INSIDE OUT 2 – Review by Susan Granger

While Jonathan Haidt’s The Anxious Generation, subtitled How the Great Rewiring of Childhood is Causing an Epidemic of Mental Illness, soars on Best Seller lists, Pixar animation captures the angst with Inside Out 2. Pixar’s follow-up to the 2015 family flick about talking emotions centers on 13 year-old Riley (Kensington Tallman), teetering on the cusp of puberty. Anxiety, Embarrassment, Envy, and Ennui (the French word that combines the feeling of tiredness & boredom) join the core emotions from the previous film: Anger, Disgust, Fear, Joy, and Sadness.

Read more

INSIDE OUT 2 – Review by Valerie Kalfrin

Who would imagine that the thoughts keeping us up at night come from a wired orange Muppet who means well? Yet after watching Inside Out 2, it’s hard to picture Anxiety any other way. It’s been nine years since Disney/Pixar’s Oscar-winning animated feature Inside Out introduced viewers to the cutely complex emotional landscape inside the mind of a tween girl named Riley. Like its predecessor, Inside Out 2 provides some emotional tools inside an entertaining and relatable package. We all contain multitudes, and balancing these is how we grow.

Read more

INSIDE OUT 2 – Review by T.J. Callahan

It’s been 10 years since Pixar ventured into the mind of a young girl who was depressed about leaving her friends and moving from Minnesota to San Francisco, but it’s only been two years in the life of Riley. She’s 13 and seems to be happy, doing well in school and playing hockey with her two best friends. Joy, Anger, Fear, Disgust and Sadness have kept Riley’s “head” quarters running smoothly, but when Anxiety and her 3 E crew of Envy, Ennui and Embarrassment show up, cranium chaos ensues.

Read more

WEEK IN WOMEN: Amy Poehler honored at CinemaCon 2024 – Brandy McDonnell reports

Primetime Emmy Award winner Amy Poehler will receive this year’s CinemaCon Vanguard Award. CinemaCon, the official convention of the National Association of Theatre Owners, is taking place from April 8-11 at Caesars Palace in Las Vegas. Poehler will be presented with the honor at the Big Screen Achievement Awards ceremony April 11 at The Colosseum at Caesars Palace.

Read more

CARS ON THE ROAD – Review by Martha K Baker

Moving on from their star turns in Cars, that most delightful film, the animated vehicular actors, ‘Mater and Lightning McQueen, head to a wedding. It takes nine episodes for the cars to arrive finally at ‘Mater’s home for his sister’s nuptials because they have to drive from Radiator Springs to the East Coast, down south. The series runs eight minutes an episode. Although the series isn’t nearly so charming as the original film and nowhere near as much fun as the ride at Disneyland, it moves pretty darn slap-happily on the highway of ha-ha’s.

Read more

SPOTLIGHT May, 2022: Domee Shi, Animator, Director, Pixar VP of Creative

It has been an incredible decade for animator and director Domee Shi. Beginning as a story intern at Pixar in 2011, she was promoted in April of this year to Vice President of Creative for the company where she has spent her entire professional career. She also won an Academy Award and directed a feature film along the way.

Read more

TURNING RED – Review by Lauren Anderson

Turning Red is Disney/Pixar’s latest film about a Toronto teenager who discovers her uncontrollable ability to turn into a red panda whenever she experiences strong emotion. At its core, the animated feature is a metaphor for puberty. But as Disney/Pixar films are wont to do, it reminds us it’s good to embrace who we are instead of dampening our “red pandas.”

Read more

TURNING RED – Review by Leslie Combemale

Pixar’s new animated feature Turning Red is an absolute delight from start to finish. The studio’s 25th feature is a celebration of so many things, including female friendship, self esteem, personal growth, the millennial experience, motherhood, and Chinese culture, all while bringing both mom and dorky teenaged-girl realness. Helmed and co-written by Chinese-Canadian Domee Shi, Turning Red also the first Pixar film officially solo directed by a woman. When Shi took her idea for the movie to Pixar, her pitch was “it’s a girl going through magical puberty and turns into a giant red panda”. It might not sound particularly complex or nuanced, but Shi and her team have brought a tremendous amount of meaning and depth to what is a funny, wild cinematic ride. It also allows girls and women, especially those of Asian descent, to be fully seen onscreen.

Read more

SOUL – Review by Pamela Powell

Disney Pixar has done it again with “Soul” thanks to the inspirational co-writing and co-directing of the renowned artist Pete Docter who gave us Up, Inside Out and Toy Story. It’s a remarkable story, perhaps geared more toward adults than children, that sends a perfect message of living our best lives each and every day.

Read more

SOUL – Review by Martha K Baker

One will have to deal with whether Pixar’s animated Soul, is at all appropriate for — or even appealing to — children. But children delight in only what they want in animation, leaving the rest for adults. Soul has a lesson, one children can afford to learn, about our purpose in life, about our spark, about our music. While the film’s concentration on Black artists, on female brass players, and on avoiding Black stereotypes is commendable, its falling into the Great Beyond is questionable.

Read more