Chapter 14, this Handbook, this volume; Cairns, 1979;
Gibson, 1979) as well as their structure. People act and
understand through their bodies acting in the world, not
through a disembodied mind or brain. The brain and
nervous system always function through a person’s body
and through specific contexts composed of particular
people, objects, and events, which afford and support
the actions. People act jointly with other people within
culturally defined social situations, in which activities
are given meaning through cultural frames for interpre-
tation (Rogoff, 1990). Action in context is the center of
who people are and how they develop (Lerner & Busch-
Rossnagel, 1981; Brandtst�dter, Chapter 10, this Hand-
book, this volume).
Starting in the middle of things with embodied, con-
textualized, socially situated individual and joint activ-
ity requires two major steps: (1) to describe basic
structures or organizations of activities in context and
(2) to characterize how those structures vary as a func-
tion of changes in key dimensions of person, body, task,
context, and culture. Whether the focus is on knowl-
edge, action, emotion, social interaction, brain function-
ing, or some combination, the dynamic structural
approach puts the person in the middle of things and
frames the person’s activity in terms of multiple compo-
nents working together. The maturity or complexity of
people’s behavior varies widely and systematically from
moment to moment and across contexts, states, and in-
terpretations or meanings. Each individual shows such
variations, in addition to the wide variations that occur
across ages, cultures, and social groups.
Consider, for example, the wide variation docu-
mented for children’s stories or narratives about posi-
tive and negative social interactions (Fischer & Ayoub,
1994; Hencke, 1996; Rappolt-Schlichtman & Ayoub, in
press; Raya, 1996). The developmental level, content,
and emotional valence of a child’s stories vary dramati-
cally as a function of priming and immediate social sup-
port, emotional state, and cultural experience. For
example, the activities of 5-year-old Susan demonstrate
some of the variations in both developmental complexity
and emotional organization that have been documented
in research. First, she watches her counselor act out a
pretend story with dolls: A child doll named after Susan
makes a drawing of her family and gives it to her father,
who is playing with her. “Daddy, here’s a present for
you. I love you.” Then the daddy doll hugs the girl doll
and says, “I love you too, and thanks for the pretty pic-
ture.” He gives her a toy and says, “Here’s a present for
you too, Susan.” When asked, the girl promptly acts out
a similar story of positive social reciprocity, making
Daddy be nice to Susan because she was nice to him.
Ten minutes later, the counselor asks the girl to show
the best story she can about people being nice to each
other, like the one she did before. Instead of producing
the complex story she did earlier, she acts out a much
simpler story, making the Daddy doll simply give lots of
presents to the child doll, with no reciprocal interaction
between them. There is no social reciprocity in the story
but only a simple social category of nice action.
A few minutes after that, when the girl has sponta-
neously shifted to playing at fighting, the counselor
shows her another nice story about father and child. This
time, when the girl acts out her story, she switches the
content from positive to negative with energetic aggres-
sion. The girl doll hits the Daddy doll, and then he yells
at her, “Don’t you hit me,” slaps her in the face and
pushes her across the room, showing the violence that
often appears in the stories of maltreated children. The
girl doll cries and says she is scared of being hit again.
Note that, despite the shift to negative affect, Susan sus-
tains a story involving social reciprocity: The Daddy
doll hits the Susan doll because she had hit him, and she
becomes afraid because he had hit her.
Then Susan becomes agitated; yelling, she runs
around the room and throws toys. When the counselor
asks her to do another story, she makes the dolls hit and
push each other with no clear reciprocity and no expla-
nation of what is happening. With her distress and disor-
ganization, she no longer acts out a complex aggression
story but is limited to stories of repeated hitting, even
when she is asked to produce the best story she can. She
uses a simple social category of mean action.
What is the “real” story for the child? Does she rep-
resent relationships between fathers and daughters as
positive or negative? Is she capable of representing reci-
procity, or is she not? These are the kinds of questions
that are often asked in child development, but these
questions assume an opposition that makes no sense.
Susan plainly shows four different “competences”—
positive reciprocity, positive social category (without
reciprocity), negative reciprocity, and negative social
category. Depending on the immediate situation, her
emotional state, and the social support from her coun-
selor, she demonstrates each of these four different
“abilities.” Her four skills vary strongly in both emo-
tional valence and developmental level (complexity)
with the different skills linked to the social context, her
emotional state, and her relationship with her father and
her counselor.