I just got a new pack of beats from the producer, D.I. I was clicking on different beats, and when this beat hit, the first thing I heard was the long 808. It was just so hard. I didn’t know what I was gonna write about on the beat, I just know I wanted to rap on the beat. When I first hear a beat, that’s the first thing I do. Like, “What can I hear on the beat?” I try to get my delivery in. “Roll the dice” was the first thing I thought of. And when I said “roll the dice,” I’m like, if I'ma roll the dice, let’s let it hit the curb. Let’s gamble with some real-life situations.

I don’t use my phone. It’s just all thoughts. It’s like a punch in. I don’t recite words all day. I don’t recite what I’m gonna say. Nine times out of 10, I never know what I’m gonna say. My beat selection is most important. The beat gotta be dope. Or as long as I can hear myself on the beat. After I select my beat, I tell the engineer. I have to listen to like three seconds of the beat. After that, I stop the beat. I don’t even know how the bass sound or nothing. I go straight in the booth and cut the mic on. Only because if write thoughts down, I might forget them. But the first time I say it with the mic on, that’s the art of it. I just like to have the mic on at all times, because once I say it this first time, I’ll never say it like this again. And I just try to get the best voice on it. Once I do it, it’s like magic. I don’t think about it. If it sound good and I been through it, I’m gonna say it.