Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
Only includes names with the selected topics
to
or just enter yyyy, or yyyy-mm below
to
1-50 of 5,537
- Actress
- Director
- Writer
Pamela Gidley was born on July 11, 1965, in Methuen, Massachusetts, and raised in Nashua, New Hampshire. Pamela was the only girl among four older brothers. After high school, she moved to New York and was discovered by a modeling agent while walking down a Manhattan street and soon afterward she won the Wilhemina Modeling Agency's "Most Beautiful Girl In The World" contest on March 12, 1985 in Sydney, Australia.
As her modeling career took off, she studied acting at the New York Academy of Dramatic Arts under Stella Adler and eventually moved to Los Angeles to pursue an acting career.- Actor
- Producer
- Writer
Dreamy Tab Hunter stood out in film history as one of the hottest teen idols of the 1950s era. With blond, tanned, surfer-boy good looks, he was artificially groomed and nicknamed "The Sigh Guy" by the Hollywood studio system, yet managed to continue his career long after his "golden boy" prime.
Hunter was born Arthur Kelm on July 11, 1931 in New York City, to Gertrude (Gelien) and Charles Kelm. His father was Jewish and his mother was a German Catholic immigrant. Following his parents' divorce, Hunter grew up in California with his mother, older brother Walter, and maternal grandparents, Ida (Sonnenfleth) and John Henry Gelien. His mother changed her sons' surnames to her maiden name, Gelien. Leaving school and joining the Coast Guard at age fifteen (he lied about his age), he was eventually discharged when the age deception was revealed. Returning home, his life-long passion for horseback riding led to a job with a riding academy.
Hunter's fetching handsomeness and trim, athletic physique eventually steered the Californian toward the idea of acting. An introduction to famed agent Henry Willson had Tab signing on the dotted line and what emerged, along with a major career, was the stage moniker of "Tab Hunter." Willson was also responsible with pointing hopeful Roy Fitzgerald towards stardom under the pseudonym Rock Hudson. With no previous experience Tab made his first, albeit minor, film debut in the racially trenchant drama The Lawless (1950) starring Gail Russell and Macdonald Carey. His only line in the movie was eventually cut upon release. It didn't seem to make a difference for he co-starred in his very next film, the British-made Island of Desire (1952) opposite a somewhat older (by ten years) Linda Darnell, which was set during WWII on a deserted, tropical South Seas isle. His shirt remained off for a good portion of the film, which certainly did not go unnoticed by his ever-growing legion of female (and male) fans.
Signed by Warner Bros., stardom was clinched a few years later with another WWII epic Battle Cry (1955), based on the Leon Uris novel, in which he again played a boyish soldier sharing torrid scenes with an older woman (this time Dorothy Malone, playing a love-starved Navy wife). Thoroughly primed as one of Hollywood's top beefcake commodities, the tabloid magazines had a field day initiating an aggressive campaign to "out" Hunter as gay, which would have ruined him. To combat the destructive tactics, Tab was seen escorting a number of Hollywood's lovelies at premieres and parties. In the meantime, he was seldom out of his military fatigues on film, keeping his fans satisfied in such popular dramas as The Sea Chase (1955), The Burning Hills (1956) and The Girl He Left Behind (1956)--the last two opposite the equally popular Natalie Wood. At around this time, Hunter managed to parlay his boy-next-door film celebrity into a singing career. He topped the charts for over a month with the single "Young Love" in 1957 and produced other "top 40" singles as well.
Like other fortunate celebrity-based singers such as Shelley Fabares and Paul Petersen, his musical reign was brief. Out of it, however, came the most notable success of his film career top-billing as baseball fan Joe Hardy in the classic Faustian musical Damn Yankees (1958) opposite Gwen Verdon and Ray Walston, who recreated their devil-making Broadway roles. Musically, Tab may have been overshadowed but he brought with him major star power and the film became a crowd pleaser. He continued on with the William A. Wellman-directed Lafayette Escadrille (1958) as, yet again, a wholesome soldier, this time in World War I. More spicy love scenes came with That Kind of Woman (1959), an adult comedy-drama which focused on soldier Hunter and va-va-voom mistress Sophia Loren demonstrating some sexual chemistry on a train.
Seldom a favorite with the film critics, the 1960s brought about a career change for Tab. He begged out of his restrictive contract with Warners and ultimately paid the price. With no studio to protect him, he was at the mercy of several trumped-up lawsuits. Worse yet, handsome Troy Donahue had replaced him as the new beefcake on the block. With no film offers coming his way, he starred in his own series The Tab Hunter Show (1960), a rather featherweight sitcom that centered around his swinging bachelor pad. The series last only one season. On the positive side he clocked in with over 200 TV programs over the long stretch and was nominated for an Emmy award for his outstanding performance opposite Geraldine Page in a Playhouse 90 episode. Following the sparkling film comedy The Pleasure of His Company (1961) opposite Debbie Reynolds, the quality of his films fell off drastically as he found himself top-lining such innocuous fare as Operation Bikini (1963), Ride the Wild Surf (1964) (1965), City in the Sea (1965) [aka War-Gods of the Deep], and Birds Do It (1966) both here and overseas.
As for stage, a brief chance to star on Broadway happened in 1964 alongside the highly volatile Tallulah Bankhead in Tennessee Williams's "The Milk Train Doesn't Stop Here Anymore." It lasted five performances. He then started to travel the dinner theater circuit. Enduring a severe lull, Tab bounced back in the 1980s and 1990s -- more mature, less wholesome, but ever the looker. He gamely spoofed his old clean-cut image by appearing in delightfully tasteless John Waters' films as a romantic dangling carrot to heavyset transvestite "actress" Divine. Polyester (1981) was the first mainstream hit for Waters and Tab went on to team up with Allan Glaser to co-produce and co-star a Waters-like western spoof Lust in the Dust (1984).
Co-starring with "Exorcist" star Linda Blair in the bizarre horror film Grotesque (1988), Tab's last on-camera appearance would be in a small role in the film Dark Horse (1992), which he produced. He preferred spending most of his time secluded on his ranch and breeding horses. In 2005, he returned to the limelight when he "came out" with a tell-all memoir on his Hollywood years. His long-time partner was film producer Allan Glaser.
Tab died on July 8, 2018, in Santa Barbara, California, three days shy of his 87th birthday.- Actor
- Director
- Producer
Enduring, strong-featured, and genial star of US cinema, Burt Reynolds started off in T.V. westerns in the 1960s and then carved his name into 1970s/1980s popular culture, as a sex symbol (posing nearly naked for "Cosmopolitan" magazine), and on-screen as both a rugged action figure and then as a wisecracking, Southern type of "good ol' boy."
Burton Leon Reynolds was born in Lansing, Michigan. He was the son of Harriette Fernette "Fern" (Miller) and Burton Milo Reynolds, who was in the army. After World War II, his family moved to Riviera Beach, Florida, where his father was chief of police, and where Burt excelled as an athlete and played with Florida State University. He became an All Star Southern Conference halfback (and was earmarked by the Baltimore Colts) before a knee injury and a car accident ended his football career. Midway through college he dropped out and headed to New York with aspirations of becoming an actor. There he worked in restaurants and clubs while pulling the odd TV spot or theatre role.
He was spotted in a New York City production of "Mister Roberts," signed to a TV contract, and eventually had recurring roles in such shows as Gunsmoke (1955), Riverboat (1959) and his own series, Hawk (1966).
Reynolds continued to appear in undemanding western roles, often playing a character of half Native American descent, in films such as Navajo Joe (1966), 100 Rifles (1969) and Sam Whiskey (1969). However, it was his tough-guy performance as macho Lewis Medlock in the John Boorman backwoods nightmare Deliverance (1972) that really stamped him as a bona-fide star. Reynolds' popularity continued to soar with his appearance as a no-nonsense private investigator in Shamus (1973) and in the Woody Allen comedy Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972). Building further on his image as a Southern boy who outsmarts the local lawmen, Reynolds packed fans into theaters to see him in White Lightning (1973), The Longest Yard (1974), W.W. and the Dixie Dancekings (1975) and Gator (1976).
At this time, ex-stuntman and longtime Reynolds buddy Hal Needham came to him with a "road film" script. It turned out to be the incredibly popular Smokey and the Bandit (1977) with Sally Field and Jerry Reed, which took in over $100 million at the box office. That film's success was followed by Smokey and the Bandit II (1980) and Smokey and the Bandit Part 3 (1983). Reynolds also appeared alongside Kris Kristofferson in the hit football film Semi-Tough (1977), with friend Dom DeLuise in the black comedy The End (1978) (which Reynolds directed), in the stunt-laden buddy film Hooper (1978) and then in the self-indulgent, star-packed road race flick The Cannonball Run (1981).
The early 1980s started off well with a strong performance in the violent police film Sharky's Machine (1981), which he also directed, and he starred with Dolly Parton in The Best Little Whorehouse in Texas (1982) and with fellow macho superstar Clint Eastwood in the coolly received City Heat (1984). However, other projects such as Stroker Ace (1983), Stick (1985) and Paternity (1981) failed to catch fire with fans and Reynolds quickly found himself falling out of popularity with movie audiences. In the late 1980s he appeared in only a handful of films, mostly below average, before television came to the rescue and he shone again in two very popular TV shows, B.L. Stryker (1989) and Evening Shade (1990), for which he won an Emmy. In 1988, Burt and his then-wife, actress Loni Anderson, had a son, Quinton A. Reynolds (aka Quinton Anderson Reynolds), whom they adopted.
