Admiration art

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In an afterword to The Journalist and the Murderer (1990), I wrote about Jeffrey Masson’s lawsuit, taking a very high tone. I put myself above the fray; I looked at things from a glacial distance. My aim wasn’t to persuade anyone of my innocence. It was to show off what a good writer I was. Reading the piece now, I am full of admiration for its irony and detachment—and appalled by the stupidity of the approach. Courtroom Sketch, Lawyer Humor, Honore Daumier, The Advocate, Tate Gallery, 19th Century Art, Vintage Drawing, National Gallery Of Art, London Art

A Second Chance | Janet Malcolm

In an afterword to The Journalist and the Murderer (1990), I wrote about Jeffrey Masson’s lawsuit, taking a very high tone. I put myself above the fray; I looked at things from a glacial distance. My aim wasn’t to persuade anyone of my innocence. It was to show off what a good writer I was. Reading the piece now, I am full of admiration for its irony and detachment—and appalled by the stupidity of the approach.

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Bernard MacLaverty