Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
Only includes names with the selected topics
to
or just enter yyyy, or yyyy-mm below
to
1-50 of 4,702
- Actor
- Producer
- Second Unit Director or Assistant Director
Tall, bald and nearly always bearded, Sid Haig provided hulking menace to many a low-budget exploitation film and high-priced action film.
Sid Haig was born Sidney Eddie Mosesian on July 14, 1939 in Fresno, California, a screaming ball of hair. His parents, Roxy (Mooradian) and Haig Mosesian, an electrician, were of Armenian descent. Sid's career was somewhat of an accident. He was growing so fast that he had absolutely no coordination. It was decided that he would take dancing lessons, and that's when it all began. At the age of seven, he was dancing for pay in a children's Christmas Show, then a revival of a vaudeville show... and on it went.
Sid also showed a musical inclination, particularly for the drums. So when his parents got tired of him denting all the pots and pans in the house, they bought him a drum set. The music was in him and he took to it immediately, a born natural. First it was swing, then country, then jazz, blues and rock 'n' roll. Sid always found it easy to make money with his music, and did very well. One year out of high school and signing a recording contract is not too bad. Sid went on to record the single "Full House" with the T-Birds in 1958. However, back while he was in high school, Sid got bitten by the "acting bug". Alice Merrill was the head of the drama department at that time and gave him all the encouragement in the world to pursue an acting career. The clincher came in his senior year. The way that the senior play was cast was that she would double cast the show, then have one of her friends from Hollywood come up and pick the final cast.
You see, Merrill was quite famous as an actress on Broadway and kept up her contacts in the business. When the appointed day came, the "friend" that showed up was Dennis Morgan, a big musical comedy star from the 1940s. The rest is history -- he picked Sid for the role, then two weeks later came back to see the show and told Sid that he should continue his education down south and consider acting as a career path. Two years later, Sid enrolled in the world famous Pasadena Playhouse, the school that trained such actors as Robert Preston, Robert Young, Gene Hackman, Dustin Hoffman, and so on. After two years of "actor's hell" (non-stop 7:00 am to 11:00 pm with homework thrown in just for the fun of it), it was time to move on to the big "H", Hollywood! Sid did so with longtime friend and roommate Stuart Margolin (Angel on The Rockford Files (1974)).
Sid's first acting job was in Jack Hill's student film at UCLA. It was called The Host (2000), which was released in 2004 on DVD as a companion to Switchblade Sisters (1975), another Hill film. That role launched a 40-year acting career during which Haig appeared in over 50 films and 350 television series. He has proven himself quite valuable to such filmmakers as producer Roger Corman. He also became a staple in the pictures of Jack Hill, appearing in Spider Baby or, The Maddest Story Ever Told (1967), Coffy (1973) and Foxy Brown (1974). Haig's other memorable credits include George Lucas' THX 1138 (1971), and the James Bond opus Diamonds Are Forever (1971) (he is one of the Slumber Brothers, and got to toss a topless Lana Wood from the window of a high-rise Vegas hotel).
Among his most significant television credits are appearances on such landmark series as The A-Team (1983), T.J. Hooker (1982), The Dukes of Hazzard (1979), Quincy, M.E. (1976), Hart to Hart (1979), Fantasy Island (1977), Charlie's Angels (1976), Police Woman (1974), The Rockford Files (1974), The Six Million Dollar Man (1974), Mannix (1967), Mission: Impossible (1966), Gunsmoke (1955), Get Smart (1965), Here's Lucy (1968), The Flying Nun (1967), Daniel Boone (1964), Star Trek (1966), Batman (1966) and The Untouchables (1959).
Sid was never one to give-up on anything but after nearly 40 years of carrying a gun (except for the occasional Jack Hill or Roger Corman film), his dreams of being recognized as a more than competent actor were fading. Then in 1992, frustrated with being typecast, Sid retired from acting and quoted, "I'll never play another stupid heavy again, and I don't care if that means that I never work, ever." This just proves that if you take a stand people will listen, for Quentin Tarantino wrote for Sid the role of the judge in Jackie Brown (1997). Then things got better, much better. During the mid and late 1990s, Sid managed a community theatre company, as well as dabbled occasionally in theater in Los Angeles.
Then in 2000, Sid came out of his self-imposed retirement at the request of Rob Zombie for a role in Zombie's debut film House of 1000 Corpses (2003). He starred as the fun-loving, but murderous, Captain Spaulding. This role breathed new life into Sid's acting career and earned him an award for Best Supporting Actor in the 13th Annual Fangoria Chainsaw Awards, as well as an induction into the Horror Hall of Fame. Sid's character Captain Spaulding became an icon for the new horror genre. Sid has recently enjoyed success as Captain Spaulding once again in Rob Zombie's follow-up to House of 1000 Corpses (2003), entitled, The Devil's Rejects (2005). For this film, Sid received the award for best Actor in the 15th Annual Fangoria Chainsaw Awards, as well as sharing the award for "Most Vile Villain" at the First Annual Spike TV Scream Awards with Leslie Easterbrook, Sheri Moon Zombie and Bill Moseley as The Firefly Family.
In the 2000s and 2010s, Sid continued to enjoy his renewed success as an actor. In September 2019, he was hospitalized after falling in his home in Los Angeles, California. While recovering, he suffered from a lung infection after vomiting in his sleep. He died on September 21, 2019, from complications of the infection at age 80.- Actor
- Art Department
Possessing his father's durable good looks, vigor and charm, this tall, strapping, exceedingly handsome second son of John Wayne had huge boots to fill in trying to escape his legendary father's shadow and corral Hollywood fame on his own terms. But attempt he did and, looking back, he may not have achieved the outright stardom of his father but certainly did quite admirably, making over 40 films in his career -- nine of them with his dad.
One of four children born to John Wayne and his first wife, Josephine Alicia Saenz., Patrick John Wayne carried his father's name, so it seems natural that a similar destiny would be in the making. Patrick made his debut film bit at age 11 in his father classic western Rio Grande (1950) and proceeded to apprentice in The Quiet Man (1952), The Sun Shines Bright (1953), The Long Gray Line (1955), Mister Roberts (1955), and The Searchers (1956), some with and some without his father's name above the title credits. All the above-mentioned films, however, were helmed by family friend and iconic director John Ford. Following high school, he attended Loyola University and graduated in 1961 (older brother Michael Wayne had graduated five years earlier).
During this time, he went out on his own to star in his own film, the second-string oater The Young Land (1959). Realizing he was not quite ready to carry his own film, he returned to the family fold and gained more on-camera confidence throughout the 1960s supporting his father in The Alamo (1960), Donovan's Reef (1963), McLintock! (1963), and The Green Berets (1968). A few exceptions included a role in Ford's sprawling epic Cheyenne Autumn (1964), his turn as James Stewart's son in the frontier adventure Shenandoah (1965) and in An Eye for an Eye (1966) in which he and Robert Lansing played bounty hunters. He co-starred in the short-lived comedy western series The Rounders (1966).
