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The Djinn Waits a Hundred Years: A Novel Hardcover – January 9, 2024


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A NEW YORK TIMES BOOK REVIEW EDITOR'S CHOICE

"Rich and swoony...an ambitious delight, with rich characters and some exceptionally lovely writing...This is the start of a major career." --
The New York Times Book Review

AN INDIE NEXT PICK
A LIBRARY READS PICK

“A dark and heady dream of a book” (Alix E. Harrow) about a ruined mansion by the sea, the djinn that haunts it, and a curious girl who unearths the tragedy that happened there a hundred years previous


Akbar Manzil was once a grand estate off the coast of South Africa. Nearly a century later, it stands in ruins: an isolated boardinghouse for eclectic misfits, seeking solely to disappear into the mansion’s dark corridors. Except for Sana. Unlike the others, she is curious and questioning and finds herself irresistibly drawn to the history of the mansion: To the eerie and forgotten East Wing, home to a clutter of broken and abandoned objects—and to the door at its end, locked for decades.

Behind the door is a bedroom frozen in time and a worn diary that whispers of a dark past: the long-forgotten story of a young woman named Meena, who died there tragically a hundred years ago. Watching Sana from the room’s shadows is a besotted, grieving djinn, an invisible spirit who has haunted the mansion since her mysterious death. Obsessed with Meena’s story, and unaware of the creature that follows her, Sana digs into the past like fingers into a wound, dredging up old and terrible secrets that will change the lives of everyone living and dead at Akbar Manzil. Sublime, heart-wrenching, and lyrically stunning,
The Djinn Waits a Hundred Years is a haunting, a love story, and a mystery, all twined beautifully into one young girl’s search for belonging.

The Amazon Book Review
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Editorial Reviews

Review

A MUST-READ DEBUT NOVEL FROM LIBRARY READS | INDIENEXT | THE WEEK | IO9 | BOOK RIOT | DEBUTIFUL | AUDIOFILE MAGAZINE | BORROW, READ, REPEAT | PUBLISHERS WEEKLY | SHELF AWARENESS

“The city of Durban on South Africa’s east coast falls psychically somewhere between Miami and New Orleans. It’s sugarcane-sticky and portside-seedy, a little glam, a little Miss Havisham. Add vervet monkeys and a turbulent colonial history and Durban Gothic should
already be its own genre. That it’s not means Shubnum Khan gets to set the tone with her magical and only gently haunted haunted-house novel, ‘The Djinn Waits a Hundred Years’…Despite the Gothic trappings, this is not a novel of creeping dread. It’s rich and swoony, tilting for the ecstasy of Sufi poets like Rumi, with a wink to those epic Indian romance movies Pinky adores…The love story at the heart of the novel is grand and gorgeous and bravean ambitious delight, with rich characters and some exceptionally lovely writing…A decade ago, Khan’s photograph made her a sensation. I suspect her writing will do the same again. This is the start of a major career.” — The New York Times Book Review

“Khan’s imbuement of sorrow and shame into the character of moldering 1920s palace Akbar Mansil is only one of the choices that render her American debut
a triumph. Her novel is lush yet precise, tightly winding two narrative strands around each other to create a tapestry of love, loneliness, grief, and forgiveness…This foundation of the world’s cruelties melds with Khan’s rhythmic writing to create an immersive and memorable novel. The Djinn Waits a Hundred Years is reminiscent of such luminaries as Isabel Allende and Elif Shafak, and the delicious power of its rotting manor will draw more recent comparisons to Silvia Moreno-Garcia’s incredible Mexican Gothic. Yet Shubnum Khan has created a fable all her own, and readers drawn to everything from historical fiction to young adult fantasy will find something to love in this haunting reverie of a book.” Reactor (formerly Tor.com)

"
The Djinn Waits a Hundred Years is a powerful, gorgeous novel. Shubnum Khan has written a story brimming with evocative prose, well-developed characters, and fantastical elements rendered so realistically you forget you’re reading speculative fiction. This is one of those books I wish I could read again for the first time." -- Locus Magazine