He was back on screen, but still the roles weren't grabbing the public's attention, until his terrific performance as a drunken politician in the otherwise woeful Striptease (1996) and then another tremendous showing as a charming, porn director in Boogie Nights (1997), which scored him a Best Supporting Actor nomination. Like the phoenix from the ashes, Reynolds resurrected his popularity and, in the process, gathered a new generation of young fans, many of whom had been unfamiliar with his 1970s film roles. He then put in entertaining work in Pups (1999), Mystery, Alaska (1999), Driven (2001) and Time of the Wolf (2002). Definitely one of Hollywood's most resilient stars, Reynolds continually surprised all with his ability to weather both personal and career hurdles and his almost 60 years in front of the cameras were testament to his staying ability, his acting talent and his appeal to film audiences.
Burt Reynolds died of cardiac arrest on September 6, 2018, in Jupiter, Florida, U.S. He was eighty two.- Actress
- Producer
- Soundtrack
Margot Kidder was born Margaret Ruth Kidder in Yellowknife, Northwest Territories, Canada, to Jocelyn Mary "Jill" (Wilson), a history teacher from British Columbia, and Kendall Kidder, a New Mexico-born mining engineer and explosives expert. Margot was a delightful child who took pride in everything she did. At an early age, she became aware of the great emotions she felt towards expressing herself, and caught the acting bug. As a child, she wrote in a diary that she wanted to become a movie star, and that one day it would happen, but she had to overcome something else first. She was aware that she was constantly facing mood swings, but didn't know why. At odd times, she would try to kill herself - the first time was at age 14 - but the next day she would be just fine. Her father's hectic schedule and moving around so much didn't help matters, either, causing her to attend 11 schools in 12 years. Finally, in an attempt to help Margot with her troubles, her parents sent" her to a boarding school, where she took part in school plays, such as Romeo and Juliet", in which she played the lead.
After graduation, Margot moved to Los Angeles to start a film career. She found herself dealing with a lot of prejudice, and hotheads, but later found solace with a Canadian agent. This was when she got her first acting job, in the Norman Jewison film Gaily, Gaily (1969). This led to another starring role in Quackser Fortune Has a Cousin in the Bronx (1970), in which she co-starred with Gene Wilder. After some harsh words from the film's director, Margot temporarily left films to study acting in New York, doing television work to pay her bills, but when the money ran out, she decided it was time to make a second try at acting. When she arrived in Hollywood she met up at a screen test with actress Jennifer Salt, resulting in a friendship that still stands strong today. Margot and Jennifer moved into a lofty beach house and befriended other, then unknown, struggling filmmakers such as Martin Scorsese, Brian De Palma, Steven Spielberg and Susan Sarandon, among others. Late nights would see the hot, happening youngsters up until all hours talking around a fire about how they were all going to change the film industry. It was crazy living and within the Christmas season, Margot had become involved with De Palma, and as a Christmas present he gave her the script to his upcoming film Sisters (1972). Margot and Salt both had the leads in the film, and it was a huge critical success.
The film made branded Margot as a major talent, and in the following years she starred in a string of critically acclaimed pictures, such as Black Christmas (1974), The Great Waldo Pepper (1975), 92 in the Shade (1975) - directed by Thomas McGuane, who was also her husband for a brief period - and a somewhat prophetic tale of self-resurrection, The Reincarnation of Peter Proud (1975).
After three years of being a housewife, looking after her daughter Maggie and not working, Margot decided it was time to let her emotions take control and get back into acting. Once her marriage to McGuane was over, she eyed a script that would change her life forever. Her new agent referred her to a little-known director named Richard Donner. He was going to be directing a film called Superman (1978), and she auditioned for and secured the leading female role of Lois Lane. That film and Superman II (1980) filmed simultaneously. After the success of "Superman" she took on more intense roles, such as The Amityville Horror (1979) and Willie & Phil (1980). After that, Margot starred in numerous films, television and theater work throughout the 1980s, including Superman IV: The Quest for Peace (1987). When the 1990s erupted with the Gulf War, Margot found herself becoming involved in politics. She made a stir in the biz when she spoke out against the military for their actions in Kuwait. She also appeared in a cameo in Donner's Maverick (1994).
In 1996, as she was preparing to write her autobiography, she began to become more and more paranoid. When her computer became infected with a virus, this gave her paranoia full rein, and she sank into bipolar disorder. She panicked, and the resulting psychological problems she created for herself resulted in her fantasizing that her first husband was going to kill her, so she left her home and faked her death, physically altering her appearance in the process. After an intervention took place, she got back on her feet and started the mental wellness campaign. Since then, she resumed her career in film, television, and theatre, including appearing in a Canadian stage production of "The Vagina Monologues", and in films like The Clown at Midnight (1998).
Margot died on May 13, 2018, in Livingston, Montana.- Actor
- Director
- Additional Crew
David Ogden Stiers was born in Peoria, Illinois, to Margaret Elizabeth (Ogden) and Kenneth Truman Stiers. He moved with his family to Eugene, Oregon, where he graduated from North Eugene High School in 1960. At the age of twenty, he was offered $200 to join the company of the Santa Clara Shakespeare Festival for three months. He ended up staying for seven years, in due course playing both King Lear and Richard III. In 1969, he moved to New York to study drama at Juilliard where he also trained his voice as a dramatic baritone. He joined the Houseman City Center Acting Company at its outset, working on such productions as The Beggar's Opera, Measure for Measure, The Hostage and the hit Broadway musical The Magic Show for which he created the character 'Feldman the Magnificent'. He lent his voice to animated films, with Lilo & Stitch (2002) being his 25th theatrically-released Disney animated film. He was also an avid fan of classical music and conducted a number of orchestras, including the Yaquina Chamber Orchestra in Newport, Oregon, where was the principal guest conductor.
His other theatrical work included performances with the Committee Revue and Theatre, the San Francisco Actor's Workshop, The Old Globe Theatre Festival in San Diego and at the Pasadena Playhouse in Love Letters with Meredith Baxter. As a drama instructor, he worked at Santa Clara University and also taught improvisation at Harvard. In addition to his long-running role in M*A*S*H (1972), Stiers' work on television also included the excellent mini-series North & South: Book 1, North & South (1985), North & South: Book 2, Love & War (1986), The First Olympics: Athens 1896 (1984) and roles in such productions as Anatomy of an Illness (1984), The Bad Seed (1985), J. Edgar Hoover (1987), The Final Days (1989), Father Damien: The Leper Priest (1980) and Mrs. Delafield Wants to Marry (1986). Among his screen credits were The Accidental Tourist (1988), The Man with One Red Shoe (1985), Creator (1985), Harry's War (1981), Magic (1978) and Oh, God! (1977).
Above all, the prodigious talent that was David Ogden Stiers will be most fondly remembered as the pompous, ever-so articulate Major Charles Emerson Winchester III in M*A*S*H. He had found that taking on the role was -- from the beginning -- an easy choice. Stiers saw and loved the movie version. Moreover, he had a fond regard of fellow actor Harry Morgan (who played the character of Colonel Potter) as a kind of fatherly role model. In retrospect, Stiers viewed his experiences with the show as a career highlight, saying "No matter how much you read about the M*A*S*H company, the evolution of it, the quite beautiful human stance it takes, you will not know how much it means ". In his spare time on the set he often annoyed the security guards by skateboarding at 25 miles an hour and "cheerfully thumbing his nose at them".
David died of bladder cancer on March 3, 2018, in Newport, Oregon. He was 75.- Actor
- Producer
- Soundtrack
John Mahoney was an award-winning American actor. He was born in Blackpool, Lancashire, England, the seventh of eight children of Margaret and Reg, a baker. His family was evacuated to the sea-side resort to avoid the Nazi bombing of their native Manchester. The Mancunian Mahoneys eventually returned to Manchester during the war. Visiting the States to see his older sister, a "war bride" who had married an American, the young Mahoney decided to emigrate and was sponsored by his sister. John eventually won his citizenship by serving in the U.S. Army.
Long interested in acting, Mahoney didn't make the transition to his craft until he was almost forty years old. Mahoney took acting classes at the St. Nicholas Theater and finally built up the courage to quit his day job and pursue acting full time. John Malkovich, one of the founders of the Second City's distinguished Steppenwolf Theatre, encouraged Mahoney to join Steppenwolf, and in 1986, Mahoney won a Tony Award for Best Featured Actor in a Play for his performance in John Guare's The House of Blue Leaves (1987).
Mahoney made his feature film debut in 1980, but he was best known for playing the role of the father of the eponymous character Frasier (1993) from 1993 until 2004. He later concentrated on stage work back in Chicago, and appeared on Broadway in 2007 in a revival of Prelude to a Kiss (1992).
John died on February 4, 2018, in Chicago, Illinois.- Actor
- Additional Crew
- Producer
A talented character actor known for his military roles, Ronald Lee Ermey was in the United States Marine Corps for 11 years. He rose to the rank of Staff Sergeant, and later was bestowed the honorary rank of Gunnery Sergeant by the Marine Corps, after he served 14 months in Vietnam and later did two tours in Okinawa, Japan. After injuries forced him to retire from the Corps, he moved to the Phillipines, enrolling in the University of Manila, where he studied Criminology and Drama. He appeared in several Filipino films before being cast as a helicopter pilot in Francis Ford Coppola's Apocalypse Now (1979). Due to his Vietnam experiences, Coppola also utilized him as a technical adviser. He got a featured role in Sidney J. Furie's The Boys in Company C (1978), playing a drill instructor. Ermey worked with Furie again in Purple Hearts (1984).
