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The American Film Institute proudly curates lists to celebrate excellence in the art form. We believe their greatest impact is to inspire personal, passionate discussions about what makes a great film and why and, also, to chart the evolution of the art form. Since its inception, American film has marginalized the diversity of voices that make our nation and its stories strong – and these lists reflect that intolerable truth. AFI acknowledges its responsibility in curating these lists that has reinforced this marginality and looks forward to releasing new lists that will embrace our modern day and drive culture forward.
Editor: Paul Hirsch, Marcia Lucas, Richard Chew, John Jympson
Cinematographer: Gilbert Taylor
Genre: Adventure, Science fiction
Production Company: Lucasfilm, Ltd.
Composer: John Williams [composer]
During an interstellar civil war, rebels battle against an evil empire, led by Darth Vader and a villainous governor named Grand Moff Tarkin. The imperial stronghold is a planet-sized, armored space station called the Death Star, and insurgent Princess Leia Organa leads a mission to seize the battleship’s blueprints, hoping to reveal its vulnerability. During the ensuing battle, Darth Vader and his military force of stormtroopers capture Leia’s spaceship, but she secretly hides the Death Star plans in a robot “droid” named R2-D2, who flees the spaceship with his companion, C-3PO. Unable to recover the plans, Darth Vader discovers that an escape pod was launched during the attack, and orders the droids detained. Meanwhile, R2-D2 and C-3PO crash land on the desert planet Tatooine. Ornery C-3PO is displeased by his companion’s claim that they are on an important mission, and the two droids part ways. However, they are captured by cloaked scavengers called Jawas and sold to young Luke Skywalker and his Uncle Owen. As the boy refurbishes the droids, he complains that Uncle Owen has thwarted his dream of becoming a pilot and following in the footsteps of his deceased father. Fiddling with R2-D2, Luke unwittingly activates a three dimensional projection of Princess Leia, uttering the plea: “Help me Obi-Wan Kenobi, you’re my only hope.” Smitten and intrigued, Luke wonders if the message is addressed to a hermit known as “Ben” Kenobi. At dinner, Luke tells Uncle Owen and Aunt Beru about Leia’s message, but Owen orders the boy to erase R2-D2’s memory, and insists that Obi-Wan died alongside Luke’s father. Storming away, Luke discovers that R2-D2 has escaped. The next morning, Luke and C-3PO recover the wayward droid, but are attacked by the hostile, nomadic Sand People. However, “Ben” Kenobi comes to the rescue, and admits that “Obi-Wan” is his real name. Seeking shelter at Obi-Wan’s home, Luke learns that his father was a Jedi knight during the Clone Wars, and was known as the galaxy’s best starfighter. Obi-Wan explains that he mentored Luke’s father and makes good on an old promise, giving Luke his father’s lightsaber. Since Jedis were guided by “the Force,” a mystical energy that unites all living creatures in peace, the neon light sword once upheld universal justice. However, Luke’s father was killed by a colleague, Darth Vader, who used his knowledge of “the Force” to betray the Jedis. As Obi-Wan activates R2-D2’s message from Leia, she explains that she was on a mission to bring Obi-Wan back to her home planet of Alderaan, and adds that vital information has been hidden in R2-D2’s memory system. The only person equipped to retrieve the data is her Jedi father, so the droid must be escorted to Alderaan immediately. Obi-Wan announces he will teach Luke to use “the Force,” so he can be of service on the mission, but Luke insists on returning home. Meanwhile, on the Death Star, Grand Moff Tarkin announces that the galaxy’s government council has been dissolved, and the Empire is one step closer to ultimate power. Back on Tatooine, Luke discovers his family murdered by stormtroopers and vows to become a Jedi. He joins Obi-Wan and the droids in their search for a pilot at the spaceport town of Mos Eisley. In a seamy tavern, they hire rugged outlaw smuggler Han Solo and his first mate, a tall, hairy Wookiee named Chewbacca. The men narrowly escape a stormtrooper attack in Han Solo’s Millennium Falcon. Meanwhile, Vader tortures Leia to discover the whereabouts of the rebel base, but she remains resolute. Tarkin navigates the Death Star toward Alderaan, then orders Leia’s execution and threatens to destroy her home planet unless she confesses. Although Leia claims the rebel base is on planet Dantoonine, Tarkin incinerates Alderaan. At the same moment, on the Millennium Falcon, Obi-Wan feels pain in his heart. He acknowledges a terrible tragedy, but continues Luke’s lightsaber training, teaching the boy to trust his instincts and to use “the Force.” When the Millennium Falcon reaches Alderaan, the planet is gone and the ship is forcibly sucked into the Death Star by its “tractor beam.” Darth Vader learns that the Millennium Falcon began its journey in Tatooine and realizes it is transporting the coveted Death Star plans. Meanwhile, Obi-Wan uses “the Force” to ensure that no humans or droids are detected aboard the spaceship, but Darth Vader perceives the presence of his former Jedi master. Upon their arrival aboard the Death Star, Han Solo and Luke kill several stormtroopers, don their armor, and capture a nearby outpost. There, R2-D2 plugs into the Death Star’s computer network and discovers seven locations that secure the battleship’s “tractor beam.” Once the locks are disabled, the Millennium Falcon can escape. Obi-Wan declares that he alone must immobilize the locks and leaves after promising Luke, “the Force will be with you… always.” Just then, R2-D2 locates Princess Leia and reports that her execution is pending. Luke convinces Han Solo to join him on a rescue mission with assurances of a bountiful reward. As they release the princess, a gunfight ensues, and Leia orders her rescuers into a garbage chute to escape. There, Luke is pulled underwater by a tentacled monster, but the creature suddenly disappears when the dump walls begin to compact. Radioing C-3PO for help, Luke orders R2-D2 to shut down the “garbage mashers,” and the comrades are saved. As they return to the Millennium Falcon and battle stormtroopers, Obi-Wan disables the “tractor beam” and reunites with Darth Vader, who is intent on killing his former Jedi master. However, Obi-Wan warns that the prospect for peace will become infinitely more powerful if Darth Vader succeeds. When Obi-Wan is confident that Luke can see him, and that Leia has safely boarded the Millennium Falcon, he permits Darth Vader to strike him dead, but his voice remains fixed in Luke’s consciousness. The friends escape a firefight, and Leia warns that the Millennium Falcon has been fitted with a tracking device. The Death Star follows as they proceed to the rebel base on the planet Yavin. There, R2-D2’s data is analyzed and soldiers are briefed that the Death Star’s weak point can only be accessed by a one-man fighter jet. The pilots must navigate down a narrow trench and fire into a two-meter-wide thermal exhaust port, causing a chain reaction. As Luke mans his ship, with R2-D2 as his navigator, Han Solo ducks away with his reward money, claiming the battle is a suicide mission. Meanwhile, the Death Star comes within firing range of Yavin and the Imperial leaders anticipate their decisive victory. Rebels race toward the battleship and attempt to dodge their pursuers, including Darth Vader, who pilots a deadly imperial fighter. With many of Luke’s senior comrades defeated, the boy is ordered to the front, but his rear guard is killed. The Death Star takes aim at Yavin just as Luke speeds toward its vulnerable portal. Although he uses a device to guide him, he subconsciously hears Obi-Wan’s refrain, “use the Force,” and turns off the computer to follow his instinct. Just then, Darth Vader directs his guns on Luke’s starfighter and prepares to fire, but Han Solo suddenly appears in the Millenium Falcon and interferes, sending the villain spiraling into space. Luke’s missiles successfully destroy the Death Star an instant before the battle station fires at Yavin, and peace is finally restored to the universe.
Cast: Thomas Mitchell, Barbara O'Neil, Vivien Leigh
Directors: Victor Fleming, Sam Wood, George Cukor, Chester Franklin, James Fitzpatrick
Producer: David O. Selznick
Writer: Sidney Howard, Barbara Keon, Lydia Schiller, Connie Earl
Cinematographer: Ernest Haller, Lee Garmes
Genre: Romance
Production Company: Selznick International Pictures, Inc.
Composer: Max Steiner
In 1861, Scarlett O'Hara, the headstrong sixteen-year-old daughter of wealthy Georgia plantation-owner Gerald O'Hara, is sick of hearing talk about going to war with the North. She much prefers to have beaux like Brent and Stuart Tarleton talk about the next day's barbecue at Twelve Oaks, the neighboring Wilkes plantation. When the twins reveal the “secret” that Ashley Wilkes is planning to marry his cousin Melanie Hamilton from Atlanta, Scarlett refuses to believe it because she is in love with Ashley herself. Her father later confirms the news when he returns home to Tara, the O'Hara plantation, and advises Scarlett to forget about the serious-minded Ashley, because “like should marry like.” At the barbeque, Scarlett acts coquettish with all of the young men, hoping to make Ashley jealous, then, during an afternoon rest, sneaks into the library to see him. He says that he will marry Melanie because they are alike, but leads Scarlett to believe that he loves her instead of Melanie. When he leaves, Scarlett angrily throws a vase and is startled to discover Rhett Butler, a notorious rogue from Charleston, who has been lying unnoticed on a couch the entire time. She is angry at his seeming indifference to the seriousness of her feelings for Ashley and annoyed by his frank appreciation of her physical beauty. Later, when news arrives that war has broken out between the North and the South, Scarlett is stunned to see Ashley kiss Melanie goodbye as he leaves to enlist, and in a daze accepts the impulsive proposal of Melanie's brother Charles.
Just after Ashley and Melanie marry, Scarlett and Charles marry as well, delighting Melanie, who tells Scarlett that now they will truly be sisters. Some time later, Scarlett receives word that Charles has died of the measles, and she is forced to don widow's black clothing and refrain from going to the parties she loves. Her understanding mother Ellen decides to let her go to Atlanta to stay with Melanie and her Aunt Pittypat, hoping that Scarlett will feel less restless there. At an Atlanta fundraising bazaar, Scarlett is so bored watching other girls dance, that when Rhett bids for her in a dance auction, she enthusiastically leads the Virginia Reel with him, oblivious to the outrage of the shocked local matrons. Rhett, who has become a successful blockade runner, continues to see Scarlett over the next few months and brings her presents from his European trips. As the war rages, Melanie and Scarlett receive word that Ashley will be returning home on a Christmas leave. Atlanta is now suffering the privation of a long siege, but the women manage to give Ashley a small Christmas feast. Before he returns to the front, Ashley tells Scarlett that the South is losing the war and asks her to stay by the pregnant Melanie.
Melanie goes into labor as Atlantans leave the city before Northern troops arrive. When Aunt Pitty leaves for Charleston, Scarlett desperately wants to go with her, but remembers her promise to Ashley, and remains with Melanie. Because Melanie's labor is difficult and the doctor is too busy attending wounded soldiers to come to her aid, Scarlett must attend her alone. After the baby is born, Scarlett sends her maid Prissy for Rhett, who reluctantly arrives with a frightened horse and a wagon. Though he thinks that Scarlett is crazy when she insists upon returning to Tara, he risks his life to drive the women and the infant through the now-burning city. Outside Atlanta, as Rhett and Scarlett see the decimated Southern army in retreat, he feels ashamed and resolves to join them for their last stand. Scarlett is furious with him, even after he admits that he loves her and gives her a passionate kiss before leaving. When the women finally arrive at Tara, the plantation is a shambles and the house has been looted. Scarlett's mother Ellen has just died of typhoid and her father's mind is gone. Desperate for something to eat, Scarlett first tries drinking whiskey, then goes into the fields. After choking on a radish, she vows that if she lives through this she will never go hungry again. [An Intermission divides the story at this point.]
Soon Scarlett bullies her sisters and the remaining house slaves into working in the fields. After she kills a Yankee scavenger and, with Melanie's help, hides the body, the contents of his wallet provide them with some money for food. When the war ends, Ashley returns and Scarlett goes to him for advice when Pork, one of the former slaves who has remained with the family, tells her that $300 in taxes are owed on Tara. Ashley offers no solution to her problem, but admits once again that he loves her, even though he will never leave Melanie. More determined than ever to obtain the money after Jonas Wilkerson, a ruthless Yankee who was once Tara's overseer, says that he is going to buy Tara when it is auctioned off for taxes, Scarlett decides to ask Rhett for the money. With no proper clothes to wear, Scarlett and her old governess, Mammy, use material from Tara's velvet drapes for a new dress. In Atlanta, they discover that Rhett has been imprisoned by the Yankees, but has charmed his way into their good graces. Scarlett tries to pretend that everything is fine at Tara, but Rhett soon sees her roughened hands and realizes what her situation is. Because he is under arrest and his money is all in an English bank, Rhett cannot help Scarlett, so she leaves, infuriated. That same day, she runs into Frank Kennedy, her sister Suellen's beau, and sees that he has become a successful merchant. Scarlett tricks Frank into marrying her by telling him that Suellen loves someone else, and is thus able to use his money to save Tara. Scarlett then moves to Atlanta to work at Frank's shop and to make his fledgling lumber business a success. She also uses an unwitting Melanie to help make Ashley come to work at the lumber mill. One day, Scarlett is attacked by scavengers while driving her carriage near a shanty town, but is saved by Big Sam, a former Tara slave. Scarlett is not physically harmed, but that night Frank, Ashley and some of the other men band together to “clear out” the shanty. While Scarlett, Melanie and the other women wait at Melanie's house, Rhett arrives to warn them that the Yankees are planning an ambush. Melanie tells him where the men have gone, and some time later, he prevents their arrest by pretending to the Yankees that they have all been drinking with him at the notorious Belle Watling's bordello. Ashley is wounded, but Frank has died on the raid.
A few weeks later, Scarlett, who is drinking heavily, is visited by Rhett, who proposes to her and offers to give her everything she wants. Though she says that she does not love him, she agrees to marry him, and on their expensive honeymoon, he vows to spoil her to stop her nightmares of the war. A year later, Scarlett gives birth to a daughter, whom Melanie nicknames “Bonnie Blue.” Though Rhett has never cared about Atlanta society, he now wants to ensure Bonnie's future. He begins to acquire respectability, and within a few years his charitable contributions and sincere devotion to Bonnie impresses even the hardest of Atlanta's matrons. Meanwhile, Scarlett still longs for Ashley and has told Rhett that she no longer wants him to share her bedroom. One day, Ashley's sister India and some other women see Scarlett and Ashley in an embrace. Though nothing improper happened, Scarlett is afraid to attend Melanie's birthday party for Ashley that night. A furious Rhett forces her to attend, though, then leaves. Melanie's open affection to her makes Scarlett ashamed, and when she returns home she sneaks into the dining room to drink. There she finds Rhett drunk and a violent quarrel erupts. After Scarlett calls Rhett a drunken fool, he grabs her and carries her upstairs, angrily telling her that this night there will not be “three in a bed.” The next morning, Scarlett is happy, but when Rhett scoffs that his behavior was merely an indiscretion, her happiness turns to anger. Rhett then leaves for an extended trip to England and takes Bonnie with him.
Some months later, because Bonnie is homesick, Rhett returns to Atlanta and discovers that Scarlett is pregnant. She is happy to see Rhett, but his smirk of indifference and accusation about Ashley enrages her so that she starts to strike him and falls down the stairs. She loses the baby, and although she calls to him during her delirium, Rhett does not know and thinks that she hates him. After she recovers, he suggests that the anger and hatred stop for Bonnie's sake, and Scarlett agrees, but as they are talking, the headstrong Bonnie tries to make her pony take a jump and she falls and breaks her neck. Both are shattered by Bonnie's death, especially Rhett, who refuses to let her be buried because Bonnie was afraid of the dark. Only Melanie, to whom Rhett has always felt a closeness, convinces him to let the child go. After her talk with Rhett, Melanie, who has become pregnant despite the danger to her health, collapses and suffers a miscarriage. On her deathbed, Melanie asks Scarlett to take care of Ashley, but when Scarlett sees how much the distraught Ashley loves Melanie, she finally realizes how wrong she has been for years and knows that it is Rhett she truly loves. She rushes back home and tries to prevent him from leaving her, but he will not stay because it is too late for them. Scarlett tearfully asks him what she will do and as he leaves he answers, “Frankly, my dear, I don't give a damn.” Through her sobs, Scarlett begins to think of Tara, from which she has always gained strength, and determines that she will return there and will think of a way to get Rhett back. She resolves to think about it tomorrow for, “after all, tomorrow is another day.”
In 1916 British Intelligence supports the Arab rebellion against the Turkish-German alliance. Dryden, a civilian member of the Arab Bureau, selects Lt. T. E. Lawrence, an enigmatic twenty-nine-year-old scholar, to evaluate the Arab revolt. Enthusiastically undertaking this assignment, the officer contacts Prince Feisal, a rebel leader, and persuades Feisal to lend him a force of fifty men. With this skeleton band, accompanied by Sherif Ali ibn el Karish, Lawrence crosses the Nefud Desert. At the journey's end, however, Lawrence learns that one of his men is missing. Undeterred by Arab assertions that the missing man's death had been divinely decreed, Lawrence returns to the desert and rescues him, earning thereby Ali's friendship and the respect of his subordinates. At a well Lawrence is confronted by the sheikh Auda Abu Tayi, whom he persuades to join the assault on Aqaba, a Turkish port at the desert's edge. The Turks, surprised by the overland attack, are routed, and the victory revitalizes the Arab rebellion. Arab unity, however, is undermined by internecine warfare. When one of his troop slays one of Auda Abu Tayi's henchmen, Lawrence in expiation executes the murderer, who proves to be the Arab he had saved in the desert. Unnerved, Lawrence returns to Cairo. Delighted by Lawrence's military success, however, General Allenby provides him with arms and money for future victories. Lawrence launches a series of successful guerrilla raids, which, as reported by American journalist Jackson Bentley, establish his international reputation. While on a scouting mission with Ali, Lawrence is captured and tortured by the Turks. He returns to Cairo, where General Allenby persuades him to spearhead an attack on Damascus. After the battle, Lawrence leads his men in the massacre of the retreating Turks. Upon entering Damascus the British Army is met by victorious Arab forces. Lawrence relinquishes control of the city to an Arab Council, but soon factionalism threatens to destroy it. On May 19, 1935, Lawrence dies in a motorcycle crash in Dorset, England, and is commemorated in services at St. Paul's.