Following work on his dad's Big Jake (1971), Patrick broke away again and sought success on his own. Interestingly, he earned more recognition away from the dusty boots and saddle scene and into the sci-fi genre. His career peaked in the late 1970s as the titular hero braving Ray Harryhausen monsters and saving Tyrone Power's daughter Taryn in the popular matinée fantasy Sinbad and the Eye of the Tiger (1977), then battled more special effects creatures in the Edgar Rice Burroughs film adaptation of The People That Time Forgot (1977).
Patrick was a smoother, more gentlemanly version of the Wayne package with a completely captivating smile and accessible personality. He co-starred as a romantic love interest to Shirley Jones in another brief TV series Shirley (1979), and occasionally forsook acting chores to emcee game shows and syndicated variety series. Although the scope of his talent was seldom tested over the years, he was a thoroughly enjoyable presence on all the popular TV shows of the 1970s and 1980s, including "The F.B.I.," "Marcus Welby," "Police Woman," "Grizzly Adams," "Charlie's Angels," "Fantasy Island," "Matt Houston," "Fantasy Island" and "Murder, She Wrote."
Ending his film and TV just before the millennium, his last appearances were on "Kung Fu: The Legend Continues" and "Silk Stalkings" and with the films Young Guns (1988) (as Pat Garrett), the comedy crimer Her Alibi (1989) and the action adventures Chill Factor (1989) and Deep Cover (1997).
Following the death of his elder brother Michael in 2003, Patrick Wayne became Chairman of the John Wayne Cancer Institute. Divorced in 1978 from Peggy Hunt, he is married (since 1999) to Misha Anderson.- Producer
- Director
- Writer
Francis Ford Coppola was born in 1939 in Detroit, Michigan, but grew up in a New York suburb in a creative, supportive Italian-American family. His father, Carmine Coppola, was a composer and musician. His mother, Italia Coppola (née Pennino), had been an actress. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as sound-man, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola's first feature film. During the next four years, Coppola was involved in a variety of script collaborations, including writing an adaptation of "This Property is Condemned" by Tennessee Williams (with Fred Coe and Edith Sommer), and screenplays for Is Paris Burning? (1966) and Patton (1970), the film for which Coppola won a Best Original Screenplay Academy Award. In 1966, Coppola's 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George Lucas established American Zoetrope, an independent film production company based in San Francisco. The company's first project was THX 1138 (1971), produced by Coppola and directed by Lucas. Coppola also produced the second film that Lucas directed, American Graffiti (1973), in 1973. This movie got five Academy Award nominations, including one for Best Picture. In 1971, Coppola's film The Godfather (1972) became one of the highest-grossing movies in history and brought him an Oscar for writing the screenplay with Mario Puzo The film was a Best Picture Academy Award-winner, and also brought Coppola a Best Director Oscar nomination. Following his work on the screenplay for The Great Gatsby (1974), Coppola's next film was The Conversation (1974), which was honored with the Golden Palm Award at the Cannes Film Festival, and brought Coppola Best Picture and Best Original Screenplay Oscar nominations. Also released that year, The Godfather Part II (1974), rivaled the success of The Godfather (1972), and won six Academy Awards, bringing Coppola Oscars as a producer, director and writer. Coppola then began work on his most ambitious film, Apocalypse Now (1979), a Vietnam War epic that was inspired by Joseph Conrad's Heart of Darkness (1993). Released in 1979, the acclaimed film won a Golden Palm Award at the Cannes Film Festival, and two Academy Awards. Also that year, Coppola executive produced the hit The Black Stallion (1979). With George Lucas, Coppola executive produced Kagemusha: The Shadow Warrior (1980), directed by Akira Kurosawa, and Mishima: A Life in Four Chapters (1985), directed by Paul Schrader and based on the life and writings of Yukio Mishima. Coppola also executive produced such films as The Escape Artist (1982), Hammett (1982) The Black Stallion Returns (1983), Barfly (1987), Wind (1992), The Secret Garden (1993), etc.
He helped to make a star of his nephew, Nicolas Cage. Personal tragedy hit in 1986 when his son Gio died in a boating accident. Francis Ford Coppola is one of America's most erratic, energetic and controversial filmmakers.- Actor
- Producer
- Soundtrack
American actor and producer Harvey Keitel was born on May 13, 1939 in Brooklyn, New York City, to Miriam (Klein) and Harry Keitel. An Oscar and Golden Globe Award nominee, he has appeared in films such as Martin Scorsese's Mean Streets (1973) and Taxi Driver (1976), Ridley Scott's The Duellists (1977) and Thelma & Louise (1991), Peter Yates' Mother, Jugs & Speed (1976), Quentin Tarantino's Reservoir Dogs (1992) and Pulp Fiction (1994), Jane Campion's The Piano (1993), Abel Ferrara's Bad Lieutenant (1992), Robert Rodriguez's From Dusk Till Dawn (1996), James Mangold's Cop Land (1997), Paolo Sorrentino's Youth (2015). He is regarded as one of the greatest method actors ever. Along with actors Al Pacino and Ellen Burstyn, he is the current co-president of the Actors Studio.
Keitel studied under both Stella Adler and Lee Strasberg and at the HB Studio, eventually landing roles in some Off-Broadway productions. During this time, Keitel auditioned for filmmaker Martin Scorsese and gained a starring role as "J.R.", in Scorsese's first feature film, Who's That Knocking at My Door (1967). Since then, Scorsese and Keitel have worked together on several projects. Keitel had the starring role in Scorsese's Mean Streets (1973), which also proved to be Robert De Niro's breakthrough film. Keitel re-teamed with Scorsese for Alice Doesn't Live Here Anymore (1974), in which he had a villainous supporting role, and appeared with Robert De Niro again in Scorsese's Taxi Driver (1976), playing the role of Jodie Foster's pimp.- France Nuyen was born on 31 July 1939 in Marseille, Bouches-du-Rhône, France. She is an actress, known for Battle for the Planet of the Apes (1973), The Joy Luck Club (1993) and South Pacific (1958). She was previously married to Robert Culp and Dr. Thomas Gaspar Morell.
- Actor
- Writer
- Producer
Widely regarded as one of greatest stage and screen actors both in his native Great Britain and internationally, twice nominated for the Oscar and recipient of every major theatrical award in the UK and US, Ian Murray McKellen was born on May 25, 1939 in Burnley, Lancashire, England, to Margery Lois (Sutcliffe) and Denis Murray McKellen, a civil engineer and lay preacher. He is of Scottish, Northern Irish, and English descent. During his early childhood, his parents moved with Ian and his older sister, Jean, to the mill town of Wigan. It was in this small town that young Ian rode out World War II. He soon developed a fascination with acting and the theatre, which was encouraged by his parents. They would take him to plays, those by William Shakespeare, in particular. The amateur school productions fostered Ian's growing passion for theatre.