"Khan’s prose is lush and lovely, her pacing skillful, and she successfully weaves a complex plot with a large cast. A ghost story, a love story, a mystery—this seductive novel has it all."
Kirkus *starred revew*

"Khan stuns with a multigenerational gothic tale infused with magical realism, set at Akbar Manzil, a crumbling, formerly grand estate off the coast of South Africa that now serves as a boardinghouse....This novel is a mystery and a love story fraught with heartbreak, infused with Islamic mythology, and written in evocative, lyrical prose. Fans of Isabel Allende and Alice Hoffman will be enchanted with this beautiful book."
Library Journal *starred review*

"Dazzling...a magical and richly atmospheric gothic coming-of-age tale...Cinematic in scope and rendered in redolent prose,
The Djinn Waits a Hundred Years is a deeply immersive and inventive exploration of the many facets of love, loneliness and grief. Khan’s descriptions of Durban ground the story despite its fantastical elements, making the novel all the more compelling. Fueled by its vivid details, bewitching setting and a colorful cast of characters (including the house Akbar Manzil itself ), this engrossing read acts as a potent reminder that the past does not merely hold the power to hurt us, but also to heal us.” BookPage

"Haunting and healing,
The Djinn Waits a Hundred Years, with its shades of The House of Spirits and Rebecca, is one of the best books I've read this year…Khan's gorgeous writing lays bare what it means to love, grieve, haunt and, ultimately, let go." Sarah Addison Allen, New York Times bestselling author of Other Birds and Garden Spells

“Filled with wonder and colour, the secrets of the dilapidated mansion Akbar Manzil come to life in this rich tale of loss and love. The arrival of 15 year old Sana, who is herself haunted, is the catalyst that revives long-forgotten memories, as well as the spirit that still lingers in the empty rooms. I was enthralled and completely swept away by Khan's masterful unspooling of family secrets, fatal jealousy, and a love that endures after death.”
Yangsze Choo, New York Times bestselling author of The Night Tiger

"The Djinn Waits a Hundred Years is a dark and heady dream of a book, which reveals itself in layers as a gothic horror, a tragic romance, and a classic coming-of-age tale. Hauntingly gorgeous." Alix E. Harrow, New York Times bestselling author of The Starling House

"
The Djinn Waits A Hundred Years is a cinematic spectacular, rife with doomed love and vengeful spirits and a lurking violence always waiting to pounce. Shubnum Khan has written a gorgeous gothic mystery, a fascinating meditation on the nature of forgiveness and time."
Julia Fine, author of Maddalena and the Dark

“Haunting, beautiful, and atmospheric…I loved it.”
Jenny Lawson, New York Times bestselling author of Broken

"Beautifully written with intriguing characters and a story line that spans time, this subtle fantasy novel mixes historical fiction with dark fairy tales."
Booklist

"South African novelist Khan blends gothic tropes with Indian mythology in her poignant U.S. debut...The novel coheres as Khan portrays the house’s point of view, showing in playful and evocative prose how it responds to new residents (“As the new smells climb excitedly into the eaves... older smells, annoyed, move higher up away”). This holds its own in a crowded field of neo-gothic fiction." Publishers Weekly

"Shubnum Khan is a spellbinding storyteller. Her subtly spooky debut is a marvelous literary tableau, offsetting an enchanting love story amid the opulent grounds of a palatial manor (once "the grandest house on the east coast of Africa") with revelations of the mysterious tragedy that led to Akbar Manzil's abandonment."
Shelf Awareness

"Khan, making her literary-horror debut, spins a haunted-house narrative around the under-utilized concept of the djinn, a spirit drawn from Arab and Muslim folklore. In the book, Sana finds the century-old diary of a girl named Meena. She then tries to find out what happened to her at the dilapidated Akbar Manzil mansion, now a boarding house for the down-on-their-luck, on the South African coast. But as Sana works to unravel Meena's mysteries, she is stalked by a djinn through the sprawling house, which is almost its own character." The Week