On a Friday afternoon in Phoenix, Arizona, Marion Crane and her lover, Sam Loomis, are having a romantic rendezvous at a hotel when Marion complains that she is tired of meeting Sam under such sordid circumstances. Sam, who runs a hardware store in Fairvale, California, assures her that they can marry after he pays his debts, but Marion longs for immediate respectability. Upon her return to the real estate office where she works as a secretary, Marion learns that her boss, George Lowery, is with oil tycoon Tom Cassidy. When the men return, the lecherous Cassidy brags to Marion that he is paying $40,000 in cash to buy a house for his daughter. Lowery, worried about leaving the money in the office over the weekend, tells Marion to take it to the bank, and Marion asks to go home afterward. After rebuffing Cassidy again, Marion departs, but at her apartment, stuffs the money into her purse and leaves with a suitcase. Driving until exhaustion forces her to pull over, Marion falls asleep on a lonely stretch of road. She is awoken on Saturday morning by a highway patrolman, who is suspicious of her irritable manner. After the policeman dismisses her, Marion, afraid that he will remember her, goes to a used car lot and trades in her vehicle for one with California plates. Later, during a fierce rainstorm, Marion misses the turnoff to Fairvale and stops at the Bates Motel, where the proprietor, Norman Bates, welcomes her and offers to fix her dinner at his home, a looming structure on the hill behind the motel. Marion accepts, but as she hides the cash in a newspaper she had purchased, she hears an old woman loudly berate Norman for attempting to bring a girl into her home. When Norman returns with sandwiches, he explains to the apologetic Marion that his mother is ”not quite herself.” Norman then invites her into his parlor behind the office, where Marion is nonplussed by the birds Norman has stuffed in pursuit of his hobby, taxidermy. Marion chats with the shy Norman, who confesses how alone he is, except for his mother. When Marion asks if Norman has any friends, Norman replies that “a boy’s best friend is his mother,” although he admits that he wishes he could run away, as Marion is apparently doing. Norman relates his belief that everyone is in a trap of some kind, and that his mother is mentally ill due to the deaths of his father and later, her lover. When Marion suggests that Norman could lead a life of his own if he put his mother in an institution, he reacts bitterly, stating that his mother is harmless and that he could never abandon her. Relaxing, Norman asserts that “we all go a little mad sometimes.” Realizing that she has gone mad herself, Marion tells Norman that she has to return to Phoenix, in hopes of escaping a private trap. Marion then goes to her room, unaware that Norman is watching her undress through a peephole. While Marion writes a note calculating how much of the stolen money she has spent, Norman strides to the house, resolved to assert himself. Norman’s strength fades, however, and as he sits dejectedly at the kitchen table, Marion tears up her note, flushes it down the toilet and enters the shower. As Marion enjoys her shower, a shadowy female figure enters the bathroom and repeatedly stabs her. A few minutes later, in the house, Norman screams out to his mother about the blood, then rushes to find Marion, lifeless on the bathroom floor. Sickened but determined to protect his mother, Norman wraps Marion’s body in the shower curtain and after cleaning the room, deposits her corpse and belongings into the trunk of her car. Norman also tosses in the newspaper, which he does not know holds the money, then sinks the car in a swamp behind the house. A week later, as Sam is writing to Marion, he is interrupted by her sister Lila, whom he has never met. Sam is baffled by Lila’s frantic questioning about Marion and is prevented from answering by the arrival of Milton Arbogast, a private investigator. Arbogast and Lila explain to Sam about Marion’s theft, and although Sam maintains his innocence, Arbogast remains suspicious that he is involved. Promising Lila that he will find her sister, Arbogast then spends two days searching the area. When he reaches the Bates Motel, he interrogates Norman, who stammers that he has never seen Marion. Arbogast uncovers Norman’s lie, however, and after Norman admits that Marion was at the motel, the detective appears to accept his statement that she left early in the morning. When Arbogast sees Mrs. Bates sitting in a window of the house, he wants to question her, but Norman orders him to leave. Unsettled, Arbogast calls Lila and relates everything that Norman said, then states that he will return to Fairvale after interrogating Mrs. Bates. As Arbogast climbs the stairs in the house, however, he is stabbed to death by a woman. Soon after, Norman sinks Arbogast’s car in the swamp, while in Fairvale, Lila grows impatient about the detective’s absence and Sam eventually takes her to see Deputy Sheriff Al Chambers. Convinced that Arbogast got “a hot lead” from Norman, then left to chase Marion and the money, the skeptical Chambers dismisses Lila’s concerns, especially when she mentions Mrs. Bates. Chambers explains that, ten years earlier, Norman’s mother poisoned her lover upon discovering that he was married, then committed suicide. After Chambers telephones Norman, who confirms that Arbogast left suddenly, Norman confronts his mother, telling her that she must hide in the fruit cellar for her own protection. Over her loud objections, Norman then carries her downstairs. Unsatisfied by Chambers’ remarks, Lila and Sam drive to the motel the following day and check in. After sneaking into the room in which Marion stayed, Lila finds a piece of the paper on which Marion had written. Convinced that Norman hurt Marion to steal the money, Sam detains him in the office while Lila searches for Mrs. Bates. Norman, irritated by Sam’s insinuations, retreats to his parlor and upon hearing Sam’s mention of his mother, knocks Sam unconscious. Meanwhile, Lila has been exploring the house, in which she finds Mrs. Bates’s immaculate bedroom and her bed, which bears the imprint of her body. Lila also snoops around Norman’s squalid room, which contains his childhood toys and a small cot. Returning to the first floor, Lila sees Norman running up to the house and hides downstairs. As Norman goes upstairs, Lila creeps down to the fruit cellar, where she finds Mrs. Bates sitting with her back to the door. Lila inches forward to tap the old woman on the shoulder, but when she swings around, Lila is horrified to find herself staring at a decaying corpse. As she screams, Lila turns around to see Norman, wearing a wig and one of his mother’s dresses. Shrieking “I am Norma Bates,” Norman lunges toward her with a knife, but Sam arrives in time to overpower him. Later, as Sam and Lila wait with Chambers and other officials at the courthouse, Norman is examined by a psychiatrist, Dr. Richmond. Richmond explains that Norman, who suffers from a split personality, has been taken over by the dominant personality, that of his mother, and that Norman himself no longer exists. Richmond states that after the death of his father, Norman was overwhelmed by his domineering mother, and that when she took a lover, Norman killed them both. Unable to bear the guilt, Norman preserved her corpse, then, to heighten the illusion that “Mother” was alive, began dressing and speaking as her. Believing that his mother would be as jealous of him as he was of her, Norman subconsciously allowed the Mother side of his personality to murder any woman whom he found attractive. As they discuss the case, Norman sits in a nearby room, huddled in a blanket, while the Mother side of his personality thinks to herself that she could not allow her son to brand her a killer. Noticing a fly on her hand, Mother cunningly declares that she will not swat it, so that anyone observing her will know that she would not even harm a fly.
Production Company: Paramount Pictures Corp., Alfran Productions, Inc.
Composer: Nino Rota
In August 1945, during the lavish wedding reception of his daughter Connie, Don Vito Corleone, head of a large New York crime family and "godfather" to the Italian-American community, listens to requests for favors, honoring a long-standing Sicilian tradition that a father cannot refuse a request on his daughter's wedding day. While FBI agents jot down license plate numbers of the guests, and hundreds of celebrants dance, eat and gossip in the Corleone family's Long Beach compound, Don Vito, assisted by his foster son and consigliere, Tom Hagen, listens to a plea by the undertaker Bonasera, who seeks justice for two American boys who mercilessly beat his daughter. After mildly chastising Bonasera for refusing his friendship in the past, Don Vito agrees to help in exchange for some future service. Next, Don Vito greets the amiable baker Nazorine, who seeks help in preventing the deportation of Enzo, a young apprentice baker who wants to marry Nazorine's daughter. Outside, as the family welcomes guests such as crime boss Don Emilio Barzini and Don Vito's godson, popular singer Johnny Fontane, Michael Corleone arrives at his sister's wedding with his American girl friend, Kay Adams. Michael, college educated and a decorated soldier during World War II, relates stories about Luca Brasi, a large, violent man who is unquestioningly loyal to Don Vito, but tells her "It's my family, Kay, not me." In Don Vito's study, the final supplicant is Johnny, who cries that powerful studio head Jack Woltz refuses to give him an important part in a new war movie, even though it would be a perfect, career-saving role for him. After slapping Johnny like a child and admonishing him to be a man instead of a "Hollywood finocchio," Don Vito comforts him and promises to help. Just before his father-daughter dance with Connie, Don Vito talks with his son Santino, nicknamed Sonny, and Tom, telling them that Connie's new husband, Carlo Rizzi, may have a job, but should never be privy to the family's business. Don Vito also instructs Tom to fly to Los Angeles to speak with Woltz. At Woltz's studio, when Tom politely suggests that Johnny be cast in the war film, Woltz angrily dismisses him with curses and ethnic slurs. However, after Woltz has learned that Tom is representing the Corleone family, he invites Tom to his lavish estate and apologizes for his earlier rudeness. When the men sit down to dinner after Woltz has shown Tom his beloved race horse, Khartoum, Tom again asks for the part to be given to Johnny, prompting Woltz to erupt in a rage, shouting that Johnny "ruined" a young starlet with whom Woltz had been having an affair, thus making him appear ridiculous. One morning a short time later, Woltz discovers the severed, bloody head of Khartoum in his bed, prompting him to scream in terror. Back in New York, Don Vito is approached by Sollozzo “The Turk,” a ruthless, Sicilian-born gangster who owns poppy fields in Turkey. Sollozzo, who has the backing of the rival Tattaglia family, proposes that the Corleones finance his drug operations. Although Tom and Sonny have argued that narcotics are the way of the future, and Sonny tries to say so in the meeting, Don Vito refuses to risk losing his political influence by embracing the drug traffic and declines Sollozzo's offer. Later, Don Vito privately asks Luca to let it be known to the Tattaglias that Luca might be interested in leaving the Corleones. Just before Christmas, when Luca meets with Sollozzo and one of the Tattaglias, he is caught off guard, stabbed through the hand and strangled. That same evening, Fredo, Don Vito's meek, oldest son, tells him that their driver, Paulie Gatto, has called in sick. Before entering his car, Don Vito decides to buy some fruit from a vendor and is shot several times by assailants who flee before Fredo can react. Tom is kidnapped by Sollozzo that night, and later, as Michael and Kay leave the Radio City Music Hall, Kay notices a newspaper headline announcing that Don Vito has been killed. Stunned, Michael immediately calls Sonny, who relates that their father is barely alive in the hospital and insists that Michael return to the safety of the family’s Long Beach compound. Late that night, Tom is released by Sollozzo, who is infuriated that Don Vito has survived the attack, and warns Tom that he and Sonny must make the narcotics deal with him and the Tattaglias. At the compound, Sonny and Tom try to insulate Michael from their discussions about the family business, knowing that Don Vito had wanted him to have a different kind of life. While arguing over whether or not to take Sollozzo's deal, they receive a package of a dead fish, a Sicilian symbol that Luca "sleeps with the fishes." Now the hot-headed Sonny insists that there will be a war between the Corleones and the Tattaglias. Sonny tells Clemenza, one of his father's lieutenants, to buy mattresses and other supplies to house their men in a safe place during the war and instructs Clemenza to kill Paulie for his part in Don Vito's ambush. A few days later, frustrated by his enforced idleness, Michael goes into New York City to have dinner with Kay. After telling her that she should go home to New Hampshire, but not saying when they will see each other again, Michael goes to visit his father. When he finds the hospital floor deserted and Don Vito's room unguarded, Michael checks to make certain that his father is alive, then calls Sonny to relate what has happened. After moving Don Vito's bed with the help of a nurse, Michael whispers in his ear, "Pop, I'm with you now." Moments later, when the baker Enzo innocently arrives to pay his respects, Michael advises him to leave because there will be trouble, but Enzo enthusiastically offers to help. Michael and Enzo then wait on the steps of the hospital. Because of their menacing appearance, when a car stops, the thugs inside see what they think are Don Vito's guards and drive off. Just then, several police cars appear, and the abusive Capt. McCluskey starts yelling at Michael for interfering, then brutally punches him in the face before Sonny, Tom and their men arrive. The next day, Sonny argues that they must hit back at Sollozzo, even though the corrupt McCluskey is his protector. Because Sollozzo is now asking for a meeting with Michael, who is regarded as a "civilian," Michael volunteers to kill both Sollozzo and McCluskey. A bemused Sonny does not want Michael involved, and Tom argues that this is business, not personal, but Michael insists that to him it is business. When Sonny learns from a police informant that the meeting will be held at Louis, an Italian restaurant in the Bronx, Clemenza arranges for a gun to be planted in the men's room, then teaches Michael how to kill at close range. At the restaurant, Sollozzo offers a truce to Michael if the family agrees to his terms. After excusing himself to go to the men's room, Michael retrieves the gun from behind the toilet, walks to the table and shoots both McCluskey and Sollozzo in the head, then coolly walks out to a waiting car. To avoid being the victim of a revenge killing by the Tattaglias, Michael is forced to leave for Sicily for an extended period without saying goodbye to Kay. When Don Vito, who is now recuperating at home, hears that Michael killed Sollozzo and McCluskey, he weeps over Michael's involvement. While Michael is in Sicily, a wave of violence envelopes the Corleones, the Tattaglias and the other members of the five New York crime families. At the same time, Michael falls in love at first sight with a beautiful Sicilian girl, Apollonia, and soon marries her. Some time later, when a pregnant Connie hysterically calls home and tells Sonny that Carlo has beaten her, Sonny, who had previously warned Carlo never again to hit his sister, impulsively races away from the compound without waiting for his bodyguards. When he stops to pay a toll on the deserted highway, he is ambushed by several henchmen who riddle his body with bullets before speeding away. That night, after Tom reveals Sonny’s death to his father, Don Vito says that the killing must now end and orders no more acts of vengeance. Later, he accompanies his son’s body to Bonasera’s, where he tearfully asks the undertaker to repay his debt by making Sonny presentable to his mother. Shortly thereafter, Don Tommasino, Michael’s protector in Sicily, tells him of Sonny’s death and says that he and Apollonia must leave for their own safety. As they are about to leave, Apollonia decides to surprise Michael by driving his car. Moments after Michael sees one of his bodyguards, Fabrizio, suspiciously run away, Apollonia dies when the car explodes. In New York, Don Vito has called a meeting of representatives of the five crime families of New York and New Jersey, asking for peace. After arguments on both sides, the families reach a peace accord and agree to enter the narcotics trade. As they are driving home from the meeting, Don Vito tells Tom he finally realized at the meeting that Barzini has always been behind the Tattaglias and was responsible for everything. Some time later, Michael goes to New Hampshire, where Kay has been teaching. Although he has been home for more than a year and not contacted her, he tells her that he loves her and asks her to marry him. She is reluctant, and does not understand why Michael now works for his father, but agrees because of her feelings for him and because he assures her that within five years, the Corleone family business will be completely legitimate. Soon Michael becomes the tacit head of the family as Don Vito semi-retires. Michael plans to sell the family’s olive oil business, which had been a legitimate cover for their gambling and prostitution operations, and become the sole owner of a Las Vegas casino. He sends Carlo to Las Vegas, as well as Tom, privately telling the disappointed Tom that there will be trouble at home and Tom is not a “wartime consigliere." Weeks later, on a business trip to Las Vegas, Michael is annoyed that Fredo, who was sent to Las Vegas several years before, has let himself become subservient to Moe Greene, their partner in the casino. When Greene angrily refuses to sell his interest in the casino, Fredo sides with Greene, prompting Michael to warn him never again to side with someone outside the family. One afternoon, Don Vito warns Michael about Barzini and predicts that the person who suggests a meeting with Barzini will be a traitor setting Michael up to be killed. That same afternoon, while Don Vito plays with Anthony, Michael and Kay’s three-year-old son, he has a fatal heart attack in his vegetable garden. At Don Vito’s funeral, Salvatore Tessio, another Corleone family lieutenant, tells Michael that Barzini would like a meeting. Tom is surprised that Sal, rather than Clemenza, is the traitor, but Michael realizes that, for an ambitious man like Sal, it is the smart move. He then reveals that the meeting will be held after the baptism of Carlo and Connie’s baby, also named Michael, for whom he has agreed to be godfather. While the baptismal ceremony takes place, Barzini, Tattaglia and several other Corleone enemies are gunned down in New York and Greene is killed in Las Vegas. At the compound, Tom confronts Sal, who says to tell Michael that it was only business, and resigns himself to his fate. That afternoon, Michael confronts Carlo, promising him leniency if he will just confess that he set Sonny up to be murdered. Though terrified, Carlo believes Michael and reveals that Barzini was behind it. Moments later, thinking that he will be driven to the airport, Carlo enters a car and is strangled from behind by Clemenza. When the Corleones are packing to move to Las Vegas, an hysterical Connie rushes into Don Vito’s old study and accuses Michael of murdering Carlo. Kay tries to calm her down, but when she and Michael are alone, she asks if it is true. Michael initially erupts in anger, then says that, just this one time, Kay may ask him about his business, then answers “No,” and the couple embraces. This satisfies Kay until she sees Clemenza kiss Michael’s ring and address him as “Don Corleone,” before his lieutenant, Neri, closes the study door.
Producer: Richard D. Zanuck, David Brown, William S. Gilmore Jr.
