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319 pages, Hardcover
First published February 7, 2017
The world is hard. You have to be harder.
With all the power of technology and science in the world, I would bet you dollars to doughnuts that you still trust a human face to be a human. But come closer and let me speak to the creatures that swim in your ancient oceans, the old ones that sing to you in your dreams. Encoded memories so frayed you think they're extinct, but they wait, coiled and unblinking, in your blood and in your bones.
“People were like that, though. Basically good until they thought they could get away with shit without being caught.”
“The world is hard, his mom liked to say. You have to be harder.”
“No, you don’t understand. I’m not regretting it. I’m saying I don’t believe in monogamy, but I don’t fall in the sack with just anyone. And I certainly don’t believe in gender the way you do, and you’ve made it clear that you find my ways ‘pervy.’”
“What”?
“I’m normally attracted to people willing to push heteronormative boundaries.”
Jacob felt his eye twitching. “So you’re gay?”
“There you go,” Sarah said. “Thinking in Western binaries again.”
“So you’re not gay.”
“It’s like talking to a wall,” Sarah said through gritted teeth. “Do you even listen to anything I say?”
“But what does that mean? For us?”
“It means you confuse the hell out of me. I’m frustrated.”
“Well, that’s a big ditto.”
“You’re so retro. How can I be with someone who still defines himself as strictly male?”
“So you like chicks? Or guys … or both? Is that, like, the trans one or the bi?”
Sarah stopped swinging her legs and coolly considered him. She hopped down. “You’re so not getting laid tonight.”
this books is amazing.it took Eden Robinson eight years to write Son of a Trickster and it shows. from the first page what struck me about it is how perfect it is, how precise, how carefully built, sentence by little sentence, with that effortlessness that is always the product of painstaking labor. this precision in the language is juxtaposed to a whole lot of mess -- messy lives, messy hygiene, messy love, messy gastroenterology (lots of bad eating, not eating, and bad drinking, and TONS of throwing up). and, on a more technical level, seemingly (but in fact not) messy timelines and storylines. the language, it seems to me, is the one rigorous thing that holds everything together supple tendons superglue. it even keeps together jared, the adorable teenage protagonist, who speaks carefully, corrects those who speak imprecisely, and uses language in that fast, über-clever teen snark you wish you had had when you were a teen. needless to say, none of this makes him the most popular boy in town, but, miraculously, jared possesses that old-soul self-containedness some kids have (that, too, is something you wish you had had when you were a teen!) that allows them genuinely not to care.
this is not marketed as a YA book, but if you know a teen who is having a shitty time and who won't get traumatized by talk of sex and drugs, jared’s solid decency in the face of a decidedly shitty life may be something they might find solace in.the key features of jared's surroundings are poverty and lack of resources of all kinds. the entire community seems to consist of: more or less put-together habitations, some kind of all-purpose store, a liquor store, a church, a school. also, the beach, which is used mostly to party (but we do see this from a teen’s point of view, so maybe there is a whole other lot going on there too, though one is hard pressed to imagine what). partying at the beach equals getting high on booze and substances of all kinds. the kids and the adults in jared’s world all seem to find entertainment only in getting high, watching tv, gaming, and boning each other.
this is why the religious aspect is so brilliantly essential to the book, and i must say that robinson does it so darn well, with humor and that playful irreverence we often encounter in literature by people of color (cuz you’ve gotta laugh, dontcha? i mean, you can and will cry, but humor is what, at the end of the day, will keep you alive).you cannot starve a people, rob it of their jobs, rob it of land and prospects, rob of it the material makings of dignity and autonomy, and expect them to keep their culture alive. cultures need to be fed. they need food in the belly -- not any old crap food, but decent food, cuz the shitty food that doesn’t give real nourishment will make one puke, and puke, and puke, all book long.