Savina Petkova (The article continues below - Commercial information) 101 articles available in total starting from 24/02/2023. Last article published on 09/07/2024. page: [1] 2 3 4 5 6 7 8 9 10 11 next Interview: Victoria Verseau • Director of Trans Memoria“The more I work with time, the less I understand it”The Swedish artist and filmmaker talks about returning to Thailand and to her memories, and to the early stages of a (never-ending) transition 09/07 | Karlovy Vary 2024 | ProximaReview: The AlienatedWriter-director Anja Kreis’s long-awaited sophomore feature buckles under the weight of myriad references, moods and conceptual ambitions 09/07 | Karlovy Vary 2024 | ProximaReview: Sad JokesFabian Stumm’s sophomore feature perfectly captures the bittersweet nature of being a human in a world of absurdity, love and pain 08/07 | Filmfest München 2024Interview: Paolo Tizón • Director of Night Has Come"But life goes on, like in an Abbas Kiarostami movie"We sat down with the Peruvian director to discuss his debut feature offering an intimate look at one of the most challenging military trainings in Latin America 05/07 | Karlovy Vary 2024 | ProximaInterview: Oleh Sentsov • Director of Real“I would not dare call this a movie”The Ukrainian director breaks down the making of his real-life record of war and the Russian invasion, captured accidentally with his military GoPro 05/07 | Karlovy Vary 2024 | Special ScreeningsReview: Trans MemoriaConceptual artist Victoria Verseau does not hold back in her feature debut, documenting a return to memories, grief and the process of transition all at once 04/07 | Karlovy Vary 2024 | ProximaReview: The Hungarian DressmakerIveta Grófová takes us to wartime Bratislava in a solid period drama based on Peter Krištúfek’s novella Ema and the Death’s Head 01/07 | Karlovy Vary 2024 | CompetitionEXCLUSIVE: Trailer for Sad Jokes, set to premiere at Filmfest MünchenFabian Stumm’s sophomore feature explores life, family and art through a tragicomic lens 11/06 | Filmfest München 2024Review: Plastic GunsCANNES 2024: Jean-Christophe Meurisse’s third feature is a farcical retelling of real-life events that leans heavily on macabre humour 25/05 | Cannes 2024 | Directors’ FortnightReview: September SaysCANNES 2024: Ariane Labed adapts Daisy Johnson’s coming-of-age novel Sisters into one of the year’s finest directorial debuts 25/05 | Cannes 2024 | Un Certain Regard page: [1] 2 3 4 5 6 7 8 9 10 11 next (The article continues below - Commercial information)