Coldplay invites Palestinian Chilean star Elyanna on stage at Glastonbury Festival

Coldplay invites Palestinian Chilean star Elyanna on stage at Glastonbury Festival
Coldplay's Chris Martin on stage at Glastonbury on Saturday. (Getty Images)
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Updated 30 June 2024
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Coldplay invites Palestinian Chilean star Elyanna on stage at Glastonbury Festival

Coldplay invites Palestinian Chilean star Elyanna on stage at Glastonbury Festival

DUBAI: British band Coldplay seemed to make a strong political statement when they brought out Palestinian Chilean singer Elyanna during their headlining set at the UK’s Glastonbury Festival on Saturday.

The band performed the track “We Pray” from their unreleased album “Moon Music” and were joined on stage by rapper Little Simz and vocalist Elyanna to cheers from the audience.

The song features the lyrics “we pray that we make it ‘til the end of the day.”

Later in the show, lead singer Chris Martin said it was important they could show a “beacon of togetherness.”

At a Coldplay concert in Tokyo in November, Martin appeared to speak out against the Israel-Gaza war.

He told the audience that there were “so many terrible things happening,” and that he believed “most people on Earth are full of love and full of kindness, compassion.”

He added: “We don’t believe in oppression, or occupation, terrorism or genocide, nothing like that.”

In May, Elyanna made her television debut on “The Late Show with Stephen Colbert” and in 2023, Elyanna became the first artist to perform a full set in Arabic at California’s Coachella music festival — she has also been vocal about the ongoing conflict on social media.

Meanwhile, pop star Dua Lipa lit up a chilly Glastonbury evening on Friday, transforming its famous Pyramid stage venue into an open-air nightclub where thousands grooved to hits such as “Levitating” and “Houdini.”

Headlining the iconic music festival in southern England for the first time, Lipa delivered a glittery, energetic performance featuring firework displays, five different outfits and an ensemble of break dancers and musicians, Reuters reported.

The 28-year-old British-Albanian singer told the crowd how it had been a dream for her to sing on Glastonbury’s Pyramid stage, where artists such as Paul McCartney, Beyoncé and David Bowie have performed over the festival's more than 50-year history.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by DUA LIPA (@dualipa)

“Little me would just be so beside herself right now,” she said. “Honestly I couldn't believe it. I feel so grateful.”

She joined Coldplay, R&B singer SZA and country music singer Shania Twain as headliners — a grouping with much more female talent after criticism over last year's male-dominated lineup.


Saudi violinist, DJ and producer Kayan: ‘Everyone wants to see how the new generation will present the Saudi song’ 

Saudi violinist, DJ and producer Kayan: ‘Everyone wants to see how the new generation will present the Saudi song’ 
Updated 48 min 16 sec ago
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Saudi violinist, DJ and producer Kayan: ‘Everyone wants to see how the new generation will present the Saudi song’ 

Saudi violinist, DJ and producer Kayan: ‘Everyone wants to see how the new generation will present the Saudi song’ 
  • Kayan talks creating a new style of music for her homeland 

DUBAI: The Saudi violinist, DJ and producer Kayan (who prefers not to reveal her real name) doesn’t do things by halves. When she decided to learn Indian music, for example, she went all in. She dressed the part, met with a guru, and sat on the floor while learning in order to “feel it fully and live it fully and understand its essence,” she tells Arab News. “I don’t know if it’s a good thing or a bad thing, but when I get into something, I get into it with all its elements.”  

Kayan’s journey has been unconventional and unique. She was reportedly the first female violinist in the Saudi National Orchestra. She is the first musician in her family, but says she may have inherited a love of the arts from her grandmothers, who both painted.  

Kayan was raised in the Eastern Province, and went to a government school, where she wrote poetry, painted, danced and took part in school plays. (Supplied)

Kayan was raised in the Eastern Province, and went to a government school, where she wrote poetry, painted, danced and took part in school plays. Where music was concerned, she says she was a “deep listener,” enjoying Khaleeji, Egyptian, and Lebanese tunes. Later, Western pop and electronic music entered the picture. 

“For me, sound and music is how I express myself — how I see life, how I feel life, how I remember life. It is my way of experiencing this existence, externally and internally,” she says. “Existence” is the translation of her chosen artist name. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by KAYAN (@kayan_music)

After school, Kayan spent six years living in Bahrain, earning a bachelor’s degree in international relations. But her heart always belonged to music.  