When Ian was of age to begin attending school, he made sure to get roles in all of the productions. At Bolton School in particular, he developed his skills early on. Indeed, his first role in a Shakespearian play was at Bolton, as Malvolio in "Twelfth Night". Ian soon began attending Stratford-upon-Avon theatre festivals, where he saw the greats perform: Laurence Olivier, Wendy Hiller, John Gielgud, Ralph Richardson and Paul Robeson. He continued his education in English Drama, but soon it fell by the wayside as he concentrated more and more on performing. He eventually obtained his Bachelor of Arts in 1961, and began his career in earnest.
McKellen began working in theatre over the next few years. Very few people knew of Ian's homosexuality; he saw no reason to go public, nor had he told his family. They did not seem interested in the subject and so he saw no reason to bring it up. In 1988, Ian publicly came out of the closet on the BBC Radio 4 program, while discussing Margaret Thatcher's "Section 28" legislation, which made the promotion of homosexuality as a family relationship by local authorities an offense. It was reason enough for McKellen to take a stand. He has been active in the gay rights movement ever since.
Ian resides in Limehouse, where he has also lived with his former long-time partner Sean Mathias. The two men have also worked together on the film Bent (1997) as well as in exquisite stage productions. To this day, McKellen works mostly in theatre, and was knighted by Queen Elizabeth II in 1990 for his efforts in the arts. However, he has managed to make several quite successful forays into film. He has appeared in several productions of Shakespeare's works including his well received Richard III (1995), and in a variety of other movies. However, it has only been recently that his star has finally begun to shine in the eyes of North American audiences. Roles in various films, Cold Comfort Farm (1995), Apt Pupil (1998) and Gods and Monsters (1998), riveted audiences. The latter, in particular, created a sensation in Hollywood, and McKellen's role garnered him several of awards and nominations, including a Golden Globe and an Oscar nod. McKellen, as he continues to work extensively on stage, he always keeps in 'solidifying' his 'role' as Laurence Olivier's worthy 'successor' in the best sense too, such as King Lear (2008) / King Lear (2008) directed by Trevor Nunn and in a range of other staggering performances full of generously euphoric delight that have included "Peter Pan" and Noël Coward's "Present Laughter", as well as Samuel Beckett's "Waiting for Godot" and Harold Pinter's "No Man's Land" (National Theatre Live: No Man's Land (2016)), both in acclaimed productions brilliantly directed by Sean Mathias.
McKellen found mainstream success with his performance as Magneto in X-Men (2000) and its sequels. His largest mark on the big screen may be as Gandalf in "The Lord of the Rings" film trilogy directed by Peter Jackson, which he reprised in "The Hobbit" trilogy. He also reprised the role of 'King Lear' with new artistic perspectives in National Theatre Live: King Lear (2018) offering an invaluable mesmerizing experience as a natural force of stage - and screen - of infinite generosity through his unsurpassable interpretation of the titanically vulnerable king.- Mark Margolis was an American actor who is well-known for his collaborations with film director Darren Aronofsky, particularly Pi (1998), Requiem for a Dream (2000), Noah (2014), Black Swan (2010), and The Fountain (2006). Margolis also gained notoriety for his portrayal of "Tio" Hector Salamanca in the highly successful crossover series Breaking Bad (2008) and Better Call Saul (2015). He also acted in the hit films Ace Ventura: Pet Detective (1994) and Scarface (1983). He has been married to Jacqueline Margolis since 1962 and has one child with her.
- Actor
- Producer
- Stunts
Scott Glenn was born January 26, 1939, in Pittsburgh, Pennsylvania, to Hope Elizabeth and Theodore Glenn, a salesman. As he grew up in Appalachia, his health was poor; he was bedridden for a year and doctors predicted he would limp for the rest of his life. During long periods of illness, Glenn was reading a lot and "dreaming of becoming Lord Byron". He challenged his illness by intense training programs and eventually got rid of his limp.
After graduating high school, Glenn entered William and Mary College where he majored in English. He spent three years in the Marines and then tried to combine his passion for storytelling with his passion for adventures by working for five months as a criminal reporter at the Kenosha Evening News. Glenn planned to become an author but found out he had "problems with dialogues", so he decided to overcome it by studying acting. In 1966, he headed to New York where he joined George Morrison acting class. He helped in directing student plays to pay for his studies and appeared onstage in La MaMa Experimental Theatre Club productions. Soon after arriving in New York, Glenn became a fan of martial arts. In 1968, he joined The Actors Studio and began working in professional theater and TV. In 1970, James Bridges offered him his first movie work in The Baby Maker (1970).
Glenn left for L.A., where he spent seven of the "most miserable years of [his] life". He couldn't find interesting film roles and, doing brief TV stints, he felt "like a person who had to paint the Sistine Chapel with a house-painter's brush". On a brighter side, he worked episodically with Jonathan Demme (Angels Hard as They Come (1971), Fighting Mad (1976)), Robert Altman (Nashville (1975)) and Francis Ford Coppola (Apocalypse Now (1979)). In 1978, Glenn got tired of Hollywood and moved his family to Ketchum, Idaho, where he worked as a barman, huntsman and mountain ranger for two years (occasionally acting in Seattle stage productions). James Bridges once more changed the course of Glenn's life in 1980 when he offered him the role of John Travolta's rival in Urban Cowboy (1980) and made him a star. Glenn's acting abilities and physical presence helped him to excel both in action (Silverado (1985), The Challenge (1982)) and drama (The Right Stuff (1983), Countdown to Looking Glass (1984), The River (1984)) as he alternately played good guys and bad guys.
