Tanya Townsend

Dublin, County Dublin, Ireland Contact Info
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Projects

  • O2 Smartsounds

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    O2 Smartsounds was a concept originated by Tanya Townsend and her colleagues at O2. It was a massive pop event where entry could only be gained by buying a phone from O2 featuring Westlife, Pixie Lott, Royseven and Kanyu Tree. The event took place in The O2 in Dublin. Scanarama took O2's concept and executed it, taking care of most details apart from marketing and booking the artists. We oversaw the design of the event, the live production, the filming and live streaming, graphics and so forth.

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  • Biffy Clyro live at The O2

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    This was the first live stream we produced for O2 from The O2. Scottish rockers Biffy Clyro played an ultra rare acoustic set for an audience of competition which left everyone astounded. This set the wheels in motion for an array of highly successful live webcasts we enabled for O2.

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  • Imelda May 'Live & Loud' at The O2

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    This was an exclusive Live Streamed event which O2 ran in association with Universal Records for their customers. Fans won tickets to attend the show and it was streamed live over the web. Scanarama looked after the concert, webstreaming and TV production of the gig.

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  • O2TV Oxegen

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    O2TV was a project formulated by Edelman for O2 which Scanarama was engaged to deliver. O2 took out sponsorship of the second stage at the Oxegen festival and hired airtime on the big screens either side of the stage to herald that fact. Scanarama was engaged to conceive appropriate content for the screens which had to be shot and edited in festival conditions 'as live'. We executed a series of mini-shows which ran over the three days which was assembled in a porta-cabin behind the stage. It…

    O2TV was a project formulated by Edelman for O2 which Scanarama was engaged to deliver. O2 took out sponsorship of the second stage at the Oxegen festival and hired airtime on the big screens either side of the stage to herald that fact. Scanarama was engaged to conceive appropriate content for the screens which had to be shot and edited in festival conditions 'as live'. We executed a series of mini-shows which ran over the three days which was assembled in a porta-cabin behind the stage. It was an extremely well received array of content which we were proud to have delivered on time and on budget.

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