“My degree could get me the best corporate job, and it did get me that for the longest time. So choosing to leave that and go into music, it was a question of course,” she says. “There were a lot of questions along the way.” 

Kayan performing at Riyadh Golf CLub. (Supplied)

While in Bahrain she studied Eastern music — from Khaleeji to Hindi — and also worked for BBC World Radio, where she learned about music software and hardware. It was also where she began to learn what she calls the most challenging instrument in the world: the violin. 

“It picked me, I did not pick the violin,” says Kayan. It all began with a YouTube video of a violinist playing on the streets, using a loop pedal.  

“I was in that moment. I was frozen in time and space, listening to that performance over and over again,” she recalls. “Something inspired me and, the next day, I bought a violin and I registered with an institute. I didn’t think about it. I just did it. 

“I had no clue that the violin was the hardest instrument in the world,” she continues. “With the violin, there is no way to know where the note is. Your ear has to guide you because the instrument has no identification of where the note is.” So, she bought other instruments to experiment with, including the drums and the xylophone. But, at the back of her mind, she was still thinking of the violin.  

Kayan believes that playing the violin requires both technical and emotional abilities, as they both “contribute to one another.” She favors the emotional part more. The violin is known as a highly expressive instrument, tapping into melancholy, longing and sorrow. It is also believed that the violin is the closest instrument to the human voice, akin to a person telling an intimate story.   

For her solo work, Kayan combines her violin playing with electronic music — she is also a DJ and producer. (Supplied)

Her relationship with the instrument was strengthened when she returned to Saudi Arabia in 2020, a time when the country’s entertainment industry was undergoing unprecedented changes and receiving heavy government backing. She won a scholarship for aspiring musicians launched by the Ministry of Culture and the Saudi Music Commission, then joined the Saudi National Orchestra. As its first female violinist, Kayan says that the pressure is on, not just for her, but for her Saudi colleagues too.  

“It’s a big responsibility, because Saudi is developing in a way that, when it opened up, you’re expected to be the best in the world. I’m someone who didn’t start in a proper way, because I was trying to figure things out. . . We are expected to learn Eastern and Western music, and be the best at both, and represent the country, and score A-plus.”  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by KAYAN (@kayan_music)

For her solo work, Kayan combines her violin playing with electronic music — she is also a DJ and producer. She has performed across the Kingdom, notably in AlUla and Riyadh, as well as abroad. One of her main goals is to modernize Saudi music — staying true to its essence while infusing it with electronic vibes.  

“People are curious to know what Saudi music sounds like — not in its traditional form, but in its contemporary form. And that’s the question,” she says. “Everyone wants to see how the new generation will present the Saudi song.”  

Kayan is currently working on a new concept album of Saudi electronic music, she says, adding that her ultimate dream as an artist is connection.  

“Sometimes, music is a friend. Sometimes, it’s a healer. Sometimes, it is magic. To me, it is not an escape — but it can be,” Kayan says. “On a personal level, I always dreamed that if I felt something beautiful and I played it and I felt its beauty, I would love for someone else to feel that beauty.” 


Recipes for success: Chef Andres Marcelo offers advice and a recipe for short rib tacos 

Recipes for success: Chef Andres Marcelo offers advice and a recipe for short rib tacos 
Updated 25 July 2024
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Recipes for success: Chef Andres Marcelo offers advice and a recipe for short rib tacos 

Recipes for success: Chef Andres Marcelo offers advice and a recipe for short rib tacos 
  • The executive chef at The St. Regis Red Sea Resort began his culinary journey aged 13.

DUBAI: Bolivian chef Andres Marcelo began his culinary journey aged 13, cooking for friends, family, and as the dedicated cook for his Boy Scouts troop.  

“It was always a hobby. I always enjoyed it. For me, cooking was about bringing together people, enjoying moments, and the social aspect of cooking,” he tells Arab News. 

And for a while it seemed as if a hobby was all cooking would be for him.  

“I come from a middle, upper-class family, and it’s not traditional to choose a career in the service or hospitality industry,” Marcelo explains. He did four years of civil engineering but realized it was not the career he wanted. 

At 20, he opened an online gaming cafe. To persuade his guests to stay longer, he started making food for them. It was then that he decided to enroll in a three-year culinary arts program in Argentina.  

Since then, he has traveled to 13 countries, training in prestigious restaurants, including three-Michelin-starred establishments in Spain and Japan. His career began in 2013 at Grand Hyatt Dubai, and he is now the executive chef of The St. Regis Red Sea Resort.  