Writer: Peter Benchley, Carl Gottlieb
Editor: Verna Fields
Cinematographer: Bill Butler
Genre: Drama
Production Company: Universal Pictures , Zanuck/Brown Company
Composer: John Williams [composer]
One summer evening in late June on the New England island of Amity, teenager Chrissie Watkins invites a drunken fellow student, Cassidy, to skinny dip in the ocean. Although enthused, Cassidy passes out a few feet from the shore, while Chrissie strips and dives into the sea only to be brutally attacked from underwater. The next morning, police chief Martin Brody meets Cassidy, who has reported Chrissie missing, on the beach just as Deputy Hendricks discovers the mutilated remains of a female body. Suspecting that Chrissie was a victim of a shark attack, Brody hurries to his office to make out a report and consult with the town physician. Determined to close the beaches when the doctor confirms his fears, Brody sets off to Amity Bay, but is intercepted by Mayor Larry Vaughn, two city council members and the doctor. Vaughn reminds Brody that closing the beaches requires a signed city ordinance and that the Fourth of July weekend is about to begin. When the doctor reluctantly admits that the body may have been mutilated by a motorboat blade and Vaughn insists they do not want to start a pointless panic, Brody grudgingly agrees to keep the beaches open. The next day, an uneasy Brody oversees the crowded beach, accompanied by his wife Ellen and their two young sons, Michael and Sean. Dozens of children and young people thrash about in the surf and a dog repeatedly fetches a stick thrown in the water by his owner. Moments later, however, the dog disappears and a group of people suddenly notice a pool of bloody red foam in the sea. As the swimmers and waders run to the beach in a panic, a mangled raft washes to shore while vacationer Mrs. Kintner searches in vain for her young son, Alex. After Mrs. Kintner posts a three-thousand-dollar reward to kill the shark that killed Alex, Brody and the Amity city board meets with local businesses, fisherman and townspeople to quell their mounting alarm. When Brody acknowledges that he must close the beaches, Vaughn reassures the dismayed business owners that the closure will last only twenty-four hours. The meeting is interrupted by local professional fisherman and shark hunter, Quint, who vows to capture the shark single-handedly for $10,000, which Vaughn agrees to consider. The following morning, Brody is horrified to find Amity harbor teaming with boats and people from Connecticut, Rhode Island and New Jersey who have responded to Mrs. Kintner’s reward offer. Struggling to control the crowds who bear everything from dynamite to guns to small fishing reels, Brody is relieved when Matt Hooper from the Oceanographic Institute arrives. At police headquarters, Hooper examines Chrissie’s remains and declares that the wounds are from a sizable shark. That afternoon a group of fishermen triumphantly return to Amity harbor with the carcass of a ten-foot shark which they proudly display for reporters and locals. Although Vaughn is delighted by the exhibition, Hooper insists the bite radius of a Tiger shark is too small to be the same shark that killed Chrissie. As Brody remains doubtful, Mrs. Kintner arrives and demands to know why he allowed the beaches to remain open after Chrissie’s death. That evening, Hooper visits the brooding Brody at home and reaffirms that the captured shark is not the one that killed Chrissie, and presses the chief to allow him to cut open the captured dead shark to explore its digestive remains. After Hooper determines that the shark caught by the fishermen has no human remains inside it, Brody realizes that he must close the beaches, but Hooper insists they immediately go in search of the killer shark in his high-tech exploration boat, the Aurora. Despite Brody’s frank admission that he fears the water, Hooper forces the chief to accompany him. With the aid of the Aurora's powerful spotlights, Brody and Hooper soon come upon a half-sunken dinghy showing unusual signs of damage and Brody recognizes the boat as belonging to an islander. Donning scuba gear, Hooper goes underwater to inspect the little boat’s hull and pulls an enormous shark tooth embedded in the planking. When the mangled remains of a torso abruptly float by a gaping hole in the boat, the startled Hooper drops the tooth. The next morning, Brody and Hooper met Vaughn on the beach to excitedly report that the shark attacks were made by a Great White. Without the tooth as evidence, however, the mayor remains skeptical and insists the beaches remain open the next day, which is the Fourth of July. The holiday dawns to hordes of vacationers packing the beaches. Hooper abandons a commitment to an eighteen-month research project in order to search for Amity’s Great White shark, while Brody, Hendricks and backup deputies with helicopter support observe the waters. Distressed that no one has actually gotten into the water, Vaughn appeals with a family to do so and soon the surf is teaming with people. When Brody’s son Michael asks permission to take his new sailboat out to sea, Brody pleads with him to go into the nearby estuary. While Vaughn cheerfully gives an interview to a television reporter, swimmers are suddenly terrified to see a large fin cutting across the water. As the panicked crowd returns en masse to the beach, Brody’s assistants reveal the fin to be a hoax perpetrated by two local teenage boys. Meanwhile, a young woman standing between the sea and the pond sees a massive underwater form head into the relatively shallow estuary where Michael and his friends are struggling to raise their sail. Nearby, a man in a dinghy calls advice to the boys just as the underwater creature smashes into his boat. The subsequent swell overturns Michael’s small sailboat and, as the boys thrash about, Michael witnesses the man being bitten in half by the enormous shark and faints. Meanwhile, the young woman’s continued cries alert Brody who races toward the pond as Michael’s friends pull him safely to shore. Later, at the hospital, where Michael is declared fine, a stunned Vaughn wonders if he can be held accountable for keeping the beaches open, but an angry Brody forces him to sign a contract hiring Quint. The next day, Brody and Hooper meet Quint at his pier-side office where Brody officially charters the fisherman’s boat, the Orca. Although Quint chafes about the college educated Hooper joining them, Brody insists that the oceanographer and much of his technical equipment be taken on board. Over the next couple of days, the Orca roams far out to sea in search of the shark. One afternoon Quint’s thick cable fishing line is bitten in two, but otherwise their quarry remains elusive. Soon after, as a grumpy Brody resumes shoveling bloody chum out to sea to lure the shark, the creature breaks the surface of the water, its massive mouth gaping. Stunned by the enormity of the shark, Brody staggers into the cabin and tells Quint that he will need a bigger boat. As Quint and Hooper excitedly watch the shark circle the Orca, the older man declares the creature is at least twenty-five feet long and three tons. While Quint prepares to shoot a cable line attached to a flotation barrel into the shark, Hooper attaches a radio tracking device to the barrel. After striking the shark with the harpoon and cable, the Orca follows the racing barrel, but Quint is taken aback when the shark easily pulls the air-filled keg underwater and disappears. Night falls with no further sign of the shark and the men sit in the tiny cabin drinking and talking. Quint reveals that in World War II, he served on board the U.S.S. Indianapolis which was sunk by a Japanese submarine and nearly eight hundred of its surviving crew was lost to shark attacks while waiting for rescue in the open sea. The men fill the subsequent tense silence with songs, when the shark surfaces in the dark and rams into the hull, damaging the boat’s shaft. Despite Quint firing several rounds at the shark, it remains unaffected, but disappears for the remainder of the night. The next morning, Quint and Hooper struggle to repair the battered rudder and engine housing, when the shark surfaces and Quint shoots another cable and barrel into it, then ties the cables lines to the transom cleats. As the shark, now hooked to two floatation barrels, races further out to sea, Quint pushes the rough running engine of the Orca in pursuit, ignoring Brody’s argument to turn back toward land. Later the shark appears to have vanished, only to surface suddenly and attack the cable lines. Panicked, Brody attempts to radio the Coast Guard, but Quint smashes the radio with a bat. Quint then calmly shoots another line and a third barrel into the shark, but when the shark heads to sea again towing the Orca, Quint is forced to cut the taunt cable lines, fearing that the transom will be pulled off. As the battered and listing Orca begins taking on water, the men watch incredulously as the barrels turn toward them, then submerge and go beneath the boat. Moments later, the shark rams the keel. The ship’s stressed engine bearings begin to smoke, and Quint, masking his concern, pushes the engine as the shark begins pursuing them. Upon reaching the boat, the great shark rises up, biting into the transom. The violence of the creature’s attack finishes the Orca's weakened engine. The shark disappears as Brody and Hooper realize that the Orca is sinking by the stern. Handing Brody a lifejacket, Quint asks Hooper about the shark cage and other equipment he has brought on board. When Hooper reveals that he has a large syringe full of strychnine nitrate, Quint declares the syringe will never penetrate the shark’s tough skin. Hooper nevertheless volunteers to go underwater in the cage and attempt to shoot the syringe into the shark’s mouth with the harpoon gun. Despite Brody’s protests, Hooper dons scuba gear and oxygen, and is lowered in the cage into the water. Within moments the shark appears and rams the cage from behind Hooper, then grabs the bars and shakes the cage, causing the terrified Hooper to drop the harpoon gun, unfired. Fleeing the shark’s crazed attack through the mangled cage bars, Hooper swims to the sea bottom. Meanwhile the shark, momentarily trapped between the cage and the side of the Orca, thrashes violently as Quint struggles to crank the winch. The bent ginpole gives way as the shark extricates itself and Quint and Brody are horrified when the battered, empty cage surfaces. The shark reappears at the stern and again lunges at the Orca's deck, tilting the boat sharply, causing Quint and Brody to tumble and slide toward the maddened creature. Brody hangs on to the cabin doorframe, but Quint, unable to maintain his grip on Brody’s legs, slides directly into the shark’s jaws. When the shark submerges with Quint’s bloodied corpse, Brody casts about for a weapon and spots Hooper’s remaining oxygen tank. When the shark attacks again, Brody manages to wedge the tank into its mouth. Taking Quint’s rifle, Brody climbs out onto the bridge mast, which is now almost parallel with the water, and as the shark comes at him, fires repeatedly until a bullet strikes the oxygen tank, causing it to explode and blow off the creature’s head. As blood and flesh rain down on Brody and the nearly submerged Orca, the shark’s other half falls slowly through the water. Moments later, Brody is amazed when Hooper surfaces. The men laugh weakly in relief and, after Hooper learns of Quint’s demise, the men use the remaining floatation barrels as support and paddle their way toward land.
Writer: Jay Dratler, Samuel Hoffenstein, Betty Reinhardt
Editor: Louis Loeffler
Cinematographer: Joseph La Shelle, Lucien Ballard
Genre: Film noir
Production Company: Twentieth Century-Fox Film Corp.
Composer: David Raksin
While investigating the brutal murder of Laura Hunt, New York police lieutenant Mark McPherson calls on erudite columnist Waldo Lydecker, a close friend of the dead woman. Waldo knows of Mark from his heroic battles with gangsters, and Mark points out that Waldo once wrote a story about a murder committed with a shotgun loaded with buckshot--the very way that Laura was killed. Claiming to be intrigued by crime, Waldo asks to accompany Mark on his investigation, and the two men call on Laura's aunt, the wealthy Ann Treadwell. Mark inquires about Ann's relationship with Laura's fiancé, Shelby Carpenter, citing evidence that she has been giving him money. Just then, Shelby, a charming Southerner, arrives and says that he and Laura were to have been married that week, but Waldo insists that when Laura canceled their dinner date on the night of the murder, she had not yet decided whether to go through with the wedding. Shelby accompanies Mark and Waldo to Laura's apartment, where the murder occurred, and after Shelby reluctantly hands over the key to Laura's country home, Waldo accuses him of the murder. Later, Waldo takes Mark to a restaurant and recalls how he met Laura five years earlier: Waldo is dining alone at the Algonquin when he is approached by Laura, an eager young employee of an advertising agency. Laura asks Waldo to endorse a pen for her company, and is hurt and disillusioned when he rudely dismisses her. Unable to get her out of his mind, Waldo later goes to see Laura at the agency, where he apologizes and agrees to the endorsement. They become friends, and under Waldo's tutelage, Laura rises in her profession and society. Although their relationship is platonic, Waldo is jealous of her suitors, and uses both his column and his influence over her to keep any rivals for her affections at bay. One night, at one of Ann's parties, Laura meets Shelby, who confesses that his family has been bankrupt for years. Laura gives him a job at the advertising agency, and they soon become romantically involved. Waldo has Shelby investigated and informs Laura that her fiancé is seeing a model, Diane Redfern. Laura is furious at Waldo's interference and dismisses the accusations until he produces a gold cigarette case that she gave Shelby, saying he retrieved it after Diane pawned it. Back in the restaurant, Waldo tells Mark that Laura had lunch with Diane the day of her death, and had planned to go to her country home for a few days. The following night, Mark, who is growing obsessed with Laura, returns to the apartment and continues searching through her personal effects. Waldo stops in and says he knows Mark has secretly put in a bid for Laura's portrait, and chides him for falling in love with a corpse. After Waldo leaves, Mark falls asleep under the portrait. He awakens to the sound of someone entering the room, and looks up to see Laura standing before him. Laura, who has been isolated in the country, is stunned when Mark shows her a newspaper story about her "murder." Laura then discovers one of Diane's dresses in her closet, and Mark concludes that the murder victim, whose face was damaged beyond recognition, was actually Diane. Mark questions Laura, brightening when she says she had decided not to marry Shelby, and instructs her not to leave the apartment or use the phone. As soon as Mark leaves, however, Laura calls Shelby, unaware that the police have tapped her phone. Shelby and Laura meet briefly, and Mark follows Shelby to Laura's country home, where he finds him removing a shotgun from a rack. Shelby claims that he had brought Diane to Laura's apartment to talk, but when Diane answered the door and was shot to death, he panicked and fled. Later, at a party to celebrate her return, Laura asks Shelby why he went to the cottage, and when he replies that he went to hide the shotgun, she realizes with horror that Shelby believes she is the murderer. Mark takes Laura into custody in front of her guests, but after questioning her at the police station, is convinced of her innocence. After taking Laura home, Mark searches Waldo's house and discovers a hollow compartment in his grandfather clock. He then goes to Laura's apartment and announces that her gun was not the one used in the murder. Resentful of the growing bond between Laura and the handsome detective, Waldo insults Mark, and Laura coolly sends her old friend away. Mark examines Laura's clock, which is a duplicate of the one in Waldo's home, and finds a shotgun hidden inside. He tells Laura that Waldo killed Diane, thinking it was Laura, and hid the gun in the clock after Shelby ran out. After kissing Laura goodnight, Mark locks her in and leaves, and Laura prepares for bed, unaware that Waldo has come back into the apartment through the service entrance. Waldo enters Laura's room and is about to shoot her when Mark and his men break in. Waldo is shot by the police and dies with Laura's name on his lips.
Production Company: The Mirisch Company, Inc., Alpha Productions
Composer: Elmer Bernstein
When ruthless bandit leader Calvera and his forty men raid the Mexican village of Ixcatlan for food and goods, the villagers, used to Calvera's harvest-time plundering, keep quiet with the exception of one outraged farmer, whom Calvera summarily shoots. After the banditos leave, the villagers, barely able to survive on what remains but unable to fight the banditos, seek the advice of the old man, a village elder, who tells them to buys guns at the border and learn how to use them. When the three-man delegation from Ixcatlan led by Hilario arrives at a border town to buy guns, they are awed by gunslingers Chris and Vin, who offer to drive a carriage carrying the body of an Indian through town when the funeral director refuses to transport it for fear of the bigoted citizens’ reprisals. After witnessing Chris and Vin easily outdraw the angered townsmen as they make their way to the graveyard, the delegation asks Chris to buy guns for them, explaining that the Mexican rurales cannot guard the village from Calvera's repeated plundering. Chris instead offers to round up a team of gunmen, even though the villagers can only afford to pay $20 pay for six weeks’ work. As word spreads, young, impetuous Chico, inspired by Vin and Chris’s triumphant carriage ride, asks for the job, but is humiliated when he fails Chris's test to determine if Chico is a quick draw. Soon after, jovial gold hunter Harry Luck, assuming that there must be some hidden treasure which the other gunslingers will split, joins the team, as well as Vin and the brawny war veteran O'Reilly. The next day, Chris watches as expert knife-thrower and gunslinger Britt easily wins a draw with a deadly knife throw and considers him for the team. At a bar that night, an enraged Chico holds Chris at gunpoint and orders him to draw, but Chris quietly refuses the challenge until the boy collapses from drunkenness. Soon after Britt joins the group, the well-dressed but destitute Lee offers his services in attempt to regain his nerve, which he has lost while on the run from his enemies. Days later, as the delegation, joined by the six gunslingers, rides toward Ixcatlan, they notice Chico following and Chris, softened by the young man's resolve, finally motions for him to join them. When they are greeted with silence as they enter the village, Chris accepts the villagers' fearful reluctance, but Chico angrily rages at them for their cowardice. The next day, the seven attend a town celebration and notice that all the village women are missing. Soon after, Chris learns that three of Calvera's men are nearby and sends Britt and Lee to bring the men back alive. However, Chico ruins the plan by shooting one of the banditos, forcing Britt to kill the second and third men, who were fast escaping on horseback. When an amazed Chico compliments him on his long-distance shot, an irritated Britt tells him that it was “the worst. I was aiming for the horse.” Later at the village, Chris observes that Calvera probably sent the men ahead to scout for the coming raid and reassures the villagers that they will have time to train before Calvera’s men arrive in force. Over several days, the seven use the dead men’s weapons to coach the farmers in how to shoot. One afternoon, Chico catches the strident young Petra, who is spying on him as he tests his bullfighting skills against a tame farm animal, and learns that the villagers have hidden their women for fear of the gunslingers raping them. After warning the village men that the women have more to fear from Calvera than from the gunslingers, Chris orders Chico to bring the women back. That night Petra and others petulantly serve the men food, but when the seven learn the village is starving on a few meager beans, they give their servings away. The next day, after the boys on guard signal that the enemy is approaching, Chris, Britt and Vin stand in the middle of town to meet Calvera, who does not flinch at finding gunslingers there. Instead, he offers to share the village spoils with the seven in exchange for standing down, but when Chris orders him to "ride on,” a gunfight erupts. Unprepared for the onslaught, Calvera and his men try to escape but are trapped by newly built nets and rock walls erected by the villagers, thus enabling the villagers and gunslingers to pick off many of the banditos. That night, as the mild-mannered Sotero and other villagers toast the seven on their success, shots interrupt the jubilant occasion, forcing Chris to send O'Reilly, Vin and Sotero to track the sharpshooters. While searching for the men, Sotero tells Vin that he is committed to protecting his family, and Vin openly envies Sotero’s bond with his family, which neither he nor the other six have. Meanwhile, disobeying her father's orders against talking to the gunslingers, a love-struck Petra begs Chico to be careful. Later that night, Chico, wanting to prove himself to the others, touts the gunslinger lifestyle as the stuff of legends. While Chris reminds them, as hired gunmen, they are beholden to no one, Vin laments that he has no family and Lee adds that they have no enemies, because they are dead. When Lee awakens screaming from a nightmare about his enemies, two villagers reassure him that "only the dead are without fear." Meanwhile, three young boys adopt the Mexican-Irish O'Reilly, promising that they will avenge his death and put flowers on his grave if he should die in battle. Harry is convinced that the villagers must be hiding ancient treasure, which is rumored to be buried in the nearby mountains. Believing that this is the real reason for Calvera’s return, Harry tries to entreat the village men into gambling. Meanwhile, Chico, hiding his face under a sombrero, infiltrates the Calvera camp and surprises the six when he reports back that Calvera will attack soon because his men are starving. The villagers fight among themselves about whether to surrender to save their families, while Chris argues with his men about their chance of success. Later, Chico boasts to Petra about his new life as a roving gunslinger, but his resolve quickly weakens as she kisses him. That evening, after Chris and his men find the Calvera camp empty when they attempt to steal their horses, the seven return to the village and are immediately surrounded by Calvera's men, who have been tipped off by the cowardly Sotero. Although he could easily kill them, Calvera decides to spare their lives to avoid alerting the United States police to his operation. After publicly ordering them to leave their guns, Calvera quietly offers to return the weapons once the seven are out of town and asks why they became involved with the villagers, unable to believe the gunslingers would have any motivation other than money. As he lays down his gun, Vin cryptically explains with a joke: When someone asked a man why he threw himself into a prickly pear cactus, the man simply replied that it “seemed to be a good idea at the time.” Before the seven leave, O'Reilly explains to his boys that they should respect their fathers, who are brave to carry the burden of family responsibility, something O'Reilly has never had the courage to do. That night, after the seven are escorted out of town and given their guns, Chico explodes in anger about the villagers’ betrayal, but Chris reminds him that his hatred stems from being the son of just such a Mexican villager. The next day, after Harry, tired of fighting without the hope of riches, leaves the group, the remaining six ride into town and begin a shootout with the banditos. Wounded, Vin drags himself into a store, while Harry, having changed his mind, rides into town and is shot. Following Vin, Chris drags Harry into the store, where he soothes the dying man with a story of imaginary riches. Meanwhile, Lee finally draws and shoots four of Calvera's men, but is then killed. Spurred by the seven's sacrifice, the villagers, including the women, come out of hiding and beat Calvera's men with every chair and stick available. Meanwhile, Chris wounds Calvera, who, with his dying breath, continues to express his disbelief that the seven had any reason to return. After Britt takes out four banditos with perfectly aimed shots, he dies from a wound sustained in the battle. O'Reilly's boys find their hero, who begs them to emulate their fathers, then dies from a wound suffered before their young eyes. By the end of the battle, the remaining banditos are finally driven from town, but the old man sagely announces to those remaining of the seven, Chris, Vin and Chico, that only the farmers have won. As they ride out of town, the astute Chris turns to Chico, tells him "adios” and watches as Chico returns to Petra, for whom he lays down his holster. As they pause to look back on the village, Chris tells Vin that the old man was right, only the farmers have won, not the gunslingers, who will always lose.