"Filled with luscious prose, her book is a vivid coming-of-age that uses gothic undertones to explore romance and beauty in a refreshing and haunting way."
Debutiful

"Expect gothic thrills in this novel about the mysterious legacy of a mansion off the coast of South Africa."
— AudioFile Magazine

"A sumptuous and haunting multi-generational saga set in a crumbling estate along the coast of South Africa,
The Djinn Waits a Hundred Years promises to be a fresh take on a classic and beloved genre.”— Polygon

“South African writer and artist Shubnum Khan makes her stunning U.S. debut with this genre-bending gothic horror fantasy mystery.”
— Ms. Magazine

About the Author

Shubnum Khan is a South African author and artist. Her writing has appeared in The New York Times; McSweeney’s Quarterly; HuffPost; O, The Oprah Magazine; The Sunday Times (London); Marie Claire; and others. Her first novel, Onion Tears (2011) was shortlisted for the Penguin Prize for African Writing and the University of Johannesburg Debut Fiction Prize. Her essay collection, How I Accidentally Became a Stock Photo was published in South Africa and India with Pan Macmillan in 2021. The Djinn Waits a Hundred Years is her debut novel in the US.

Product details

  • Publisher ‏ : ‎ Viking (January 9, 2024)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 320 pages
  • ISBN-10 ‏ : ‎ 0593653459
  • ISBN-13 ‏ : ‎ 978-0593653456
  • Item Weight ‏ : ‎ 2.31 pounds
  • Dimensions ‏ : ‎ 6.21 x 1.04 x 9.28 inches
  • Customer Reviews:

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Shubnum Khan
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Shubnum Khan is a South African author and artist. Her US and UK debut novel, The Djinn Waits a Hundred Years is an Indie Next Pick, A Library Reads Pick and a New York Times Book Review Editor's Choice. Her writing has been published in The New York Times, McSweeney's, O the Oprah Magazine, HuffPost and more.

Customer reviews

4.3 out of 5 stars
4.3 out of 5
327 global ratings

Customers say

Customers find the writing style lyrical and hauntingly beautiful. They also like the story and characters.

AI-generated from the text of customer reviews

6 customers mention "Writing style"6 positive0 negative

Customers find the prose and writing style lyrical. They also say the book is beautiful.

"I really enjoyed reading this book. I found it extremely poetic and dream-like...." Read more

"...On to the book. The writing is very clear. Had to lookup a few non-English expressions. The story is well structured...." Read more

"Shubnum’s writing is pure poetry and she has the ability to create a wholly unique and rich world, with imaginative characters who come to life...." Read more

"...And with a good dose of magic realism thrown in. The prose and writing is lyrical almost. Can’t wait to reaf what Shubnum Khan writes next." Read more

5 customers mention "Story and characters"5 positive0 negative

Customers find the story well structured and like the characters.

"...did leave me with some questions, but overall, I really liked the story and the characters. I would definitely read more by this author." Read more

"...Had to lookup a few non-English expressions. The story is well structured. All the threads come together at the end in surprising ways...." Read more

"...to create a wholly unique and rich world, with imaginative characters who come to life...." Read more

"Compelling complex characters. A beautiful love story and fascinating history of Indian migrants to South Africa. Heroic coming of age tale." Read more