Here, he discusses his favorite dish and his top tips for amateur chefs. He also shares a recipe for short rib tacos.   

When you started out, what was the most common mistake you made?  

Not paying attention and not really being aware of the environment around me. I used to burn myself a lot, and I still have a couple of marks that remind me to not rush myself, even if it’s busy. You have to take a moment to plan and to organize yourself. As long as you have your mise en place ready, you’ll always be fine — that means, for example, having your spoon in the right place for when you need it, and having something to hold hot items with.  

What’s your top tip for amateur chefs? 

Always have a sharp knife. If you have a dull knife, you’re more likely to hurt yourself, because you will have to use a lot more pressure, and then, if the knife slips, you’ll get hurt. With a sharp knife, you barely need to put any effort in to cut things. So always have a sharp knife. And always taste your food. You cannot serve something if you don’t taste it.  

What one ingredient can instantly improve any dish?  

I love lemon zest. It goes in both savory and sweet preparations, and it really brings up a lot of flavors.  

When you go out to eat, do you find yourself critiquing the food? 

Not really. Food is very subjective. If someone puts something in front of me, I’d think that they think it tastes good to them. I might comment on something technical — like if I order a medium steak and it comes well done — but I don’t comment on the taste or the composition of a dish, because, like I said, cooking is very subjective. Something that I find delicious might not be for others. I remember I used to have a chef who didn’t like coriander at all. I love the taste of coriander, especially in Asian cuisine. But if I presented a dish with coriander in it to this chef, he wouldn’t like it.  

What’s the most common issue you find in other restaurants? 

Since the pandemic, I feel staff are not paying enough attention to the guests. There is a major shortage of staff all over the world in hospitality, in restaurants. We’re overworking them. Sometimes restaurants now might have one waiter serving 10 tables. This is the big mistake that is happening in the industry now.  

What’s your favorite cuisine? 

I love Asian cuisine. It takes me back to my childhood. At least once a week, we would go out for Chinese food — well, Chinese-Bolivian food to be exact. Then, when I started traveling and I went to Japan and China, it was something completely different. I love the taste. I love the flavors and the textures. Dumplings are one of the best. I could eat dumplings every day.  

What’s your go-to dish if you have to cook something quickly at home?  

I’d do a mushroom risotto or a pasta carbonara — something simple with no more than five ingredients. If you have guests, they’ll never be upset with a nice mushroom risotto. 

What customer request most annoys you? 

When people disrespect the staff. This is what annoys me most. 

What’s your favorite dish to cook?  

My favorite is paella. My dad, being Spanish, used to cook very good paella. He learned from my grandfather. One of my earliest memories of being in a kitchen is helping him to prepare this dish. So, I really enjoy cooking paella or ceviche. That’s also something we used to cook together. It brings back fond memories of my childhood and being with my father. 

What’s the most difficult dish for you to get right?  

I would say the most difficult things are the simplest things. Like, spaghetti with tomato sauce can be the trickiest, because everyone has eaten spaghetti with tomato sauce, so they will compare your dish with all the others they’ve tried and with what they think is the best. Now, being in the Middle East, and in Saudi Arabia, if you make a dish that their mothers used to make a lot, let’s say, they’ll compare it to what they love. So, for me, the most complicated thing to do is to cook the best version of something that’s local. You’re trying to beat the fond memories before you create a new one.  

As a head chef, what are you like? Do you shout a lot? 

Discipline is very important in the kitchen, but I don’t think that being disciplined means you can’t be kind and respectful. I very rarely shout. It would have to be something really, really, really, really, really, really bad for me to get upset and get to that point. I’m a very patient person. For me, it’s about respect. And that comes from both sides. If you respect your team, your team will respect you back. It’s all about working together. The kitchen is not a one-person show. You cannot do everything on your own. If you create an environment where the team are not happy, they will certainly not give good food.  

I’ve worked in places where everyone shouts. People still work, but it’s not sustainable. In the long run, people get tired and frustrated. People need to come into an environment where they are happy to work.  