However, his most famous (or infamous) role came as Gunnery Sergeant Hartman in Stanley Kubrick's Full Metal Jacket (1987), for which he was nominated for a Golden Globe. He did win the best supporting actor award from The Boston Society of Film Critics. Since then, he has appeared in numerous character roles in such films as Leaving Las Vegas (1995), Se7en (1995) and Dead Man Walking (1995). However, Ermey prefers comedy to drama, and has a comedic role in Saving Silverman (2001).- Actress
- Director
- Producer
Penny Marshall was born Carole Penny Marshall on October 15, 1943 in Manhattan. The Libra was 5' 6 1/2", with brown hair and green eyes. She was the daughter of Marjorie (Ward), a tap dance teacher, and Anthony "Tony" Marshall, an industrial film director. She was the younger sister of filmmakers Garry Marshall and Ronny Hallin. Her father was of Italian descent, originally surnamed "Masciarelli," and her mother was of German, Scottish, English, and Irish ancestry.
Penny was known in her family as "the bad one"... because not only did she walk on the ledge of her family's apartment building, but she snuck into the movies as a child and even dated a guy named "Lefty." She attended a private girls' high school in New York and then went to the University of New Mexico for two and a half years. There, Penny got pregnant with daughter, Tracy Reiner, and soon after married the father, Michael Henry, in 1961. The couple divorced two years later in 1963. She worked as a secretary for awhile. Her film debut came from her brother Garry Marshall, who put her in the movie How Sweet It Is! (1968) with the talented Debbie Reynolds and James Garner. She also did a dandruff commercial with Farrah Fawcett - the casting people, of course, giving Farrah the part of the "beautiful girl" and Penny the part of the "plain girl." This only added to Penny's insecurity with her looks.
She then married Rob Reiner on April 10, 1971, shortly after getting her big television break as Oscar Madison's secretary, Myrna Turner, on The Odd Couple (1970). She also played Mary Richards' neighbor, Paula Kovacks, on The Mary Tyler Moore Show (1970) for a couple of episodes. However, her Laverne & Shirley (1976) fame came when her brother needed two women to play "fast girls" who were friends of Arthur Fonzarelli and would date Fonzie and Richie Cunningham on Happy Days (1974). Penny had been working on miscellaneous writing projects ("My Country Tis Of Thee", a bicentennial spoof for Francis Ford Coppola and "Paper Hands" about the Salem Witch Trials) with writing partner Cindy Williams. Cindy happened to be a friend and ex-girlfriend of Henry Winkler's, so Garry asked the two to play the parts of these girls. The audience saw their wonderful chemistry, and loved them so much, a spin-off was created for them.
Penny was well-known as Laverne DeFazio. She and Rob had divorced in 1980. The show ended three years later, half a year after Cindy Williams left the show due to pregnancy (her first baby, Emily, from now ex-husband Bill Hudson)... they wanted Williams to work the week she was supposed to deliver.
Soon after, Penny began directing such films as Jumpin' Jack Flash (1986), Big (1988) and A League of Their Own (1992). Her hobbies included needlepoint, jigsaw puzzles and antique shopping. She was best friends with actress Carrie Fisher and was godmother to Carrie's daughter, Billie.
Penny died at 75 in Los Angeles, California.- Actress
- Director
- Producer
Sondra Locke was born May 28, 1944 as Sandra Louise Smith, in Shelbyville, Tennessee, a quiet little town about 60 miles southeast of Nashville. She was the daughter of Raymond Smith, a military man stationed at nearby Tullahoma, and Pauline Bayne. Smith departed the scene before Sondra's birth. In 1945, her mother wed William B. Elkins, and together they had a son, Donald, on April 26, 1946. The short union ended in divorce. In 1948, Bayne remarried. Alfred Locke bestowed his surname on Pauline's children and raised them as his own. Sondra's stepfather was a carpenter; her mother worked in a pencil factory. For the smart, fanciful Locke, "My childhood felt as if I had been dropped off at an extended summer camp from which I was waiting to be picked up." The bright girl loved to read, which puzzled her simple mother, who was always pushing her to spend more time outside. Sondra's happiest moments occurred on weekend visits to the local movie theater.
Locke was a cheerleader in junior high and graduated valedictorian of Shelbyville Mills' 1957-1958 eighth grade class. At Shelbyville Central High School, the "classroom was the one place where I felt like I had a chance to prove myself and I continued to excel. I felt safe there and I liked it." Her best friend was classmate Gordon Anderson, the son of a teacher, whose family had relocated to the area from Arkansas around 1953. He was a fey young man, who shared many of Sondra's fanciful hopes about the future and was her collaborator in devising harmless ways to make their lives in Shelbyville more magical. One of the duo's frequent activities was making home movies with Gordon's Super 8 camera.
When Gordon attended Middle Tennessee State University (in Murfreesboro, about 30 miles from Nashville) in 1962, Sondra enrolled there too. Upon completing freshman year, Sondra had a blowup with her mother, left home, and did not return to college. Instead, she worked in Nashville as a promotions assistant for WSM-TV, with occasional modeling and voiceover work. While in Nashville, Locke began acting in community theater as a member of Circle Players Inc. Along the way she dated Larry Munson, a sportscaster for WSM, and Brad Crandall, head of the station's advertising department. She also enjoyed a romance with law student Gary Gober, whom she had been in plays with. Meanwhile, Gordon revealed to her that he was homosexual. He went off to Manhattan to study acting and, for a while, had a lover there. Anderson was talented but unfocused about his theater craft and eventually returned to Tennessee. Because of Locke's spiritual kinship with Anderson, she and Gordon decided to wed. The mixed-orientation couple were married at First Presbyterian Church in Nashville on September 25, 1967. (Reputedly, the marriage was never consummated.)
If Gordon was unable to launch his own acting career, he had no such problems igniting Sondra's. Months before their wedding, he learned that Warner Bros. was holding a nationwide search for a young actress to play a key role in the screen adaptation of Carson McCullers' novel The Heart Is a Lonely Hunter (1968). Anderson helped Locke research the part of Mick, a teenage waif in a southern town who befriends a suicidal deaf-mute (Alan Arkin) boarding at the house where she lives. For the audition, in Birmingham, Alabama, Gordon bleached her eyebrows, bound her bosom and carefully fixed her hair, makeup and outfit so that she would instantly impress casting agents. The ploy succeeded, and, after several callbacks, Locke -- who lied about her age to seem younger -- was hired. The movie was released in the summer of 1968 and earned respectful reviews from critics, although many filmgoers found the picture too arty. Sondra was Oscar-nominated for her sensitive portrayal.
Next, Sondra moved to Los Angeles, with Gordon in tow. She hoped to parlay her Academy Award nomination into further movie assignments. The big-eyed, wiry bottle blonde found it difficult to win choice roles, making her accept lesser projects, the most famous of which was Willard (1971), a film about marauding rats. Cover Me Babe (1970), A Reflection of Fear (1972) and The Second Coming of Suzanne (1974) faded into cinematic obscurity. In the lattermost, Locke played a Christ figure and had torrid love scenes with Paul Sand. Episodic television provided steadier acting opportunities: the anthology program Night Gallery (1969) and dramatic series including The F.B.I. (1965), Cannon (1971), Kung Fu (1972) and Barnaby Jones (1973). Thanks in part to the limited media of the time, she was able to maintain the ruse of younger age, which no doubt extended her shelf-life amid professional lulls. It was in 1972 that she first met rising kingpin Clint Eastwood when he was preparing to direct his second feature film, Breezy (1973). For the title role, Locke was passed over in favor of nine-years-younger Kay Lenz.
For half of the 1970s, the Andersons resided at West Hollywood's Andalusia condominium complex whilst seeing other people. For a time, Sondra was involved with Bruce Davison, her co-star from Willard (1971). While working on the teleplay Gondola (1974), she gained a new boyfriend, sandy-haired actor Bo Hopkins. He was once divorced and shared her penchant for falsifying birthdates. In the spring of 1974, she visited the set of Hopkins' current project, The Killer Elite (1975), and networked with composer Jerry Fielding, who was about to score a new Western showcase for Clint Eastwood. The Outlaw Josey Wales (1976) had a role that Locke thought could revitalize her career. This time, Eastwood was responsive and hired the 31-year-old to play his romantic interest. In early October 1975, the complementary pair fell hard for each other on location in Page, Arizona. "We were almost living together from the very first days of the film," Locke remembered. Besotted Clint confided he'd never been in love before and wrote a poem for his new mate: "She made me monogamous." This serially philandering megastar was 14 years her senior and a foot taller than she.
The Outlaw Josey Wales (1976) was indeed a hit, with Sondra sparking a flurry of interest among male viewers as virtually nonspeaking eye candy. Yet she stopped pursuing film roles on her own initiative to assume wifely duties, appearing on the big screen exclusively in Eastwood-controlled projects thereon. The sole exception to this was The Shadow of Chikara (1977), an Arkansas-lensed Western with burly Joe Don Baker. (The home invasion thriller Death Game (1977), though released after Locke and Eastwood became an item, was actually shot in 1974.) "Clint wanted me to work only with him," she said. "He didn't like the idea of me being away from him."
Over the next few years, Locke had two abortions from her relationship with Eastwood. In 1979, she underwent a tubal ligation at UCLA to prevent further pregnancies. She and Clint settled into a $1.12 million, seven-bedroom Spanish-style Bel-Air mansion originally built in 1931, which she spent months renovating and decorating, and which she believed would be hers for life. She continued to spend platonic time with Gordon, whom she never divorced, nurtured by their spiritual relationship. Gordon moved in and out of gay relationships, and sometimes he and a boyfriend would socialize with Clint and Sondra. As for the professional side of things, Locke and Eastwood reteamed for his action opus The Gauntlet (1977), slapstick adventure-comedy Every Which Way But Loose (1978), its sequel Any Which Way You Can (1980), the quirky satire Bronco Billy (1980) and the fourth, darkest, most ambitious "Dirty Harry" vehicle, Sudden Impact (1983). All were stellar box office performers and cemented the twosome as filmdom's most visible couple.