Historical family drama with a haunted house
4 Stars
Historical family drama with a haunted house
The Djinn Waits a Hundred Years is the story of a young girl who is starting over in a a strange new home after the death of her mother. It has paranormal aspects as well as a historical fiction storyline.When Sana moves to the house on the coast of South Africa with her father she is fascinated by the former mansion and its odd group of inhabitants. She is also haunted by the ghost of her long dead sister who won’t let her go no matter where they move. What she doesn’t know is that they share the house with a djinn who refuses to leave its walls after a series of tragedies happened to the inhabitants over eighty years before. As Sana gets to know the women who live in the rooms of Akbar Manzil and the elderly doctor in charge she also stumbles on the diaries of a young woman that moved there in 1930. The diaries reveal a story of love, jealousy and heartbreak and Sana will feel connected to this woman who she never met and will try to unravel the mystery of what happened to her when the diary abruptly ends.The Djinn Waits a Hundred Years reads like a historical family drama, a haunted house story and a coming of age novel all mashed together. At first I wasn’t sure what I was reading (the beautiful cover made it seem like glittering fantasy) but as the story started to unfold and build toward something I wanted to see what would happen next. I appreciated what the author did with the character Meena (our long lost heroine of the 1930’s) who could have just been the poor factory girl plucked from obscurity to marry a wealthy man. Instead she made her a bold character that was smart and strong. And even Sana who is is mostly a catalyst to tell the story of the house was interesting to follow as she mused about love and faced down her dead sister. My favorite character is the secretive and world- weary tenant Zuleikha who sleeps and smokes all day and always has something to say about the bickering neighbor women.I think many readers who enjoy stories about complicated families, dark deeds and the paranormal wilrl enjoy The Dijinn Waits 100 Years. I’ll be thinking about the characters for a long time and I look forward to reading more by Shubnum Khan.
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Top reviews from the United States

Reviewed in the United States on March 28, 2024
I really enjoyed reading this book. I found it extremely poetic and dream-like. It did leave me with some questions, but overall, I really liked the story and the characters. I would definitely read more by this author.
2 people found this helpful
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Reviewed in the United States on February 27, 2024
As an aspiring curmudgeon, I am likely not the target audience for this book, and that is part of why I read it. The author is a young South African woman of Indian descent so I figured this book would be from a vantage point I was not familiar with. It might be more appealing to younger female readers, but it should not be dismissed a chick lit. I am also not a big fan of magical realism, One Hundred Years of Solitude not withstanding. But, it is import to read outside your comfort zone. On to the book. The writing is very clear. Had to lookup a few non-English expressions. The story is well structured. All the threads come together at the end in surprising ways. The author is very good at building suspense. The characters are compelling. And there is a sad/happy ending. There is a good bit of culture and history that is covered. A couple of the plot turns I just could not buy. I do not want to give anything way, but the lion was a bit over the top. But, overall I enjoyed this book and got a lot out of it. I read the hardback version.
7 people found this helpful
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Reviewed in the United States on January 15, 2024
Shubnum’s writing is pure poetry and she has the ability to create a wholly unique and rich world, with imaginative characters who come to life. This book is a mediation on the experience of life, love, tragedy, hope, and perseverance. It takes us to a time and a place many of us do not know and makes us fall in love with these characters and this story. Thank you for the gift of this book.
2 people found this helpful
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Reviewed in the United States on April 15, 2024
Depressing book
It took me a long time to finish this
I guess I do not like tear jerkers anymore
Reviewed in the United States on April 8, 2024
It's not quite a page Turner, but a good story nonetheless. It's a bit heavy on Indian and SA food, nearly all of which I had to lookup, but not boring at all.
One person found this helpful
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Reviewed in the United States on January 26, 2024
Beautiful book that cuts across two timelines. Between a tragic tale in the past and a story of growth and redemption in the present. And with a good dose of magic realism thrown in. The prose and writing is lyrical almost. Can’t wait to reaf what Shubnum Khan writes next.
3 people found this helpful
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Reviewed in the United States on March 2, 2024
Compelling complex characters. A beautiful love story and fascinating history of Indian migrants to South Africa. Heroic coming of age tale.
2 people found this helpful
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Reviewed in the United States on March 11, 2024
When I first saw the cover of this book and glanced over the blurb, I thought this book would be more about a woman falling in love with a djinn or some kind of tortured love story a la The Ghost and Mrs. Muir. But, that isn’t what this book is about. There is a djinn, and there is a tortured love story. But, this story is more about what real love is, how two people become one and how true love can give you your greatest amount of pain.