Chef Andres Marcelo’s short rib tacos recipe  

For the short rib 

INGREDIENTS:  

4kg short rib; 40g salt; 20g black pepper, freshly crushed; 150g butter 

INSTRUCTIONS:  

1. Rub the salt, pepper and butter into the meat. Let it rest for 30 minutes at room temperature. 

2. Preheat oven to 220C. 

3. Cover the meat in aluminum foil and cook for 20 minutes. 

4. Reduce heat to 110C and cook for 4 hours.  

5. Uncover the meat and remove the bones. If the meat doesn’t pull off the bone easily, cook for another hour at 110C. 

6. Place the meat aside for later use. 

For the wheat tortilla 

INGREDIENTS:  

800g all-purpose flour; 3.5g salt; 100g warm water; 100g corn oil 

INSTRUCTIONS: 

1. Mix the salt, flour and corn oil until it becomes crumbly. 

2. Slowly mix in the water to form the dough. 

3. Cover with a damp cloth for 20 minutes. 

4. Divide the mixture into three. 

5. Roll out each piece of dough into a 12cm-diameter circle. 

6. Cook both sides of each piece of dough in a hot non-stick pan. 

For the guacamole 

INGREDIENTS: 

4 ripe Hass avocados; Juice of 2 limes; 3g fresh coriander, chopped; salt and pepper to taste 

INSTRUCTIONS: 

1. Crush the avocado pulp roughly. 

2. Add the lime juice and the chopped coriander. 

3. Season with salt and pepper to taste. 

For the pico de gallo 

INGREDIENTS:  

200g tomato, chopped; 4g fresh coriander, chopped; juice of 1 lime; 100g red onion, chopped; 1 pickled jalapeno, chopped; salt and pepper to taste 

INSTRUCTIONS:  

Mix all ingredients and reserve for later use. 

For the final dish 

INGREDIENTS: 

250g of the short rib meat; 3 of the homemade tortillas; 60g guacamole; 40g pico de gallo; 10g fresh cheese of your choice, grated; 20g pickle onion; 3 grilled limes; 2 grilled chilis; 5g fresh coriander  

INSTRUCTIONS: 

1. Top the tortillas with the warm meat. 

2. Top with guacamole, pico de gallo, pickled onion, and coriander. 

3. Serve with extra pico de gallo, cheese, guacamole, limes, and chilis. 


Adidas apologizes to Bella Hadid after 1972 Olympics ad furor

Adidas apologizes to Bella Hadid after 1972 Olympics ad furor
Updated 24 July 2024
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Adidas apologizes to Bella Hadid after 1972 Olympics ad furor

Adidas apologizes to Bella Hadid after 1972 Olympics ad furor
  • Brand dropped supermodel from shoe campaign amid outrage from Israel-linked pressure groups
  • ‘We apologise for any negative impact and we are revising the campaign’

LONDON: Adidas has apologized to supermodel Bella Hadid after pulling her from an advertising campaign that referenced the 1972 Munich Olympics, Sky News reported on Wednesday.

Israel-linked pressure groups accused the campaign of causing offense due to Hadid’s part-Palestinian background.

At the 1972 games, 11 Israeli athletes and a German police officer were killed by the Black September group.

Hadid is reportedly considering legal action over Adidas’ decision to remove her from the campaign, which is promoting the relaunch of a shoe from the 1972 Olympics.

The brand said on Instagram: “Connections continue to be made to the terrible tragedy that occurred at the Munich Olympics due to our recent SL72 campaign.

“These connections are not meant, and we apologise for any upset or distress caused to communities around the world. We made an unintentional mistake.

“We also apologise to our partners, Bella Hadid, ASAP Nast, Jules Kounde, and others, for any negative impact on them and we are revising the campaign.”

A number of Israeli and Jewish pressure groups targeted Hadid’s involvement in the ad campaign.

The supermodel has long been an outspoken advocate of the Palestinian cause and has criticized Israel’s war in Gaza.

The American Jewish Committee claimed that Adidas was using “a vocal anti-Israel model” for a campaign that “is either a massive oversight or intentionally inflammatory.”

The CEO of the Combat Antisemitism Movement said: “To have her launch a shoe commemorating an Olympics when so much Jewish blood was shed is just sick.”