During this period, Sondra took a few TV roles when Clint was starring in a movie that had no part for her to play (such as Escape from Alcatraz (1979) or Firefox (1982)). The first time she worked apart from him for any length of time since The Shadow of Chikara (1977) in 1976 was Rosie: The Rosemary Clooney Story (1982). (Rosemary Clooney personally asked Locke to star in the CBS biopic on the strength of her performance in Bronco Billy (1980).) She later made an appearance on Britain's Tales of the Unexpected (1979) series. For the most part, however, she found herself sitting on the sidelines waiting for Eastwood to cast her in something.
By the mid-1980s, Sondra, over 40 but still refusing to admit it, was acutely aware that in Hollywood terms her leading lady days were just about finished. She had long been interested in film directing and had observed carefully how Eastwood and others directed the pictures she was in. With his blessing, she found a property that intrigued her and that his Malpaso production company would package, and developed it into a project for Warner Bros. She made Ratboy (1986), but despite good reviews, the film received scant distribution. In retrospect, Locke concluded that her exertion of authority over the project caused her longtime paramour to turn away from her, to find someone who was more compliant. (In an unpublicized affair with stewardess Jacelyn Reeves, Eastwood sired two legally fatherless children born in 1986 and 1988, in Monterey -- an "evil betrayal" Locke was unaware of.)
The showdown between Sondra and Clint occurred on December 29, 1988 at their mountain hideaway in Sun Valley, Idaho. After an unpleasant screaming match, Eastwood suggested Locke go back to Los Angeles. She sensed their relationship had passed a point of reconciliation, a fact confirmed when she scarcely saw Eastwood in subsequent months and when industry friends they knew in common shunned her. As she admitted later, "In my head I guess I knew it was over, but in my heart Clint and I were still not severed." On April 10, 1989, while she was directing a demanding sequence in a new police procedural, Impulse (1990), Eastwood had the locks changed on their house in Bel-Air. He also ordered her possessions to be boxed and put in storage. A letter addressed to "Mrs. Gordon Anderson," imperatively telling her not to come home, was delivered to her lawful husband's doorstep. When Gordon telephoned Sondra on the set and read her the letter, she fainted dead away in front of the cast and crew.
On April 26, 1989, Sondra filed a palimony lawsuit against her domestic partner of 14 years. Her "brazenness" in taking on the powerful Eastwood amazed and shocked Tinseltown and titillated the public. Her action sought unspecified damages and an equal division of the property she and Eastwood had acquired during their relationship. Locke asked for title to the Bel-Air home they had shared and to the Crescent Heights (West Hollywood) place Eastwood had purchased in 1982 (in which Gordon lived). The closed hearing was held on May 31, 1989, before a private judge. Before any court decision could be made, a private settlement was reached between the parties. Locke received $450,000, the Crescent Heights property, and a $1.5 million multiyear development-directing pact at Warner Bros. In return, she dropped her suit. By then, the fall of 1990, she was happy to end the hassle. (In the past months she had been diagnosed with cancer, undergone a double mastectomy, and endured chemotherapy.)
For the next three years Locke submitted over 30 projects to Warner Bros., but none received a green light to move ahead. Moreover, the studio refused to assign her to direct any of their in-house projects. In the mid-1990s, Sondra discovered evidence that Eastwood had arranged to reimburse Warner Bros. for her three-year studio contract -- a matter that he had never mentioned to her. It became obvious that the studio's negative professional attitude toward her had little or nothing to do with her directing or project-finding abilities. On June 5, 1995, Locke sued Eastwood again, alleging fraud and breach of fiduciary duty. She claimed that Clint's behind-the-scene actions had sent a message "to the film industry and the world at large ... that Locke was not to be taken seriously." (According to Sondra's lawyer, the situation was Clint's "way of terminating the earlier palimony suit.")
While Locke's case was revving up at the Burbank Courthouse, Eastwood begged her to settle. On September 24, 1996 -- the morning jurors were set to begin a second day of deliberation -- Sondra announced her decision to drop her suit against Clint for an undisclosed monetary reward. One contingency was laid down: she would not reveal the settlement amount. The jubilant plaintiff said, "This was never about money. It was about my fighting for my professional rights." According to the victor, "I didn't enjoy it. But sometimes you have to do things you don't enjoy." Locke added, "In this business, people get so accustomed to being abused, they just accept the abuse and say, 'Well, that's just the way it is.' Well, it isn't."
But Locke was not finished. She had a pending action against Warner Bros. for allegedly harming her career by agreeing to the sham movie-directing deal that Eastwood had purportedly engineered. On May 24, 1999, just as jury selection was beginning (and four days before Locke turned 55), the studio reached an out-of-court settlement with Sondra.
In the decade following her courtroom saga, Sondra did not direct another movie. She did make a brief return to acting with cameo roles in back-to-back low-budget independent features, The Prophet's Game (2000) and Clean and Narrow (2000), both of which failed to secure a theatrical release. In 2001, she sold her home in the Hollywood Hills and moved to another part of L.A. After interim flings with producer Hawk Koch and John F. Kennedy's nephew Robert Shriver, she had a live-in relationship with one of the physicians who had treated her during her cancer siege. Dr. Scott Cunneen, described by Locke as "Herculean," was 17 years her junior, his mother only three years older than Sondra. She eventually split up with him.
In 2016, preceded by a protracted absence from the public eye, trade press reported that Locke would come out of retirement to co-star in Alan Rudolph's Ray Meets Helen (2017) opposite Keith Carradine. The film was booked for a limited run in spring 2018. No longer able to hide her true year of birth in the post-internet era, Sondra was playing a romantic lead at the unheard of age of 74.
Locke died on November 3, 2018, of cardiac arrest stemming from metastatic breast cancer. It was not publicized until mid-December. The mysterious six-week delay raised a lot of eyebrows, especially since the belated news leaked opening day of the latest Eastwood blockbuster, The Mule (2018). According to a death certificate obtained by the media, her cancer had returned in 2015 and spread to her bones. Locke's remains were cremated at Westwood (Village) Mortuary and the ashes entrusted to her husband of 51 years. Rosanna Arquette, Frances Fisher and Evan Rachel Wood were among the celebrities who paid tribute. Despite the acrimony that followed the collapse of her famous relationship, Locke will be long remembered for her prominent roles in some of Eastwood's most popular works -- and perhaps dichotomously, as a pioneer for the rights of independent working women.- Actor
- Writer
- Additional Crew
Harry Anderson was born on 14 October 1952 in Newport, Rhode Island, USA. He was an actor and writer, known for Night Court (1984), It (1990) and Tales from the Crypt (1989). He was married to Elizabeth Morgan and Leslie Pollack. He died on 16 April 2018 in Asheville, North Carolina, USA.- Actor
- Soundtrack
Clint Walker was born Norman Eugene Walker in Hartford, southwestern Illinois, to Gladys Huldah (Schwanda), a Czech immigrant, and Paul Arnold Walker, who was from Arkansas. Walker almost single-handedly started the western craze on TV in the 1950s as Cheyenne Bodie in Cheyenne (1955). Growing up in the Depression era meant taking work wherever you could get it, and Walker found himself working at such jobs as Mississippi River boatman, carnival roustabout and golf caddy. He quit high school at 16 and at age 17 joined the Merchant Marine. After the war he worked his way cross country, including working in the oil fields in Brownwood, Texas, and wound up in California, where he worked as an undercover agent for a private detective agency on the Long Beach waterfront. After a while he took a job as a security officer at the Sands Hotel in Las Vegas. It was there that he met quite a few Hollywood people who told him that his size, physique and good looks would serve him well in Hollywood and that he should go to Los Angeles and give it a try. He met actor Henry Wilcoxon, who introduced him to director Cecil B. DeMille, and Walker found himself playing the part of a Captain of the Guard in The Ten Commandments (1956). Someone from Warner Bros. saw the film, found out that Walker was under contract to producer Hal B. Wallis, bought up Walker's contract and gave him the lead in "Cheyenne". The series was a huge hit and spawned countless other western series, from Warners and other studios. However, Walker was dissatisfied with the way Warners was handling his career -- they would let other contract players make films, for example, but he wasn't allowed to -- and that triggered a dispute which ended up with him taking a walk from the show. He and Warners eventually settled their disagreements. When the show ended Walker began to get supporting parts in features, his biggest and most successful one being The Dirty Dozen (1967). He starred in the well-received The Night of the Grizzly (1966) and the not-so-well received None But the Brave (1965), a WWII film that was Frank Sinatra's one and only stab at directing. He also played the lead in Baker's Hawk (1976), and turned in a good performance as a villain in the TV movie Scream of the Wolf (1974). Lately he and several of his colleagues from "The Dirty Dozen" provided the voices for the animated film Small Soldiers (1998).- One chillingly infamous screen role for Scott Wilson in 1967 set the tone for an actor who went on to prove himself an invaluable character player for five decades. Born on March 29, 1942, the Atlanta native was awarded a basketball scholarship following high school at Georgia's Southern Tech University to study architecture. Instead, Wilson hitchhiked to Los Angeles on a whim and hooked up one day with an actor he met in a bar who took him to one of his auditions. Allowed to audition himself by chance, Wilson lost the part but was absolutely hooked. Working an assortment of menial jobs, he studied for nearly five years while gaining experience in such local theater productions as "The Importance of Being Earnest."