In 1937 Los Angeles, private detective J. J. "Jake" Gittes, who specializes in adultery cases, is hired by the well-dressed Mrs. Evelyn Mulwray to follow her husband Hollis, chief engineer for the Department of Water and Power. Jake later sits in on a city council meeting, where Mayor Bagby offers his support for a new dam that will guarantee an adequate water supply for the city. After Hollis emotionally speaks out condemning the project as unsafe, Jake follows him as he inspects the dry Los Angeles riverbed under the Hollenbeck Bridge, then goes out to Point Fermin, where thousands of gallons of water rush through a drainage pipe out into the sea that night. A few days later, Jake and his associate, Duffy, photographs Hollis rowing a pretty young blonde woman around Echo Park Lake. Jake then follows the couple to the El Macondo courtyard apartments, where he secretly takes pictures of the girl embracing Hollis. The next day, one of Jake's photographs is printed on the front page of the newspaper, accompanied by a story about Hollis' "love nest." When Jake arrives at his office, he is stunned to learn that the woman claiming to be Mrs. Mulwray was an imposter, and the real Evelyn, who has come to the office, intends to sue him. Angry that he has been duped, Jake finesses his way into Hollis' office, but finds no compromising information, only a handwritten notation reading "Oak Pass Reservoir, Tuesday, 2:00 pm." His search is interrupted by Hollis' underling, Russ Yelburton, who assures him that Hollis is not the sort of man to have an affair, then escorts Jake out. Jake then goes to Hollis' estate to speak with him directly. Evelyn says that she will not pursue her lawsuit, then suggests that Hollis might be at the Oak Pass reservoir. Jake then drives there and encounters Lt. Lou Escobar, an old rival from his days on the police force in Chinatown, and sees Hollis' dead body being pulled from the water. Evelyn later identifies Hollis at the morgue and refutes Escobar's suggestion that her husband committed suicide, claiming that they were trying to work out their problems over his affair. Outside, Jake tries to convince Evelyn that Hollis was murdered, but she insists that it was an accident. After she leaves, Jake goes back inside to look around and is puzzled when a medical examiner casually tells him that one of the bodies in the morgue was a homeless man who drowned under the Hollenbeck Bridge. Knowing that there should not have been enough water there to drown someone, Jake revisits the bridge. After finding only a small pool of water in the gravelly land below, Jake speaks with a boy on horseback and learns that water rushes through at night. When Jake returns to walk around the Oak Park Reservoir that evening, he hears a gunshot, then a rush of water, which quickly envelopes him. After making his way out of the torrent, he is stopped by a short man in a white suit, accompanied by Claude Mulvihill, a cheap detective whom Jake detests. The short man puts a knife into Jake's left nostril, then suddenly cuts through it, warning Jake that next time he will lose his entire nose. At the office the next day, as Duffy and Jake’s other associate, Walsh, try to talk him out of pursuing the Mulwray case, he receives a phone call from a woman named Ida Sessions, who reveals that she was hired to impersonate Mrs. Mulwray but had no idea that anyone would be killed. Because she is frightened, she will not reveal anything more, but tells him to look in the obituary column. Later, Jake goes back to see Yelburton, and while he is waiting, notices several pictures on the walls of Hollis with Noah Cross, the man whom Walsh had photographed a few days before having a heated argument with Hollis outside the Pig 'n Whistle restaurant. Yelburton's secretary tells him that Cross and Hollis owned the water company in partnership, but Hollis thought that water should belong to the people and gave the company to the city. When he speaks with Yelburton, Jake alludes to knowing more than he does, saying that Hollis’ murder is tied to the new dam and the deliberate dumping of thousands of gallons of water during a drought. After Yelburton sheepishly admits that some water has been diverted quietly to the northwest San Fernando Valley, Jake proffers that he is not after him, but those behind him. Returning to his office, Jake is visited by Evelyn, who wants to hire him to investigate Hollis' murder. Some time later, Jake goes to Catalina Island to the Albacore Club to see Cross, whom he has learned is Evelyn’s father. Implying that he does not want his vulnerable daughter to be taken advantage of, but also indicating that he feels sorry for the girl Hollis was seeing, Cross offers to double what Evelyn is paying if Jake finds the girl. Jake catches Cross in a lie when he says that he had not spoken to Hollis in years, but Cross brushes aside Jake’s revelation that they had been photographed together. Some time later, Jake goes to the Hall of Records, where he discovers that thousands of acres of farm land in the Valley recently have been sold. Armed with a list of the purchases he has torn from the record books, Jake drives to the Valley but finds himself chased by a family of angry farmers who think he works for the water company. Just before Jake is knocked out by one of the younger farmers, the father snarls that the city has attacked their wells to force them to sell their land cheap. When Jake wakes up, Evelyn is with him, summoned by the father, who found her card in Jake’s pocket. As they drive back into town, Jake tells her that the proposed dam is a fraud because the water will be going to unincorporated areas of the Valley instead of the city of Los Angeles. He also tells her about the recent land sales at bargain prices. As Evelyn comments on the old-fashioned names of the buyers, Jake suddenly remembers that one of them, Jaspar Lamar Crabb, who was listed in the obituary column Ida Sessions suggested he look at, had died a week before his deed was recorded. Because Crabb had lived at the Mar Vista Rest Home, Jake suggests they drive there. Pretending that they are looking for a home for his father, they ask to look around. Jake recognizes the names of many of the residents as the same as those on the newly recorded deeds, but when he speaks with one of the residents, Emma Dills, who is making a quilt with an emblem for the Albacore Club, she knows nothing about any property in the Valley. The home’s manager, now joined by Claude, then orders them to leave. Outside, Jake sees the man in the white suit approaching and, with Evelyn’s quick driving, is able to escape. Later, at Evelyn’s house, the two make love. After Evelyn receives a phone call, she tells him that she must leave, but first confides that her father owns the Albacore Club. When Jake then reveals that he had met her father there, she becomes unsettled and warns him that her father is dangerous. Suspicious of the phone call, Jake follows Evelyn to a house on Canyon Drive where he peeks through the window and sees the young blonde woman crying, apparently struggling with Evelyn and her Chinese butler, Kahn. When Evelyn gets into her car, she is startled by Jake, who assumes that the girl is being held against her will and coldly threatens to call the police. Evelyn then says that the girl is her sister and implies that she condoned Hollis' affair because she wanted him to be happy. Finally back at his house, Jake receives two anonymous calls from a man who says that Ida Sessions wants to see him. The next morning, Jake arrives at Sessions’ house, where he discovers her dead body, then is surprised by Escobar and his partner, Loach. Escobar guesses that Ida had initially hired Jake but assumes that Evelyn killed her husband and is being blackmailed by Jake. Escobar also reveals that the autopsy on Hollis showed that he had drowned in salt water, not the reservoir’s fresh water. After Jake tries to convince Escobar that there has been a plot to divert water and that Hollis was murdered because of it, Escobar gives him two hours to find Evelyn and bring her in to the police. Jake then goes to Evelyn’s house, but only finds the maid. He then goes outside and gazes at the pond, which the gardener complains is filled with salt water. Remembering that he had seen something shiny in the pond the first time he visited, Jake and the gardener retrieve a broken pair of gold-rimmed glasses. Jake then drives to the Canyon Drive house and gruffly asks Evelyn if the glasses belonged to Hollis. After she acknowledges that they look like his, Jake calls Escobar and tells him to come over. Evelyn is confused by Jake’s actions, prompting him to demand that she tell him about the girl, suggesting that she killed Hollis out of jealousy and shouting that he knows that she does not have a sister. As Jake angrily starts to slap her, Evelyn finally breaks down and screams "she's my sister and my daughter." She then explains to the stunned Jake that she became pregnant at age fifteen after her father raped her, then went to Mexico, where Hollis took care of her and continued to take care of both her and the girl, who is named Katherine. Now Jake tells her to find a place to go, and Evelyn suggests Kahn's house in Chinatown. Before leaving, Evelyn glances again at the eyeglasses and mentions that they could not have belonged to Hollis because he did not wear bifocals. A short time after Evelyn drives away with Katherine, Escobar and Loach arrive. Jake lies that Evelyn has gone to her maid's house in San Pedro and offers to give them the address, but Escobar insists that Jake come along. When they arrive in the San Pedro, Escobar reluctantly acquiesces to Jake’s request for a few minutes alone with Evelyn. The house actually belongs to Curly, a man who had hired Jake to follow his cheating wife. Once inside, Jake asks Curly to take him for a ride in his truck, and while Jake hides from sight, offers to forgive his bill and pay him $100 if he will take Evelyn and Katherine to Ensenada in his boat. Later, outside Evelyn’s house, Jake loads Curly's truck with her suitcases, then calls Cross to tell him that he has found the girl and he should bring his checkbook to Evelyn’s house. When Cross arrives, Jake confronts him about murdering Hollis and raping Evelyn. Although Cross genuinely admired Hollis for "making this town," he admits to murdering him so that water could be brought to the Valley. He also said it was not for the money, which he did not need, but for the future, explaining that once water is in the Valley, the land will be incorporated into the city. With Loach as his henchman, Cross forces Jake to take them to Katherine. When Cross, Jake and Loach arrive on Chinatown’s Alameda Street a short time later, they are approached by Escobar and his men, who start to handcuff Jake. Happy to be taken out of danger, Jake blurts out that Cross killed Hollis. During the confusion of conflicting stories, Evelyn and Katherine approach Evelyn's car. When Cross tries to introduce himself to Katherine as her grandfather, Evelyn draws a gun and warns that he will never have her. After shooting Cross in the arm, she drives off, ignoring Escobar’s order that she stop. When she continues driving down the street, Escobar and his men shoot at the car until it stops. Hearing the sound of the car’s blaring horn in the distance, Jake, Escobar, Cross and the others rush to it and find Katherine covered in blood, screaming next to Evelyn’s dead body. Cross pulls Katherine away, shielding her eyes, as Jake stares at Evelyn’s body. When he directs a crack at Escobar, Escobar screams at Walsh and Duffy to do Jake a favor and take him away. As Jake is being pulled away by his friends, Walsh tries to comfort him saying, “Forget it, Jake, it’s Chinatown.”
Production Company: Stanley Kramer Productions, Inc.
Composer: Dimitri Tiomkin
At 10:30 on a quiet morning in 1870, three outlaws ride into the western town of Hadleyville just as its marshal, Will Kane, is being married to a pretty Quaker named Amy Fowler. To please Amy, Will resigns his post immediately after the ceremony, but he is troubled because the new marshal has not arrived to take his place. Suddenly the station master rushes in with the terrible news that Frank Miller, a wild outlaw whom Will had arrested for murder five years earlier, recently received a pardon and is due to arrive in Hadleyville on the noon train. The three outlaws, Jack Colby, Ben Miller and James Pierce, have ridden to the station and are awaiting Miller's arrival. Alarmed, the wedding guests urge Will and Amy to leave town immediately, but after only a few moments on the road, Will turns the wagon around and heads back. "I expect he'll come looking for me," Will replies when Amy asks for an explanation. Will's young wife begs him to leave with her, and when he protests that he has never run from anyone, she threatens to leave on the train whether or not he accompanies her. Will hurriedly begins to make plans for the town's defense, and is surprised when Judge Percy Mettrick, who had sentenced Miller to be hanged, packs his belongings and flees. Will is relieved to see Harvey Pell, his deputy, still in town, but Harvey, angry that an outsider was hired to replace the retiring marshal, agrees to stay only if Will promises to support his bid for the post. Will refuses, whereupon Harvey removes his guns and walks out. Will visits his old flame, businesswoman Helen Ramirez, who had formerly been Miller's mistress. Will warns Helen about Frank, and she admits that she has sold her store and plans to depart on the noon train. In the saloon, men who enjoyed the rowdy times when Frank and his henchmen controlled the town celebrate his imminent return and refuse Will's request for help. Will then visits the home of his friend, Sam Fuller, but as Sam listens from the next room, his wife tells Will that he is not at home. Next, Will interrupts the church service to ask for deputies. Although several of the townspeople proclaim that it is Will who has made their town safe and decent, many of them also argue that Miller's impending arrival is not their problem. Finally, Mayor Jonas Henderson declares that a gunfight would hurt the town's image and that Will should have left when he had the chance. Stunned, Will leaves the church and asks his mentor, Martin Howe, for help. Howe, once the marshal himself, has become cynical, however, and after Will exits his home, he mumbles, "It's all for nothing, Will." Harvey, now drunk, tries to force Will to leave town, but Will refuses, and the two men fight until the marshal knocks his former deputy unconscious. As noon approaches, Amy visits Helen, who assures her that there is no longer anything between herself and Will. She also reproaches the young wife for not defending her husband, but softens after Amy reveals that both her father and brother were killed in a gunfight. In Will's office, the only citizen who had willingly pinned on a deputy's badge now backs out and goes home, leaving the marshal utterly alone. Will writes his last will and testament, then enters the deserted street as Amy and Helen drive a wagon toward the train station. The train arrives, and as Miller disembarks, the two women get on board. Miller straps on his gun, and the four outlaws walk toward the center of town, where Will awaits them. When one of the outlaws breaks a window, Will is able to duck inside a building and shoot him. Hearing the shot, Amy gets off the train and runs back to town. Will kills another of his attackers and takes cover in the livery stable, which the two remaining outlaws set on fire. As the frightened horses charge out, Will leaps on one and makes his escape, but falls after being shot in the arm. Amy shoots one of the gunmen in the back before he can shoot Will, but is captured by Miller, who uses her as a hostage. In response to Miller's threats, Will faces him in the street, but Amy pushes the outlaw, giving Will the chance to shoot him dead. Amy and Will embrace, and the townspeople rush into the street. Disgusted by the cowardice of his former friends, Will tosses his tin star in the dirt at their feet, then leaves with Amy.
Cast: Errol Flynn, Olivia de Havilland, Basil Rathbone
Directors: Michael Curtiz, William Keighley
Producer: Jack L. Warner, Hal B. Wallis
Writer: Norman Reilly Raine, Seton I. Miller
Editor: Ralph Dawson
Cinematographer: Tony Gaudio, Sol Polito
Genre: Adventure
Production Company: Warner Bros. Pictures, Inc.
Composer: Erich Wolfgang Korngold
King Richard the Lion-Heart, who left England to fight in the Crusades, has been taken captive and is being held for ransom. He has entrusted his kingdom to his brother, Prince John, who, along with Sir Guy of Gisbourne and the Sheriff of Nottingham, is plotting to overthrow the throne. At a banquet in John's honor, Sir Robin of Locksley disrupts the proceedings and openly accuses John of treachery. Robin eludes John's knights and hides out in Sherwood Forest, where he gathers a band of men, including Will Scarlett, Little John and Friar Tuck, to protect and provide for the Saxon poor by stealing from the rich. When Gisbourne and the sheriff ride through the forest, accompanied by Richard's ward, the lovely Maid Marian, Robin, who is now known as Robin Hood, kidnaps the royal group, seizes their tax money for Richard, and opens Marian's eyes to the reality of Norman oppression. They are released unharmed, but the enraged sheriff proposes an archery tournament to lure Robin out of Sherwood. The sheriff's trick succeeds, and when Robin accepts his victory prize from Marian, he is caught and sentenced to hang. Marian, now in love with Robin, alerts his men, who save him from the gallows. While Robin secretly visits Marian and confesses his love, Richard rides into Sherwood. He discovers John's plans to be crowned king and enlists Robin's help. At the castle, Gisbourne exposes Marian's allegiance to Robin and imprisons her. The coronation begins on schedule, but Richard's and Robin's men appear from under monks' robes and attack John's knights. In a spectacular sword fight, Gisbourne is killed by Robin. After Richard is restored to his rightful throne, he banishes John and gives Robin and Marian permission to marry.
Cast: James Stewart, Kim Novak, Barbara Bel Geddes
Directors: Alfred Hitchcock
Producer: Alfred Hitchcock
Writer: Alec Coppel, Samuel Taylor
Editor: George Tomasini
Cinematographer: Robert Burks
Genre: Romance
Production Company: Alfred J. Hitchcock Productions, Inc., Paramount Pictures Corp.
