BEFORE the cover and publication date were announced - at that time, I had legit reason to believe that the author was suffering from GRRM syndrome (Game of Thrones reference for those who don't know who GRRM is)
I'm pretty tempted to give this book 1 star just because of all the bitches whining and complaining about by review.
October 30, 2022
Go Tell the Bees That I Am Gone by Diana Gabaldon is a continuation of Outlander and is the ninth book story about a special bond between James Frazer and Clare that lasts no matter what. In this book, we also learn about Rodger's and Briana's time travel on their own. Here we notice that most lives go on Frazer's Ridge, a new house and tenants. James is aware of the future and makes decisions accordingly.
I've listened to this book on Audible with spectacular narration and enjoyed it so much.
I've listened to this book on Audible with spectacular narration and enjoyed it so much.
November 27, 2021
Well that was disappointing 🤨
Want to read
April 17, 2021Shock shock shocked by the 11/23/21 release date! Thought for sure it was going to be 2022 after she just finished the final draft a week ago. Let's go, editors!! Woohoo! *preordered*
November 25, 2021
Well... wow. Just wow.
6/5 ... like it could be anything else..
6/5 ... like it could be anything else..
December 9, 2021
I impatiently waited for this to come to print and now we begin the wait again for what I believe will be the final installment. Sigh. The nature of reading for me is to become deeply absorbed into the created world so much so that you laugh with them, cry with them, feel the joy and grief and everything in between. The action shifts up and down the Atlantic seaboard, as characters from past volumes reappear, die, are kidnapped, or are healed by Claire's medical knowledge, while new family members are born or adopted. Fans of the series should be pleased by new developments, but now must begin the long wait for the conclusion in number 10. Diana Gabaldon is a master at it. I had to take breaks while reads to try to settle from the wealth of emotions this storytelling evoked and yet at the same time needed to know what came next. There are a couple high-tension moments that make me worry for the fate of the Ridge, and a bit more development into speculation as to how the whole time travel thing works. This series started out life I believe as a creating of cross stitch and without doubt all the threads are coming together. A wonderful book I'm sorry to have finished.
December 21, 2021
The long wait is finally over. I just love this series.
It is 1779, Jamie, Claire, Brianna and Roger and their children are finally reunited on Fraser’s Ridge.
I was so happy to be back on Fraser’s Ridge. I was afraid I wouldn’t remember what happen after all this time, but I got right into it.
We learn of Brianna’s and Roger’s journey through the stones. Bree brings along a book written by Frank Randall, a history of what is to come.
William is still coming to terms with the discovery of his birth father
Not a perfect book. The first half is a revisit from some of the events that have previously occurred in other books. The second half was more interesting.
Some characters were hardly mentioned at all.
I would have liked for William and Jamie to have had more interaction with one another. There was however a heart throbbing life or death situation and a cliff hanging ending.
All in all I just love reading about Jamie and Claire. I missed it very much.
Hopefully the conclusion is not far away.
It is 1779, Jamie, Claire, Brianna and Roger and their children are finally reunited on Fraser’s Ridge.
I was so happy to be back on Fraser’s Ridge. I was afraid I wouldn’t remember what happen after all this time, but I got right into it.
We learn of Brianna’s and Roger’s journey through the stones. Bree brings along a book written by Frank Randall, a history of what is to come.
William is still coming to terms with the discovery of his birth father
Not a perfect book. The first half is a revisit from some of the events that have previously occurred in other books. The second half was more interesting.
Some characters were hardly mentioned at all.
I would have liked for William and Jamie to have had more interaction with one another. There was however a heart throbbing life or death situation and a cliff hanging ending.
All in all I just love reading about Jamie and Claire. I missed it very much.
Hopefully the conclusion is not far away.
February 12, 2022
Outstanding!
Spellbinding, as usual. I could not put the book down. I loved the continued character development, the suspense and the historical fiction of the novels. Of course, I continue to love Jamie and Claire!
Spellbinding, as usual. I could not put the book down. I loved the continued character development, the suspense and the historical fiction of the novels. Of course, I continue to love Jamie and Claire!
December 11, 2021
3.5, rounded up because it was hard enough not giving an Outlander book 5 stars. 😪
Kills me to say it, but this installment did not measure up to the rest of the series and it has me anxious as heck for the last book. (Please let it be nothing like this one.) The writing did not feel anything like DG’s best, regurgitating/“reminding” us of previous storylines to the point of taking you well out of the moment in this book .. which was easy enough considering the lack of atmosphere (thanks, Rose!) that usually draws you into her stories.