Scott's fledgling career took off big time after being discovered by director Norman Jewison who cast him as a murder suspect in In the Heat of the Night (1967) starring Sidney Poitier and Best Actor Oscar winner Rod Steiger. If that weren't a sufficient beginning, Wilson immediately followed this with the co-lead role of murderer Richard Hickok in the stark and disturbing In Cold Blood (1967), a superlative adaptation of the Truman Capote best-selling docu-novel. It didn't hurt that Scott himself had a startling resemblance to the real-life killer. Partnering up with Robert Blake as two ex-cons who are eventually executed for the senseless, brutal slaughter of an entire Kansas farm family, the critically acclaimed film put both men squarely on the movie map.
Although a serious contender, out-and-out stardom did not come about for the quietly handsome, slightly forlorn-looking actor. Major roles in major pictures, however, did. Among Scott's early film work were Castle Keep (1969) and The Gypsy Moths (1969), both starring Burt Lancaster; The Grissom Gang (1971); Lolly-Madonna XXX (1973) (again with Steiger); The New Centurions (1972); The Great Gatsby (1974), in which he earned raves as the garage owner who shoots Robert Redford's title character to death in Gatsby's backyard swimming pool; The Ninth Configuration (1980), for which he received a Golden Globe nomination; The Right Stuff (1983); the Venice Film Festival winner A Year of the Quiet Sun (1984); Malone (1987); and Johnny Handsome (1989). TV also showed off Scott's dark, controlled intensity and wide range in later years, appearing in guest spots on such popular dramas as "The X-Files" and "The Twilight Zone," and in a recurring role as Marg Helgenberger's unscrupulous mobster father in "CSI." In mini-movies Scott played everything from Elvis's father in Elvis and the Colonel: The Untold Story (1993) to a Wyoming governor in The Jack Bull (1999).
Hardly one of Hollywood's flashiest good ol' boys, the taciturn, unassuming actor preferred to remain discrete and let his performances do the talking. His output was minimal compared with other character stars, but he remained in the quality ranks nevertheless, mixing his standard penchant for darker movies with such family-oriented films as Shiloh (1996) and its sequels.
Supporting the newer "young guns" these days, he appeared with Vince Vaughn in Clay Pigeons (1998) and Ryan Phillippe in The Way of the Gun (2000), and ended up one of serial killer Charlize Theron's victims in Monster (2003). Other strong showings on the big screen have included a lead part as a rockabilly star in Don't Let Go (2002) and his down-home patriarch in the superb ensemble art film Junebug (2005), a breakout hit with Academy voters.
Into the millennium, Scott maintained a strong film output with gritty roles in Come Early Morning (2006), Saving Shiloh (2006), Behind the Mask: The Rise of Leslie Vernon (2006), The Heartbreak Kid (2007), Saving Grace B. Jones (2009), Radio Free Albemuth (2010), Dorfman in Love (2011) and Hostiles (2017). He ended his career strongly on TV with regular/recurring roles on Damien (2016), as adoptive father Abel Johnson in the mystery series The OA (2016), and gained a notable following sporting a full gray beard and ponytail as grizzled farm owner Hershel Greene on the popular horror series The Walking Dead (2010).
Wilson lived in Los Angeles with his attorney/wife of four decades, Heavenly, who also was an accomplished artist and writer. Diagnosed with leukemia, Scott died on October 6, 2018, aged 76. - Michele Carey was born on 26 February 1942 in Annapolis, Maryland, USA. She was an actress, known for El Dorado (1966), Live a Little, Love a Little (1968) and The Wild Wild West (1965). She was married to Fred G. Strebel. She died on 21 November 2018 in Newport Beach, California, USA.
- A prime pin up attraction ("Miss Body Beautiful", "Miss Bronx"), auburn-haired Mickey Koren was raised in the East Bronx and began her career as a juvenile model. She moved with her family to California while still in her teens. After attending classes at the Ben Bard Drama academy in Hollywood, Laurie appeared in stage productions in southern California (then using the name Barbara White, following a marriage to trumpet player and magician Larry White). Having segued into motion pictures -- beginning with a bit part as a good time girl in 20,000 Leagues Under the Sea (1954)] -- she languished for several years near the bottom of the bill in second features, alternating with marginally better guest spots on TV in anthology dramas and westerns. Though usually typecast as 'saloon girls' in often stilted fare, she later recalled "... they were crappy pictures, but I loved it. It was a great, great experience." A co-starring role in a minor musical comedy aimed at the youth market (Calypso Joe (1957)) began to raise her profile. Taking her sister's advice, Laurie then changed her hair colour to blond and adopted her new moniker. Thus transformed, she went on to join the circle of cult favorites, commencing her foray into mini-budget schlock sci-fi with Attack of the Puppet People (1958). This was followed with two back-to-back roles in the same genre: first, as a man-hating Venusian despot in the (frankly dreadful) Queen of Outer Space (1958) (in which she goes toe-to-toe with a heavily accented Zsa Zsa Gabor); her second, as a 'moon girl' fated to be munched up by a lunar cave spider in (the equally vapid) Missile to the Moon (1958), an inferior re-make of the earlier Cat-Women of the Moon (1953). On a brighter note, there also were small parts in the Billy Wilder classic Some Like It Hot (1959) (as one of Sweet Sue's band members) and as a showgirl in the Cary Grant-Doris Day rom-com That Touch of Mink (1962).
Laurie retired from the screen in 1971. She divorced White in 1976 and subsequently married a medical salesman, re-emerging from relative obscurity in later years after being "rediscovered" by fans to making the rounds of celebrity expos. - Actor
- Director
- Producer
Born and raised in Winnipeg, Canada, Donnelly Rhodes trained to be a warden in the National Park Service in Manitoba and joined the Royal Canadian Air Force as an airman-mechanic before finally settling into his long and successful career as an actor. Rhodes studied at the Royal Manitoba Theatre Center and was a member of the first graduating class of the National Theatre School in Canada. After making his professional debut on stage as Stanley Kowalski in Streetcar Named Desire, he became a contract player for Universal Pictures in the U.S., landing film and television roles ranging from a gunslinger in Butch Cassidy and the Sundance Kid (1969) to a country singer in The Hard Part Begins (1973) to various guest appearances in series such as Mission: Impossible (1966). Later, he was popular as the suave Phillip Chancellor Sr. on The Young and the Restless (1973), but left the show in 1976 to avoid devoting too much of his career to the one role. He continued to work steadily, taking roles in a wide variety of television and theatrical movies and making guest appearances on more than 100 television series. Major TV roles saw him range from dim-witted escaped con Dutch on Soap (1977) to veterinarian and family man Dr. Grant Roberts on the popular Canadian family series Danger Bay (1983). More recently, he has appeared in a number of TV movies as well as in guest spots on popular series such as Sliders (1995) and The X-Files (1993). Rhodes' diverse interests include music and horses, but his real passion is boats. He has said that if he hadn't succeeded as an actor, he would have pursued a career as a naval architect.- Actress
- Soundtrack
The blonde, sultry, dreamy-eyed beauty of Dorothy Malone, who was born Mary Maloney in Chicago on January 29, 1924, took some time before it made an impact with American film-going audiences. But once she did, she played it for all it was worth in her one chance Academy Award-winning "bad girl" performance, a role quite unlike the classy and strait-laced lady herself.
Raised in Dallas, she was one of five children born to an accountant father and housewife mother. Two older sisters died of polio. Attending Ursuline Convent and Highland Park High School, she was quite popular (as "School Favorite"). She was also a noted female athlete while there and won several awards for swimming and horseback riding. Following graduation, she studied at Southern Methodist University with the intent of becoming a nurse, but a role in the college play "Starbound" happened to catch the eye of an RKO talent scout and she was offered a Hollywood contract.
The lovely brunette started off in typical RKO starlet mode with acting/singing/dancing/diction lessons and bit parts (billed as Dorothy Maloney) in such films as the Frank Sinatra musicals Higher and Higher (1943) and Step Lively (1944), a couple of the mystery "Falcon" entries and a showier role in Show Business (1944) with Eddie Cantor and George Murphy. RKO lost interest, however, after the two-year contract was up. Warner Bros., however, stepped up to the plate and offered the actress a contract. Now billed as Dorothy Malone, her third film offering with the studio finally injected some adrenaline into her floundering young career, when she earned the small role of a seductive book clerk in the Bogart/Bacall classic The Big Sleep (1946). Critics and audiences took notice of her captivating little part. As a reward, the studio nudged her up the billing ladder with more visible roles in Two Guys from Texas (1948), Romance on the High Seas (1948), South of St. Louis (1949) and Colorado Territory (1949), with the westerns showing off her equestrian prowess if not her acting ability.
Despite this positive movement, Warner Bros. did not extend Dorothy's contract in 1949 and she returned willingly back to her tight-knit family in her native Dallas. Taking a steadier job with an insurance agency, she happened to attend a work-related convention in New York City and grew fascinated with the big city. Deciding to recommit to her acting career, she moved to the Big Apple and studied at the American Theater Wing. In between her studies, she managed to find work on TV, which spurred freelancing "B" movie offers in the routine form of Saddle Legion (1951), The Bushwhackers (1951), the Martin & Lewis romp Scared Stiff (1953), Law and Order (1953), Jack Slade (1953), Pushover (1954) and Private Hell 36 (1954).
Things picked up noticeably once Dorothy went platinum blonde, which seemed to emphasize her overt and sensual beauty. First off was as a sister to Doris Day in Young at Heart (1954), a musical remake of Four Daughters (1938), back at Warner Bros. She garnered even better attention when she appeared in the war picture Battle Cry (1955), in which she shared torrid love scenes with film's newest heartthrob Tab Hunter, and continued the momentum with the reliable westerns Five Guns West (1955) and Tall Man Riding (1955) but not with melodramatic romantic dud Sincerely Yours (1955) which tried to sell to the audiences a heterosexual Liberace.
