Journal
The Metrograph Interview
Susan Seidelman in Conversation with Willow Catelyn Maclay
BY Willow Catelyn Maclay
An intimate conversation with the trailblazing American filmmaker.
The Metrograph Interview
Lee Chang-dong
In Conversation With
Phoebe Chen
BY Phoebe Chen
Traveling through time with the Korean filmmaker.
The Metrograph Interview
Mia Hansen-Løve in conversation with Gabe Klinger
BY Gabe Klinger
An intimate chat about process, finding inspiration, and the need for nuanced characters.
Columns
Futures and Pasts: La Marge
BY Nick Pinkerton
In Futures and Pasts, Metrograph’s Editor-at-Large Nick Pinkerton highlights screenings of particular note taking place at the Metrograph theater.
Columns
Strange Pleasures: Patrick Swayze
BY
Strange Pleasures is a regular Metrograph column in which writer Beatrice Loayza shares unconventional desires found across underground and mainstream cinema alike.
Columns
At Home With… July Picks
BY Metrograph
Friends of Metrograph Avery Trufelman, Phillip Lopate, Caden Mark Gardner, and Mackenzie Lukenbill each share a film they love, streaming on demand on the Metrograph At Home platform.
Essay
The Olympics in Mexico
BY Geoff Dyer
On a particularly artistic depiction of a historic year of Olympic games.
Essay
Run the Jewels
BY Danielle Burgos
A look at the dynamic heist film that embodied the electricity of its filmmaker and star.
Essay
Beijing Watermelon
BY Matt Turner
On Nobuhiko Obayashi’s newly restored, slippery gem of a film.
Interview
Wei Shujun
BY Jordan Cronk
The rising Chinese filmmaker discusses the influences that shaped his intoxicating new neo-noir Only the River Flows.
Interview
Bruce Yonemoto
BY Andrew Norman Wilson
An interview with the LA-based video artist about spoofing the soap opera, and Japanese American artists one day getting their moment in the sun.
Excerpt
Making of Val
BY Maya Martinez
A review of Making Of, Mara Mckevitt’s new book of autofiction chronicling the making of her film Val.
Excerpt
Little Yellow-green Bird
BY Lee Chang-dong
Appearing for the first time in English, a new short story from Lee Chang-dong.
