Poetry by Ivy Alvarez, Rachel Barenblat, Jeanne Marie Beaumont, Kristin Berkey-Abbott, Chana Bloch, Leila Chatti, Luisa A. Igloria, Mohja Kahf, Vivian Lewin, Vinicius de Moraes (Natalie d'Arbeloff, trans.), Roderick Robinson, Nic Sebastian, Claudia Serea, Purvi Shah, Rosemary Starace, and Marly Youmans
Illustrated and Edited by Elizabeth Adams
This invitational anthology by established, interfaith poets is a book that is more human and personal than religious, in which the enigmatic and universal figure of Mary helps us find common ground. It includes original relief print illustrations, printed endpapers, beautiful typography, and process notes by the authors and artist. Available through the publisher only. http://www.phoeniciapublishing.com/an...
Elizabeth (Beth) Adams is a writer, artist, publisher, and editor. She is the founder of Phoenicia Publishing, an independent press, and the former co-managing editor of qarrtsiluni online literary magazine. Her latest book, Snowy Fields, pairs her charcoal landscape drawings with her writing about place, loss, and change. Losing Touch by Magda Kapa (Phoenicia, 2021), Dave Bonta's Ice Mountain: An Elegy (Phoenicia, 2017; and Annunciation (Phoenicia, 2015) are all books which she edited, designed, and illustrated. She is the author of Going to Heaven, (Soft Skull Press, Brooklyn, 2006) the story of Bishop Gene Robinson and the debate over ordinations of gays and lesbians; numerous essays on religion and spirtuality; and the editor and designer of numerous books. She has been writing a blog, The Cassandra Pages, since March, 2003. Beth grew up in the rural northeastern U.S., has a degree in classics from Cornell, lived in Vermont for thirty years, and currently resides in Montreal with her husband, photographer Jonathan Sa'adah. She is a member of PEN Canada and the Association of English Language Publishers of Quebec.
Annunciation is a beautiful anthology of poems by sixteen poets, with original relief print illustrations. Because of the interfaith, and intercultural nature of the poets (Christian, Muslim, Jewish, Hindu, secular) the book ends up being more human and personal than religious, with Mary as an enigmatic and universal figure who helps us find common ground.