If I had to place this book into a category, it would be historical fiction with a touch of magical realism and gothic elements. The story is told in two parts. There is the not-so-distant past part of the story told through the eyes of Sana Malek as she moves into a dilapidated house called Akbar Manzil in Natal, South Africa with her father Bilal. As the small family adjusts to their new surroundings and neighbors, Sana begins to explore the house, learning all kinds of things about its past. This is where the other part of the story comes into play, and this part of the story takes place in the 1920s and early 1930s.

As a main character, Sana is shy, closeted and aloof. She is a young girl knocking at the door of womanhood. She is curious about love and studies it in all its capacities. But, Sana is haunted by tragedies that restrain her from living life as any other teenager would. She is endearing and emotionally vulnerable with a heart that is capable of unbridled love. She just doesn’t know it yet. Following along with her on her journey to self-love and freedom is irresistible.

As for the other characters in the story, they are each profound and have their special place in the story as well as in Akbar Manzil. Each and everyone is larger than life and jumps from the pages of the book to create vivid images and lasting impressions in the mind of any reader. In fact, one could say that Sana is the only character in the entire book that is subdued.

The pacing of the book is steady. The only real slow moment comes at the end when the book is wrapping up due to each individual character in Sana’s present getting their own conclusion in the story. Comparing the two time periods, the history of the house is definitely the more interesting story to learn about, but they are both very entertaining. They also give a glimpse into the subtle and not so subtle racism and classism aimed at certain ethnic groups of people in Indian culture.

This book definitely has hints of Rebecca as the blurb claims. It explores how love is found in the very last place we look. It also explores how the existence of true love can induce fear, induce violence, and lead to death secondary to a broken heart. And, this love isn’t just romantic love but love in all its facets.
4 people found this helpful
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Top reviews from other countries

Joseph W Howse
5.0 out of 5 stars A flowing story with subtle themes
Reviewed in Canada on June 13, 2024
A teenage girl finds that her feelings of lovelessness and loss are mirrored in a stranger's past, when she and her widowed father move into a mouldering mansion-turned-boarding-house in Durban. This setting is home to a large cast of Indian South African characters, who are sometimes in conflict over divisions of class, religion, gender, and age. Amongst them live a pair of supernatural characters whose presence is felt but seldom seen.

This is an expertly woven story, which flows along beautifully with rich metaphors, a layered sense of a lived-in space, and a subtlety of themes perhaps unexpected under the "Gothic" label. At its centre are different kinds of love, constantly blindsided (and reshaped?) by each other: love which nurtures and gives; love which transgresses and takes; love which is powerless to do anything but watch.

A good read. For me, it held up well to being consumed (primarily) in a 24-hour period of air travel. I would say that my favourite parts are the intimate scenes with just a few characters, whereas the group intro and wrap-up scenes come as a bit of an onrush. All in all, there is much to love throughout this book.
Kindle Customer
5.0 out of 5 stars A lovely book. Very well written
Reviewed in the United Kingdom on April 25, 2024
I enjoyed this book immensely. So well written and unusual. I hope the author writes more books like this in the future.
busy person
4.0 out of 5 stars Interesting read.
Reviewed in the United Kingdom on June 26, 2024
I am enjoying this story and really like how the story within the book is being revealed backwards.
This is set in a country and culture which is unfamiliar to me and so I am having to stop frequently to look up a phrase or word in the characters differing languages. Recommended.
Amazon Customer
5.0 out of 5 stars Enchanting
Reviewed in the United Kingdom on March 19, 2024
This is a gripping and enchanting read a real page turner - was sad that it had to end - I hope there will be a sequel.
Kindle Customer
3.0 out of 5 stars Nice
Reviewed in the United Kingdom on May 11, 2024
It wasn't what I expected. A genie is magic with three wishes and is trapped in a bottle for hundreds of years. This one was just trapped . I think it's name was love...