Gravy Southern Foodways Alliance

In “Minnie Bell’s Feeds the Fillmore’s Soul,” Gravy producer Sarah Jessee takes listeners to the spring 2024 opening of Minnie Bell’s Soul Movement in San Francisco’s Fillmore District, where chef Fernay McPherson—and her food—have come home.
 
McPherson’s family came to the Fillmore from Texas in the 1960s, as part of the Second Great Migration that brought African Americans from the South to cities across the U.S. When those families migrated, their recipes did, too.
 
McPherson learned to cook from her great aunt and grandmother Minnie and Lillie Bell, the restaurant’s namesakes. In 2011, she joined La Cocina, a culinary incubator for women who want to open their own restaurants. Since then, fans of McPherson’s signature rosemary fried chicken and macaroni and cheese have followed her from her first food truck in 2013, to her pop-up in an East Bay food court, and now, to her new brick-and-mortar restaurant in the neighborhood she’s always called home.
 
Between 1935 and 1945, the Black population in San Francisco grew by 600%. The growth continued until urban renewal brought it to a halt, just as McPherson’s family was settling into the area. Beginning in the 1960s, the San Francisco Planning and Housing Association bulldozed entire sections of the Fillmore, taking parts of the neighborhood’s vibrant, close-knit community along with it.
 
In this episode, Jessee speaks to McPherson all about her culinary journey, family history, and how she learned to cook in a way that honors her roots. She also interviews Fernay’s father, Darnay McPherson, who tells how the Fillmore has changed over time, and how its Black culture has been erased. We also hear how friends and fans are welcoming her back home. With Minnie Bell’s return to the neighborhood, McPherson wants to see—finally—a long-promised renaissance in the Fillmore. And it’s already in motion: as of July 2024, Minnie Bell’s was added to the San Francisco Chronicle’s “Best of SF” list.
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In “Reel It In: Building Local Markets for Fresh Fish" Gravy producer Irina Zhorov looks for fresh fish in shops along the Gulf of Mexico, where it should be plentiful but can be surprisingly difficult to find. Between 80 to 90% of seafood in the U.S. is imported, despite the country’s generous coasts and well-managed fisheries. Even in seaside communities where the promise of a fresh catch draws tourists to eat out, many restaurants serve thawed imports. 

In Fairhope, Alabama, Fairhope Fish House wanted something different. Owners Dustin Bedgood and Jake Pose go out for short fishing trips—usually just 24 hours—and fish primarily using rod and reel. They’re only open when they have a fresh catch to sell, and they let people know about their hours through an email listserv. They handle the fish with care, practicing ikejime, a Japanese method of instantly killing and draining blood from the animal. That extends the shelf life of the fish and gives it a cleaner taste. 

Despite their various measures to deliver a fresher, more sustainable, and tastier product to customers, the flesh is nothing without the story they tell about it. 