Composer: Bernard Herrmann
San Francisco police detective John “Scottie” Ferguson is forced to retire after he is involved in a rooftop chase and his acrophobia and accompanying vertigo leads to the death of a fellow officer. Although Scottie hopes to overcome his phobia, his longtime friend, Midge Wood, an artist who is in love with him, cautions him that only a severe emotional shock might snap him out of it. One day, Scottie tells Midge that he has been contacted by Gavin Elster, an old college friend. Scottie meets with Elster at his office near the waterfront, where Elster oversees a shipbuilding business. Elster informs Scottie that he is worried about his young, blonde wife Madeleine, whose rich family built the business that Elster runs. Scottie is baffled by Elster’s claims that Madeleine has been having blackouts and seems to be possessed by someone from the past. Although Scottie is reluctant to become involved, Elster convinces him that he needs a friend to observe Madeleine before he commits her to a mental institution. That night, Scottie goes to Ernie’s, a popular restaurant, so that he can see Madeleine for the first time as she dines with her husband. Scottie is awed by Madeleine’s beauty and the next morning, follows her as she leaves home and goes to a flower shop to buy a nosegay. Seeming to be in a trance, Madeleine then goes to the cemetery of the old Mission Dolores and stands before a grave. After Madeleine departs, Scottie reads the gravestone, which belongs to Carlotta Valdes, who died in 1857 at the age of 26, the same age as Madeleine. Scottie then follows Madeleine to the Palace of the Legion of Honor art gallery and watches as she sits motionless in front of a portrait of a young woman. Scottie is stunned to see that the nosegay Madeleine carries is an exact duplicate of the one in the portrait, and that she even wears the same hairstyle as the painting’s subject. Upon learning that the painting is called “Portrait of Carlotta,” Scottie follows Madeleine as she drives to the McKittrick Hotel, where she enters a room on the second floor. The landlady, who knows Madeleine as Carlotta Valdes, tells Scottie that “Carlotta” comes to the hotel for a few hours several times a week. When Scottie searches the room, however, Madeleine has disappeared. Scottie then goes to Midge’s and when he asks about sources of information about old San Francisco, she takes him to see bookstore owner Pop Leibel. Pop relates that Carlotta was a young beauty, reared in an old mission and romanced by a rich, older man who built a mansion for her. After their child was born, however, the man took the child and deserted Carlotta, who went mad and committed suicide. Scottie is intrigued when Pop states that Carlotta’s mansion eventually became the McKittrick Hotel. The next day, Scottie tells Elster of his findings, and Elster confesses that he knew about Carlotta but did not tell Scottie in order not to prejudice him. Elster reveals that Carlotta was Madeleine’s great-grandmother, but when Scottie declares that it would be natural for Madeleine to become obsessed with her ancestor, Elster asserts that while Madeleine’s mother told him the truth, she never told Madeleine for fear of upsetting her with the knowledge of insanity in their family. Elster insists that Madeleine, who owns several pieces of Carlotta’s jewelry, including the distinctive necklace she wore while sitting for her portrait, has become possessed by Carlotta. Later, Scottie again follows Madeleine, with whom he has become obsessed, as she goes to the museum and then to Fort Point underneath the Golden Gate Bridge. When Madeleine suddenly throws herself into the water, Scottie jumps in and rescues her. Scottie takes the unconscious Madeleine to his apartment to recover and when she awakens, she claims to have no memory of the incident, although she does recall being at Fort Point. When Scottie then asks her if she has ever been to the art gallery containing Carlotta’s portrait, she states that she has not, confirming Elster’s assertion that she does not remember her wanderings to places connected to Carlotta. Their conversation is interrupted by a phone call from Elster, and while Scottie updates him on Madeleine’s condition, Madeleine departs. The following day, Scottie is tailing Madeleine when she comes to his apartment to leave him a note. Scottie suggests that they take a drive, and they go to a Sequoia forest, where they discuss the ephemeral nature of time and memory. As Scottie presses her about why she jumped into the bay, and about “where” and “when” she currently is, Madeleine relates that she feels like she is walking down a long corridor, covered with mirrored fragments that reflect a life not her own, yet familiar. When Scottie continues to question her, Madeleine reveals her fear that she is insane and will die soon. Scottie embraces her and assures her that he will never let her go, and their relationship is sealed with a passionate kiss. Sometime later, Madeleine awakens Scottie late one night, telling him that she had a recurring nightmare about an old Spanish church. Scottie recognizes her description of the area as nearby San Juan Bautista, an old, Spanish mission that has been preserved as it was one hundred years ago, but Madeleine insists that she has never been there. That afternoon, Scottie takes her there to reassure her that it is a real place and that she has nothing to fear from it. In the livery stable, Madeleine describes having lived at the mission, as if recalling Carlotta’s memories of her youth, and Scottie tries to reason with her, showing her things that she might have once seen and become confused about. After sharing another passionate kiss with Scottie, Madeleine runs off, crying that although she loves him, there is something she must do, and that it is too late for them. Scottie follows her as she races up into the church’s bell tower, but as he climbs the stairs, begins to suffer from vertigo. Madeleine reaches the top of the tower before Scottie, and as he looks through a window, sees her fall to the roof of the church below. Devastated, Scottie leaves the scene. Soon after, at the coroner’s inquest, Madeleine’s death is ruled a suicide, although the official lambasts Scottie’s lack of action. Elster consoles Scottie, asserting that it was his fault for getting Scottie involved, and tells him that he is moving to Europe. After having a terrifying nightmare about Madeleine’s death, Scottie suffers a nervous breakdown and is institutionalized for a year. Upon his release, Scottie sees women resembling Madeleine everywhere he goes until one day, he sees a redheaded woman who looks so strongly like Madeleine that he follows her to her room in a cheap hotel. There, the woman, whose name is Judy Barton, believes that Scottie is trying to pick her up, but when he confesses that she reminds him of someone he once loved, she softens and agrees to dine with him that evening. After Scottie departs, however, Judy begins to pack, then writes a letter to Scottie, confessing that Elster concocted a scheme to kill his wife and make Scottie a dupe to cover his crime. As Judy writes, she recalls how Elster transformed her, his mistress, into a sophisticated double of the real Madeleine, then employed Scottie to follow her, and as they hoped, Scottie fell in love with her. Judy had not planned on reciprocating his love, however, and was distressed upon having to betray him by running to the bell tower, from which Elster threw the already dead body of his wife. Deciding that she wants to make Scottie love her as herself, not as Madeleine, Judy destroys the letter. After dinner, Scottie begs to spend more time with her and Judy consents, although as the days pass, she is unnerved by his attempts to transform her into Madeleine by buying her similar clothes and having her hair dyed platinum blonde. Desperate to regain his affection, however, Judy goes along with his efforts until she looks just as she did when she was impersonating Madeleine. His dream of resurrecting Madeleine achieved, Scottie kisses Judy deeply, recalling the last time that he kissed Madeleine before her death. As they prepare to go out, however, Judy unthinkingly dons Carlotta’s necklace, and Scottie deduces Elster’s scheme, and Judy’s part in it. Scottie drives the nervous Judy to San Juan Bautista and there forces her to climb the bell tower, stating that this is his “second chance.” As they climb, Scottie realizes that he no longer suffers from vertigo, and Judy confesses to her part in the crime, revealing that Elster discarded her after his wife’s death. Alternately calling her Madeleine and Judy, Scottie tells her how much he loved her, and Judy responds that they can begin again, with her transformation back into Madeleine as proof of her love for him. Just then, a nun comes into the tower and her footsteps frighten Judy, who steps back and fall to her death on the roof below. Shattered, Scottie looks down at her body.
Cinematographer: Eddie Linden, Vernon Walker , J. O. Taylor
Genre: Adventure, Horror
Production Company: RKO Radio Pictures, Inc.
Composer: Max Steiner
Because he refuses to disclose any information concerning the exotic location of his upcoming movie project, Carl Denham, a renowned adventure filmmaker, is forced to search the streets of New York to find a lead actress. At a fruit stand, he stumbles onto the beautiful but broke Ann Darrow as she is about to steal an apple for her dinner. Anxious for work, Ann eagerly accepts Denham's part and agrees without question to make the long sea voyage the next morning. During the trip, Denham, who has refused to disclose his final destination even to the captain, Englehorn, makes screen tests of Ann, coaching her on how to scream and look terrified for the camera. At the same time, the mysogynistic first mate, Jack Driscoll, chides Ann for being a woman on a man's ship, but soon falls in love with her. As the boat enters tropical waters, Denham finally shows Englehorn a map detailing their exact destination--a tiny island dominated by a peak called Skull Mountain. When the boat reaches the island, Ann, Denham and the crew go ashore and discover natives engaged in a frenetic religious ceremony that features men dressed in gorilla skins and a young woman tied to an altar. While Englehorn attempts to make friends so that the camera-wielding Denham can shoot the scene, the native chief eyes the blonde Ann and states cryptically that she would make a good bride for “Kong.” Nervous about the chief's interest in Ann, whose presence on the island Jack has vehemently protested, Denham orders his group back to the boat. That night, Ann is kidnapped from the ship by natives and tied to stakes outside the huge village walls. At the sounding of a gong, King Kong, a gorilla-like ape of enormous proportions, emerges from the primeval jungle and grabs Ann, carrying her away like a tiny doll in his huge hand. In close pursuit of the ape are Denham, Jack and a handful of the ship's men. They follow a trail of broken branches left by Kong and soon stumble on a dinosaur, a horny-tailed stegosaurus, which they kill with gas bombs. They then construct a raft and cross a river, where they are attacked by a brontosaurus. After the group loses several men to the brontosaurus, the survivors scramble to the river's shore and are spotted by Kong. Kong kills several more men by tossing them off a giant log into a treacherous chasm and attempts to kill Jack, who is hiding in a protected alcove. When he hears Ann, whom he has left in the nook of a dead tree, screaming, however, Kong abandons Jack and rushes to her rescue. While Kong saves Ann from the jaws of an allosaurus Jack and Denham, the last two crew survivors, reunite. Denham decides to return to shore for help and wait for Jack to signal when he has rescued Ann. Jack follows Kong and Ann into a cliffside cave and there Kong kills a giant snake. He then gently tickles Ann and plucks off and sniffs her outer clothes. When the hidden Jack inadvertently makes a noise, the ape goes to investigate, leaving Ann unprotected. A pteradodon swoops down and almost flies off with Ann, but Kong once again comes to her rescue. Distracted by the flying reptile, Kong fails to see Jack and Ann escaping down the cliffside via a ropelike vine until they are out of arm's reach. Although Kong snaps the vine in his attempt to retrieve Ann, the couple fall unharmed into the river and make a dash for the ship, closely pursued by Kong. When they finally reach the shore, Ann and Jack are met by Denham and the crew, but must still face Kong, who is rampaging through the village, killing its inhabitants in his search for Ann. To stop Kong, Denham hurls a gas bomb into his face and knocks him out. Seeing Kong unconscious, Denham decides to carry him on an enormous raft back to New York, where he knows the ape will make him a fortune. In the city, a heavily chained Kong, billed as the “Eighth Wonder of the World,” is a sellout attraction at a fashionable theater. When photographers' flashbulbs start popping in Ann's face, however, Kong believes she is in danger and breaks free in a protective frenzy. Ann flees with Jack, but Kong storms the nearby streets, destroying an elevated passenger-filled train and tossing a woman he momentarily mistakes for Ann to her death. Finally Kong spots Ann in a hotel room and, as a helpless Jack watches, snatches her once again. Then, as though still in the jungle, he scales the Empire State Building with Ann in his hand. At Denham's urging, the city authorities call in airplanes armed with machine guns to stop the ape, and after Kong is shot repeatedly by the gunners, he drops Ann gently on the rooftop and falls over the skyscraper's edge to his death. Upon viewing his conquered prize, Denham retorts to another onlooker that Kong was not downed by airplanes, but “twas Beauty that killed Beast.”
Cast: Dee Wallace, Peter Coyote, Robert MacNaughton
Directors: Steven Spielberg
Producer: Steven Spielberg, Kathleen Kennedy
Writer: Melissa Mathison
Editor: Carol Littleton
Cinematographer: Allen Daviau
Genre: Fantasy, Science fiction
Production Company: Universal Pictures , Amblin' Entertainment
Composer: John Williams [composer]
On a late autumn night, a spaceship filled with foliage and fungi sits among the trees of a quiet forest. Small, squat alien creatures wander near the ship observing plants on Earth until their chests illuminate red. One alien wanders off alone, looking at the city lights below, when a brigade of trucks parks nearby and humans begin to inspect the area with flashlights. The extra-terrestrial’s chest glows red, attracting the attention of the humans, and the creature runs screeching back toward its spaceship. However, the aircraft’s ramp closes and the ship launches into the sky, leaving the alien behind. Meanwhile, as a group of boys play games in a suburban home, Michael instructs his younger brother, Elliott, to retrieve pizzas from the deliveryman. While outside, Elliott hears a rustling in the illuminated shed behind the house. Believing the noise to be coming from the dog, Harvey, the boy tosses a baseball inside the shed, but the ball is thrown back to him. Elliott leads the other boys and his mother, Mary, outside to show them the strange occurrence. There, they find unusual footprints, which they assume were made by coyotes. After everyone has gone to sleep, Elliott inspects the yard and nearby cornfield with a flashlight. He follows a pair of tracks into the dirt and encounters the wrinkly, blue-eyed extra-terrestrial, which screams and runs away. The next morning, Elliott rides his bicycle into the park, dropping a trail of Reese’s Pieces candies behind him, but quickly returns home when he notices a man inspecting the area. During dinner, the boy insists that the alien he saw was real, despite the skepticism from his mother, brother, and younger sister, Gertie. When Elliott mentions that his absent father is in Mexico with a woman named Sally, his mother begins to cry and leaves the room. That night, Elliott sits outside on a lawn chair and the alien approaches him, dropping a handful of Reese’s Pieces at his feet. Elliott uses more of the sweets to lure the creature into his bedroom, where the alien mimics Elliott’s movements and watches the boy as he falls asleep. Elsewhere, a group of men use radar equipment to search the forest and find a cluster of the forgotten candies. The next day, Elliott feigns illness so he can stay home while his mother goes to work and his siblings attend school. The boy speaks to the alien and shows it his belongings. Once he retrieves food from the kitchen, Elliott draws a bath and speaks to his mother on the telephone while the alien swims in the water. After school, Elliott shows the creature to Michael and Gertie, who yell in alarm, but agree to keep the creature a secret from their mother. The alien uses its powers to levitate balls of clay into the air, mimicking the orbit of planets in the solar system, and revive a wilted flower. Although amazed, Elliott becomes concerned about beeping noises and voices of the scientists nearing the house. After Elliott and Michael leave for school, Mary hears shuffling in Elliott’s closet, but the alien hides itself among the children's stuffed animals. While Elliott attends a dissection lesson in biology class, the creature drinks beer from the refrigerator at home. As the alcohol takes effect in the alien’s body, their telepathic connection causes Elliott to simultaneously become intoxicated and slide out of his chair. Meanwhile, the alien reads a newspaper comic depicting spacemen attempting to contact their home planet, and watches television programs featuring flying spaceships and people using telephones. In class, Elliott frees the frogs from their jars before their classmates can dissect them. As the alien watches John Wayne kiss Maureen O’Hara in The Quiet Man, Elliott grabs his classmate and kisses her, prompting a teacher to drag him away. The alien then dismantles a Speak & Spell toy and carries various household items upstairs to the closet. Later, Gertie attempts to show the creature to her mother, but Mary is distracted putting away groceries and does not notice that it has begun to mimic the girl's educational television program. She then receives a telephone call from the school and leaves to pick up Elliott. When the boy returns home, he finds that Gertie has dressed the alien in a dress and wig, and that the creature can now speak. Elliott calls the creature “E.T.,” and E.T. uses signals and its limited vocabulary to tell the children that it wishes to “phone home.” That night, a man drives by the house in a van and eavesdrops on Elliott and Michael rummaging through the garage for equipment to build a radar machine. On Halloween, Elliott reminds Gertie to meet him at “the lookout” point later that evening, and covers E.T. in a sheet, pretending it is his sister dressed as a ghost. He and Michael lead E.T. up the hill to meet Gertie with his bicycle, and Elliott rides into the woods with E.T. in the front basket. After nightfall, E.T. levitates the bike into the air and they ride through the sky. Elliott then helps E.T. construct a device that will send a signal to the alien's home planet. When the children do not return home that night, Mary leaves to search for them, and a group of suited men enter the house. She finds Gertie and Michael on the streets, who inform her that Elliott is in the forest. Meanwhile, the wind pushes the gears on the machine, emitting a code out into space. Upset by the thought of E.T. leaving, Elliott cries and falls asleep among the trees. The next morning, Mary reports Elliott’s disappearance to a police officer, but the boy returns home, ill and alone. Michael finds E.T., white and sickly, lying in a stream. When he brings the dying creature home and shows it to Mary, she attempts to take the children away. However, a team of scientists dressed in spacesuits enter the house and cover the premises in protective quarantine barriers. While scientists run medical tests on E.T. and Elliott and asks the family questions, Michael informs them that his brother is able to telepathically sense E.T.’s feelings, and one man tells Elliott he is glad that he found E.T. before they did. As Elliott regains strength through the night, E.T. fades, and the alien’s heart eventually stops. Despite the scientists’ efforts to resuscitate the creature, E.T. dies, and they pack its body in a nitrogen chamber. As Elliott says goodbye, E.T.’s chest glows red, and a nearby pot of wilting flowers blooms again. E.T. repeats “E.T. phone home,” prompting Elliott to realize that the alien’s companions are returning. Elliott loudly weeps to distract the doctors from noticing that E.T. is still alive, and later Mike steals a medical van, with Elliott and E.T. hiding in back. He instructs his friends to meet them at the top of the hill as Mary and Gertie chase after them in the car, the scientists trailing behind. The boys ride their bicycles through the neighborhood with E.T. perched in Elliott’s basket, lifting them into the air to evade the police. As they reach the forest, E.T.’s spaceship lands in the clearing, and Mary arrives with Gertie. The girl gives E.T. a flower pot, and the alien tells her to “be good.” Elliott asks his friend to stay, but E.T. hugs the boy goodbye, assuring him, “I’ll be right here,” before walking up the ramp. The spaceship flies away, leaving behind a rainbow in the sky.
Cast: Meryl Streep, Robert Redford, Klaus Maria Brandauer
Directors: Sydney Pollack
Producer: Sydney Pollack, Kim Jorgensen
Writer: Kurt Luedtke
Editor: Fredric Steinkamp, William Steinkamp, Pembroke Herring, Sheldon Kahn
Cinematographer: David Watkin
Genre: Biography, Drama, Romance
Production Company: Universal Pictures , Mirage Enterprises
Composer: John Barry
In 1913 Kenya, East Africa, a Danish aristocrat named Karen Christenze Dinesen travels cross-country by train to Nairobi, where she will be married to Baron Bror Blixen, a nobleman who lost his family fortune and is seeking adventure in the British colony. Although Karen was recently betrothed to Bror’s twin brother, he broke off the engagement, and she convinced Bror to enter into a marriage of convenience, in which she will invest her dowry as venture capital for a dairy farm. Fearing spinsterhood and domestic servitude, Karen hopes the enterprise will secure her independence. On the way to Nairobi, Karen’s train is briefly delayed by a mysterious game hunter, Denys George Finch Hatton. He loads elephant tusks into the cargo car, and asks her to deliver them to his associate, Berkeley Cole. Arriving at her destination, Karen is met by an African manservant, Farah Aden, who takes her to the Muthaiga Club, a British establishment that prohibits women. After a brief, informal wedding to Bror outside, Karen’s curiosity leads her to a club apartment filled with books. Her trespassing is interrupted by the kindly Berkeley Cole, who has retrieved the tusks and reveals that the residence belongs to Denys. Karen insists on leaving the resort before making a second encounter with the enigmatic sportsman, and travels through the night to her new home on a remote farm. There, she is distressed to learn that Bror has used her money to purchase a coffee plantation instead of a dairy ranch, and is further perturbed when her husband leaves for an extended hunting trip with no plans to return. Mourning her abandonment, Karen gets to work planting coffee beans, and hires local Kikuyu tribesmen for labor. One day, Karen sets out alone on a hunting safari and is cornered by a lioness, but Denys comes to her rescue, and she invites him back to the farm with his travelling companion, Berkeley. At dinner, Denys asks Karen to tell them a story and is mesmerized by her imagination. Karen, who declines to be identified as a writer and refers to herself as a “mental traveler,” is delighted by her newfound company, and is reluctant to bid them farewell. As Denys leaves, he gives Karen a pen and urges her to become an author. Alone again, Karen loses patience with Bror’s truancy and heads out in search of her wayward husband. When she orders him to come home, their bond becomes more intimate, and they make love. However, their budding domesticity is interrupted by the start of WWI, and Bror leaves again to fight on the African front. In time, Karen receives a request for supplies and sets out on a safari to deliver the goods, ignoring warnings from friends and tribesmen. Karen crosses paths with Denys on her treacherous journey, and he gives her a compass. She arrives at Bror’s camp disheveled but victorious, and the troops are stunned by her bravery. Bror admits his disinterest in the farm, but Karen has fallen in love, and wants to enjoy their romance. Returning home alone, Karen learns she has contracted syphilis from Bror’s rampant infidelities, and is forced to go back to Denmark for arsenic treatment. She survives, although she loses her ability to have children. Back in Nairobi, Karen oversees the thriving coffee plantation and establishes a school for the Kikuyu children, defying protests from Chief Kinanjui and British colonists. At a New Year’s Eve celebration, Karen is reunited with Denys. He argues against assimilating Kikuyu youths, noting that their indigenous culture must be preserved, but kisses Karen at the stroke of midnight. Meanwhile, Bror makes love to a mistress in his car. When Karen discovers the transgression, she orders her husband to leave. She continues to manage the plantation single-handedly, but her enterprise suffers with the falling prices of coffee beans. One day, Karen receives an unexpected visit from Denys, who invites her to join him on a safari. During their adventure, they camp in the wilderness and share stories of their past lives. Karen reveals that her father committed suicide when she was ten years old, and Denys washes her tangled hair. On a hunt, the two are charged by a pair of lions and narrowly survive. As their friendship evolves, Karen warns Denys that she had syphilis and is infertile, but he is undeterred, and they make love. Still, Denys is not interested in domestic life, and when the safari is over, he leaves Karen at the farm. Berkeley warns her to be wary of Denys, and suggests she divorce Bror to establish herself as an independent woman. Karen declines, musing that she must keep her marriage because she will never be able to hold on to Denys. In time, Denys returns for a passionate reunion, and shares news that Berkeley is dying from malaria. His friend has maintained a secret romance with a Somali woman for years, and the newly divulged affair has sparked controversy among expatriates. With new appreciation for committed relationships, Denys establishes a home base at Karen’s farm. The couple creates an unconventional union, in which Denys leaves for weeks at a time, and Karen stays home to write. One day, Denys returns in a biplane and takes Karen for an exhilarating flight above the African landscape. Although Karen flourishes in love, her crops wane, and she is forced to secure a risky loan. The bank threatens to take over her land, and evict the Kikuyu natives. Sometime later, Bror asks Karen for a divorce so he can marry another woman. Karen appeals to Denys for a marriage proposal, but he declines, declaring his dedication to personal freedom. When he considers taking a female friend on a safari, Karen asks him to move out. While Karen’s crops improve, her plantation is destroyed in a fire, and she decides to leave Africa. At a garden party, she approaches British governor Sir Joseph Byrne on bended knees, begging him to grant land rights to the Kikuyu, and his wife promises to oblige. As Karen walks away, Denys offers to lend support, but she refuses. He later visits the farm, and admits he no longer wants to be alone. Although Karen remains firm in her decision to leave, she accepts his invitation to fly her to Mombasa, where she will meet her boat for Denmark. Before his return, however, Denys is killed in a plane crash, and Karen delivers an impassioned eulogy at his hillside funeral. Moving out of Africa through Nairobi, Karen is given a hero’s welcome at the Muthaiga Club, where she was once shunned for being a woman. She bids farewell to her devoted manservant, Farah Aden, and gives him Denys’s compass. Making one last attempt to overcome distinctions of class, race, and gender, Karen asks Farah to refrain from referring to her as “msabu,” the deferential term for “mistress.” The African tribesman utters her name. Back in Denmark, Karen remembers her adventures and is heartened to learn that Denys’s grave is frequented by lions.
