Abstract
In films of the 2000s and 2010s, the father is rendered as lacking the communicative competence that allows intimacy to develop. Intimacy is established as he learns to express vulnerability and to hear the child’s voice. This chapter considers the trope of the wise child whose ‘innocent voice’ reveals truth and the agentic voice of the child used in the construction of family. It finds the innocent voice of the child is used to add value to the child (and so attract the father’s choice) while the child’s agentic voice is used to affirm the rightness of the father’s pursuit of autonomy and self-actualisation. This chapter also explores the shift from the child to animals as ‘locus of truth’ and source of unconditional love.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
All I want for Christmas 1991, film, Paramount Pictures, Los Angeles, California.
Are we there yet? 2005, film, Revolution Studios—Sony Pictures, Santa Monica, California.
Aronson, A & Kimmel, M 2001, ‘The saviors and the saved: masculine redemption in contemporary films’, in P Lehman (ed.), Masculinity, Routledge, New York, pp. 43–50.
Atwater, F & Atwater, R (1938), Mr Popper’s penguins, Little Brown & Company, New York.
Baker, J 2008, ‘The ideology of choice: overstating progress and hiding injustice in the lives of young women’, Women’s Studies International Forum, vol. 31, no. 1, pp. 53–64, <https://doi.org/10.1016/j.wsif.2007.11.001>.
Barnes, B 2000, Understanding agency, Sage, London.
Bly, R 1990, Iron John: a book about men, Addison-Wesley, Boston.
Bruzzi, S 2005, Bringing up Daddy, British Film Institute, London.
Cordova, JV & Scott, RL 2001, ‘Intimacy: a behavioral interpretation’, The Behavior Analyst, vol. 24, no. 1, pp. 75–86, MEDLINE Complete EBSCOhost.
Despicable me 2010, film, Universal Pictures, Universal City, California.
Dr Dolittle 1998, film, Twentieth Century Fox, Los Angeles, California.
Evan almighty 2007, film, Universal Pictures, Universal City, California.
Furry vengeance 2010, film, Summit Entertainment, Universal City, California.
Getting even with Dad 1994, film, Metro-Goldwyn Mayer, Beverly Hills, California.
Ghost Dad 1990, film, Universal Pictures, Universal City, California.
Giddens, A 1992, The transformation of intimacy, Polity, Cambridge, UK.
Harwood, S 1995, ‘Family fictions in E. T.’, Changing English: Studies in Culture & Education, vol. 2, no. 2, pp. 149–170, <https://doi.org/10.1080/1358684950020209>.
Harwood, S 1997, Family fictions, St. Martin’s Press, New York.
Hook 1991, film, Amblin Entertainment—Tristar Pictures-Sony Pictures, Universal City, California.
Imagine that 2009, film, Paramount Pictures, Los Angeles, California.
James, A 2007, ‘Giving voice to children’s voices: practices and problems, pitfalls and potentials’, American Anthropologist, vol. 109, no. 2, pp. 261–272, <https://www.jstor.org/stable/4496640>.
Jenks, C 2005, Childhood, Routledge, New York.
Jungle 2 jungle 1997, film, Walt Disney Pictures—Buena Vista Pictures, Burbank, California.
Langellier, K & Peterson, EE 2011, Storytelling in daily life, Temple University Press, ProQuest Ebook Central (Academic Subscription Collection).
Liar liar 1997, film, Universal Pictures, Universal City, California.
Macrae, D, Duffy, O, Miles, L & Lawrence, J 2008, ‘A case of hand waving’, Cognition, vol. 109, no. 1, pp. 152–156, <https://doi.org/10.1016/j.cognition.2008.07.007>.
McCarthy, T 2011, ‘Real Steel’, The Hollywood Reporter, viewed 29 September 2018, <http://www.hollywoodreporter.com/movie/real-steel/review/241741>.
Mr Popper’s penguins 2011, film, Twentieth Century Fox, Los Angeles, California.
Mrs Doubtfire 1993, film, Twentieth Century Fox, Los Angeles, California.
Night at the museum 2006, film, Twentieth Century Fox, Los Angeles, California.
Old dogs 2009, film, Walt Disney Pictures, Burbank, California.
Oswell, D 2012, The agency of children, Cambridge University Press, Cambridge, UK.
Real steel 2011, film, Dreamworks—Walt-Disney Studios, Universal City, California.
Ribbens McCarthy, J, Edwards, R & Gillies, V 2000, ‘Moral tales of the child and the adult’, Sociology, vol. 34, no. 4, pp. 785–803, <https://doi.org/10.1177/s003803850000047x>.
Rocky 1976, film, Chartoff-Winkler—United Artists, Beverly Hills, California.
RV 2006, film, Columbia Pictures, Culver City, California.
Sartre, J-P 1956, Being and nothingness, Simon and Schuster, New York.
The game plan 2007, film, Walt Disney Pictures—Buena Vista Pictures, Burbank, California.
The Incredibles 2004, film, Pixar Animation Studios—Buena Vista Pictures, Emeryville, California.
The longshots 2008 film, Cube Vision—Metro-Goldwyn-Mayer, West Hollywood, California.
The parent trap 1998, film, Cinema Vehicle Services—Buena Vista Pictures, North Hollywood, California.
The Santa clause 1994, film, Walt Disney Pictures—Buena Vista Pictures, Burbank, California.
The shaggy dog 2006, film, Walt Disney Pictures—Buena Vista Pictures, Burbank, California.
Warren, LZ, Cordova, JV & Gee, CB 2005, ‘Emotional skillfulness in marriage’, Journal of Social and Clinical Psychology, vol. 24, no. 2, pp. 218–235, <https://doi.org/10.1521/jscp.24.2.218.62270>.
We bought a zoo 2011, film, Twentieth Century Fox, Los Angeles, California.
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 2021 The Author(s), under exclusive license to Springer Nature Switzerland AG
About this chapter
Cite this chapter
McNulty Norton, D. (2021). Voice. In: Pure Fatherhood and the Hollywood Family Film. Palgrave Macmillan Studies in Family and Intimate Life. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-71648-6_9
Download citation
DOI: https://doi.org/10.1007/978-3-030-71648-6_9
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-71647-9
Online ISBN: 978-3-030-71648-6
eBook Packages: Social SciencesSocial Sciences (R0)