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Filmmaking on the Fringe: The Good, the Bad and the Deviant Directors Paperback – January 1, 1995


Provides candid interviews with low budget filmmakers who have made exploitation films their specialty, including Zalman King, Wes Craven, Jim Wynorski, and Paul Bartel

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Product details

  • Publisher ‏ : ‎ Citadel Pr; First Edition (January 1, 1995)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 236 pages
  • ISBN-10 ‏ : ‎ 0806515570
  • ISBN-13 ‏ : ‎ 978-0806515571
  • Item Weight ‏ : ‎ 1.69 pounds
  • Dimensions ‏ : ‎ 8 x 0.75 x 11 inches
  • Customer Reviews:

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Maitland McDonagh
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Critic, lecturer and TV commentator Maitland McDonagh is the author of "Movie Lust," "Filmmaking on the Fringe," "The 50 Most Erotic Films of All Time" and "Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento," and has contributed essays to books ranging from "The Time Out Book of New York Walks" to "Zobie.". Formerly TV Guide's Senior Movies Editor, she writes for Time Out New York, Film Comment and other magazines, has been interviewed for many film-related documentaries and is currently preparing to publish the first of a projected series of vintage gay adults-only novels through 120 Days Books. The first two-in-one tete-beche volume features the 1970/'71 thrillers "Man Eater" and "Night of the Sadist," available November 2012 on Amazon.com.

Customer reviews

4.8 out of 5 stars
7 global ratings

Top reviews from the United States

Reviewed in the United States on September 13, 2015
One of the most helpful and fun books on filmmaking I've read in a while. Arrived in perfect condition.
One person found this helpful
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Reviewed in the United States on October 17, 2000
A book with interviews with american exploitation directors who worked during the 70's, 80's and 90's like Jim Wynorski, Fred Olen Ray, Paul Bartel, Sean Cunningham, Sam Raimi and Wes Craven. This book was written before the Scream trilogy so Craven isn't treated with that much respect, they claim that Sean Cunningham (Friday the 13th) have been more successful! Interesting look into the lowbudget direct-to-video business in the 80's. Some directors don't exactly seems to be proud over their work. Guess it must be hard for fans of a movie to hear that the director just did it for the money and that he himself unliked the film. I'm not exactly the biggest fan of these directors and their films so I guess those who are will find this book much better than me. But it's informative and the information about their work comes directly from the filmmakers themselves so I'll guess this book is the best source you can get on the subject.
3 people found this helpful
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