By this time she had signed with Universal. Following a few more westerns for good measure (At Gunpoint (1955), Tension at Table Rock (1956) and Pillars of the Sky (1956), Dorothy won the scenery-chewing role of wild, nymphomaniac Marylee Hadley in the Douglas Sirk soap opera Written on the Wind (1956) co-starring Rock Hudson, Lauren Bacall and Robert Stack. Stack and Malone had the showier roles and completely out-shined the two leads, both earning supporting Oscar nominations in the process. Stack lost in his category but Dorothy nabbed the trophy for her splendidly tramp, boozed-up Southern belle which was highlighted by her writhing mambo dance.
Unfortunately, Dorothy's long spell of mediocre filming did not end with all the hoopla she received for Written on the Wind (1956). The Tarnished Angels (1957), which reunited Malone with Hudson and Stack faltered, and Quantez (1957) with Fred MacMurray was just another run-of-the-mill western. Two major film challenges might have changed things with Man of a Thousand Faces (1957) as the unsympathetic first wife of James Cagney's Lon Chaney Sr, and as alcoholic actress Diana Barrymore in the biographic melodrama Too Much, Too Soon (1958). Cagney, however, overshadowed everyone in the first and the second was fatally watered down by the Production Code committee.
To compensate, Dorothy, at age 35 in 1959, finally was married -- to playboy actor Jacques Bergerac (Ginger Rogers's ex-husband). A daughter, Mimi, was born the following year. Fewer film offers, which included Warlock (1959) and The Last Voyage (1960), came her way as Dorothy focused more on family life. While a second daughter, Diane, was born in 1962, the turbulent marriage wouldn't last and their divorce became final in December 1964. A bitter custody battle ensued with Dorothy eventually winning primary custody.
It took the small screen to rejuvenate Dorothy's career in the mid-1960s when she earned top billing of TV's first prime time soap opera Peyton Place (1964). Dorothy, starring in Lana Turner's 1957 film role of Constance MacKenzie, found herself in a smash hit. The run wasn't entirely happy however. Doctors discovered blood clots on her lungs which required major surgery and she almost died. Lola Albright filled in until she was able to return. Just as bad, her the significance of her role dwindled with time and 20th Century-Fox finally wrote her and co-star Tim O'Connor off the show in 1968. Dorothy filed a breach of contract lawsuit which ended in an out-of-court settlement.
Her life on- and off-camera did not improve. Dorothy's second marriage to stockbroker Robert Tomarkin in 1969 would last only three months, and a third to businessman Charles Huston Bell managed about three years. Now-matronly roles in the films Winter Kills (1979), Vortex (1982), The Being (1981) and Rest in Pieces (1987), were few and far between a few TV-movies -- which included some "Peyton Place" revivals, did nothing to advance her. Malone returned and settled for good back in her native Dallas, returning to Hollywood only on occasion.
Dorothy's last film was a cameo in the popular thriller Basic Instinct (1992) as a friend to Sharon Stone. She will be remembered as one of those Hollywood stars who proved she had the talent but somehow got the short end of the stick when it came to quality films offered. She retired to Texas and died in Dallas shortly before her 94th birthday on January 19, 2018.- Actor
- Stunts
- Director
With a decades-long career as an actor and stuntman, Verne Troyer was best known for playing "Mini-Me," Dr. Evil's smaller and more concentrated pure evil protégé, in the hit comedies Austin Powers: The Spy Who Shagged Me (1999) and Austin Powers in Goldmember (2002), and for his role in Harry Potter and the Sorcerer's Stone (2001). Troyer, born in Sturgis, Michigan, had always dreamed of getting into showbiz. Shortly after his high school graduation in 1987, he moved with some friends to Arlington, Texas, where, in 1993, he got his first break as a stunt double for a 9-month-old baby on the film Baby's Day Out (1994). In his early years of film and television work, he often portrayed animals or small children.- Actor
- Additional Crew
- Soundtrack
Dancing and the military were a large part of Ken Berry's life. When he was 13 he attended a carnival at his grade school; the dancers impressed him so much that he decided that's what he wanted to do with his life. His parents were supportive, and his dad even booked Ken into variety type shows. At 16 Ken got to join the Horace Heidt Youth Opportunity Program. Ken toured towns all across the nation, and through the Air Force the troupe entertained in Germany, Ireland, England, UK and several other countries. Later, while serving in the army, Ken won a spot in Arlene Francis' Talent Patrol (1953) show. Ken also got into the All-Army talent contest and appeared on The Ed Sullivan Show (1948) (aka "The Ed Sullivan Show"). When Ken's army hitch was up in 1955, he took the advice of his sergeant in Atlanta, Leonard Nimoy, to move to California. In 1957 Ken enrolled in a school, Falcon Studios, on the GI Bill to study acting. He got a job at the Cabaret Theater for $11 a week (that is not a typo). From 1958 to 1964 he was with the "Billy Barnes Revue." Lucille Ball came to see the revue, and offered Ken a job at Desilu Studios for $50 a week. It was also through the Barnes Revue that Ken met dancer Jackie Joseph; they were married on May 29, 1960. Ken made the transition to TV, and the couple adopted a son, John Kenneth, in 1964, and a daughter, Jennifer Kate, in 1965. A successful screen test led to his breakout role in the classic sitcom F Troop (1965). Ken was the bashful, bumbling but good-hearted captain who was always resisting Wrangler Jane's advances (but why?). Though the show was only on for two seasons, it seems like a lot longer because of reruns. After "F Troop", toward the very end of the next TV season, Ken landed the role of a lifetime--taking over for Andy Griffith in the retooled Mayberry R.F.D. (1968). The show was a hit with Ken in the lead and was still popular when it was canceled in the spring of 1971, when CBS axed all rural-oriented programming, a devastating blow personally and professionally to Ken. After "Mayberry"'s end, he appeared in an unsold The Brady Bunch (1969) spin-off pilot.
When work in TV got slow, Ken went on the road again, doing summer and winter stock. He kept hoping for a new series, and he got his wish with Mama's Family (1983). Since he played a married man in this series, he did not resist the advances of on-screen wife Dorothy Lyman (in fact, he seemed to be making up for lost time). The series aired for two seasons, then was canceled. Ken went back to doing theater productions. However, when "Mama's Family" was sold into syndication, more new episodes were going to be needed. From 1986 to 1990 it was a top-rated sitcom. Ken was about ready to retire - almost. He continued to get occasional TV roles, and tried theater again for a while (in 1993 he starred with Carol Burnett in the stage production of "From the Top"). Early in 1999 Ken ventured back into television with a guest spot. He enjoyed it. Old soldiers and entertainers never die - they just go into syndication.- Actor
- Additional Crew
- Producer
Born into a military family in Huntsville, Alabama -- his father was an army vet who had served in World War II, Korea and Vietnam, while his mother held a somewhat mysterious job in the Department of Defence -- Reg E. Cathey spent much of his early childhood living on a rural farmhouse in Germany. There, he watched American TV shows dubbed into German and first became theatre-struck at the age of nine after attending a USO performance of "Guys and Dolls". That same year, he also took up playing the saxophone. That he became an actor and not a jazz musician was happenstance, but, as he once admitted "he was no Lester Young". An incisive and eloquent personality with a uniquely expressive baritone voice, Cathey was to bring a soulful dignity and often unexpected sense of humour to a wide variety of roles on both stage and screen.
Cathey attended the University of Michigan and later studied acting at the Yale School of Drama. The theatre remained his lifelong passion and New York his preferred place of residence. As he later explained: "I learned how to act at Yale but learned how to be an actor in NYC. I escaped wandering lost in the desert that is Los Angeles after a decade (which I'll never get back) and being psychically traumatized, I didn't audition for film and television, immersing myself in the 'Classics.'" And so, Cathey went on to tackle diverse (non-stereotypical) roles, ranging from Prospero in a musical version of Shakespeare's 'The Tempest' to 'Red' Redding in a British production of 'The Shawshank Redemption' (a part made famous by Morgan Freeman in the film version).
Though performing more often than not in New York, Cathey did ultimately return to Hollywood. His formidable screen characters have often been marked by a uniquely erudite fierceness. They have included powerful authority figures, scientists and occasional villains in films (The Mask (1994), Tank Girl (1995), Se7en (1995), Fantastic Four (2015)) and shows like The Wire (2002), Outcast (2016) and House of Cards (2013) (his recurring role as Freddy Hayes, owner of Frank Underwood's favourite BBQ joint and secret hangout, which won him an Emmy Award in 2015 as Outstanding Guest Actor in a Drama Series). In keeping with his credo that "the dark stuff is fun", he also proved excellent value as a shadowy keeper of secrets ('The Caretaker') in an episode of The Blacklist (2013) and as the top-hatted zombie master Baron Samedi, in an episode of Grimm (2011). One of his most poignant roles came near the end as the estranged father of Luke Cage (2016). Not long after, Reg E. Cathey passed away as a result of lung cancer in February 2018 at the untimely age of just 59, never having had the chance of fulfilling his longstanding ambition to play a baritone saxophonist.- Actor
- Soundtrack
A 1960s pioneer of Asian-American theatre, Soon Tek Oh (aka Sun-Taek Oh, Soon-Tek Oh or Soon-Taik Oh) was born on June 29, 1932, in Mokpo, Korea at the time the country was under Imperial Japanese rule. He attended high school at Gwangju, South Korea, and went on to study at Yonsei University in Seoul. His family (including one sister) moved to the United States in 1959, where they settled in Southern California.
Oh studied at USC before attending UCLA and receiving his Masters of Fine Arts in acting and playwriting. Trained in performance at New York's Neighborhood Playhouse, his mounting of a California production of "Rashomon" led to his co-founding (along with fellow actors Mako, James Hong , Beulah Quo and five others) of the renowned Los Angeles' East West Players theatre company in 1965.