There were a few trademark moments that made my heart happy, but they were few enough; I found myself bored often, waiting to feel something, anything, really. The length was a crime considering not a whole lot happened + a good 100 or more pages were either devolving into an earlier book’s plot summary or needlessly moving people about. I don’t know what happened with this book, but the characters deserved much better than this.
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.. It’s been three weeks and it feels like I really should make this a 3⭐️, but it huuurts. 🙈 Maybe when I reread it. 😅😩
Kills me to say it, but this installment did not measure up to the rest of the series and it has me anxious as heck for the last book. (Please let it be nothing like this one.) The writing did not feel anything like DG’s best, regurgitating/“reminding” us of previous storylines to the point of taking you well out of the moment in this book .. which was easy enough considering the lack of atmosphere (thanks, Rose!) that usually draws you into her stories.
There were a few trademark moments that made my heart happy, but they were few enough; I found myself bored often, waiting to feel something, anything, really. The length was a crime considering not a whole lot happened + a good 100 or more pages were either devolving into an earlier book’s plot summary or needlessly moving people about. I don’t know what happened with this book, but the characters deserved much better than this.
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.. It’s been three weeks and it feels like I really should make this a 3⭐️, but it huuurts. 🙈 Maybe when I reread it. 😅😩
October 18, 2022
Lawd fix it! It only took me 6 months of off/on reading to finish this BEAST of a book, but man was it worth it. Davina Porter is a goddess of a narrator and made all the times I got “lost in the woods” worth it. Diana is all about details. Sometimes it a little much, but I’m grateful in hindsight for every tender morsel. Even parts about Jamie farting because *ahem* we can’t all be Perfect 😂.
I can’t wait to discuss all kinds of theories on my upcoming podcast episode. So many things—about Frank. Ifrinn, freakin Frank!! Talk about mind blowing lightbulb parts. And Claire!! The things that woman can do. The things she did. I will never get enough of Jamie & Claire. This is why they are my otp of all time!! Bree, Roger and the kids. Ian, Rachel, Jenny and the rest of the gang have my heart. I wish I could get out all these immense feels, but I’ll save it for the podcast!!
Bravo, Diana. Once again you’ve left us with full hearts and a bit of a cliffhanger, but not too terrible.
I can’t wait to discuss all kinds of theories on my upcoming podcast episode. So many things—about Frank. Ifrinn, freakin Frank!! Talk about mind blowing lightbulb parts. And Claire!! The things that woman can do. The things she did. I will never get enough of Jamie & Claire. This is why they are my otp of all time!! Bree, Roger and the kids. Ian, Rachel, Jenny and the rest of the gang have my heart. I wish I could get out all these immense feels, but I’ll save it for the podcast!!
Bravo, Diana. Once again you’ve left us with full hearts and a bit of a cliffhanger, but not too terrible.
December 10, 2021
Did I enjoy visiting with the Frasers and assorted friends, family, and pretty much everyone they've ever met and a bunch of new characters after a 7 year book drought? Yes. I loved the Outlander series long before it was a TV show (the show is fantastic too), and I was excited for this new book installment. My more than 1 star rating reflects this nostalgia.
Am I angry and annoyed that a 902 page book that took 7 years to write and publish had NO PLOT ARCH and NO ENDING? Yes. The book is a collection of literary vignettes about dozens of subplots which reads more like a collection of interwoven short stories (many with unresolved plot threads) than a novel. If you're hoping for a beginning, crescendo, and great ending or some combination of the 3, you won't find it here. I hate cliffhangers in books in general, but I especially hate them when it will be 5 to 7 years (if the pattern holds) before the next book is written and released. Admittingly, a few of the subplots are interesting, but since so many of those were unresolved as well, it was like being punched in the face with mini cliffhangers before the big knockout punch at the end.
If I knew days ago what I know now, I wouldn't have read this. I would wait until the series is finished (which realistically could be 14 to 21 years if Gabaldon does 2 or 3 more) and read the remaining books at once. This is my stance going forward.