Cast: William Holden, Gloria Swanson, Erich von Stroheim
Directors: Billy Wilder
Producer: Charles Brackett
Writer: Charles Brackett, Billy Wilder, D. M. Marshman Jr.
Editor: Arthur Schmidt, Doane Harrison
Cinematographer: John F. Seitz
Genre: Drama
Production Company: Paramount Pictures Corp.
Composer: Franz Waxman
Early one morning, police arrive at a large house on Sunset Blvd. in Beverly Hills, where a man's body floats face down in the pool: Six months earlier, while down on his luck, screenwriter Joe C. Gillis is living at the Alto Nido apartments in Hollywood, California. Joe is served with a court order commanding him to relinquish his car or pay $290 in back payments by noon the next day. Hoping to make a quick deal, Joe meets with Paramount studio producer Sheldrake to peddle a baseball/gambling picture he has written, but is turned down. While in Sheldrake's office, Joe encounters studio reader Betty Schaefer, who pans the script as formulaic. Sheldrake then refuses him a personal loan, as does his agent. Despairing, Joe makes plans to return to Dayton, Ohio, where he worked as a newspaper copy writer. While driving down Sunset Blvd., he spots the two men who are trying to repossess his car and successfully eludes them, but then has a blowout. He coasts into the driveway of a dilapidated 1920s mansion and hides the car in an empty garage. Joe then enters the house, where stoic butler Max von Mayerling orders him upstairs to consult with "madame" immediately. Joe soon discovers that he has been mistaken for a mortician, who is due to arrive with a baby coffin for "madame's" dead pet chimpanzee. Joe recognizes the faded woman as Norma Desmond, once a famous silent movie star. When she rails against modern talking pictures, Joe tells her that he is a screenwriter. Excitedly, she announces that she is planning a return to the screen in a story she is writing about the Biblical figure Salomé. When Norma discovers Joe is a Sagittarius, she is convinced of their compatibility and hires him to edit her lengthy screenplay for $500 per week and puts him up in a room over her garage. The next day, Joe awakens to find that all his belongings have been moved from his apartment, and that Norma has settled his debts. Although he is angry at Norma for her presumption, he acquiesces because he so desperately needs a job. Joe soon learns that Norma's fragile but enormous ego is supported by the scores of fan letters she still receives, and two or three times a week, Max projects her silent pictures on her living-room movie screen. As Norma and what Joe calls "the waxworks," Hollywood old-timers Buster Keaton, Anna Q. Nilsson and H. B. Warner, are playing bridge one night, two men arrive and tow away Joe's car. To appease the distraught Joe, Norma arranges for Max to refurbish her old Isotta-Fraschini, an extravagant Italian sports car. The once reclusive Norma becomes increasingly controlling. After a rain storm soaks Joe's room, she has him moved into the bedroom adjacent to hers, where her three former husbands slept. When Joe notices that none of the bedroom doors have locks, Max explains that Norma's bouts of melancholy are often followed by suicide attempts. Joe then realizes that Max has been writing Norma's fan letters so that she will not feel completely forgotten. On New Year's Eve, Norma stages a lavish party for herself and Joe, but he flies into a rage because he feels smothered. Feeling rejected, she slaps him, and he leaves the house. At a lively party at the home of his friend, assistant director Artie Green, Joe again meets Betty, who is engaged to Artie, and is excited about one of Joe's stories. Joe asks to stay for a few weeks, and Artie agrees to put him up. When he calls Max to have his things sent over, however, Max tells him that Norma slit her wrists with his razor blade. Joe returns to the house at midnight and finds Norma weeping at her own stupidity for falling in love with him. She pulls him to her and they kiss. After Norma recovers, she has the pool filled, and announces that she has sent her script to Paramount's director of epics Cecil B. DeMille, with whom she made twelve pictures. One night, Joe sees Artie with Betty at Schwab's Pharmacy. Although Betty tells him she has nearly sold one of his stories, Joe says he has given up writing, and leaves. Norma later gets a call from Paramount, but refuses to take the call because DeMille has not called her himself. Finally, Norma visits the studio unannounced. While Norma receives the long-awaited attention she craves on DeMille's set, Max learns that the earlier call was an inquiry about her car, which the studio wants to use for a film. While on the lot, Joe sees Betty, who is busy revising his story, and agrees to collaborate with her on the script in her off-hours. Norma misinterprets DeMille's pitying kindness for a deal, and a staff of beauty experts descends on her house to ready her for the cameras. Betty and Joe, meanwhile, meet repeatedly in the late evenings, and he begins to care for her, but keeps his other life with Norma a secret. One night, Max reveals to Joe that he was once an influential Hollywood director who discovered Norma when she was sixteen and made her a star. After he became Norma's first husband, she left him, but when Hollywood abandoned her, he gave up his prosperous career to return to serve her as a butler. Eventually, Norma, suspicious that Joe is involved with another woman, finds his and Betty's script and goes into a deep depression. Meanwhile, Betty receives a telegram from Artie, who is filming in Arizona, asking her to marry him immediately. She confesses her love to Joe, and he admits he wants her, too. When he arrives home that evening, however, he catches Norma calling Betty to expose him as a kept man and giving her the Sunset Blvd. address. When Betty arrives, Joe bitterly explains that he is Norma's companion. Betty urges him to leave with her immediately, but he tells her he is bound to "a long term contract with no options" and allows her to leave. He then packs, with the intention of moving back to Ohio, and returns all of Norma's gifts. Joe then tells her that there will be no film of Salomé, that the studio only wants to rent her car, and that her fans have abandoned her. Shouting that "no one ever leaves a star," Norma shoots Joe twice in the back and once in the stomach, sending him to his death in the pool. A throng of reporters and policemen surround the house, but the police are unable to get Norma out of her bedroom, until Max directs the Paramount newsreel crew to set up their equipment at the bottom of the stairs, and tells Norma that the cameras have arrived. In a state of delusional shock, Norma descends the stairs as "Salomé" while Max tells the cameramen to start rolling. At the bottom of the stairs, Norma announces, "I'm ready for my close-up, Mr. DeMille."
Production Company: Pakula-Mulligan Productions, Inc., Brentwood Productions, Inc.
Composer: Elmer Bernstein
In a small Alabama town in 1932, widowed lawyer Atticus Finch strives to create an atmosphere free from hatred and prejudice for his two children, six-year-old Scout, a tomboy, and her ten-year-old brother, Jem. The youngsters lead a carefree life, racing about the town, jeering at eccentric Mrs. Dubose and frightening themselves and their new friend, six-year-old Dill Harris, with exaggerated stories about Arthur "Boo" Radley, a supposedly mentally handicapped neighbor whom they have never seen. When Atticus agrees to represent Tom Robinson, a black man accused of raping a young white woman, Mayella Violet Ewell, the children must defend themselves against the racist taunts of their classmates. Though Atticus is able to demonstrate Tom's innocence by forcing Mayella to admit that her father beat her when he found her making advances toward Tom, the all-white jury returns a verdict of guilty. Atticus tries to have the decision reversed, but before he can do so, Tom attempts to escape and is killed. In revenge against Atticus, Bob Ewell attacks Scout and Jem, but Boo, who has secretly watched over the children and has left gifts for them in a tree trunk, saves them by killing Ewell. Unwilling to expose Boo to any publicity, Sheriff Heck Tate concludes that Ewell fell on his own knife and decides that there will be no trial.
While traveling some 2,000 years through time and space, four astronauts crash-land on an unknown planet. After finding the female of their quartet dead, the three male survivors cross the barren wasteland of the planet until they encounter a tribe of mute sub-humans living amidst lush vegetation. They are set upon and captured by uniformed riders on horseback, who, much to the astronauts' horror, turn out to be sentient gorillas. One of the astronauts, Dodge, is killed and his body placed in the simian museum of natural history; another, Landon, is subjected to a frontal lobotomy; the third, George Taylor, who has been rendered speechless by a throat wound, is placed in a hospital cage. Taylor, although aware that he is a prisoner in a society where humans are treated as beasts, persuades the sympathetic chimpanzees, psychologist Zira and her archeologist fiancé Cornelius, that he can speak, read and write. Intrigued by the possibility that man may be the missing link in the evolution of the ape, Zira and Cornelius spare Taylor from experimental vivisection, intending to mate him with a female captive, Nova. Taylor eventually regains his power of speech and is able to communicate with the apes. Chief of state Dr. Zaius, an orangutan, is outraged by Taylor's unexpected abilities and demands that he be silenced by a lobotomy. Deeply resentful of the infringement upon their freedom of thought by the orangutans, the intellectual ruling class of the ape planet, Zira, Cornelius and their young assistant, Lucius, help Taylor and Nova escape. The group travels to the Forbidden Zone, a vast, deserted territory in which Cornelius had found human artifacts during an archaelogical dig, including a human-shaped doll that says "Mama." When they are pursued by the ape militia, led by the war-like gorillas, Taylor seizes Dr. Zaius and threatens to kill him unless he orders the soldiers to retreat. Zaius, after confessing that he has long been aware of man's reputation as "the harbinger of death," permits Taylor and Nova to continue into the Forbidden Zone, provided that they never return with evidence of their superior human culture. Some distance down the coastline, Taylor discovers the half-buried remnants of the Statue of Liberty and yells with rage as he realizes the destructive destiny of man's civilization.
Production Company: Warner Bros. Pictures, Inc., Charles K. Feldman Group Productions
Composer: Alex North
Blanche DuBois arrives in New Orleans by train, and follows a sailor's directions to take a streetcar named "Desire" to her sister Stella Kowalski's apartment at Elysian Fields in the French Quarter. Blanche, an aging Southern belle, is horrified by the dilapidated building in which her sister lives with her husband Stanley, but is delighted to reunite with Stella, whom she feels abandoned her after their father's death. Blanche explains that she was given a leave of absence from her teaching job because she had become a little "lunatic," and now makes herself at home in the cramped apartment, which affords little privacy. Blanche is immediately offended by Stanley's coarse manners, and he is infuriated when he learns that Blanche has lost the family home at Belle Reve. Stanley rants about the "Napoleonic code," which he claims decrees that what belongs to the wife belongs to the husband. Unimpressed by Blanche's genteel manners, Stanley reveals that his wife is pregnant, and at his insistence, Blanche reluctantly digs out the papers which document the many unpaid loans written against the Belle Reve estate. That night, Stanley's poker game runs late, and when Stella and Blanche return from an outing together, Blanche meets Stanley's best friend Mitch, a bachelor who looks after his sick mother. Blanche turns on the radio and dances by herself, but Stanley is distracted by the music and flies into a drunken rage, during which he beats Stella. Stella and her terrified sister run up to their neighbor Eunice's apartment, but later, when Stanley calls up to her in remorse, Stella is drawn back to her husband and makes up with him. Blanche, horrified by Stanley's brutality, lingers in the street with Mitch. The next day, Stanley overhears Blanche encourage Stella to leave Stanley, whom she calls an "animal" and "subhuman," but she is unable to shake Stella's devotion to her husband. Stanley reveals that he has heard some unsavory gossip about Blanche, and his apparent secret knowledge unnerves her. That night, Blanche and Mitch go out on a date, and she resists his amorous advances by telling him that she is old-fashioned. After avoiding Mitch's questions about her age, she reveals that she drove her first young husband to suicide by mercilessly demeaning him because their marriage was not consummated. She then accepts Mitch's kiss. Five months later, when Mitch reveals his plans to marry Blanche, he and Stanley fight after Stanley tells him about her sordid past. Stanley then tells Stella that he has learned that Blanche was fired for seducing a seventeen-year-old student, and that she has a notorious reputation. Mitch stands up Blanche on her birthday and refuses to take her calls. When Stanley tells Blanche that she has overstayed her welcome, she insults him by calling him a "Polack." Stanley defends his Polish heritage, and then gives her a birthday gift of a one-way bus ticket home. Blanche then becomes hysterical and shuts herself in the bathroom. Stella and Stanley start to fight, but she goes into labor and Stanley takes her to the hospital. Later, Mitch comes to see Blanche, who is hearing music in her head, and calls her a hypocrite. Blanche truly loves Mitch, but admits that she has had "many meetings with men." Mitch forces a kiss on Blanche, but breaks their engagement and is run out of the apartment by her. She then dresses up as if she were attending a ball, and when Stanley returns home, claims that Mitch has apologized and that she has received an invitation to a cruise. Stanley accuses Blanche of lying and assaults her. When Stella returns home with her baby, she finds that Blanche has gone insane and now lives under the delusion that she is going on a Caribbean cruise. Stella has reluctantly arranged for her sister to be sent to a sanatorium, but when the doctor and matron arrive, Blanche goes completely berserk. Mitch attacks Stanley, who vows that he never touched Blanche. Blanche finally calms down, and is touched by the doctor's gentlemanly manner, telling him that she has "always depended on the kindness of strangers." After they leave, Stella rebuffs Stanley and runs to Eunice's apartment with her baby, vowing never to return.
Sir Charles Lytton, who is really the famous jewel thief, the Phantom, wants the Pink Panther, a priceless jewel owned by beautiful Princess Dala. Inspector Jacques Clouseau wants the Phantom, whom he has been chasing unsuccessfully for fifteen years. Clouseau also wants the Phantom's female accomplice, unaware that she is really his own wife, Simone, the Phantom's mistress. Princess Dala visits the ski resort of Cortina, and there Sir Charles, Clouseau, and Simone also appear. George, Sir Charles's nephew, who supposedly has been attending school in America at his uncle's expense but is actually an amateur in the same "profession" as his uncle, also arrives unexpectedly at Cortina. After many complications, Clouseau learns that Sir Charles is the Phantom, but he cannot capture him. Later, when Princess Dala plans a costume party at her villa in Rome, Clouseau warns her that the Phantom will undoubtedly attempt to steal the Panther from the library safe during the party. Sir Charles and George come to the party, both dressed as gorillas, and begin to work on the safe from opposite ends. They crack it simultaneously only to find it empty except for a white glove, the Phantom's trademark. The lights go out and when they come on again, it is announced that the Panther is missing. After a wild car chase, Clouseau apprehends Sir Charles and George. Simone goes to Princess Dala to ask help to free them. At their trial, Clouseau testifies that he was present at each of the Phantom's thefts. Suspicion is thrown on Clouseau as the actual Phantom, and Clouseau is arrested when he pulls a handkerchief from his pocket with the Panther attached to it--the work of Simone and Dala. Sir Charles and George are freed and whisked off by Simone to South America. Clouseau, enveloped in the admiration of the crowd attending the trial and basking in the first adulation of his life, protests his innocence less vigorously as he is taken to prison. Sir Charles promises Simone that, as soon as they are safely in South America, he will send a letter to the Italian government clearing the innocent Clouseau.
Cast: Charlton Heston, Jack Hawkins, Haya Harareet
Directors: William Wyler
Producer: Joseph R. Vogel, Sol C. Siegel, Sam Zimbalist, J. J. Cohn
Writer: Karl Tunberg
Editor: Ralph E. Winters, John D. Dunning, Margaret Booth
Cinematographer: Robert L. Surtees
Genre: Epic
Production Company: Metro-Goldwyn-Mayer Corp.
