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The Living Places - Simon Architecture Prize is an initiative of Simon—curated by the Fundació Mies van der Rohe since the prize’s inception—which aims to distinguish those architectural projects (including interiors, public, domestic, and landscape spaces) whose excellence provide comfort to their inhabitants and improve people’s quality of life on a daily basis; while working, learning, sharing, enjoying...in short, architecture to be lived!

With the 2024 Olympic Games opening ceremony fast approaching, Paris has captured global attention. In addition to the venues being prepared for the Olympics, the city offers a wide range of architectural projects that showcase its efforts to improve the urban environment and promote a greener and more inclusive city. Among these, the new Clichy Batignolles Eco-District in the 17th arrondissement of Paris is a 54-hectare development that set out to transform the former SNCF rail yard into a new neighborhood. The initiative features contributions from internationally recognized architects including MAD Architects, Architect Périphériques, and RPBW, among others. Read on to discover the urban development through the lens of architecture photographer Paul Clemence.

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Snøhetta has unveiled a vacation home design nestled within the landscape of Hokkaido Island for the Japanese hospitality group NOT A HOTEL. Situated atop the renowned Rusutsu Resort, the project centers itself around Mount Yotei and provides framed views. The 1200 sqm building’s design aims to be minimal, influenced by the surrounding terrain and defined site boundaries.

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Inside is the sister festival of the World Architecture Festival (WAF), the world’s biggest live architectural awards programme, celebrating the very best in interior design. Both Inside and WAF finalists will present their projects to a panel of judges live at the international festival in Singapore.

The 2024 Inside Shortlist represents over 80 interior projects from across the globe, in cities including: New York City, Dubai, Beijing, Osaka, São Paolo, Phuket, Delhi, Auckland, Mexico City, Lisbon, and London. Leading design firms to feature in this year’s shortlist include Foster + Partners, Broadway Malyan, Nikken Sekkei and Office AIO. Many emerging design firms will also be on stage, live pitching against the big names.

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World War II was pivotal in human history, leaving a profound political and social impact. Its conclusion marked a significant turning point, leading to post-war suburbanization and the baby boom. These phenomena resulted in rapid urban growth and a surge in housing construction, which peaked in the 1960s and continued to flourish throughout the following decades, gradually slowing down until the present day. Currently, we are facing a very different scenario in which a backlog of affordable housing, combined with a challenging economic outlook and a climate agenda, have led to the need for a transformation of the built environment into a cleaner and more resource-efficient one, in line with the Paris Agreement.

Thus, with the ever-increasing demand for housing, combined with policy initiatives such as the European Green Deal, the post-war model of hyper-production is becoming unsustainable. Consequently, refurbishing derelict or redundant buildings has emerged as a viable alternative. Unlike the scheme of demolition and new construction, this approach offers opportunities for energetic retrofitting, which helps mitigate environmental obsolescence, extend the lifespan of buildings, and revitalize the existing and dilapidated stock—including postwar housing—while improving people's quality of life.

This article was originally published on Common Edge.

The format for Blair Kamin’ latest book, Who Is the City For? is slightly different from typical compilations. Kamin groups his columns thematically (all 55 appeared in the Chicago Tribune, when he served as architecture critic), and then, more often than not, adds a postscript updating or reframing the story for our fraught new normal. One of the recurring themes, both in the stories and in the postscripts, is the issue of design equity. As income inequality, systemic racism, and climate change became central to the cultural and political debates, equity became the critical lens for much design criticism. In our recent conversation, Kamin advocated for a broader definition of the term.

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