EXCESSIVE FORCE is a pretty generic cop-who-can-kick action movie from Jon Hess, the director of ALLIGATOR II: THE MUTATION. That would be funny if it was the same guy that did NAPOLEON DYNAMITE, but I guess that was Jared Hess. It’s written by and stars Thomas Ian Griffith.
Griffith reminds me a little bit of Jeff Wincott. He’s a slim guy, not muscled out like Van Damme or somebody, with long hair and a dangly earring. He tends to wear long coats and scarfs, looks more like somebody who would play a troubled musician than an angry cop. But he’s a real martial artist who’s apparently good at kicking, so (much like Van Damme and his splits) he’s always looking for openings to kick guys in the face, just so you remember he can do it. I’m surprised he doesn’t use his feet to open doors, turn lights on and off or scratch his nose. (read the rest of this shit…)
HATCHET II is at least more fun than HATCHET I. Both are maybe too tongue-in-cheek, but at least they’re kind of slasher throwbacks, nothing meta-y or postmodernish or self-reflexable about them, and I appreciate that. They got Kane Hodder from FRIDAY THE 13TH parts whatever playing Victor Crowley, a 
Man, it’s so sad to think about all these artists who get real good and then die in their twenties. How interesting would it be to hear old Jimi Hendrix recount the recording of Electric Ladyland, to see James Dean playing a father, or a grandfather, or Heath Ledger playing a character like Ennis at the end of BROKEBACK MOUNTAIN, but without aging makeup? That guy would’ve grown up to be rugged, but he didn’t have enough time. There’s such a long list of these guys who died after a period of fierce innovation, or seemingly on the verge of greatness. 
CANDYMAN in: FAREWELL TO THE FLESH and CANDYMAN in: DAY OF THE DEAD
This movie surprised me. Everything about it is classier than I expected. From his reputation you’d think this Candyman guy is just a B-list Jason or Freddy type. But it turns out he’s more a classic movie monster like Dracula or the Phantom of the Opera. And his movie has more subtext than all of Freddy and Jason’s pictures put together, including JASON X. Hell, throw in a couple Child’s Plays too. And one or two Halloweens. And one Silent Night Deadly Night. No Texas Chainsaws though, that would tip the scale.