‘Hope in an Age of Dystopia’ exhibition depicts how ‘the world seems to be falling apart’

‘Hope in an Age of Dystopia’ exhibition depicts how ‘the world seems to be falling apart’
Updated 24 July 2024
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‘Hope in an Age of Dystopia’ exhibition depicts how ‘the world seems to be falling apart’

‘Hope in an Age of Dystopia’ exhibition depicts how ‘the world seems to be falling apart’

DUBAI: Beirut’s Dalloul Art Foundation latest exhibition, “Hope in an Age of Dystopia,” features 66 works by creatives from all over the Arab world — and beyond.
With pieces by artists such as Hady Sy and Selim Mawad of Lebanon, and Palestinian Amer Shomali, the event runs in Beirut until Aug. 15 and also showcases the work of Lebanese-Canadian creative Johanne Allard.
Director of Dalloul Art Foundation Wafa Roz told Arab News that the show captured how “the world seems to be falling apart.”
She said: “The past few years have been especially difficult. However, despite all this, there remains a sense of diffident hope — that even with all these terrible events and increasing power differences that seem inescapable, we are able to resist and to find different ways to move forward.”
Roz added the artistic pieces shared a glimpse into how global power structures affected people’s daily realities and shaped their needs, desires and feelings.
“The social issues depicted in the exhibition are both on the global and local scale … Each artwork depicts a part of the ongoing narrative of overarching systems of control,” she said.
Allard’s work from the “A Feast In The Ruins” series fits seamlessly into the theme.
“Each piece in this series uses embroidery on metal sculptures of moths to symbolize the destruction and erosion of cultural and societal fabrics caused by war and imperialism in the Levant and MENA regions,” explained the artist.
Allard said her work served as both a remembrance of the past and a critique of ongoing systemic issues, while also including elements of hope and resilience.
“Ultimately, ‘Hope in an Age of Dystopia’ is about acknowledging the challenges of our time without giving in to despair. It inspires us to confront difficult truths, reimagine possibilities, and actively contribute to change, where hope prevails over uncertainties,” she added.
Roz also spoke of how trends in the world of art constantly evolved.
“We are seeing more conceptual works that move away from direct depictions, most likely as a reflection of the complexities of the themes and concepts which the artists are exploring,” she said.


Review: ‘Elden Ring’ expansion offers more of the same excellence 

Review: ‘Elden Ring’ expansion offers more of the same excellence 
Updated 24 July 2024
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Review: ‘Elden Ring’ expansion offers more of the same excellence 

Review: ‘Elden Ring’ expansion offers more of the same excellence 

LONDON: “Shadow of Erdtree” is the highly anticipated expansion for the critically acclaimed game, “Elden Ring.” The original game, released in 2022, swept numerous awards upon release and captivated players with its intricate world, challenging gameplay, and immersive lore. Within a week of its release, the expansion has seen over 5 million players dive into its dark world, a testament to the game’s allure and the reputation of its creator, Hidetaka Miyazaki. Miyazaki, also the president of FromSoftware since 2014, cemented his and the developer’s legacy with the release of “Dark Souls” in 2011, a game that defined a genre and set a new standard for difficulty and storytelling. 

Jumping into “Shadow of Erdtree” is no small feat. Even for seasoned players with over 130 hours invested, accessing the new content requires overcoming significant challenges, including defeating an optional boss to unlock the entrance to the “Land of Shadow.” This expansion continues the trend of demanding gameplay, rewarding perseverance with new content that expands the lore and challenges of “Elden Ring.”

The plot of “Shadow of Erdtree” continues the enigmatic and complex narrative established in the base game. Players find themselves amid the turmoil of demi-gods battling for fragments of the once all-powerful Elden Ring. Into this chaos steps a “tarnished,” an outcast whose journey is intertwined with the mysterious figure of Miquella the Kind. The story remains cryptic and layered, inviting players to piece together its many facets through exploration and discovery.

Fundamentally, “Shadow of Erdtree” offers more of the same elements that made “Elden Ring” a success. The expansion preserves the dark, epic, and dangerous atmosphere of The Lands Between. New areas and the addition of Scadutree fragments provide fresh content while maintaining the game’s signature aesthetic. Enemies are as unforgiving as ever, ensuring that players will face numerous deaths as they navigate the perilous landscape.

The sense of reward in “Shadow of Erdtree” is immense. The expansion enriches the game with a plethora of new items, crafting options, flasks, clothes, weapons, magic, key items, and Ashes of War. These additions enhance the depth of gameplay, offering new strategies and customization options for players to explore.

For those who love delving into the intricate lore and challenging gameplay of “Elden Ring,” “Shadow of Erdtree” is a must-play. It expands on the original game’s strengths, delivering a compelling and demanding experience that will test even the most seasoned players. Supporting wikis and community resources will undoubtedly be invaluable as players navigate the expansion’s new content and uncover its many secrets.