Directed by
Richard Lester |
Writing Credits
Alun Owen | ... | (original screenplay) |
Cast (in credits order) verified as complete
Produced by
Denis O'Dell | ... | associate producer |
David V. Picker | ... | executive producer (uncredited) |
Walter Shenson | ... | producer |
Cinematography by
Gilbert Taylor | ... | director of photography |
Editing by
John Jympson |
Casting By
Irene Lamb | ... | (uncredited) |
Art Direction by
Ray Simm |
Costume Design by
Julie Harris | ||
Dougie Millings |
Makeup Department
Betty Glasow | ... | hairdresser |
John O'Gorman | ... | makeup artist |
Production Management
John Rogers | ... | executive in charge of production: Miramax (special edition version) (as John S. Rogers Jr.) |
Second Unit Director or Assistant Director
John D. Merriman | ... | assistant director |
Alex Carver-Hill | ... | second assistant director (uncredited) |
Bob Howard | ... | third assistant director (uncredited) |
Barrie Melrose | ... | second assistant director (uncredited) |
Art Department
William Alexander | ... | draughtsman (uncredited) |
George Lack | ... | assistant art director (uncredited) |
Sound Department
Michael Barry | ... | sound re-mixer: Sound One Corp. (special edition version) |
H.L. Bird | ... | sound recordist |
Stephen Dalby | ... | sound recordist |
Gordon Daniel | ... | sound editor |
Michael DiCosimo | ... | sound consultant: Dolby Laboratories (special edition version) |
Kevin Reeves | ... | sound engineer: Polygram Studios (special edition version) |
Dominick Tavella | ... | sound re-mixer: Sound One Corp. (special edition version) |
Gerry Humphreys | ... | re-recording mixer (uncredited) |
Jim Roddan | ... | sound editor (uncredited) |
Mike Silverlock | ... | sound camera operator (uncredited) |
Frank Sloggett | ... | boom assistant (uncredited) |
Don Wortham | ... | boom operator (uncredited) |
Visual Effects by
Ronnie Wass | ... | optical effects: titles (uncredited) |
Stunts
Joe Dunne | ... | stunt double: Ringo Starr (uncredited) |
Camera and Electrical Department
Derek V. Browne | ... | camera operator |
Jack Atcheler | ... | second camera operator (uncredited) |
Neil Binney | ... | second camera operator (uncredited) |
Bert Cann | ... | still photographer (uncredited) |
Peter Ewens | ... | clapper loader (uncredited) |
Roy Ford | ... | focus puller (uncredited) |
Edward O'Reilly | ... | grip (uncredited) |
Paul Wilson | ... | camera operator (uncredited) |
Editorial Department
Pamela Tomling | ... | assistant editor |
Roy Benson | ... | assistant editor (uncredited) |
Music Department
John Lennon | ... | songs by |
George Martin | ... | musical director |
Paul McCartney | ... | songs by |
George Martin | ... | composer: incidental music (uncredited) / music arranger (uncredited) / music producer (uncredited) / performer: "This Boy: Ringo's Theme" (uncredited) |
Script and Continuity Department
Rita Davison | ... | continuity |
Additional Crew
Robert Freeman | ... | titles design |
Andrew Herwitz | ... | business affairs: Miramax (special edition version) |
Mal Evans | ... | private assistant: The Beatles (uncredited) |
Beryl Harvey | ... | production secretary (uncredited) |
Tony Howard | ... | publicity director (uncredited) |
Astrid Kirchherr | ... | still photgrapher (uncredited) |
John Morris | ... | stand-in: John Lennon (uncredited) |
George 'Bud' Ornstein | ... | production executive: United Artists (uncredited) |