Skip to main content

Latest in Sound And Screen

Deadline Launches Streaming Site For Sound & Screen: Film

‘Flora And Son’ Songwriter-Composer Gary Clark On How He And Director John Carney Found The High Life – Sound & Screen Film

Diane Warren Says Her Song From ‘Flamin’ Hot’ Is “My Anthem Too” – Sound & Screen Film

‘Creed III’ Composer Joseph Shirley Said Dr. Dre Inspired A “Unique Flavor” For Movie’s Music – Sound & Screen Film

‘Napoleon’ Composer Martin Phipps On Getting Into The Head Of An Outsider – Sound & Screen Film

‘The Peasants’ Used Ukrainian Refugee Choir In Score For Poland’s Oscar Submission – Sound & Screen Film

Michael Giacchino Used ‘Society Of The Snow’ Music To Give Voice To Victims Of Tragic Andes Plane Crash – Sound & Screen Film

‘The Beanie Bubble’ Duo Damian Kulash And Nathan Barr Purposefully Blurred Lines Between Songs And Score – Sound & Screen Film

How ‘Barbie’ Song “I’m Just Ken” Went From Tragic To Triumphant – Sound & Screen Film

‘American Fiction’ Composer Laura Karpman Jazzed Up Score For TIFF’s People’s Choice Award Winner – Sound & Screen Film

‘Saltburn’ Composer Anthony Willis On Emerald Fennell’s “Dirty Synth” And Templar Knights – Sound & Screen Film

How Robbie Robertson Avoided “Movie Music” In His Score For ‘Killers Of The Flower Moon’ – Sound & Screen Film

Newswire

PMC

Deadline is a part of Penske Media Corporation. © 2024 Deadline Hollywood, LLC. All Rights Reserved.

Powered by WordPress.com VIP

Site

\