In the beginning of the '90s, his career was at its peak - he appeared in such indisputable masterpieces as The Silence of the Lambs (1991), and The Hunt for Red October (1990). Established as one of Hollywood's most solid and respected character actors he has appeared in a wide variety of films, such as the black Freudian farce Reckless (1995), the tragicomedy Edie & Pen (1996) and Ken Loach's socio-political declaration Carla's Song (1996), alternating mainstream (Courage Under Fire (1996), Absolute Power (1997)) with independent projects (Lesser Prophets (1997) and Larga distancia (1997)), written by his daughter Dakota Glenn), and TV (Naked City: A Killer Christmas (1998)). Continuing into the 21st century, Glenn has also appeared in Training Day (2001), W. (2008) (as Donald Rumsfeld), Secretariat (2010), Sucker Punch (2011), The Paperboy (2012), and two of the Bourne films: The Bourne Ultimatum (2007) and The Bourne Legacy (2012).- Actor
- Music Department
- Producer
Lee Majors was born on 23 April 1939 in Wyandotte, Michigan, USA. He is an actor and producer, known for The Six Million Dollar Man (1974), The Fall Guy (1981) and Steel (1979). He has been married to Faith Majors since 9 November 2002. He was previously married to Karen Velez, Farrah Fawcett and Thelma Kathleen Robinson.- Actor
- Director
- Additional Crew
Terence Hill was born as Mario Girotti on March 29, 1939 in Venice, Italy to a chemist. His mother was German, and as a child the family lived near Dresden, Saxony, Germany where they survived the Allied bombings of World War II. Italian film-maker Dino Risi discovered him at a swimming meet and he made his first film at the age of 12, Vacanze col gangster (1952) (Holiday for Gangsters). He continued acting to finance his studies and motorcycle hobby. After studying classical literature at the University of Rome for three years, he decided to devote full time to acting. In 1962 he appeared in Luchino Visconti's The Leopard (1963), He then signed a contract for a series of adventure and western films in Germany. In 1967 he returned to Italy to play the lead in God Forgives... I Don't! (1967). While on location in Almeria, Spain, he married an American girl of Bavarian descent, Lori Zwicklbauer, who was the dialogue coach for the picture. The producers of this movie wanted him to change his name. He then got a list with 20 names on it and 24 hours time to choose one of these names. He decided to take Terence Hill cause he liked it the most and it has the same initials as his mother's name (Hildegard Thieme). They only told the public that "Hill" was his wife's name out of publicity reasons. At this time of upcoming feminism a man who took his wife's name was something special. In 1976 Hollywood called and he appeared in March or Die (1977) with Gene Hackman and starred in Mr. Billion (1977) with Valerie Perrine. Since then he has concentrated on action/adventure films starring himself and often working with long time partner Bud Spencer. Terence lives in Massachusetts and is a film producer, as well as talented and respected actor.- Actress
- Soundtrack
Melinda Dillon came to prominence with the role of Jillian Guiler, a mother whose child is abducted by aliens in Steven Spielberg's Close Encounters of the Third Kind (1977). Dillon's performance in the film earned an Academy Award nomination for Best Supporting Actress. A few years later, Dillon received another Academy Award nomination for Best Supporting Actress for her performance as a devout Catholic woman in Absence of Malice (1981). The performance won the actress a KCFCC Award.- Actor
- Writer
- Producer
Towering 7' 2" tall actor who cornered the market on playing giants, intimidating henchmen, bayou swamp monsters and steel toothed villains! Kiel worked in numerous jobs including as a night club bouncer and a cemetery plot salesman, before breaking into film & TV in several minor roles in the late 1950s / early 1960s. Noted among these was the alien "Kanamit" in the classic The Twilight Zone (1959) episode "To Serve Man", and terrorizing Arch Hall Jr. while clad in a loincloth in the prehistoric caveman meets virile teenage drama Eegah (1962).
Kiel turned up in two episodes of the classic horror TV series Kolchak: The Night Stalker (1974). On one occasion playing a Native American evil spirit with the ability to transform into various animals. On his second appearance, Kiel was unrecognizable as a Spanish moss covered, Louisiana swamp monster brought to life by a patient involved in deep sleep therapy.
However, his biggest break came in 1977 when he was cast as the unstoppable, steel toothed henchman "Jaws" in the finest Roger Moore film of the Bond series The Spy Who Loved Me (1977). Such was Kiel's popularity with movie audiences, that his character was brought back for the next Bond outing Moonraker (1979). However, audiences were quite split on opinions when Kiel's "Jaws" character changes sides near the film's conclusion and assists 007, Roger Moore, in saving the Earth.
Over the next few years, Kiel appeared in relatively non-demanding comedy or fantasy type films taking advantage of his physical stature and presence. Kiel then decided to try his hand behind the camera and co-wrote and produced, plus took the lead role, in the well received family movie The Giant of Thunder Mountain (1990). Demand for Kiel's unique attributes dropped very sharply in the 1990's, leading to only a handful of roles including reprising his "Jaws" character in the Matthew Broderick film Inspector Gadget (1999). In 2002, Kiel penned his informative autobiography entitled "Making it BIG in the movies". He passed away in 2014.- Actress
- Writer
- Composer
Karen entered Northwestern University at 18 and left two years later. She studied under Lee Strasberg in New York and worked in a number of off-Broadway roles. She made a critically acclaimed debut on Broadway in 1965 in "The Playroom". Her first big film role was in You're a Big Boy Now (1966), directed by Francis Ford Coppola. Shortly after wards, she appeared as Marcia in the TV series The Second Hundred Years (1967).
The film that made her a star was Easy Rider (1969), where she worked with Dennis Hopper, Peter Fonda, and a supporting actor named Jack Nicholson. She appeared with Nicholson again the next year when they starred in Five Easy Pieces (1970), which garnered an Academy Award nomination and a Golden Globe for Karen. Her roles mainly consisted of waitresses, hookers and women on the edge. Some of her later films were disappointments at the box office, but she did receive another Golden Globe for The Great Gatsby (1974). One role for which she is well remembered is that of the jewel thief in Alfred Hitchcock's last film, Family Plot (1976). Another is as the woman terrorized in her apartment by a murderous Zuni doll come to life in the well received TV movie Trilogy of Terror (1975). After a number of forgettable movies, she again won rave reviews for her role in Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982). Since then, her film career has been busy, but the quality of the films has been uneven.- Actor
- Soundtrack
Academy Award-winning actor F. Murray Abraham was born on October 24, 1939 in Pittsburgh, Pennsylvania and raised in El Paso, Texas. His father, Fred Abraham, was a Syrian (Antiochian Orthodox Christian) immigrant. His mother, Josephine (Stello) Abraham, was the daughter of Italian immigrants. Born with the first name "Murray", he added an "F." to distinguish his stage name.
Primarily a stage actor, Abraham made his screen debut as an usher in George C. Scott's comedy They Might Be Giants (1971). By the mid-1970s, Murray had steady employment as an actor, doing commercials and voice-over work. He can be seen as one of the undercover police officers along with Al Pacino in Sidney Lumet's Serpico (1973), and in television roles including the villain in one third-season episode of Kojak (1973). His film work of those years also included the roles of a cabdriver in The Prisoner of Second Avenue (1975), a mechanic in The Sunshine Boys (1975), and a police officer in All the President's Men (1976).
Beyond these small roles, Abraham continued to do commercials and voice-over work for income. But in 1978, he decided to give them up. Frustrated with the lack of substantial roles, Abraham said, "No one was taking my acting seriously. I figured if I didn't do it, then I'd have no right to the dreams I've always had". His wife, Kate Hannan, went to work as an assistant and Abraham became a "house husband". He described, "I cooked and cleaned and took care of the kids. It was very rough on my macho idea of life. But it was the best thing that ever happened to me". Abraham appeared as drug dealer Omar Suárez alongside Pacino again in the gangster film Scarface (1983). He also gained visibility voicing a talking bunch of grapes in a series of television commercials for Fruit of the Loom underwear.
In 1985, he was honored with as Academy Award for Best Performance by an Actor in a Leading Role for the acclaimed role of envious composer Antonio Salieri in Amadeus (1984), an award for which Tom Hulce, playing Mozart in that movie, had also been nominated. He was also honored with a Golden Globe for Best Performance by an Actor in a Motion Picture - Drama, among other awards, and his role in the film, is still considered to be his most iconic as the film's director Milos Forman inspired the work of the role with Abraham's wide range of qualities as a great stage and film actor.
