MOVIE OF THE WEEK July 26, 2024: THE FABULOUS FOUR

Sure, it’s hard not to think that making The Fabulous Four may have been an excuse for its quartet of stars — the legitimately fabulous Bette Midler, Susan Sarandon, Sheryl Lee Ralph and Megan Mullally — to get together and have fun in Key West, but so what? There are far worse reasons to make a movie, and the end result is a light, breezy female friendship comedy that feels kind of like Bridesmaids crossed with Book Club and celebrates the lifelong bonds between women.

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MOVIE OF THE WEEK July 19, 2024: WIDOW CLICQUOT

If movies like Big Night and The Taste of Things leave you craving a fabulous meal, then Widow Clicquot is likely to send you scrambling for the nearest bottle of bubbly. Director Thomas Napper’s carefully observed historical biopic — which boasts a powerful performance by star Haley Bennett — tells the engrossing, wine-drenched tale of the birth of France’s world-famous Champagne label Veuve Clicquot in the late 18th and early 19th centuries. In the end, you’ll likely want to raise a toast to those who brought this tale of a grande dame of history to life.

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MOVIE OF THE WEEK July 12, 2024: TWICE COLONIZED

Twice Colonized chronicles the life and activism of Aaju Peter, a revered Inuit feminist lawyer who has fought for equal rights in Canada, Denmark, Greenland and around the world. She is amazingly charismatic and her story is fascinating. Director Lin Alluna has done a wonderful job of telling it. Be prepared to be inspired!!!

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THE END OF AMERICA – Retroview by Jennifer Merin

The End Of America presents the ten step blueprint that Hitler and other dictators used to subvert democratic process and put an end to personal freedoms. It compares, step by step, events leading up to establishment of the Third Reich with what has happened in the United States in recent years. Very convincing. Very scary. Should be required viewing for anyone old enough to vote or join the army. Caveat emptor. Voter beware. Watch for NOW.

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MOVIE OF THE WEEK July 5, 2024: SISI & I

Brilliant actresses Sandra Huller and Susanne Wolff give powerful performances in director Frauke Finsterwalder’s fascinating historical drama Sisi & I. As it chronicles the complex, complicated relationship between Austria’s legendary Empress Elisabeth (Wolff) and her faithful companion, Countess Irma Sztáray (Huller), in the final few years of Sisi’s life at the end of the 19th century, it explores themes of duty, friendship, and devotion — with fabulous period costumes.

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MOVIE OF THE WEEK June 28, 2024: DADDIO

Two strangers make an unexpectedly meaningful connection in writer-director Christy Hall’s feature debut, Daddio. Play-like in the simplicity of its setting and focus on dialogue, this “two hander” drama is a fascinating character study that features nuanced, memorable performances by stars Sean Penn and Dakota Johnson as, respectively, a brash New York City cabbie and the pensive passenger he picks up at JFK airport to drive into Manhattan.

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MOVIE OF THE WEEK June 21, 2024: GREEN BORDER

Harrowing in its brutal depiction of the way that refugees from Africa and the Middle East are treated by authorities on both sides of the vicious barbed-wire fence between Belarus and Poland, Agnieszka Holland’s riveting drama Green Border begs viewers to pay attention to the tragic consequences of dehumanizing the vulnerable people who need help the most. It’s a difficult film to watch — which is exactly why it needs to be seen.

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HOUSE OF THE DRAGON: Creating Mythic Characters – Jennifer Merin interviews

HBO Max’s series House of The Dragon creates its own fantastic universe around a cast of mythic characters who weave themselves into the fabric of an immensely complicated and twisting history. The series doesn’t shoot in sequence, so Keeping track of where they are in the tale and in their personal character arcs must be a daunting task for the actors. At a recent press conference, I had the opportunity to ask them about the choices they’ve made to help them with their journey.

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GREEN BORDER – Review by Jennifer Merin

Polish director Agnieszka Holland’s Green Border is a documentary-like geopolitical drama about a group of disparate refugees who are seeking asylum from political unrest and poverty in their various homelands. The ‘Green Border’ referred to in the title is a no go zone on both sides of a barbed wire fence that demarks the border between Belarus and Poland. It is a border that refugees from oppressive countries in Africa and the Middle East are desperate to cross because they expect to find safe passage through Poland to freedom and a better life in the European Union. However, they find that safe passage is elusive, if not impossible. Because neither Belarus nor Poland wants them, they are brutally rejected by violent border guards that are commissioned by the virulently right wing xenophobic governments on both sides of the barbed wire.

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MOVIE OF THE WEEK June 14, 2024: GHOSTLIGHT

The crushing weight of grief and the healing power of theater are explored with touching authenticity in Kelly O’Sullivan and Alex Thompson’s poignant dramedy Ghostlight. As it gradually reveals the heartbreaking loss at the center of its main characters’ lives, the film shows how the impact of that loss has left them all reeling, unable to move forward until one of Shakespeare’s most iconic plays helps them find a way to process it together.

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