In addition to Fairhope Fish House, Zhorov talks to Chef David Ramey, of Red or White in Fairhope, about why he pays a premium for the House’s fish and why his customers appreciate it. Journalist Paul Greenberg explains that eating from one’s local waters used to be the norm, but now requires focused effort and knowledge. Local fish is not as available in stores and it can be difficult to figure out where seafood is coming from in the globalized market. Local Catch Network founder Joshua Stoll and researcher Sahir Advani provide context about other shops that are choosing to focus on local markets. Some 12% of fishers market directly to consumers in one way or another—more than producers in agriculture—and it’s a model they say creates sustainable, community-focused economies.
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If you know and love the Vidalia onion—an onion sweet enough, its fans say, to eat like an apple—you likely also know it as a product of Georgia, as proudly claimed as the peach. But the story of the Vidalia’s popularity is far more complex than just one of a local onion made good. In this episode of Gravy: an onion’s success story, born of clever marketing, government wrangling, technological innovation and global trade.
This episode was co-produced by Tyler Pratt.
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If you're looking for a taste of something new (and Southern) in your podcast playlist, then you should really check out Sea Change, produced by our friends over at WWNO New Orleans Public Radio and distributed by PRX.
Nominated for “Best Green” Podcast at the 2024 iHeart Podcast Awards, Sea Change brings you stories that illuminate, inspire, and sometimes enrage, but above all, remind us why we must work together to solve the issues facing our warming world… and across our region.
We are thrilled to share a special episode of Sea Change that explores how the Vietnamese community is reimagining their relationship with water as Louisiana’s coastline changes. In this episode, hosts Carlyle Calhoun and Halle Parker explore nước, the Vietnamese word for water and homeland, and how nước is linked to the homeland. Traveling to a shrimp dock, a tropical garden, and a neighborhood surrounded by canals, they examine one central question: What does it mean to live with water in a place where everything about water is changing?
We think you’re going to really like this episode, so make sure to follow Sea Change on your favorite podcast app.  
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In “Flambéed! The Art & Theater of Banana’s Foster” Gravy producer Eve Troeh takes listeners to Brennan’s, the iconic restaurant in New Orleans’ French Quarter, where skilled servers pull off one sensational culinary feat, table after table and day after day—Bananas Foster, flambéed tableside.
Brennan’s opened its doors more than seventy years ago, and its early years coincided with a hot trend in fine dining at the time: tableside dishes. Many know this practice, when a server wheels over a small cart to your table and makes a dish right in front of you. One of the iconic recipes in this pantheon of the tableside tradition is Bananas Foster, a rum-laden flambéed dessert that was invented at Brennan’s in 1951. Today, the dish appears on menus worldwide, and Brennan’s serves the original day and night, dazzling diners with a fiery display.
The ritual of tableside dining, once a hallmark of fine establishments, finds its roots in European opulence, where elaborate presentations conveyed status and sophistication. While the tradition waned in the 1960s and 70s, Brennan's steadfastly preserves it, offering not only Bananas Foster but a repertoire of tableside classics, each dish a testament to culinary craftsmanship.
So what is it like to produce this “show” of Bananas Foster, day in and day out? For the staff at Brennan's, mastering the art of tableside service is a rite of passage. It takes a special kind of server to pull it off, as well as intensive training, special equipment, and a careful attention to safety as the dessert’s rum and liqueur sauce is lit. For Gravy, Troeh visits the Big Easy to speak with Christian Pendleton, general manager at Brennan’s, and Chalaine Celestain, a Brennan’s captain (or leading server) for whom tableside preparations are one part of a complex repertoire. From controlling the flames to engaging guests in the experience, she embodies the spirit of hospitality that defines Brennan's. Maureen Costura, professor of liberal arts and food studies at the Culinary Institute of America, offers historical context.
Despite the occasional mishap, the allure of tableside dining endures, offering patrons a glimpse into a bygone era of elegance and charm. For Christian and his team, it's not just about serving a meal; it's about creating memories and fostering connections with each guest.
In an ever-changing culinary landscape, Brennan's remains a bastion of tradition, where the art of tableside dining continues to captivate and delight. As long as there are flames to ignite and stories to tell, Bananas Foster will remain a cherished tradition, ensuring that the legacy of Brennan's lives on for generations to come.
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In 2017, San Antonio, Texas, was officially designated a UNESCO Creative City of Gastronomy. One of only two American cities to receive this distinction, its culinary history spans centuries. It claims a dining scene flush with James Beard nominated chefs, old-world German delicatessens, and farm-to-table restaurants that source game and beef from area ranches.
Yet, for most, San Antonio is inextricably bound with the flavors of Texas-Mexican cooking. Few establishments can boast the fame and staying power of Mi Tierra. Founded over 80 years ago, it’s regularly listed in guidebooks and welcomes over 1 million patrons annually. For locals, it’s long provided an intersection for celebration and politics and a spiritual mooring for its surrounding neighborhood, Market Square.
In this episode, “How Mi Tierra Shaped Modern San Antonio,” join Gravy producer Evan Stern on a visit to this famed institution. Sit down to breakfast with San Antonio native and esteemed culinary historian Dr. Ellen Riojas Clark. Born in 1941, the same year Mi Tierra was founded, Clark believes the restaurant’s food and design physically represent the Mexican-American experience in San Antonio.
A conversation with Christine Ortega, VP of the Texas Indigenous Food Project, will touch on some of those aspects. Her heritage in Central Texas spans generations, and she explains how Market Square’s famed Chili Queens helped popularize Texas-Mexican cooking. She also describes the transitions the neighborhood has experienced over its roughly 125 years of existence.
As Mi Tierra has remained a constant on Market Square, third-generation owner Pete Cortez provides a personal account of the restaurant’s history. He shares how his grandfather, an immigrant from Guadalajara, grew Mi Tierra from a three-table café into a storied institution. He also advocated for the Market’s redevelopment when it and his business were threatened with demolition.
Mi Tierra not only reflects the culture of the community it serves but also shapes and maintains that culture.
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