Composer: Miklos Rozsa
During the reign of the emperor Tiberius, the Roman officer Messala arrives in Jerusalem as the new Tribune, head of the Roman garrison. Having spent much of his boyhood in Jerusalem while his father was provincial governor of Judea, Messala became close friends with Judah Ben-Hur, a Jewish prince from a rich and influential family. On the night of his return, Messala is visited by Judah, and the two men warmly reminisce about happy times of their boyhood. Messala tells Judah that the emperor wants the recent rebelliousness of Judea crushed and asks for his help. Judah is uneasy with the request but, as he is against violence, agrees to speak with other influential Jews. The next day, Messala visits Judah, his mother Miriam and sister Tirzah. Messala gives Tirzah a beautiful brooch, and Judah presents Messala with a horse he has raised, but the men argue over Messala’s insistence that Judah tell him the names of Jewish leaders who will not denounce rebellion. Judah refuses, severing their friendship. That night, Simonides, the faithful steward of the house of Hur, returns from Antioch with good news of the family's increasing wealth. He asks for permission for his daughter Esther to marry a free man, and says that she wants to ask Judah personally for permission. Judah is attracted to Esther, whom he has not seen since childhood, and grants permission, saying her freedom will be his wedding gift, even though he knows that she is marrying only because her father wishes it. Later that night, when Judah and Esther are alone, they exchange a passionate kiss. Judah then takes Esther's slave ring and promises to wear it until he meets the woman he will marry. The next day, Gratus, the new governor, arrives to a cold reception by the people of Jerusalem. As Judah and Tirzah watch his procession from the roof of their house, Tirzah leans against some tiles and accidentally loosens them, causing them to fall just as Gratus is passing. After he is thrown from his horse and knocked unconscious, Roman soldiers storm the house. As they enter the courtyard, Judah tells Tirzah and Miriam to say nothing, then tries to reason with the soldiers, pleading that it was an accident. When Messala suddenly appears at the courtyard entrance, Judah appeals to him, but Messala coldly watches as Judah, Tirzah and Miriam are taken away. After their arrest, Messala goes to the roof and sees the loose tiles, confirming that Judah had been telling the truth, but says nothing. Soon guards go to Judah's cell to tell him that he is being sent to the seaport of Tyrus, which Judah knows means imprisonment as a galley slave. He overpowers the guards and escapes into the garrison, then steals a spear and breaks into Messala's quarters. After Messala orders his guards to leave them, Judah demands to know what has happened to Miriam and Tirzah. Messala tells him that Gratus will recover but they will be punished for their crime. Judah does not understand why Messala would let this happen, especially after Messala admits that he knows the truth. Judah begs for mercy, but Messala rebuffs him, saying that the people now will fear him, and warning if Judah kills him, Tirzah and Miriam will be crucified before his eyes. Defeated, Judah has no choice but to let the guards take him away as he asks God to grant him vengeance. Days later, as Judah and other chained prisoners, weakened by thirst and exhaustion, enter the town of Nazareth, townspeople offer them water, but the Roman guard stops a woman who tries to give some to Judah. In despair, Judah falls to the ground and implores God to help him. At that moment, a carpenter, who has seen his plight, approaches, gives him water and bathes his face and hands. The guard then tries to stop the carpenter but strangely acquiesces when he looks into the man's face. Judah also gazes in awe at the young Nazarene, not understanding why he has offered help. Three years later, Judah is rower 41 in a Roman galley. On the day that Roman Consul Quintus Arrius takes command of the vessel, Arrius goes below to survey the rowers. Sensing both strength and hatred in 41, Arrius deliberately taunts him by lashing him, and later observes his reaction when the men are submitted to a grueling test of endurance to increase their rowing speed. Later, Judah is ordered to Arrius' quarters, where the consul offers him the chance to leave the galley and become a charioteer or gladiator. Judah declines, saying that he has not died because God does not want it so. Soon a fleet of Macedonian ships is sighted and the galley prepares for battle. Prior to the start of the fighting, Arrius orders a subordinate to chain and lock the rowers' shackles to their posts, but leave 41's unlocked. During the battle, when their galley is rammed, the rowers are trapped until Judah kills their guard, takes his keys and unlocks the others. He then goes on deck, where he throws a spear at an enemy soldier who has attacked Arrius and forced him into the water. Judah dives after Arrius and pulls him to safety on some floating debris that serves as a raft. When Arrius realizes that his ship is sinking, he tries to kill himself with his own knife, but Judah stops him. The next morning, the two men are alone in the sea, with no ships in sight. Arrius asks to know 41's name and wonders why he saved his life. Moments later, they see a ship in the distance and realize that it is Roman. When they are brought onboard, Arrius shocks the captain by giving Judah water before he himself drinks. He then learns that, although five galleys were lost in the battle, the Romans were victorious. Arrius then takes Judah's arm, and leads him off, past the rowers’ hole. Some time later, Arrius is hailed in a procession through the streets of Rome, accompanied by Judah, who rides in his chariot. When the emperor awards Arrius with the baton of victory, he inquires about Judah and agrees to meet with Arrius to discuss his situation. The next day, the emperor gives Judah to Arrius, to be his slave. Months later, Judah has ridden Arrius' chariot to victory five times in the Roman arena, bringing him fame and admiration throughout Rome. At a celebration banquet, Arrius announces that he is adopting Judah as his heir, replacing the son who had died. When Arrius and Judah, who accepts his new name as Young Quintus Arrius, speak privately, Judah tells Arrius of his affection and gratitude, and accepts his signet ring, but reveals that he must return to Judea to find his mother and sister. On his way to Jerusalem, Judah stops at an oasis, where an old man, Balthasar of Alexandria, thinks that he may be the man whom he saw as a baby in a stable in Bethlehem. Balthasar soon realizes that Judah is not that man, but the two strike up a friendship. Balthasar introduces Judah to Sheik Ilderim, a wealthy Arab who cherishes his magnificent team of white chariot horses. Judah observes the team and admires them, but over dinner in Ilderim’s tent, refuses his suggestion that he drive the team for him in the arena. Judah is intrigued, though, when Ilderim expresses his hope to humiliate the arrogant Messala by a victory over his chariot and adds that, in the arena, there is no law. When Judah arrives at his family’s now-decaying home in Jerusalem, he is surprised to see Esther, who never married but returned to the house with Simonides after he, who was also imprisoned, was released. Simonides, who was crippled and blinded under torture, proudly tells Judah that his fortune is safely hidden. Later, Judah and Esther kiss and reveal their feelings for each other, but Esther worries that Judah is consumed with hate and tells him of a young Nazarene she has heard of who preaches of love. The next day, Messala receives the gift of an expensive knife from Quintus Arrius, the younger. Messala is shocked when the man is revealed to be Judah, who shows him the seal from Arrius’ signet ring. Judah then tells Messala if Miriam and Tirzah are restored to him, he will forget what has happened, and says that he will return the next day. Shaken by Judah’s appearance, Messala tells his underling Drusus to go to the prison and find out what has happened to the women. In the lowest level of the prison, Drusus discovers that the women, who had not been seen in years, are now lepers. Fearful of the disease, the guards order the women taken to the edge of the city and the contents of their cell burned. Late that night, Miriam and Tirzah, covering their deformities in rags, go to their home. Although they merely want to look at it, Esther hears them. The women refuse to let her approach, and when Esther reveals that Judah is not dead, but in Jerusalem, Miriam makes her promise to tell him that they have died in prison. When Esther later tells Judah what Miriam had asked, his bitterness and despair frighten her, and she implores him not to be consumed with hatred. Judah will not listen, though, and leaves, determined to find a means of revenge against Messala. [An intermission divides the story at this point.]
Soon Ilderim goes to Messala’s home, offers a wager of a trunk filled with gold and silver and asks him and his companions for odds on an upcoming chariot race. When Messala hears that his opponent will be Judah, he accepts the wager at four to one, calling it the difference between a Roman and a Jew--or an Arab. On the day of the race, Pontius Pilate, an old friend of Arrius, who has become the new governor of Judea, oversees the race. Ilderim is optimistic, and happy that Judah has earned his horses’ affection, but worries when he sees that Messala’s chariot has spiked wheels and warns Judah. During the nine-lap race, Messala uses the blades on his wheels to destroy many chariots, and several of the other charioteers are killed or maimed. Messala tries to destroy Judah’s chariot, but instead crashes his own and is dragged by his team. Judah wins the race and is crowned victorious by Pilate, who calls him the crowd’s current god when the Judeans cheer loudly for him. After the race, Messala, who is in agony, will not allow the physician to amputate his mutilated legs until after Judah, whom he has summoned, arrives. Rather than seeking forgiveness, as Messala dies, he taunts Judah by revealing that Tirzah and Miriam are not dead but living in the valley of the lepers. In despair, Judah goes to the valley to find his mother and sister, ignoring the fear of contagion. As he searches, he is stunned to see Esther and Malluch, the mute who takes care of Simonides, bringing baskets of food down to the lepers’ caves. Judah angrily confronts Esther for her deception and demands to see Miriam and Tirzah, but she pleads that they would be shattered if he saw what has become of them. When Miriam and Tirzah weakly call for Esther, Judah hides as Esther gives them food, and weeps when he hears his mother ask if he is well and happy. Although still unconvinced by Esther’s pleas to remain hidden, Judah nonetheless leaves with her and Malluch. On their way back to the city, they see a crowd gathering on a mountain top. Balthasar, who is in the crowd, calls out to Judah, saying that the Nazarene who will speak is the one he sought, and that he is the son of God. Although Judah momentarily thinks of the Nazarene who had given him water, he scoffs at the remark and returns to the city alone. Judah is then summoned by Pilate, who greets him warmly as the son of his old friend, and delivers the message that he has been granted Roman citizenship. Though expressing his affection for Arrius, Judah rejects the citizenship and gives Arrius’ ring to Pilate to return, saying that Rome turned Messala into what he became. When Judah returns home, Esther tells him of the words of love and forgiveness she heard from the Nazarene, but Judah will not listen. The next day, Esther returns to the valley of the lepers, followed at a distance by Judah. When Miriam approaches she reveals that Tirzah is dying. As Esther tells Miriam of the Nazarene’s words and says that she wants to take them to him, Judah comes forward. Miriam tries to make Judah go away by showing him her deformed face, but Judah strokes her forehead and embraces her. He then carries Tirzah from the cave and, with Miriam and Esther, walks back to Jerusalem. The city is almost deserted when they arrive. People shun the lepers, but an old blind man tells them that people are gathered for the trial of the Nazarene. They then walk to the center of the city and observe Pilate washing his hands of the man, who is sentenced to death. Seeing the Nazarene's tortured body, the women weep, but Judah suddenly recognizes him. Judah then follows his journey to the crucifixion site, and when the Nazarene stumbles under the weight of his cross, offers him water. As the women sadly return to the valley of the lepers, Judah continues to follow the Nazarene. When Judah sees Balthasar, he relates what happened in Nazareth and wonders what the man has done to deserve this, but Balthasar says that he came into the world for this purpose. As the Nazarene dies, the skies darken and a storm rages. Outside the city, Miriam, Tirzah and Esther have taken cover. Tirzah says that she is no longer afraid, and Miriam sadly says, “His life is over.” Suddenly, through lightning flashes, Esther sees that Miriam and Tirzah no longer bear the deformities of leprosy. That night, when Judah returns home, he embraces Esther and relates that, even near death, the Nazarene sought forgiveness for those who caused his suffering. Esther then shows him that Miriam and Esther have been cured and the four lovingly embrace.
Production Company: Horizon-American Pictures, Inc..
Composer: Leonard Bernstein
At the request of mob boss Johnny Friendly, longshoreman Terry Malloy, a former boxer, lures fellow dock worker Joey Doyle to the roof of his tenement building, purportedly to discuss their shared hobby of pigeon racing. Believing that Friendly only intends to frighten Joey out of his threat to speak to the New York State Crime Commission, Terry is stunned to see Joey topple from the building as he and his brother, Charley “the Gent,” watch from across the street. As neighbors gather around Joey’s body, his distraught sister Edie accuses parish priest Father Barry of hiding behind the church and not helping the neighborhood break free from the mob’s grip. Listening nearby, Terry is disturbed by Edie’s indictment and later joins Charley, Friendly’s lawyer and accountant, at a meeting with Friendly and his lackeys. Friendly assures Terry that Joey’s death was necessary to preserve his hold on the harbor, then directs dock manager Big Mac to place Terry in the top job slot the following day. The next morning, while waiting for the day’s work assignment, the dock workers offer their sympathy to Joey’s father Pop, who gives Joey’s jacket to Kayo Dugan. Meanwhile, Terry is approached by Crime Commission representative Eddy Glover, but refuses to discuss Joey. Edie then comes down to the docks to apologize to Father Barry, but he admits that her accusation has prompted him to become more involved in the lives of the longshoremen. As the men disperse for work, Father Barry asks some of them to meet later downstairs in the church, despite being advised that Friendly does not approve of union meetings. Later, in the warehouse, Charley asks Terry to sit in on the church meeting. When Terry hesitates, Charley dismisses his brother’s fears of “stooling.” Despite the sparse turnout at the meeting in the church, Father Barry adamantly declares that mob control of the docks must end and demands information about Joey’s murder. Several men bristle in anger upon seeing Terry at the meeting, and Kayo tells Father Barry that no one will talk out of fear that Friendly will find out. Father Barry insists the men can fight Friendly and the mob through the courts, but the men refuse to participate. Eventually, Friendly’s stooges break up the meeting by hurling stones through the church windows. After Pop and Kayo are attacked outside, Father Barry presses Kayo to take action and Kayo agrees. Terry insists on walking Edie home and, on the way, she hesitatingly tells him abut her convent upbringing and ambition to teach. At home, Pop scolds Edie for walking with Terry, whom he calls a bum, and demands that she return to college. Edie responds that she must stay to find out who killed Joey. Later that day Edie is surprised to find Terry on the roof with Joey’s pigeons. Terry shows her his own prize bird, then asks her if she would like to have a beer with him. At the bar, Terry tells Edie that he and Charley were placed in an orphanage after their father died, but they eventually ran away. He took up boxing and Friendly bought a percentage of him, but his career faded. Swept up among wedding party revelers at the bar, Edie and Terry dance together until they are interrupted by Glover, who serves Terry with a subpoena to the Crime Commission hearings. Edie demands to know if Friendly arranged Joey’s murder, and when Terry cautions her to stop asking questions, she accuses him of still being owned by the mobster. That evening, Friendly visits Terry, who is evasive about the church meeting, then surprised when Friendly reveals that Kayo testified before the commission. Charley criticizes Terry for seeing Edie, and Friendly orders Terry back to working in the ship hold. The next day in the hold, Terry attempts to speak with Kayo, but the older man brushes him aside, calling him one of Friendly’s boys. Big Mac and one of his henchmen rig a crane to slip, and a load of boxes crashes down upon Kayo, killing him in front of Terry. Outraged, Father Barry gives an impromptu eulogy for Kayo, asserting that Kayo was killed to prevent him from testifying further. After two of Friendly’s henchmen begin pelting the priest with fruit and vegetables, Pop and Edie arrive and watch as Father Barry ignores the abuse and exhorts the men to believe in themselves and reject mob control. Terry furiously knocks out one of the henchmen, angering Friendly and Charley. Later, Father Barry returns Joey’s jacket to Pop and Edie. That night, after Edie gives Joey’s jacket to Terry, the guilt-stricken Terry tries but is unable to tell her about his part in Joey’s murder. The next morning Terry seeks out Father Barry to ask for guidance as he believes he is falling in love with Edie, but is conflicted about testifying and about going against Charley. Father Barry maintains that Terry must follow his conscience and challenges him to be honest with Edie. When Terry meets Edie on the beach later, he relates the details of the night of Joey’s murder, insisting that he did not know Joey would be killed, but Edie rushes away in distress. Later while tending his pigeons on the roof, Terry is visited by Glover and implies that he might be willing to testify. Their meeting is reported to Friendly, who orders Charley to straighten Terry out. That night, Charley takes Terry on a cab drive and chides him for not telling him about the subpoena. When Terry attempts to explain his confusion, Charley brusquely threatens him with a gun. Hurt, Terry reproaches his older brother for not looking after him and allowing him to become a failure and a bum by involving him with the mob. Charley gives Terry the gun and says he will stall Friendly. Terry goes to see Edie, and breaks down her apartment door when she refuses to let him in and demands to know if she cares for him. Edie tells Terry to listen to his conscience, which angers him, but the two embrace. When Terry is summoned to the street, Edie begs him not to go, then follows him. After the couple is nearly run down by a truck, they find Charley’s body hung up on a meat hook on a nearby fence. Taking down his brother’s body, Terry vows revenge on Friendly, and sends Edie for Father Barry. Armed, Terry hunts for Friendly at his regular bar, but Father Barry convinces him that the best way to ruin Friendly is in court and Terry throws away the gun. The next day at the hearings, Terry testifies to Friendly’s involvement in Joey’s death, outraging the mobster, who shouts threats at him. Back at home, Terry is scorned by the neighbors for testifying and discovers that his pigeons have been killed by a boy he once coached. Edie attempts to comfort Terry, advising him to leave, but Terry insists that he has the right to stay in his town. The next day Terry reports to work as usual, but is ignored by the men and refused work by Big Mac. In his office at the pier, Friendly, who is about to be indicted, swears vengeance on Terry. Terry confronts Friendly on the pier, declaring he is nothing without guns, and the two fall into a brutal fistfight. While Friendly’s men help to thrash Terry, the dockworkers watch impassively as Edie arrives with Father Barry. Friendly orders the longshoremen to begin unloading, but the men refuse and demand that Terry be allowed to work, hoping the shipping owners will witness their refusal to obey Friendly and realize their intention to restart a clean union. Father Barry urges on the beaten Terry, who rises and defiantly stumbles down the pier and into the warehouse.
Production Company: Goldcrest, Kingsmere Productions , Enigma Productions
Composer: Ennio Morricone
In mid-eighteenth-century South America, Father Gabriel, a Spanish Jesuit priest, gains the trust of the Guarani indigenous community and establishes a mission in their jungle territory at the border between Argentina and Paraguay. Meanwhile, Captain Rodrigo Mendoza, a mercenary soldier and slave trader who preys on indigenous people, kills his half-brother, Felipe, over the love of a woman. Mendoza is spared punishment but falls into a deep depression. Father Gabriel meets with him and encourages him to atone for his sins by dragging a heavy load, including his armor and sword, through the jungle to his mission. Once there, Mendoza is forgiven by the Guaranis, and his penance is done. Moved by the educational and spiritual environment of the mission, Mendoza vows to stay and help out. He eventually becomes a Jesuit under the guidance of Father Gabriel and fellow priest Father Fielding. The mission is threatened when a new treaty between the Spanish and the Portuguese reapportions some Spanish land to Portugal, including the Guarani territory. As the Portuguese condone slavery, the Guaranis are now subject to be sold. Cardinal Altamirano, an emissary of the Pope, travels from the Vatican City to Father Gabriel’s mission, to determine its fate. Altamirano faces a difficult decision, since siding with the Jesuits might result in a fractured European Catholic church and condemnation by the Portuguese. Altamirano announces the closing of the mission and tells the Guarani it is God’s will that they leave. The Guarani reject the notion, as do Father Gabriel and Mendoza. Although Father Gabriel does not condone violence, Mendoza insists that military measures must be taken to defend the mission. Mendoza trains the Guarani to fight against Portuguese attack. A joint Spanish-Portuguese invasion ensues. Mendoza is shot and killed, and Father Fielding dies in the act of killing the Portuguese commander. The invaders broach the mission village and are momentarily awed by the holy atmosphere. The Spanish commander orders his men to continue, and Father Gabriel is killed, along with the remaining priests and the majority of the mission’s inhabitants. Only a small group of Guarani flee into the jungle. While Portuguese leader Hontar is satisfied that the necessary action was carried out, Altamirano laments his role in the massacre. Soon after, surviving Guarani children travel back to the site to retrieve their belongings. They fill their canoe and travel upriver, already haunted by the memory of the mission.
