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- Within Brooklyn's ultra-orthodox Jewish community, a widower battles for custody of his son. A tender drama performed entirely in Yiddish, the film intimately explores the nature of faith and the price of parenthood.
- When you wage war on your community, you wage war on your family.
- The mystical love story between Chonen, a poor Talmud student, and Lea, a girl from a wealthy family, depicts the traditional folk culture of Polish Jews before WW2.
- The 1941 invasion of Soviet Ukraine by Nazi Germany is shown through the life of inhabitants of a Yiddish village at the border of Poland.
- In a kosher meat packaging plant. Avrum one of the owners uncovers a operation involving his partner selling nonkosher meat under their company name. Can he stop it before it becomes a scandal and ruines the company?
- A young woman posing as a man in a group of klezmer musicians in Poland.
- Saül Birnbaum is a "hidden child", who, at the age of six, was separated from his parents to escape the Holocaust. He was sent away by the so-called "Kindertransport". In 1986, Saül is on the path to recovery: he has opened a delicatessen unlike any other, where movies are shown every day. Saül and his protégé, Joakin, a young Chilean director who fled from Pinochet's dictatorship, decide to write the story of Saül's childhood and turn it into a film, allowing both of them to "heal" just a little more. However, love comes knocking on Saül's door, forcing him to confront his past.
- Two young people experience love and loss while in hiding during WWII. After a life of regret, the young man, now old, is faced with an opportunity for redemption.
- The action of the movie takes place in the thirties before the Jewish pogrom in the border town of Poland, which became a kind of emigration zone. Two teenagers - Ivan and Abram - run away from the dictates of adults into a big life.
- From an early age Yossi Klein received a special education. He was prepared for another Holocaust. So were other children in Boro Park, the largest Orthodox survivor community in America, and this candid portrait of a young Jewish activist coming to terms with his father's traumatic history is as bracing as any fiction. Through his writing and activism, Yossi attempts to carry on the legacy of struggle passed on to him. A portrait emerges of a young man whose world view and personal outlook have been principally shaped by an event that took place before he was born.
- The original, non-musical film version of the book which inspired "Fiddler on the Roof".
- Ulmer's soulful, open-air adaptation of Peretz Hirshbein's classic play heralded the Golden Age of Yiddish cinema. When an ascetic young scholar ventures into the countryside, searching for the city of "true Jews," he learns some unexpected lessons from the Jewish peasants who take him in as a tutor for their children.
- Mothers of Today includes the sole motion picture performance of radio star Esther Field, who was well known on the airwaves of the 1930s as the 'Yiddishe Mama.' The film exemplifies the Yiddish film genre of shund, a brand of popular entertainment which appealed to working-class Jewish-American immigrant audiences with broadly-drawn, sentimental stories that reflected the daily life and culture of a distinctively American Yiddish community. While the shund films were invariably low-budget (and low-brow) affairs, these humble productions formed an important part of life in the United States for their audience. For actresses such as Field or Celia Adler (star of Where is My Child?, also directed by Lynn in 1939), shund offered one of the few opportunities to play strong leading roles. In retrospect, Mothers of Today is an important cultural artifact expressing the anxieties of Jewish immigrant families faced with the younger generation's increasing assimilation into mainstream American society. Shund often dealt with the plight of the Jewish mother, recognizing the important role women played in Jewish family life during the difficult period of immigration. Such is the case with Mothers of Today, in which Field plays a mother coping with her children's troubles resulting from their straying from Jewish tradition. In one subplot, a cantor's son led astray by a woman of "questionable morality" becomes involved with gangsters and ends up stealing the deed to his mother's store. On March 14, 1939, Film Daily reviewed Mothers of Today as follows: "Heavy tragedy, which seems to be an essential basis of all Yiddish dramas, is done to a turn in this new film and it should please the dyed in the wool Yiddish fans. Produced on a small budget with a hurried shooting schedule, the film has considerable merit. Cast members, with the exception of the talented Esther Field, were recruited from the stage for their initial appearance on the screen, and they give Miss Field adequate support. Henry Lynn directs the film feelingly. The story deals with the tragedies which beset Miss Field as her children get in trouble."
- A jewish cantor is seduced by the allure of opera when introduced to it by two attractive young Poles.
- Starring real-life mother and daughter Ester-Rokhl Kaminska and Ida Kaminska, this film is a precursor to the 1937 classic, The Dybbuk, featuring the same classic tale of frustrated love and destiny and the breaking/fulfillment of vows.
- In a small town in Russia in the 1880s, two young but poor lovers are helped by a wise old bookseller.
- One of the last Yiddish films made in Poland before the Nazi invasion, this film tells the story of a mother's persistent struggles to support her three children in pre-war World War II Polish Ukraine. After her family is pulled apart by severe poverty and the turmoil of war, she and her children make their way to New York and turn to the Hebrew Immigrant Aid Society for help.
- The last Yiddish feature made in Poland before WWII, this 1939 film was based on a 1907 play by the prolific playwright Jacob Gordin. Best known for his folksy didacticism and moralism, Gordin brought the common life of the Lower East Side to the Yiddish stage. With over 100 plays to his credit, Gordin was a formative influence on modern Yiddish theater. He was so popular among theatergoers that reportedly a quarter of a million people attended his funeral in New York City. Without a Home is the story of the separation and hardships faced by immigrants in America at the turn of the century. Its touching portrayal of the hardships of immigrant life enthralled Jewish theater audiences and it became part of the standard Yiddish stage repertoire in America and Poland. The film provides a poignant and dramatic picture of a difficult era, focusing on the bleak prospects for the survival of traditional Jewish family values. When the eldest son of the Rivkin family is drowned, the father leaves his family in Europe to go to America. There he finds only financial hardship and loneliness, struggling to find a way to bring the rest of his family over. The stellar cast includes stage actress Ida Kaminska and the hilarious comedy duo, Dzigan and Shumacher, who provide a healthy measure of comic relief. The title, Without a Home, intended by Gordin to symbolize the uprooted Jewish immigrant family and by extension, the Jewish people, was a particularly poignant one for Jewish film audiences in Poland on the eve of WWII. The film underscored the growing sense among Polish Jews facing the Nazi threat and increasing antisemitism in Poland that they too might soon be "without a home."
- The tale of a middle-class matron who shoots the man who compromises her, Love and Sacrifice is a prime example of "shund," the melodramatic, theatrical, escapist entertainment of the Yiddish theater.
- Make sure there's a hanky nearby: After the death of their mother, older sister Betty works tirelessly, supporting her sister through nursing school and her fiancée through medical school only to see her happiness shattered when her sister and fiancée fall in love.
- Nat Silver has been engaged 7 times already. This time, his 8th, he's really going to get married. But a visitor shows up, Shirley's old boyfriend. With a gun ! He'll kill himself unless he can have Shirley back, and Nat graciously gives in. According to Nat's mother, his Uncle Shya was unlucky at love but lucky as a matchmaker, and Nat is just like Shya. Nat tells his family he's going to Italy. But he remains in New York and sets himself up with a new name and new business, Nat Gold, Advisor in Human Relations...
- Mirele Efros, "the Jewish Queen Lear," was the masterpiece of influential Yiddish playwright Jacob Gordin. Berta Gersten gives a memorable performance as Mirele, a wealthy and pious widow whose devotion to her children extends to hand-picking a wife for her eldest son. Unfortunately, she gravely mistakes the young woman's character.