Am I angry and annoyed that a 902 page book that took 7 years to write and publish had NO PLOT ARCH and NO ENDING? Yes. The book is a collection of literary vignettes about dozens of subplots which reads more like a collection of interwoven short stories (many with unresolved plot threads) than a novel. If you're hoping for a beginning, crescendo, and great ending or some combination of the 3, you won't find it here. I hate cliffhangers in books in general, but I especially hate them when it will be 5 to 7 years (if the pattern holds) before the next book is written and released. Admittingly, a few of the subplots are interesting, but since so many of those were unresolved as well, it was like being punched in the face with mini cliffhangers before the big knockout punch at the end.
If I knew days ago what I know now, I wouldn't have read this. I would wait until the series is finished (which realistically could be 14 to 21 years if Gabaldon does 2 or 3 more) and read the remaining books at once. This is my stance going forward.
December 8, 2021
I started reading Gabaldon in 1994. At least half of you who read this book, and became Gabaldon fans in the first place, did so because of people like me who were in on this from the early days. I remember being in a Compuserve forum with DG. I was one of those that recognized the way Gabaldon blended detail, research, and lyrical prose into a well-paced story and begged for the next volume that would equal the one before. So let's be clear. I have earned the right to say this. This book should not have been written. This series should have ended 3 books ago. At least 3 of the last 5 books in this series were dragged out disasters where the overblown ego of the author has turned a wonderful story into a cautionary tale of what happens when writers start to believe that people hang on their EVERY word. No one who read this book could possibly come up with a plot summary that justifies 900+ pages. Because in 80% of the book, nothing happens.
November 24, 2021
Disappointing
I was greatly anticipating the ninth book in the series yet sadly found myself bored at times with the feeling I had read some of the plotlines in earlier books. The ending came as no surprise - I will not include a spoiler but it was obvious the two characters had to meet again one, predictably, needing the help of the other. Perhaps the final book will tie up all the loose ends and provide a decent resolution for these incredible characters. I just hope the author has enough interest to see the saga finished.
I was greatly anticipating the ninth book in the series yet sadly found myself bored at times with the feeling I had read some of the plotlines in earlier books. The ending came as no surprise - I will not include a spoiler but it was obvious the two characters had to meet again one, predictably, needing the help of the other. Perhaps the final book will tie up all the loose ends and provide a decent resolution for these incredible characters. I just hope the author has enough interest to see the saga finished.
December 13, 2021
7 years?? What??
I usually don't write reviews unless something makes an impression that just is undeniable, and this definitely qualifies. Be aware of spoilers ahead!
After finishing this book this morning all I can say is that I am left with the feeling of being stabbed in the back by my best friend. After a seven year wait between publications, it is safe to say that we were all expecting a lot from Mrs. Gabaldon, and for me it fell woefully short.
I just don't understand. At least 500 pages of this could be eliminated and we would be none the wiser for the amount of useless page filling of domestic life (i.e. butter churning, house and privy building, child rearing), Claire's curing of ailments of all the tenants that we couldn't care less about and serve no pivotal meaning to the serious lack of plot, and all the religious blah, blah, blah concerning Roger. Seriously, if I had to read one more house blessing, christening, funeral, or visit concerning Roger's newfound role as minister to the Ridge I was going to lose my mind! And all the time spent trying to decide on a name for Ian and Rachel's son! I literally found myself dosing off in every chapter and had to start skimming just to get to the things that were actually worth reading, which wasn't very much. By the time we got to something happening that mattered I basically just didn't care anymore.
I mean how may times is Jamie almost going to die, but then not? Don't get me wrong, I don't want him to, but it's just a redo of the same old tired story arc. Not to mention, Claire has powers now??? That whole thing just feels very disjointed and like it doesn't belong. Also, what a huge letdown that in 900 pages we got not a single ounce of interaction between Jamie and William.
And speaking of William, the whole entire part of this book devoted to him was just a bore. Does anybody else just not care about his search for Ben (who is a character who we don't give a hoot about and has never been a part of anything that matters)? And the "love story" between William and Amarantha? Blah, Blah, Blah.
Ulysses? I don't think I need to say anything more about that. Just, what the crap?
All in all, this was a huge mess full of tons of side characters and minute details that contributed nothing to what little plot there actually was. These books have steadily declined since Drums of Autumn for me, but at least (with the exception of The Fiery Cross) there was enough there in the previous books to keep me going in order to overlook the details that didn't matter, but not this time. And after having invested so much in these books and developing such a love for these characters, it's so disappointing to feel like you just don't care anymore about the end result. Let's be honest, we will probably have to wait 10 years just to find out. All I can say is that if number 10 really is the last entry in this series, I sincerely hope that Diana can do better than chapter after chapter of useless page filling. These characters that we love deserve a much better sendoff than trivial musings about domestic life, another woman giving birth, Claire doing another surgery, and another death prediction or presumed death for Jamie.