Ethel Thayer and her retired English professor husband, Norman Thayer, Jr., arrive at their New England summer cottage, nestled in the woods next to a lake called Golden Pond. While Norman is a curmudgeon and exaggerates his senility, Ethel has a youthful spirit and is delighted by their holiday. She scolds Norman for his obsession with death. As the couple paddles in a canoe on the lake, Ethel spots two loons and interprets their call as a welcome, but Norman feigns disinterest. Sometime later, Norman grudgingly agrees to pick wild strawberries for Ethel; however, he becomes disoriented in the woods and returns home empty-handed. Meanwhile, postman Charlie Martin delivers the couple’s mail by motorboat, and Ethel insists he stay for coffee. Ethel reads a letter from her divorced daughter, Chelsea Thayer Wayne, announcing that she and her dentist boyfriend, Bill Ray, will be visiting the cottage to celebrate Norman’s eightieth birthday on their way to Europe. Norman is indifferent and preoccupies himself with the newspaper. When Charlie leaves, Norman admits fear that he is losing his wits, but Ethel consoles her husband, saying he is her “knight is shining armor.” Sometime later, on the evening of Norman’s birthday, Chelsea arrives. She refers to her father formally, by his first name, and Norman criticizes his thin daughter for being overweight. The Thayers are surprised that Chelsea is accompanied by thirteen-year-old Billy Ray, the surly son of Bill. Chelsea is shocked to see how much her father has aged. When Chelsea ducks out of the house to avoid her father, Bill remains with the old man and tries to be cordial. Speaking peevishly with his daughter’s suitor, Norman responds sarcastically when Bill asks for permission to sleep in the same room with Chelsea, but Bill refuses to be intimidated. Meanwhile, Ethel and Chelsea swim naked in the lake, laughing about old times. As Bill joins Chelsea outside, Ethel returns to the cottage and asks Norman to do a favor for his daughter; Chelsea has asked them to look after Billy while she and Bill travel in Europe. Sometime later, Chelsea laments her difficult relationship with Norman, and Ethel observes that her daughter has a chip on her shoulder. She warns that life passes too quickly to harbor bad feelings. In time, Chelsea and Bill leave for Europe. Billy is hostile to being left behind, but Norman wins the boy over. He takes Billy on fishing excursions and teaches him to perform a back flip dive off the dock. As days pass, Norman takes Billy fishing at a secret inlet on Golden Pond called Purgatory Cove and tells the boy about his nemesis, a large trout named “Walter” that has eluded him for years. Ethel surprises the men by tracking them down to deliver lunch. As she boats away, Norman is delighted to reel in an enormous rainbow trout, but insists it is not Walter. However, Norman’s spirits darken that evening when he nearly burns down the cottage after leaving the fireplace unattended. He blames Billy for the incident, and the boy’s feelings are hurt, but Ethel reminds Billy that Norman means well, despite his cantankerous demeanor. The following day, Billy is thrilled to motorboat across the Golden Pond on his own. Back at the cottage, Norman astonishes Ethel by stealing a kiss. In the evening, Norman and Billy fish for Walter and the boy helps his elderly friend navigate through a bed of rocks into Purgatory Cove. When they reach their destination and cast lines, Norman accidentally calls the boy “Chelsea,” and Billy admits he is going to miss Norman’s company. Just then, Billy hooks a large fish, but when Norman nets the catch they realize it is a dead loon. When Billy asks if Norman is afraid of dying, the old man dismisses him and insists they boat home. With Billy at the helm, Norman directs the boy through the rocks, but suddenly orders him to reverse. Panicked, Billy mistakenly gears the boat forward at full speed and Norman is thrown from the vessel as it collides with a nearby boulder. With his head bloodied, Norman comes to the surface and calls for Chelsea. Billy jumps into the water to save the old man and the two cling to a rock. Meanwhile, Ethel drives to the home of Charlie, the mailman, terrified by Norman and Billy’s disappearance. Charlie motorboats to Purgatory Cove, but insists no one would be crazy enough to navigate through the rocks. Knowing her husband’s stubbornness, Ethel forces Charlie to proceed into the cove as she scans the lake with a flashlight. Calling Norman’s name, Ethel sees the two and dives into the water to save them. One week later, back at the cottage, Norman and Billy pretend to immerse themselves in a jigsaw puzzle while Ethel goes to search the woods for mushrooms. When they sneak away to fish, Ethel calls them “juvenile delinquents” and they promise to stay close to home. While they fish in a rowboat, Chelsea returns home and startles her mother, who sings aloud while picking flowers. Ethel tells her daughter about Billy’s close relationship with Norman and their boating accident. Announcing her new marriage to Bill, Chelsea explains that the doctor returned to California for work. She is jealous of Billy’s connection to Norman and complains that her father is a “selfish son-of-a-bitch,” but Ethel hits her across the face. Meanwhile, Billy hooks a large fish, and Norman declares they have finally caught the “son-of-a-bitch,” Walter. Back on shore, Ethel encourages Chelsea to make amends with her father. As Norman and Billy pull toward the dock, Chelsea greets Billy and he announces their victory over Walter. However, Norman let the fish go. Billy rushes inside the cottage to share the news with Ethel, and Chelsea asks her father if they can be friends. Despite Norman’s petulance, he is happy to hear about his daughter’s new marriage. When he announces with pride that Billy has mastered the back flip, Chelsea concedes that she was always “too fat” to successfully follow her father’s instructions. Although Norman protests, Chelsea swims to the dock and makes the dive as Norman cheers his daughter’s courage. Sometime later, Chelsea and Billy pack their rental car to leave Golden Pond. Norman gives Billy a fishing rod, then places a second-place medal that he won at Princeton University around Chelsea’s neck. She calls him “dad” for the first time and they embrace. Later still, Norman and Ethel close the house for the winter and Norman suffers heart pains. Ethel gives her husband medication and attempts to phone the operator, but is unable to get through. Ethel fears Norman is dying, but he insists he feels better. As she helps him to his feet, Norman spots two loons on Golden Pond and declares that the birds have come to say goodbye.
Directors: John Ford, George Marshall, Henry Hathaway
Producer: Bernard Smith
Writer: James R. Webb
Editor: Harold F. Kress
Cinematographer: William H. Daniels, Milton Krasner, Charles Lang Jr., Joseph LaShelle
Genre: Western
Production Company: Cinerama, Inc., Metro-Goldwyn-Mayer, Inc.
Composer: Alfred Newman
A 5-part saga beginning with THE RIVERS: In 1829, Zebulon Prescott takes his wife Rebecca and their two young sons and two daughters away from their New England farm and heads west on a raft down the Ohio River to seek new opportunities and find husbands for the girls, Eve and Lil. One night a stranger in a canoe approaches the family's campsite; at first they suspect him of being a river pirate, but he turns out to be congenial fur trapper Linus Rawlings, who impresses the Prescott boys with tall tales of legendary mountain man Jim Bridger. Eve is also taken with Linus, but the noncommittal backwoodsman leaves abruptly one morning. Linus interrupts his journey to stop at a tavern-general store operated in a cave by river pirate Colonel Hawkins, whose alluring young daughter, Dora, clubs Linus on the head and throws him into a pit in the back of the cave. Soon the Prescotts happen by and are in the midst of being robbed by the murderous Hawkins clan when Linus, who has swum outside to the river through an opening in the pit, sneaks up behind the thieves and saves the settlers with the help of some explosives. As the Prescotts continue their journey by raft, they are swept away by rapids; Zebulon and Rebecca drown; and Linus, having seen Eve survive danger twice, decides at the funeral to marry her and settle by her parents' gravesite. Lil, meanwhile, decides to go to St. Louis. THE PLAINS: Gambler Cleve Van Valen and his cronies watch Lil Prescott's dance hall act and make a wager as to how many petticoats she is wearing. Cleve goes backstage to her dressing room to obtain firsthand proof and overhears that Lil has just inherited a gold mine in California from an elderly admirer. Heavily in debt, Cleve decides to follow Lil out West in hopes of obtaining some of her revenue; along the way she falls in love with him and refuses the marriage proposal of wagon master Roger Morgan. After surviving an Indian attack, Lil and Cleve arrive in California, only to learn that the mine is worthless. The news temporarily halts Cleve's courtship, but they eventually marry after all and decide to settle in the new boomtown of San Francisco. THE CIVIL WAR: Eve, who has lost Linus to battle, watches their son, Zeb, leave home to join the Union Army. Once in combat, Zeb finds that war is not as glorious as he was led to believe, and at the Battle of Shiloh he meets a Confederate deserter who is similarly disillusioned. Together they witness an intimate conversation between Generals Sherman and Grant, in which the latter expresses concern about public criticism of his drinking. The Confederate soldier suddenly tries to assassinate the generals, and Zeb is forced to kill his new friend. After the war, he returns home to find that his mother has died; he joins the U. S. Cavalry to protect railroad workers from the Indians. THE RAILROAD: Aided by Jethro Stuart, a grizzled buffalo hunter, Zeb manages to keep peace with the Indians until ruthless foreman Mike King demands that the railroad break a treaty and take a shortcut through Indian land. Consequently, the Indians stampede the buffalo, and the animals destroy the camp, leaving several children orphaned. Angered that he has unwittingly been involved in the tragedy, Zeb resigns and goes to Arizona. THE OUTLAWS: Now a marshal in the 1880's, Zeb, his wife, Julie, and their children are visited by Lil, widowed and somewhat impoverished after a life of intermittent luxury with Cleve. Meanwhile, Zeb learns that an old enemy, Charlie Gant, is planning with his gang to rob a train carrying a gold shipment. Julie begs him not to go after Gant, but Zeb, who is anxious to send the outlaw to jail, is adamant. A furious gunfight takes place on the runaway train, during which the chains on the log car break and scatter logs across the countryside. Zeb barely escapes death, and the entire train derails, but Zeb nevertheless slays his adversary and returns to his family.
1. Star Wars (1977)
Composer: John Williams [composer]
Cast: Mark Hamill, Harrison Ford, Carrie Fisher
Directors: George Lucas
Producer: Gary Kurtz, George Lucas
Writer: George Lucas
Editor: Paul Hirsch, Marcia Lucas, Richard Chew, John Jympson
Cinematographer: Gilbert Taylor
Production Company: Lucasfilm, Ltd.
2. Gone with the Wind (1939)
Composer: Max Steiner
Cast: Thomas Mitchell, Barbara O'Neil, Vivien Leigh
Directors: Victor Fleming, Sam Wood, George Cukor, Chester Franklin, James Fitzpatrick
Producer: David O. Selznick
Writer: Sidney Howard, Barbara Keon, Lydia Schiller, Connie Earl
Cinematographer: Ernest Haller, Lee Garmes
Production Company: Selznick International Pictures, Inc.
3. Lawrence of Arabia (1962)
Composer: Maurice Jarre
Cast: Peter O'Toole, Alec Guinness, Anthony Quinn
Directors: David Lean
Producer: Sam Spiegel, David Lean
Writer: Robert Bolt, Michael Wilson
Editor: Anne V. Coates
Cinematographer: F. A. Young
Production Company: Horizon Pictures (G.B.), Ltd.
4. Psycho (1960)
Composer: Bernard Herrmann
Cast: Anthony Perkins, Vera Miles, John Gavin
Directors: Alfred Hitchcock
Producer: Alfred Hitchcock
Writer: Joseph Stefano
Editor: George Tomasini
Cinematographer: John L. Russell
Production Company: Shamley Productions, Inc.
5. The Godfather (1972)
Composer: Nino Rota
Cast: Marlon Brando, Al Pacino, James Caan
Directors: Francis Ford Coppola
Producer: Robert Evans, Albert S. Ruddy
Writer: Mario Puzo, Francis Ford Coppola
Editor: William Reynolds, Peter Zinner
Cinematographer: Gordon Willis
Production Company: Paramount Pictures Corp., Alfran Productions, Inc.
6. Jaws (1975)
Composer: John Williams [composer]
Cast: Roy Scheider, Robert Shaw, Richard Dreyfuss
Directors: Steven Spielberg
Producer: Richard D. Zanuck, David Brown, William S. Gilmore Jr.
Writer: Peter Benchley, Carl Gottlieb
Editor: Verna Fields
Cinematographer: Bill Butler
Production Company: Universal Pictures , Zanuck/Brown Company
7. Laura (1944)
Composer: David Raksin
Cast: Gene Tierney, Dana Andrews, Clifton Webb
Directors: Otto Preminger
Producer: Otto Preminger
Writer: Jay Dratler, Samuel Hoffenstein, Betty Reinhardt
Editor: Louis Loeffler
Cinematographer: Joseph La Shelle, Lucien Ballard
Production Company: Twentieth Century-Fox Film Corp.
8. The Magnificent Seven (1960)
Composer: Elmer Bernstein
Cast: Yul Brynner, Eli Wallach, Steve McQueen
Directors: John Sturges
Producer: Walter Mirisch, John Sturges
Writer: William Roberts, Walter Newman
Editor: Ferris Webster
Cinematographer: Charles Lang Jr.
Production Company: The Mirisch Company, Inc., Alpha Productions
9. Chinatown (1974)
Composer: Jerry Goldsmith
Cast: Jack Nicholson, Faye Dunaway, John Huston
Directors: Roman Polanski
Producer: Robert Evans
Writer: Robert Towne
Editor: Sam O'Steen
Cinematographer: John A. Alonzo , Stanley Cortez
Production Company: Long Road Productions, Inc.
10. High Noon (1952)
Composer: Dimitri Tiomkin
Cast: Gary Cooper, Thomas Mitchell, Lloyd Bridges
Directors: Fred Zinnemann
Writer: Carl Foreman
Editor: Harry Gerstad, Elmo Williams
Cinematographer: Floyd Crosby
Production Company: Stanley Kramer Productions, Inc.
11. The Adventures of Robin Hood (1938)
Composer: Erich Wolfgang Korngold
Cast: Errol Flynn, Olivia de Havilland, Basil Rathbone
Directors: Michael Curtiz, William Keighley
Producer: Jack L. Warner, Hal B. Wallis
Writer: Norman Reilly Raine, Seton I. Miller
Editor: Ralph Dawson
Cinematographer: Tony Gaudio, Sol Polito
Production Company: Warner Bros. Pictures, Inc.
12. Vertigo (1958)
Composer: Bernard Herrmann
Cast: James Stewart, Kim Novak, Barbara Bel Geddes
Directors: Alfred Hitchcock
Producer: Alfred Hitchcock
Writer: Alec Coppel, Samuel Taylor
Editor: George Tomasini
Cinematographer: Robert Burks
Production Company: Alfred J. Hitchcock Productions, Inc., Paramount Pictures Corp.
13. King Kong (1933)
Composer: Max Steiner
Cast: Fay Wray, Robert Armstrong, Bruce Cabot
Directors: Merian C. Cooper, Ernest B. Schoedsack
Producer: David O. Selznick
Writer: James Creelman , Ruth Rose
Editor: Ted Cheesman
Cinematographer: Eddie Linden, Vernon Walker , J. O. Taylor
Production Company: RKO Radio Pictures, Inc.
14. E.T.: The Extra-Terrestrial (1982)
Composer: John Williams [composer]
Cast: Dee Wallace, Peter Coyote, Robert MacNaughton
Directors: Steven Spielberg
Producer: Steven Spielberg, Kathleen Kennedy
Writer: Melissa Mathison
Editor: Carol Littleton
Cinematographer: Allen Daviau
Production Company: Universal Pictures , Amblin' Entertainment
15. Out of Africa (1985)
Composer: John Barry
Cast: Meryl Streep, Robert Redford, Klaus Maria Brandauer
Directors: Sydney Pollack
Producer: Sydney Pollack, Kim Jorgensen
Writer: Kurt Luedtke
Editor: Fredric Steinkamp, William Steinkamp, Pembroke Herring, Sheldon Kahn
Cinematographer: David Watkin
Production Company: Universal Pictures , Mirage Enterprises
16. Sunset Blvd. (1950)
Composer: Franz Waxman
Cast: William Holden, Gloria Swanson, Erich von Stroheim
Directors: Billy Wilder
Producer: Charles Brackett
Writer: Charles Brackett, Billy Wilder, D. M. Marshman Jr.
Editor: Arthur Schmidt, Doane Harrison
Cinematographer: John F. Seitz
Production Company: Paramount Pictures Corp.
17. To Kill a Mockingbird (1962)
Composer: Elmer Bernstein
Cast: Gregory Peck, John Megna, Frank Overton
Directors: Robert Mulligan
Producer: Alan J. Pakula
Writer: Horton Foote
Editor: Aaron Stell, J. Terry Williams
Cinematographer: Russell Harlan
Production Company: Pakula-Mulligan Productions, Inc., Brentwood Productions, Inc.
18. Planet of the Apes (1968)
Composer: Jerry Goldsmith
Cast: Charlton Heston, Roddy McDowall, Kim Hunter
Directors: Franklin J. Schaffner
Producer: Arthur P. Jacobs
Writer: Michael Wilson, Rod Serling
Editor: Hugh S. Fowler
Cinematographer: Leon Shamroy
Production Company: Apjac Productions, Inc.
19. A Streetcar Named Desire (1951)
Composer: Alex North
Cast: Vivien Leigh, Marlon Brando, Kim Hunter
Directors: Elia Kazan
Producer: Charles K. Feldman
Writer: Tennessee Williams, Oscar Saul
Editor: David Weisbart
Cinematographer: Harry Stradling
Production Company: Warner Bros. Pictures, Inc., Charles K. Feldman Group Productions
20. The Pink Panther (1964)
Composer: Henry Mancini
Cast: David Niven, Peter Sellers, Robert Wagner
Directors: Blake Edwards
Producer: Martin Jurow
Writer: Maurice Richlin, Blake Edwards
Editor: Ralph E. Winters
Cinematographer: Philip Lathrop
Production Company: Mirisch--G-E Productions
21. Ben-Hur (1959)
Composer: Miklos Rozsa
Cast: Charlton Heston, Jack Hawkins, Haya Harareet
Directors: William Wyler
Producer: Joseph R. Vogel, Sol C. Siegel, Sam Zimbalist, J. J. Cohn
Writer: Karl Tunberg
Editor: Ralph E. Winters, John D. Dunning, Margaret Booth
Cinematographer: Robert L. Surtees
Production Company: Metro-Goldwyn-Mayer Corp.
22. On the Waterfront (1954)
Composer: Leonard Bernstein
Cast: Marlon Brando, Karl Malden, Lee J. Cobb
Directors: Elia Kazan
Producer: Sam Spiegel
Writer: Budd Schulberg
Editor: Gene Milford
Cinematographer: Boris Kaufman
Production Company: Horizon-American Pictures, Inc..
23. The Mission (1986)
Composer: Ennio Morricone
Cast: Robert De Niro, Jeremy Irons, Ray McAnally
Directors: Roland Joffé
Producer: Fernando Ghia, David Puttnam
Writer: Robert Bolt
Editor: Jim Clark
Cinematographer: Chris Menges
Production Company: Goldcrest, Kingsmere Productions , Enigma Productions
24. On Golden Pond (1981)
Composer: Dave Grusin
Cast: Katharine Hepburn, Henry Fonda, Jane Fonda
Directors: Mark Rydell
Producer: Bruce Gilbert
Writer: Ernest Thompson
Editor: Robert L. Wolfe
Cinematographer: Billy Williams
Production Company: ITC Films , IPC Films
25. How the West Was Won (1963)
Composer: Alfred Newman
Cast: Spencer Tracy, Carroll Baker, Lee J. Cobb
Directors: John Ford, George Marshall, Henry Hathaway
Producer: Bernard Smith
Writer: James R. Webb
Editor: Harold F. Kress
Cinematographer: William H. Daniels, Milton Krasner, Charles Lang Jr., Joseph LaShelle
Production Company: Cinerama, Inc., Metro-Goldwyn-Mayer, Inc.
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AFI's 100 YEARS OF FILM SCORES
The AFI’s 100 Years of Film Scores is a list of the 25 greatest American films scores of all time.
The film scores were originally presented during a one-night only live performance at the Hollywood Bowl on September 23, 2005 produced by the Los Angeles Philharmonic Association in cooperation with AFI. Spanning a century of film music and counting down from 25 to number one throughout the evening, Principal Conductor John Mauceri and the Hollywood Bowl Orchestra performed excerpts from each of the winning scores, many of them accompanied by favorite movie scenes shown on the Bowl’s big video screens.