Bodypainting
"By the late 1960s, the signifier ‘monster’ had undergone a radical shift, splitting into at least two opposing constructs – a traditional one which continued to posit the monster as a threat to the moral order of society, and another which saw the monster becoming increasingly domesticated … monsters became hip and, like the witch, defined in counter-cultural or feminist terms." - Harry M. Benshoff, Monsters in the Closet: Homosexuality and the Horror Film
Weyodi Squid