After Amadeus, he next appeared in The Name of the Rose (1986), in which he played Bernardo Gui, nemesis to Sir Sean Connery as William of Baskerville. In the DVD audio commentary, his director on the film, Jean-Jacques Annaud, described Abraham as an "egomaniac" on the set, who considered himself more important than Sean Connery, since Connery did not have an Oscar. That said, the film was a critical success. Abraham had tired of appearing as villains and wanted to return to his background in comedy, as he also explained to People Weekly magazine in an interview he gave at the time of its release.- Actress
- Producer
- Soundtrack
Ali was educated at Wellesley College, where she studied art history. After graduating, she worked on fashion magazines. Her interest in fashion photography led her to become a top model, a profession she carried on until 1968, when she made a late start in what was to be a sporadic film career, mainly due to her marriage to Steve McQueen. Even so, what films she did make were in the main either hugely successful (Goodbye, Columbus (1969), Love Story (1970), The Getaway (1972), Convoy (1978)) or fairly so (Players (1979), Just Tell Me What You Want (1980), The Winds of War (1983)). Today, the former star leads a surprisingly modest lifestyle in New Mexico.- Actor
- Producer
- Soundtrack
Noted these days for his dashing, sporting, jet-setting playboy image and perpetually bronzed skin tones in commercials, film spoofs and reality shows, George Hamilton was, at the onset, a serious contender for dramatic film stardom. Born George Stevens Hamilton in Memphis, TN, on August 12, 1939, the son of gregarious Southern belle beauty Anne Lucille (Stevens) Potter Hamilton Hunt Spaulding, and her husband (of four), George William "Spike" Hamilton, a touring bandleader. Moving extensively as a youth due to his father's work (Arkansas, Massachusetts, New York, California), young George got a taste of acting in plays while attending Palm Beach High School. With his exceedingly handsome looks and attractive personality, he took a bold chance and moved to Los Angeles in the late 1950s.
MGM (towards the end of the contract system) saw in George a budding talent with photogenic appeal. It wasted no time putting him in films following some guest appearances on TV. His first film, a lead in Crime & Punishment, USA (1959), was an offbeat, updated adaptation of the Fyodor Dostoevsky novel. While the film was not overwhelmingly successful, George's heartthrob appeal was obvious. He was awarded a Golden Globe for "Most Promising Newcomer" as well as being nominated for "Best Foreign Actor" by the British film Academy (BAFTA). This in turn led to an enviable series of film showcases, including the memorable Southern drama Home from the Hill (1960), which starred Robert Mitchum and Eleanor Parker and featured another handsome, up-and-coming George (George Peppard); Angel Baby (1961), in which he played an impressionable lad who meets up with evangelist Mercedes McCambridge; and Light in the Piazza (1962) (another BAFTA nomination), in which he portrays an Italian playboy who falls madly for American tourist Yvette Mimieux to the ever-growing concern of her mother Olivia de Havilland. Along with the good, however, came the bad and the inane, which included the dreary sudsers All the Fine Young Cannibals (1960) and By Love Possessed (1961) and the youthful spring-break romps Where the Boys Are (1960), which had Connie Francis warbling the title tune while slick-as-car-seat-leather George pursued coed Dolores Hart, and Looking for Love (1964), which was more of the same.
Not yet undone by this mixed message of serious actor and glossy pin-up, George went on to show some real acting muscle in the offbeat casting of a number of biopics -- as Moss Hart in Act One (1963), an overly fictionalized and sanitized account of the late playwright (the real Moss should have looked so good!), as ill-fated country star Hank Williams in Your Cheatin' Heart (1964), and as the famed daredevil Evel Knievel (1971).
The rest of the '60s and '70s, however, rested on his fun-loving, idle-rich charm that bore a close resemblance to his off-camera image in the society pages. As the 1960s began to unfold, he started making headlines more as a handsome escort to the rich, the powerful and the beautiful than as an acclaimed actor -- none more so than his 1966 squiring of President Lyndon B. Johnson's daughter Lynda Bird Johnson. He was also once engaged to actress Susan Kohner, a former co-star. Below-average films such as Doctor, You've Got to Be Kidding! (1967), A Time for Killing (1967) and The Power (1968) effectively ended his initially strong ascent to film stardom.
From the 1970s on George tended to be tux-prone on standard film and TV comedy and drama, whether as a martini-swirling opportunist, villain or lover. A wonderful comeback for him came in the form of the disco-era Dracula spoof Love at First Bite (1979), which he executive-produced. Nominated for a Golden Globe as the campy neck-biter displaced and having to fend off the harsh realities of New York living, he continued on the parody road successfully with Zorro: The Gay Blade (1981) in the very best Mel Brooks tradition.
This renewed popularity led to a one-year stint on Dynasty (1981) during the 1985-1986 season and a string of fun, self-mocking commercials, particularly his Ritz Cracker and (Toasted!) Wheat Thins appearances that often spoofed his overly tanned appearance. In recent times he has broken through the "reality show" ranks by hosting The Family (2003), which starred numerous members of a traditional Italianate family vying for a $1,000,000 prize, and participating in the second season of ABC's Dancing with the Stars (2005), where his charm and usual impeccable tailoring scored higher than his limberness. On the tube he can still pull off a good time, whether playing flamboyant publisher William Randolph Hearst in Rough Riders (1997), playing the best-looking Santa Claus ever in Very Cool Christmas (2004), hosting beauty pageants or making breezy gag appearances. In 1989 he started a line of skin-care products and a chain of tanning salons.
Into the millennium, he has had featured roles in the "opera singer trio reunion" comedy Off Key (2001) also starring Joe Mantegna and Danny Aiello; the offbeat underground film Reflections of Evil (2002); the comedy romps The L.A. Riot Spectacular (2005) and Melvin Smarty (2012); the political drama The Congressman (2016); the family dramedy Silver Skies (2016); and the romantic comedy Swiped (2018). On TV, he enhanced several programs including "Nash Bridges," "Pushing Daisies," "Hot in Cleveland" and "Grace and Frankie." He also had a recurring role on the series American Housewife (2016). Beginning in the summer of 2016, Hamilton appeared in TV commercials as the "Extra Crispy" sun-tanned version of KFC's Colonel Harland Sanders. He later played the Colonel on an episode of "General Hospital."
George managed one brief marriage to actress/TV personality Alana Stewart from 1972 to 1975 (she later married and divorced rock singer Rod Stewart), the pair have a son, actor Ashley Hamilton, born in 1974. Another son, George Thomas Hamilton, born in 2000, came from his involvement with Kimberly Blackford.- Actor
- Writer
- Director
William Devane, the movie and television actor, was born in Albany, New York, the son of Joseph Devane, who served as Franklin D. Roosevelt's chauffeur when he was Governor of New York. After graduating from New York City's American Academy of Dramatic Arts, he appeared on-stage. He finally made his Broadway debut in "The Watering Place" with Shirley Knight, a flop that lasted but one performance. (He was more successful with "The Chinese and Dr. Fish" during the 1970 season, which lasted three weeks. His sole Broadway directorial effort, the Vietnam War drama "G. R. Point," lasted for 32 performances in 1979 and brought Michael Jeter a 1979 Theatre World Award.)
