After spending more than 500 hours embroidering in an attempt to come to terms with the bushfires of 2019-2020, I discovered that while no news may be good news, ‘slow news’ is even better.
Since last year, I have been working on a project with my Thai mother who migrated to Australia in 1974 while pregnant with me. To fill in the archive, we’ve been looking towards AI.
How does one successfully navigate obstacles such as extreme weather, a tight deadline and a spontaneous shot list in a foreign country on a 360 project as a solo cinematographer?