I usually don't write reviews unless something makes an impression that just is undeniable, and this definitely qualifies. Be aware of spoilers ahead!
After finishing this book this morning all I can say is that I am left with the feeling of being stabbed in the back by my best friend. After a seven year wait between publications, it is safe to say that we were all expecting a lot from Mrs. Gabaldon, and for me it fell woefully short.
I just don't understand. At least 500 pages of this could be eliminated and we would be none the wiser for the amount of useless page filling of domestic life (i.e. butter churning, house and privy building, child rearing), Claire's curing of ailments of all the tenants that we couldn't care less about and serve no pivotal meaning to the serious lack of plot, and all the religious blah, blah, blah concerning Roger. Seriously, if I had to read one more house blessing, christening, funeral, or visit concerning Roger's newfound role as minister to the Ridge I was going to lose my mind! And all the time spent trying to decide on a name for Ian and Rachel's son! I literally found myself dosing off in every chapter and had to start skimming just to get to the things that were actually worth reading, which wasn't very much. By the time we got to something happening that mattered I basically just didn't care anymore.
I mean how may times is Jamie almost going to die, but then not? Don't get me wrong, I don't want him to, but it's just a redo of the same old tired story arc. Not to mention, Claire has powers now??? That whole thing just feels very disjointed and like it doesn't belong. Also, what a huge letdown that in 900 pages we got not a single ounce of interaction between Jamie and William.
And speaking of William, the whole entire part of this book devoted to him was just a bore. Does anybody else just not care about his search for Ben (who is a character who we don't give a hoot about and has never been a part of anything that matters)? And the "love story" between William and Amarantha? Blah, Blah, Blah.
Ulysses? I don't think I need to say anything more about that. Just, what the crap?
All in all, this was a huge mess full of tons of side characters and minute details that contributed nothing to what little plot there actually was. These books have steadily declined since Drums of Autumn for me, but at least (with the exception of The Fiery Cross) there was enough there in the previous books to keep me going in order to overlook the details that didn't matter, but not this time. And after having invested so much in these books and developing such a love for these characters, it's so disappointing to feel like you just don't care anymore about the end result. Let's be honest, we will probably have to wait 10 years just to find out. All I can say is that if number 10 really is the last entry in this series, I sincerely hope that Diana can do better than chapter after chapter of useless page filling. These characters that we love deserve a much better sendoff than trivial musings about domestic life, another woman giving birth, Claire doing another surgery, and another death prediction or presumed death for Jamie.
December 1, 2021
and just like that, i’m completely and utterly free from the shackles jamie and claire had on me years ago. this is gonna be the last book i read from her. i cant punish myself like this again
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November 9, 2021I just wanna say one has to admire Diana Gabaldon's NERVE to write NINE novels about the same pair of characters, who are not getting younger. Or better. Or even changing in any way, to be honest. They reached the absolute perfect relationship in the third book and have just been living Wild Adventures since then, no significant evolution in sight.
This is all so tiring for everyone involved. I'm growing tired of reading, people are getting tired of expecting new books, the characters are tired of existing (I swear I can feel Claire's back aching and Jamie's knees joints getting weaker since book 4). Don't you feel tired too, dear author?
Do not put these poor souls through a whole bunch of mischief and adventures all over again, I beg you. Let them (and all of us, too) rest and move on, Diana!
ps.: Good lord, Diana! You had nine books to pick a new main character... There were so many good people hanging on from the first 3 books of the series, you know? Why couldn't you give them a good plot? Why did you had to make their lives so uninteresting? It's a true shame.
This is all so tiring for everyone involved. I'm growing tired of reading, people are getting tired of expecting new books, the characters are tired of existing (I swear I can feel Claire's back aching and Jamie's knees joints getting weaker since book 4). Don't you feel tired too, dear author?
Do not put these poor souls through a whole bunch of mischief and adventures all over again, I beg you. Let them (and all of us, too) rest and move on, Diana!
ps.: Good lord, Diana! You had nine books to pick a new main character... There were so many good people hanging on from the first 3 books of the series, you know? Why couldn't you give them a good plot? Why did you had to make their lives so uninteresting? It's a true shame.
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