When looking at Swiss painter Conrad Jon Godly’s mountainous paintings, it takes a moment to truly appreciate the incredible skill behind what seems to be such an effortless application of paint. Up close the landscapes appear to be a thick, almost random mix of blue, white and black, the result oils mixed with turpentine to create a thick impasto that Godly often leaves dripping from the canvas. Take a few steps back (or just squint your eyes a bit) and miraculously you might as well be…
Jess Tschirki-Penning
