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Contiene 6 artículos de investigación, reseñas bibliográficas y discográficas, tesis doctorales y noticias, 380 p. Javier Marín López, editor-in-chief.
2013 •
In Spain, documents containing organ stop combinations written by organists or organ builders between the 16th and 18th centuries are well known. However, correlate documents in Portugal are not so lavish, which adds importance to the manuscript entitled [Mappa de registar o] órgão from the ancient Monastery of Saint Benedict of Ave Maria in Oporto, currently preserved at the National Library of Portugal. In addition to these 18th century modos de registrar we have chosen a musical corpus containing original stop indications by Antonio Soler, José Lidón, José de Nebra, Ramon Carnicer and José Marques e Silva. This work proposes an approach to this repertoire, which composes our master’s recital program, in the perspective of the evolution of Iberian organ and contemporary instruments and in connection with these modos de registrar, illustrating an accurate musical practice and providing significant tools for the construction of a personal organ registration, historically, organologically and artistically based.
Contiene 6 artículos de investigación, reseñas bibliográficas y discográficas, tesis doctorales y noticias, 376 p. Javier Marín López, editor-in-chief.
Contiene 7 artículos de investigación, reseñas bibliográficas y discográficas, tesis doctorales y noticias, 349 p. Javier Marín López, editor-in-chief.
Revista De Musicologia
Una aportación al estudio de la reforma de la música religiosa en España: El «Congreso Internacional De Música Sacra» (Bilbao, 1896)1997 •
El artículo analiza un acontecimiento celebrado en Bilbao el 31 de agosto de 1896: un "Congreso Internacional de Música Sacra", denominado también "Fiesta Musical Religiosa". En él se reúnen por primera vez representantes de tres importantes asociaciones que tenían como objetivo la restauración de la música religiosa: la Schola Cantorum de París, fundada por Charles Bordes en 1894; la Cappella Antoniana de Padua, dirigida por Giovanni Tebaldini, y la Asociación Isidoriana creada en 1895 en Madrid. El congreso se celebra en Bilbao aprovechando la presencia en la ciudad de un buen número de músicos europeos con motivo de un concurso internacional de orfeones y bandas de música, y es símbolo y reflejo de un gran movimiento de restauración de la música religiosa que tendrá repercusión en los años siguientes. The article analyses an event held in Bilbao on 31 August 1896: an "International Congress of Sacred Music", also known as the "Fiesta Musical Religiosa". It brought together for the first time three major associations whose aim was the restoration of sacred music: the Schola Cantorum of Paris, founded by Charles Bordes in 1894; the Cappella Antoniana of Padua, directed by Giovanni Tebaldini, and the Isidorian Association created in 1895 in Madrid. The congress was held in Bilbao, taking advantage of the presence in the city of a large number of European musicians on the occasion of an international competition of choral societies and music bands, and was a symbol and reflection of a great movement for the restoration of sacred music that would have repercussions in the following years.
Contiene 9 artículos de investigación, reseñas bibliográficas y discográficas, tesis doctorales y noticias, 489 p. Javier Marín López, editor-in-chief.
Contiene 6 artículos de investigación, reseñas bibliográficas y discográficas, tesis doctorales y noticias, 377 p. Javier Marín López, editor-in-chief.
Contiene 7 artículos de investigación, reseñas bibliográficas y discográficas, tesis doctorales y noticias, 400 p. Javier Marín López, editor-in-chief.
Revista de Musicología
Música tras la muerte: dotaciones privadas y espacios rituales en la catedral de Sevilla (siglos XIII-XVI)2014 •
The private foundation of chaplaincies and anniversary devotions, as well as other kinds of votive endowments, represents an important manner in which religious institutions increased their wealth. The donor not only aided his salvation, but he also ensured his personal memory and social status for future generations while forming a cohesive bond among members of a specific lineage. The cult and ritual associated with death generated, under the auspices of private sponsors, diverse musical activity of considerable importance within the cathedral precincts that extended throughout the religious establishment of Seville during the transition from late medieval to early modern society. The different types of endowments linked to death are discussed, as well as the direct and indirect musical implications arising from their foundation: for example, the creation of new performance spaces, the direct increase in musical forces, the economic improvement of those already in existence, and the composition of new repertory.
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Anuario Musical
Presencia musical en la Catedral de La Seu d'Urgell en la segunda mitad del siglo XVIII a través de sus actas capitulares2004 •
2007 •
Ars et sapientia: Revista de la asociación de amigos de la Real Academia de Extremadura de las letras y las artes
El papel de la música de órgano en la liturgia a través del testimonio de Fray Francisco de Cáceres (1591)2003 •
Aragonia Ciscerciensis
Un manuscrito musical de hacia 1300 en busca de contexto: el caso de «E-Boc1» (Barcelona, Centro de Documentación del Orfeó Català, ms. 1)2021 •
2021 •
2017 •
2018 •
Cuadernos de Investigación Musical
Noticias relativas a la música y los músicos, procedentes de las Actas Capitulares de la iglesia de Santa María del Pilar de Zaragoza, 1600-16562019 •