Breaking into TV that same year with a minor role on "I Spy," Oh resolved to work against the restrictive servile Asian stereotypes he found himself playing on such 60s TV programs as "The Wild, Wild West," "The Invaders" and "It Takes a Thief." Via the stage, he strove to broaden the types of roles available, which included other theatre troupes he founded or guided (i.e., Korean American Theatre Ensemble). As such, his companies went on to produce a variety of plays from Ibsen ("A Doll's House") and Shakespeare ("Twelfth Night") to Tony-winning vehicles ("Pippin," "Equus, "Sweeney Todd") to original contemporary pieces, several written by Oh himself.
Following unbilled parts as secret agent types in such films as Murderers' Row (1966) and The President's Analyst (1967), he achieve a degree of notoriety in the James Bond feature The Man with the Golden Gun (1974) as Lt. Hip, an intelligence operative. He continued sporadically in films with featured parts in Good Guys Wear Black (1978), The Final Countdown (1980), Missing in Action 2: The Beginning (1985), Steele Justice (1987), Bialy smok (1987), Death Wish 4: The Crackdown (1987), Collision Course (1989), A Home of Our Own (1993), Red Sun Rising (1994), Beverly Hills Ninja (1997), Yellow (1997) (the first film by and featuring Korean-Americans) and gave voice to Fa Zhou, the father, in the Disney animated classic Mulan (1998). TV roles continued to come his way with several episodes of "Kung Fu," "Hawaii Five-0," "M*A*S*H" and "Magnum P.I.,, as well as a recurring part as a lieutenant on Charlie's Angels (1976) and the quality mini-series East of Eden (1981) and Marco Polo (1982).
Oh and Mako both made their Broadway debuts in Stephen Sondheim's "Pacific Overtures" in 1976. His later stage performances include "The Woman Warrior (1994) and "The Square" (2000). He was awarded the Lifetime Achievement Award in 2008 by the San Diego Asian Film Festival.
Making his last on-camera appearance featured in the action film Gang-jeok (2006), Oh was later diagnosed with Alzheimer's disease and forced to retire. He died of complications in Los Angeles, on April 4, 2018, at age 85.- Actress
- Soundtrack
Barbara Harris began acting while still a teenager in Chicago, playing small parts in the Playwrights Theatre Club (whose other players included such youngsters as Edward Asner, Mike Nichols and Elaine May). She was also in "The Compass Players", the first ongoing improvisational theater troupe in America, directed by her then-husband Paul Sills (who founded the theater based on principles created by his mother, Viola Spolin , the author of "Improvisation for the Theatre"). A more polished version of the Compass, called "The Second City", was an enormous hit in Chicago and was moved to Broadway, where she was nominated for a Tony. She starred in a series of notable stage productions, including "On a Clear Day You Can See Forever"; "Oh Dad Poor Dad"; "The Apple Tree" (Tony Award, 1967) and "Mother Courage". Her film credits include major roles in A Thousand Clowns (1965), Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad (1967), Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (1971), The War Between Men and Women (1972), Nashville (1975), Freaky Friday (1976), Family Plot (1976), Plaza Suite (1971), Movie Movie (1978), The Seduction of Joe Tynan (1979), The North Avenue Irregulars (1979), Second-Hand Hearts (1980), Peggy Sue Got Married (1986), Dirty Rotten Scoundrels (1988) and Grosse Pointe Blank (1997), and TV appearances included episodes of Alfred Hitchcock Presents (1955) and Middle Ages (1992).- Actress
- Soundtrack
Emma was born Emma Gwynedd Mary Chambers born in Doncaster, South Yorkshire in 1964 to John, a consultant obstetrician and gynaecologist, and Noelle (nee Strange). The family moved around and, while attending St Swithun's school, Winchester, Chambers acted in Winchester college productions - saying she "enjoyed showing off" - and played lacrosse for Hampshire. Her parents eventually split up and she trained at the Webber Douglas Academy of Dramatic Art, where the former EastEnders actor Ross Kemp was one of her contemporaries.
Her best remembered film role, in Curtis's 1999 romcom Notting Hill, was the eccentric Honey Thacker, star-struck and overawed at meeting the Hollywood actor (played by Julia Roberts) who has fallen for her bookshop-owner brother (Hugh Grant). Honey explains her own difficulties in finding a partner: "I don't have hair - I've got feathers - and I've got funny, goggly eyes, and I'm attracted to cruel men and no one will ever marry me because my boosies have actually started shrinking." She eventually becomes engaged to her brother's slovenly housemate (Rhys Ifans).
Her sister, Sarah Doukas, and brother, Simon, went on to run Storm Model Management, which discovered Kate Moss at the age of 14.
Chambers made her television debut as Margaret, one of the young Brangwen children, in a 1988 BBC adaptation of the DH Lawrence novel The Rainbow. In between one-off roles on TV, she played Charity Pecksniff in a six-part serialisation of Charles Dickens's Martin Chuzzlewit, which began in the same week as The Vicar of Dibley (1994).
The popular BBC sitcom, written by Richard Curtis with Paul Mayhew-Archer, ran for two series, from 1994 to 1998, finishing with Alice's marriage to Hugo Horton (played by James Fleet), her second cousin once removed. Geraldine described both as having the intellectual capacity of a cactus and the wedding was notable for the two bridal attendants dressed as Teletubbies. Chambers won the 1998 British Comedy Award for best actress and returned as Alice in various Vicar of Dibley specials between 1999 and 2007.
She had significant supporting roles in the sitcom How Do You Want Me? (1998-99) as Helen Yardley, sister of the newlywed Lisa (Charlotte Coleman) returning from London to be near her family in the countryside, and Take a Girl Like You (2000), Andrew Davies's adaptation of Kingsley Amis's comic novel, as Martha Thompson, the bored housewife hostile to her beautiful, northern lodger.
Chambers' West End theatre debut came with the part of Geain, estranged daughter of Ian McKellen's composer Jerome, in Alan Ayckbourn's comedy Henceforward... (Vaudeville theatre, 1988-89) after appearing in the original 1987 production at the Stephen Joseph theatre, Scarborough. In his casting notes for Geain, Ayckbourn stipulated: "Not a child, please. Just a very small actress." Chambers lodged with McKellen for a while and said she regarded him as a father figure.
When, in 1989, she starred in the Scarborough premiere of Ayckbourn's Invisible Friends as another teenage daughter, Lucy Baines, who has an imaginary companion to relieve the awfulness of living with her family, the critic Harry Eyres praised Chambers' skill in "conveying Lucy's kaleidoscopic emotional states with startling immediacy" and negotiating the tricky device of also acting as the play's narrator. She reprised the role in London at the Cottesloe during two stints with the National Theatre company (1991-92) that included appearances in productions such as Franz Kafka's The Trial and Alan Bennett's The Madness of George III.
She gave a hilarious performance as Orgon's daughter Mariane in Tartuffe (Almeida theatre, 1996) and starred as Sheila in Michael Frayn's Benefactors (Albery theatre, 2002), a performance described by one critic as "a touching study in parasitic helplessness".
Chambers who suffered from asthma, attacks of which were often brought on by an acute allergy to animals, withdrew largely but not entirely from public life after the final episode of The Vicar of Dibley (1994) in 2007, which was also to remain her final television role. On the evening of 21st February 2018 Chambers suffered a heart attack and died at her home in Lymington, Hampshire, England at the age of just 53. Her death was announced three days later by her agent John Grant.
Chambers was survived by her husband, the actor Ian Dunn, whom she married in 1991, and by her siblings.- Actor
- Soundtrack
John Gavin, the American film and TV actor, businessman and diplomat who was Ronald Reagan's first Ambassador to Mexico, was born Juan Vincent Apablasa in Los Angeles, California.
The future "Jack" Gavin was a fifth-generation Angeleno, the son of Delia Diana Pablos and Juan Vincent Apablasa, and was of Mexican, Chilean, and Spanish ancestry, a descendant of early landowners in Spanish California and the powerful Pablos family of the Mexican state of Sonora. His stepfather was Herald Ray Golenor. John had a fluency in Spanish that aided him in his career in diplomacy. He graduated with honors from Stanford University, majoring in Latin American economic history. "Law, Latin America and diplomacy were my early interests," Gavin later remembered. Too young to participate in World War II, he did serve in the military during the Korean Conflict. He was commissioned an officer in the U.S. Navy in 1952, where he served in naval air intelligence until his 1955 discharge. After his hitch in the Navy, Universal -- the home studio of 6'5" heartthrob Rock Hudson, who was on his way to becoming the top box office star in America -- offered the 6'4" Gavin a screen-test and a contract with the studio. Studio bosses always liked internal competition to keep the pressure on their major stars; Metro-Goldwyn-Mayer signed Robert Taylor as a young backup to the King of Hollywood Clark Gable, and similarly, Gavin was positioned as the "next Rock Hudson".
Tall, dark and handsome, Gavin debuted in Behind the High Wall (1956), and three years later, in 1959, he had his first major lead in Douglas Sirk's remake of Imitation of Life (1959) opposite Lana Turner. Sirk, whose Ross Hunter-produced melodramas of the mid-1950's made Hudson a superstar, first directed Gavin in the role of a German soldier in his adaptation of Erich Maria Remarque's A Time to Love and a Time to Die (1958) the year before. Imitation of Life (1959), which was produced by Ross Hunter in his typical lavish style, was a huge hit. Gavin was on the road to becoming a major Hudson-style heart-throb, it seemed.