He made his movie debut as a revolutionary in the independently produced In the Country (1967) and began appearing on series TV. He had a small but memorable part as the lawyer committed to free-enterprise in Robert Altman's masterpiece McCabe & Mrs. Miller (1971) in 1971, but what made his reputation was his turn as President John F. Kennedy in the The Missiles of October (1974), a 1973 telefilm about the Cuban Missile Crisis. He made a bid for stardom with major roles in Alfred Hitchcock's Family Plot (1976) and John Schlesinger's Marathon Man (1976) (both 1976) and The Bad News Bears in Breaking Training (1977) (1977), as well as roles in Schlesinger's Yanks (1979) and the TV adaptation of James Jones' classic barracks drama From Here to Eternity (1979). However, any chances for a successful movie career essentially were doomed by the monumental failure of Schlesinger's comedy Honky Tonk Freeway (1981), one of the great flops its time, bringing in only $2 million at the box office against a $24 million budget. Devane moved over to nighttime series TV, playing the cad Greg Sumner on the night-time soap opera Knots Landing (1979) for 10 years.
Because of his resemblance to President Kennedy and his ability to master a Kennedyesque Boston accent, Devane continues to be in demand as politicians, including presidents, in such shows as The West Wing (1999), 24 (2001), and Stargate SG-1 (1997).- Actor
- Writer
- Producer
John Cleese was born on October 27, 1939, in Weston-Super-Mare, England, to Muriel Evelyn (Cross) and Reginald Francis Cleese. He was born into a family of modest means, his father being an insurance salesman; but he was nonetheless sent off to private schools to obtain a good education. Here he was often tormented for his height, having reached a height of six feet by the age of twelve, and eventually discovered that being humorous could deflect aggressive behavior in others. He loved humor in and of itself, collected jokes, and, like many young Britons who would grow up to be comedians, was devoted to the radio comedy show, "The Goon Show," starring the legendary Peter Sellers, Spike Milligan, and Harry Secombe.
Cleese did well in both sports and academics, but his real love was comedy. He attended Cambridge to read (study) Law, but devoted a great deal of time to the university's legendary Footlights group, writing and performing in comedy reviews, often in collaboration with future fellow Python Graham Chapman. Several of these comedy reviews met with great success, including one in particular which toured under the name "Cambridge Circus." When Cleese graduated, he went on to write for the BBC, then rejoined Cambridge Circus in 1964, which toured New Zealand and America. He remained in America after leaving Cambridge Circus, performing and doing a little journalism, and here met Terry Gilliam, another future Python.
Returning to England, he began appearing in a BBC radio series, "I'm Sorry, I'll Read That Again", based on Cambridge Circus. It ran for several years and also starred future Goodies Tim Brooke-Taylor, Bill Oddie and Graeme Garden. He also appeared, briefly, with Brooke-Taylor, Graham Chapman and Marty Feldman in At Last the 1948 Show (1967), for television, and a series of collaborations with some of the finest comedy-writing talent in England at the time, some of whom - Eric Idle, Terry Gilliam, Terry Jones, Michael Palin, and Chapman - eventually joined him in Monty Python. These programs included The Frost Report (1966) and Marty Feldman's program Marty (1968). Eventually, however, the writers were themselves collected to be the talent for their own program, Monty Python's Flying Circus (1969), which displayed a strange and completely absorbing blend of low farce and high-concept absurdist humor, and remains influential to this day.
After three seasons of the intensity of Monty Python, Cleese left the show, though he collaborated with one or more of the other Pythons for decades to come, including the Python movies released in the mid-70s to early 80s - Monty Python and the Holy Grail (1975), Life of Brian (1979), Monty Python Live at the Hollywood Bowl (1982), and The Meaning of Life (1983). Cleese and then-wife Connie Booth collaborated in the legendary television series Fawlty Towers (1975), as the sharp-tongued, rude, bumbling yet somehow lovable proprietor of an English seaside hotel. Cleese based this character on a proprietor he had met while staying with the other Pythons at a hotel in Torquay, England. Only a dozen episodes were made, but each is truly hilarious, and he is still closely associated with the program to this day.
Meanwhile Cleese had established a production company, Video Arts, for clever business training videos in which he generally starred, which were and continue to be enormously successful in the English-speaking world. He continues to act prolifically in movies, including in the hit comedy A Fish Called Wanda (1988), in the Harry Potter series, and in the James Bond series as the new Q, starting with The World Is Not Enough (1999), in which he began as R before graduating to Q. Cleese also supplies his voice to numerous animated and video projects, and frequently does commercials.
Besides the infamous Basil Fawlty character, Cleese's other well-known trademark is his rendition of an English upper-class toff. He has a daughter with Connie Booth and a daughter with his second wife, Barbara Trentham.
Education and learning are important elements of his life - he was Rector of the University of Saint Andrews from 1973 until 1976, and continues to be a professor-at-large of Cornell University in New York. Cleese lives in Santa Barbara, California.- Actor
- Additional Crew
- Stunts
Diminutive 2'9" actor and circus performer Mihaly 'Michu' Meszaros was born in 1939 in Budapest, Hungary. Meszaros performed for the Hungarian National Circus prior to coming to America in the 1970s. Not surprisingly, he portrayed circus midgets in both "Big Top Pee-wee" and "Warlock: The Armageddon." Mihaly was best known for donning the furry full body costume as the titular rascally extraterrestrial on the hugely popular 1980s sitcom "ALF" in scenes that featured the little creature walking, running, or standing in complete view. He also appeared on the TV shows "H.R. Pufnstuf" and "Dear John." He performed stunts for the hit comedy "Look Who's Talking." In addition, Meszaros was the tiny butler Hans in the nifty horror flick "Waxworks" and the grotesquely mutated George Ramirez in the hilariously wacky cult favorite "Freaked." Moreover, Mihaly was a member of Ringling Brothers and Barnum & Bailey Circus. His hobbies included drinking scotch and smoking giant cigars. Meszaros died at age 76 after falling into a coma on June 13, 2016.- Actress
- Producer
- Writer
Lily Tomlin was born September 1, 1939 in Detroit, Michigan, to Lillie Mae (Ford) and Guy Tomlin, who moved to Michigan from Paducah, Kentucky, during the Great Depression. Her mother was a nurse's aide and her father was a factory worker. She graduated from Cass Technical High School in 1957, and later enrolled at Wayne State University. She began career by doing stand-up comedy in nightclubs in Detroit and New York City. Her first television appearance was on "The Merv Griffin Show". She went on to have astronomical success with several characters, notably Ernestine, a nosy, condescending telephone operator who generally treated customers with little sympathy and regard, on Rowan & Martin's Laugh-In (1967). Other notable characters are in film include Linnea Reese, a gospel-singing mother of two deaf children who has an affair with a womanizing country singer (played by (Keith Carradine) in Robert Altman's Nashville (1975), a performance for which she was nominated for an Academy Award. Violet Newstead who joins her on-screen coworkers (played by Jane Fonda and Dolly Parton) in seeking revenge on their monstrous and sexist boss, Franklin M. Hart Jr., (played by Dabney Coleman) in the comedy 9 to 5 (1980), The Incredible Shrinking Woman (1981), Doreen Piggot in Robert Altman's Short Cuts (1993), Cher's best-friend and American compatriot Georgie Rockwell in Tea with Mussolini (1999), deadpan private investigator, and existentialist Vivian Jaffe in I Heart Huckabees (2004), and Country-Western singer Rhonda Johnson in Robert Altman's final film A Prairie Home Companion (2006).- Actor
- Director
- Writer
Peter Bogdanovich was conceived in Europe but born in Kingston, New York. He is the son of immigrants fleeing the Nazis, Herma (Robinson) and Borislav Bogdanovich, a painter and pianist. His father was a Serbian Orthodox Christian, and his mother was from a wealthy Austrian Jewish family. Peter originally was an actor in the 1950s, studying his craft with legendary acting teacher Stella Adler and appearing on television and in summer stock. In the early 1960s he achieved notoriety for programming movies at the Museum of Modern Art in New York City. An obsessive cinema-goer, sometimes seeing up to 400 movies a year in his youth, Bogdanovich prominently showcased the work of American directors such as John Ford, about whom he subsequently wrote a book based on the notes he had produced for the MOMA retrospective of the director, and the then-underappreciated Howard Hawks. Bogdanovich also brought attention to such forgotten pioneers of American cinema as Allan Dwan.
