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Tomorrow Sex Will Be Good Again: Women and Desire in the Age of Consent Hardcover – Illustrated, 2 Mar. 2021
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Women are in a bind. In the name of consent and empowerment, they must proclaim their desires clearly and confidently. Yet sex researchers suggest that women's desire is often slow to emerge. And men are keen to insist that they know what women and their bodies want. Meanwhile, sexual violence abounds. How can women, in this environment, possibly know what they want? And why do we expect them to?
In this elegant, searching book spanning science and popular culture; pornography and literature; debates on Me-Too, consent and feminism Katherine Angel challenges our assumptions about women's desire. Why, she asks, should they be expected to know their desires? And how do we take sexual violence seriously, when not knowing what we want is key to both eroticism and personhood?
In today's crucial moment of renewed attention to violence and power, Angel urges that we remake our thinking about sex, pleasure, and autonomy without any illusions about perfect self-knowledge. Only then will we fulfil Michel Foucault's teasing promise, in 1976, that 'tomorrow sex will be good again' .
- Print length160 pages
- LanguageEnglish
- PublisherVerso
- Publication date2 Mar. 2021
- Dimensions13.54 x 1.55 x 20.55 cm
- ISBN-101788739167
- ISBN-13978-1788739160
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Angel was disappointed by the media spectacle of the #MeToo movement, which she claims exploited women's stories for perverse means. Whilst she acknowledged the importance of the movement, she found the constant public depictions of women's assault stories were a form of gratification for the masses. She posits that some people get turned on by seeing women in pain and suffering. Angel questions modern feminism and contemporary sex researchers' findings about female desire.
Angel also questions feminists' instance on affirmation and consent rhetoric to liberate women. Angel aims to dismantle the "strong" and "positivity" language around sex for women, for a more realistic language position involving "fear," "risk" and "vulnerability." Angel calls for more discussions around pleasure as opposed to the legal concept of consent for better sex education. The author pushes against the current framework around consent which often omits pleasure, "good sex" and "bad sex" discussions. “In recent years, two requirements have emerged for good sex: consent and self-knowledge,” Angel writes.
The book itself is divided into four chapters; on consent, on desire, on arousal, and on vulnerability. Angel borrows the title of her book from a line in Michel Foucault’s extensive study of sexuality. The French philosopher was paraphrasing the stance of countercultural progressives in the 1960s and 70s when the consent culture began. Angel marks the development of "consent culture" from the “No means No” slogan of 1970s anti-rape campaigners through to the sex-positive “post-feminism” of the 1990s and early 00s.
The book is a thought-provoking and nuanced analysis on sexual consent in the age of #MeToo. A worthwhile read.
Instead, 'Tomorrow Sex Will Be Good Again' is a highly academic text, the kind I might have expected to be assigned to read at university. This often does the author's vital analysis a disservice - there were many times when the same point was reiterated repeatedly and unnecessarily, and the language was often opaque. For example: "These kinds of maximally inclusive accounts in fact push the concept of 'reasons' to the limits of intelligibility".
That said, I honestly feel liberated by this book. It has torn the covers off so many social and cultural phenomena that have made me quietly uneasy without being able to articulate the reasons for this. The author's analysis was new and original to me, and yet, it instinctively spoke to me. Her prose could also - when not hung up on maintaining dry academic appearances - be astoundingly beautiful, profound, and even erotic.
This is a treatise that I wish every person in the world would read. I just hope the style of writing and argument doesn't put the book's potential readership off.
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