The following year, Gavin achieved cinematic immortality by appearing in two classics in supporting roles, as Sam Loomis in Alfred Hitchcock's Psycho (1960) and as Julius Caesar in Stanley Kubrick's Spartacus (1960). Of Psycho (1960) and Spartacus (1960), he has said, "I didn't have an inkling they would be classics. Had I realized that, perhaps I would have paid more attention." The momentum of his cinema career petered out after appearing opposite Susan Hayward in the 1961 remake of Fannie Hurst's Back Street (1961), though he did move on to star in two television series during the 1960s, Destry (1964) and Convoy (1965). Both series were produced by companies that were subsidiaries of the Universal-M.C.A., Revue Studios and Universal TV, created by the legendary agent and studio boss Lew Wasserman, the éminence grise behind Ronald Reagan's movie, TV and political careers. More importantly, in 1961, he was appointed special adviser to the secretary general of the Organization of American States, a position he held until 1973. He also performed task-group work for the Department of State and the Executive Office of the President. From 1966 to 1973, he also served on the board of the Screen Actors Guild and was guild president from 1971-1973. For the next eight years, he was engaged in business activities, many of which took him to Mexico and other Latin American countries. The producers of the James Bond series signed him to replace George Lazenby as James Bond in Diamonds Are Forever (1971), until they convinced Sean Connery to reprise the role with a $1 million charitable contribution and a $1 million salary. Thus, Gavin lost out on what could have been his career break into the big-time. However, he did not lament the loss of the role. If he had been a more successful actor, it "might have prevented me from fulfilling my real childhood dream: to be U.S. ambassador to Mexico."
During the 1970s, Gavin made some more movies, toured in summer stock in a production of The Fantasticks (Gavin has a fine baritone voice), and appeared on Broadway and in the touring show of the musical Seesaw (1973). He ended the decade by starring in TV mini-series Doctors' Private Lives (1979); he left show business to pursue business interests. The 1980s brought America a new president, and on May 7, 1981, Republican Gavin was appointed Ambassador to Mexico by President Reagan, serving until June 10, 1986. The American diplomatic mission in Mexico, one of the largest in the world, employed more than 1,000 American and Mexican employees tasked by over a dozen U.S. government agencies in consulates and offices throughout Mexico.
Gavin married the former stage and television actress Constance Towers in 1974. Each partner had two children from previous marriages. Gavin's daughter, Christina Gavin, followed in his footsteps and became an actress.
Since leaving government service, Gavin has become a successful businessman and civic leader, co-founding and managing successful ventures in the U.S. and Latin America. In 1986, Gavin was named president of Univisa Satellite Communications, a subsidiary of Univisa, Inc. He is founder/chairman of Gamma Holdings and serves on the boards of Apex Mortgage Capital, International Wire Holdings, and KKFC. Inc, and is a trustee and director of certain Merrill Lynch mutual funds. He is also a member of the Latin America Strategy Board of Hicks, Muse, Tate & Furst. Previously he was a managing director and partner of Hicks, Muse, Tate & Furst (Latin America) as well as a director of Atlantic Richfield (where he had served as vice president of federal and international relations). He also served on the boards of Dresser Industries, Claxson and several other major corporations. Gavin also serves on the boards of several non-profit corporations, pro bono, including The Anderson Graduate School of Management at UCLA, Loyola Marymount University, and the California Community Foundation. Gavin also is a member of the Congressional Policy Advisory Board as a defense and foreign policy expert.
Gavin served as founding Chairman and Chief Executive Officer of The Century Council's from May 1991 until December 1994, then served on the Council's Advisory Board until 1996. The Century Council, a non-profit organization dedicated to fighting alcohol abuse, focuses on drunk driving and underage drinking problems and is supported by America's leading distillers.
John died on February 9, 2018 in Beverly Hills.- Actress
- Producer
Celeste Yarnall was an amazing woman of many talents who had been very successful in a diverse number of fields. There appeared to be nothing she couldn't do when she put her mind to it. Apart from her initial career as model, spokesperson and actress, Celeste has also managed several talented screenwriters, segued into the commercial real estate business, became a championship Tonkinese cat breeder, ran her own successful company, hosted a radio show, produced a "How to" video and regularly appears as a speaker/lecturer.
At a time when many people would be thinking of an easier life, Celeste studied for and received her Ph. D in nutrition in 1998 and served as adjunct professor of nutrition at the Pacific Western University. In addition, Celeste has written two best selling books: 'Natural Cat Care: A Complete Guide to Holistic Care for Cats' and 'Natural Dog Care: A Complete Guide to Holistic Care for Dogs.'
As a model and actress, Celeste was renowned for her beauty and very becoming figure, being named the Foreign Press' Most Photogenic Beauty of the Year at the Cannes Film Festival in 1968. She was also the National Association of Theater Owners Most Promising New Star of 1968. Celeste was featured as Miss April in Cedco Publishing's popular wall calendar for 2002. The April 2002 issue of 'Femme Fatale' magazine also features a detailed article about Celeste.
For Elvis Presley fans, Celeste is remembered as "Ellen," the beautiful young woman Elvis romanced with the song, "A Little Less Conversation," in the film, Live a Little, Love a Little (1968). As Elvis fans know, the track was re-mixed by progressive music producer/DJ Tom Holkenborg, and topped the charts around the world.
As one of the "swinging chicks of the 1960s," Celeste was not only interviewed by Thomas Lisanti for his fascinating book, "Fantasy Femmes of Sixties Cinema (Interviews with Twenty Actresses from Biker, Beach and Elvis Movies)," but an eye-catching photograph of her was also used for the front cover. Celeste lived and based her health care practice for cats and dogs in Los Angeles and lived in her new home in Westlake Village.- Dark-haired, Ivy League-looking Bradford Dillman, whose white-collar career spanned nearly five decades, possessed charm and confident good looks that were slightly tainted by a bent smile, darting glance and edgy countenance that often provoked suspicion. Sure enough, the camera picked up on it and he played shady, highly suspect characters throughout most of his career.
The actor was born in San Francisco on April 14, 1930, to Dean and Josephine Dillman. Yale-educated, he graduated with a B.A. in English Literature. Following this he served with the US Marines in Korea (1951-1953) before focusing on acting as a profession. Studying at the Actors Studio, he spent several seasons apprenticing with the Sharon (CT) Playhouse before making his professional acting debut in "The Scarecrow" in 1953.
Dillman took his initial Broadway bow in Eugene O'Neill's play "Long Day's Journey Into Night" in 1956, originating the author's alter ego character Edmund Tyrone and winning a Theatre World Award in the process. This success put him squarely on the map and 20th Century-Fox took immediate advantage by placing the darkly handsome up-and-comer under contract. Cast in the melodrama A Certain Smile (1958), he earned a Golden Globe for "Most Promising Newcomer" playing a Parisian student who loses his girl (Christine Carère) to the worldly Italian roué Rossano Brazzi. He followed this with a strong ensemble appearance in In Love and War (1958), which featured a cast of young rising stars including Hope Lange and Robert Wagner. More acting honors followed after completing the film Compulsion (1959), which told the true story of the infamous 1920s kidnapping/murder case of Nathan Leopold and Richard Loeb. He went on to share a "Best Actor" award at the Cannes Film Festival with fellow co-stars Dean Stockwell, who played the other youthful murderer, and veteran Orson Welles.
Though he was a magnetic player poised for stardom, Dillman's subsequent films failed to serve him well and were generally unworthy of his talent. Though properly serious and stoic as the title character in Francis of Assisi (1961), the film itself was stilted and weakly scripted. Circle of Deception (1960) was a misguided tale of espionage and intrigue, but it did introduce him to his second wife, supermodel-cum-actress Suzy Parker. While A Rage to Live (1965) with Suzanne Pleshette was trashy soap material, The Plainsman (1966) was rather a silly, juvenile version of the Gary Cooper western classic. As a result of these missteps--and others--he began to top-line lesser quality projects or play supporting roles in "A" pictures. His nothing role as Robert Redford's college pal-turned Hollywood producer in The Way We Were (1973) and his major roles in the ludicrous The Swarm (1978) and Lords of the Deep (1989) became proof in the pudding. His last good film role was in O'Neill's The Iceman Cometh (1973), although he did play an interesting John Wilkes Booth in the speculative re-enactment drama The Lincoln Conspiracy (1977) and had a fun leading role in the Jaws (1975)-like spoof Piranha (1978).
Dillman bore up very well on TV over the years, subsisting on a plethora of mini-movies and guest spots on popular series, playing everything from turncoats to frauds and from adulterers to psychotics. He earned a Daytime Emmy for his appearance in Last Bride of Salem (1974) and starred in two series--Court Martial (1965), as a military lawyer, and King's Crossing (1982), as an alcoholic parent and teacher attempting to straighten out. He also spent a season on the established nighttime soap Falcon Crest (1981) in 1982.
A narrator, director and teacher of acting in later years. Bradford launched a late-in-the career sideline as an author. The football fan inside him compelled him to write "Inside the New York Giants" (1995), a book that rated players drafted by the team since 1967. Two years later he published his memoirs, the curiously-titled "Are You Somebody?: An Actor's Life." He retired from the screen after a few guest star shots on "Murder, She Wrote" in the mid-90s.
From 1956 to 1962, Dillman was married to Frieda Harding, and had two children, Jeffrey and Pamela. Following their divorce, he met well-known model-turned-actress Suzy Parker during the production of Circle of Deception (1960) and the couple married on April 20, 1963. They had three children, Dinah, Charles, and Christopher. Daughter Pamela Dillman has worked as an actress. Dillman was made a widower when Parker died on May 3, 2003. He lived for many years in Montecito, California, and helped raise money for medical research. He died in Santa Barbara, California on January 16, 2018, aged 87, from complications of pneumonia.