Bogdanovich was influenced by the French critics of the 1950s who wrote for Cahiers du Cinema, especially critic-turned-director François Truffaut. Before becoming a director himself, he built his reputation as a film writer with articles in Esquire Magazine. In 1968, following the example of Cahiers du Cinema critics Truffaut, Jean-Luc Godard, Claude Chabrol and Éric Rohmer who had created the Nouvelle Vague ("New Wave") by making their own films, Bogdanovich became a director. Working for low-budget schlock-meister Roger Corman, Bogdanovich directed the critically praised Targets (1968) and the not-so-critically praised Voyage to the Planet of Prehistoric Women (1968), a film best forgotten.
Turning back to journalism, Bogdanovich struck up a lifelong friendship with the legendary Orson Welles while interviewing him on the set of Mike Nichols' film adaptation of Catch-22 (1970) from the novel by Joseph Heller. Subsequently, Bogdanovich has played a major role in elucidating Welles and his career with his writings on the great actor-director, most notably his book "This is Orson Welles" (1992). He has steadily produced invaluable books about the cinema, especially "Who the Devil Made It: Conversations with Legendary Film Directors," an indispensable tome that establishes Bogdanovich, along with Kevin Brownlow, as one of the premier English-language chroniclers of cinema.
The 32-year-old Bogdanovich was hailed by a critics as a Wellesian wunderkind when his most famous film, The Last Picture Show (1971) was released. The film received eight Academy Award nominations, including Bogdanovich as Best Director, and won two of them, for Cloris Leachman and "John Ford Stock Company" veteran Ben Johnson in the supporting acting categories. Bogdanovich, who had cast 19-year-old model Cybill Shepherd in a major role in the film, fell in love with the young beauty, an affair that eventually led to his divorce from the film's set designer Polly Platt, his longtime artistic collaborator and the mother of his two children.
Bogdanovich followed up The Last Picture Show (1971) with a major hit, What's Up, Doc? (1972), a screwball comedy heavily indebted to Hawks' Bringing Up Baby (1938) and His Girl Friday (1939), starring Barbra Streisand and 'Ryan O'Neal'. Despite his reliance on homage to bygone cinema, Bogdanovich had solidified his status as one of a new breed of A-list directors that included Academy Award winners Francis Ford Coppola and William Friedkin, with whom he formed The Directors Company. The Directors Company was a generous production deal with Paramount Pictures that essentially gave the directors carte blanche if they kept within strict budget limitations. It was through this entity that Bogdanovich's next big hit, the critically praised Paper Moon (1973), was produced.
Paper Moon (1973), a Depression-era comedy starring Ryan O'Neal that won his ten-year-old daughter Tatum O'Neal an Oscar as Best Supporting Actress, proved to be the highwater mark of Bogdanovich's career. Forced to share the profits with his fellow directors, Bogdanovich became dissatisfied with the arrangement. The Directors Company subsequently produced only two more films, Francis Ford Coppola's critically acclaimed The Conversation (1974) which was nominated for an Academy Award for Best Picture of 1974 and garnered Coppola an Oscar nod for Best Director, and Bogdanovich's Daisy Miller (1974), a film that had a quite different critical reception.
An adaptation of the Henry James novella, Daisy Miller (1974) spelled the beginning of the end of Bogdanovich's career as a popular, critically acclaimed director. The film, which starred Bogdanovich's lover Cybill Shepherd as the title character, was savaged by critics and was a flop at the box office. Bogdanovich's follow-up, At Long Last Love (1975), a filming of the Cole Porter musical starring Cybill Shepherd, was derided by some critics as one of the worst films ever made, noted as such in Harry Medved and Michael Medved's book "The Golden Turkey Awards: Nominees and Winners, the Worst Achievements in Hollywood History" (1980). The film also was a box office bomb despite featuring Burt Reynolds, a hotly burning star who would achieve super-nova status at the end of the 1970s.
Bogdanovich insisted on filming the musical numbers for At Long Last Love (1975) live, a process not used since the early days of the talkies, when sound engineer Douglas Shearer developed lip-synching at Metro-Goldwyn-Mayer. The decision was widely ridiculed, as none of the leading actors were known for their singing abilities (Bogdanovich himself had produced a critically panned album of Cybill Shepherd singing Cole Porter songs in 1974). The public perception of Bogdanovich became that of an arrogant director hamstrung by his own hubris.
Trying to recapture the lightning in the bottle that was his early success, Bogdanovich once again turned to the past, his own and that of cinema, with Nickelodeon (1976). The film, a comedy recounting the earliest days of the motion picture industry, reunited Ryan O'Neal and 'Tatum O'Neal' from his last hit, Paper Moon (1973) with Burt Reynolds. Counseled not to use the unpopular (with both audiences and critics) Cybill Shepherd in the film, Bogdanovich instead used newcomer Jane Hitchcock as the film's ingénue. Unfortunately, the magic of Paper Moon (1973) was not be repeated and the film died at the box office. Jane Hitchcock, Bogdanovich's discovery, would make only one more film before calling it quits.
After a three-year hiatus, Bogdanovich returned with the critically and financially underwhelming Saint Jack (1979) for Hugh Hefner's Playboy Productions Inc. Bogdanovich's long affair with Cybill Shepherd had ended in 1978, but the production deal making Hugh Hefner the film's producer was part of the settlement of a lawsuit Shepherd had filed against Hefner for publishing nude photos of her pirated from a print of The Last Picture Show (1971) in Playboy Magazine. Bogdanovich then launched the film that would be his career Waterloo, They All Laughed (1981), a low-budget ensemble comedy starring Audrey Hepburn and the 1980 Playboy Playmate of the Year, Dorothy Stratten. During the filming of the picture, Bogdanovich fell in love with Stratten, who was married to an emotionally unstable hustler, Paul Snider, who relied on her financially. Stratten moved in with Bogdanovich, and when she told Snider she was leaving him, he shot and killed her, then committed suicide.
