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Karlovy Vary 2024 / Proxima

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19 articles available in total starting from 28/05/2024. Last article published on 11/07/2024.

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Anja Kreis • Director of The Alienated

Interview: Anja Kreis • Director of The Alienated

"The power of evil is not only in the government but also in the mentality of people"

The Russian-born filmmaker discusses her second feature and the uncomfortable questions it raises, about human conscience and morality, as well as the concepts of God and evil  

11/07 | Karlovy Vary 2024 | Proxima

Victoria Verseau • Director of Trans Memoria

Interview: Victoria Verseau • Director of Trans Memoria

“The more I work with time, the less I understand it”

The Swedish artist and filmmaker talks about returning to Thailand and to her memories, and to the early stages of a (never-ending) transition  

09/07 | Karlovy Vary 2024 | Proxima

Review: The Alienated

Review: The Alienated

Writer-director Anja Kreis’s long-awaited sophomore feature buckles under the weight of myriad references, moods and conceptual ambitions  

09/07 | Karlovy Vary 2024 | Proxima

Zhengfan Yang • Director of Stranger

Interview: Zhengfan Yang • Director of Stranger

“I don't need to belong to a certain place or country”

The Chinese-born director homes in on the hotel room as a non-space and epicentre of non-belonging  

08/07 | Karlovy Vary 2024 | Proxima

Paolo Tizón • Director of Night Has Come

Interview: Paolo Tizón • Director of Night Has Come

"But life goes on, like in an Abbas Kiarostami movie"

We sat down with the Peruvian director to discuss his debut feature offering an intimate look at one of the most challenging military trainings in Latin America  

05/07 | Karlovy Vary 2024 | Proxima

Review: Chlorophyll

Review: Chlorophyll

A young woman must find her place and her identity in this fairy tale-like story by Ivana Gloria  

05/07 | Karlovy Vary 2024 | Proxima

Review: Nothing in Its Place

Review: Nothing in Its Place

Turkish director Burak Çevik’s fifth feature, set in 1978, presents a struggle between ideological factions in his country as universal, but fails to fully engage the viewer  

05/07 | Karlovy Vary 2024 | Proxima

Review: Trans Memoria

Review: Trans Memoria

Conceptual artist Victoria Verseau does not hold back in her feature debut, documenting a return to memories, grief and the process of transition all at once  

04/07 | Karlovy Vary 2024 | Proxima

Review: Stranger

Review: Stranger

In his sophomore work of fiction, Yang Zhengfan beckons us into hotel rooms for seven vignettes, but unfortunately the film slightly outstays its welcome  

04/07 | Karlovy Vary 2024 | Proxima

Review: Night Has Come

Review: Night Has Come

Paolo Tizón’s documentary immerses the audience in the world of cadets training for the Peruvian special forces, soon to go off and fight in the country’s “cocaine valley”  

03/07 | Karlovy Vary 2024 | Proxima

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