They All Laughed (1981) could not attract a distributor due to the negative publicity surrounding the Stratten murder, despite it being one of the few films made by the legendary Audrey Hepburn after her provisional retirement in 1967 (the film would prove to be Hepburn's last starring role in a theatrically released motion picture). The heartbroken Bogdanovich bought the rights to the negative so that it would be seen by the public, but the film had a limited release, garnered weak reviews and cost Bogdanovich millions of dollars, driving the emotionally devastated director into bankruptcy.
Bogdanovich turned back to his first avocation, writing, to pen a memoir of his dead love, "The Killing of the Unicorn: Dorothy Stratten (1960-1980)" that was published in 1984. The book was a riposte to Teresa Carpenter's "Death of a Playmate" article written for The Village Voice that had won the 1981 Pulitzer Prize. Carpenter had lambasted Bogdanovich and Hugh Hefner, claiming that Stratten was as much a victim of them as she was of Paul Snider. The article served as the basis of Bob Fosse's film Star 80 (1983), in which Bogdanovich was portrayed as the fictional director "Aram Nicholas".
Bogdanovich's career as a noted director was over, and though he achieved modest success with Mask (1985), his sequel to his greatest success The Last Picture Show (1971), Texasville (1990), was a critical and box office disappointment. He directed two more theatrical films in 1992 and 1993, but their failure kept him off the big screen until 2001's The Cat's Meow (2001). Returning once again to a reworking of the past, this time the alleged murder of director Thomas H. Ince by Welles' bete noir William Randolph Hearst, The Cat's Meow (2001) was a modest critical success but a flop at the box office. In addition to helming some television movies, Bogdanovich has returned to acting, with a recurring guest role on the cable television series The Sopranos (1999) as Dr. Jennifer Melfi's analyst.
Bogdanovich's personal reputation suffered from gossip about his 13-year marriage to Dorothy Stratten's 19-year-old-kid sister Louise Stratten, who was 29 years his junior. Some gossip held that Bogdanovich's behavior was akin to that of the James Stewart character in Alfred Hitchcock's necrophiliac masterpiece Vertigo (1958), with the director trying to remold Stratten into the image of her late sister. The marriage ended in divorce in 2001.
Now in his early eighties, Bogdanovich has arguably imitated his hero Orson Welles, but in an unintended fashion, as filmmaker who never regained the acclaim bestowed on their first major success. However, unlike the widely acclaimed master Welles, the orbit of Bogdanovich's reputation has never recovered from the apogee it reached briefly in the early 1970s.
There has been speculation that Peter Bogdanovich's ruin as a director was guaranteed when he ditched his wife and artistic collaborator Polly Platt for Cybill Shepherd. Platt had worked with Bogdanovich on all his early successes, and some critics believe that the controlling artistic consciousness on The Last Picture Show (1971) was Platt's. Parting company with Platt after Paper Moon (1973), Bogdanovich promptly slipped from the heights of a wunderkind to a has-been pursuing epic folly, as evidenced by Daisy Miller (1974) and At Long Last Love (1975).
In 1998 the National Film Preservation Board of the Library of Congress named The Last Picture Show (1971) to the National Film Registry, an honor awarded only to the most culturally significant films.- Actor
- Producer
- Writer
Mike is one of four children. His father, Joe, who died in 1956, was a carpenter at Hollywood studios. Mike attended grammar school with Natalie Wood and Ricky Nelson. He entered the Marines in the 1950s for two years. Later, he attended the University of California at Los Angeles and studied acting at the Jeff Corey Workshop. He started getting big parts in movies, which led to a regular role on Days of Our Lives (1965) and, ultimately, to M*A*S*H (1972). When M*A*S*H (1972) went off the air, he resisted series TV for many years until he was offered Providence (1999). In the meantime, he formed his own production company, which made the Robin Williams vehicle, Patch Adams (1998), based on Mike's own acquaintance with the doctor. Mike is very politically involved. He lobbied against the firing of gay teachers. He was outspoken about the US involvement in El Salvador in the 80s. He served as a member of California's Commission on Judicial Performance from February 2, 1998 to February 28, 2001.- Writer
- Producer
- Director
Wes Craven has become synonymous with genre bending and innovative horror, challenging audiences with his bold vision.
Wesley Earl Craven was born in Cleveland, Ohio, to Caroline (Miller) and Paul Eugene Craven. He had a midwestern suburban upbringing. His first feature film was The Last House on the Left (1972), which he wrote, directed, and edited. Craven reinvented the youth horror genre again in 1984 with the classic A Nightmare on Elm Street (1984), a film he wrote and directed. And though he did not direct any of its five sequels, he deconstructed the genre a decade later, writing and directing the audacious New Nightmare (1994), which was nominated as Best Feature at the 1995 Independent Spirit Awards, and introduced the concept of self-reflexive genre films to the world.
In 1996 Craven reached a new level of success with the release of Scream (1996). The film, which sparked the phenomenal trilogy, was the winner of MTV's 1996 Best Movie Award and grossed more than $100 million domestically, as did Scream 2 (1997). Between Scream 2 and Scream 3 (2000), Craven, offered the opportunity to direct a non-genre film for Miramax, helmed Music of the Heart (1999), a film that earned Meryl Streep an Academy Award nomination for Best Actress. That same year, in the midst of directing, Craven completed his first novel, "The Fountain Society," published by Simon & Shuster. Recent works include the 2005 psychological thriller Red Eye (2005), and a short rom-com segment for the ensemble product, Paris, I Love You (2006).
In later years, Craven also produced remakes of two of his earlier films for his genre fans, The Hills Have Eyes (2006) and The Last House on the Left (2009). Craven has always had an eye for discovering fresh talent, something that contributes to the success of his films. While casting A Nightmare on Elm Street, Craven discovered the then unknown Johnny Depp. Craven later cast Sharon Stone in her first starring role for his film Deadly Blessing. He even gave Bruce Willis his first featured role in an episode of TV's mid-80's edition of The Twilight Zone. In My Soul to Take (2010), Craven once again brought together a cast of up-and-coming young teens, including Max Thieriot, in whom he saw the spark of stardom. The film marked Craven's first collaboration with wife and producer Iya Labunka, who also produced with him the highly anticipated production of Scream 4.
Craven's Scream 4 (2011) reunited the director with Dimension Films and Kevin Williamson, as well as with stars Neve Campbell, Courteney Cox and David Arquette, to re-boot the beloved franchise. Craven again exhibited his knack for spotting important talent, with a cast of young actors bringing us a totally new breed of Woodsboro high schoolers, including Emma Robert and Hayden Pannetierre.- Actor
- Director
- Stunts
Excellent, prolific and dependable character actor Terry Kiser was born in Omaha, Nebraska. Terry attended the University of Kansas on both football and dramatic scholarships. He graduated with a degree in Industrial Engineering and worked for three years in this profession in his hometown of Omaha. Kiser also acted in some 50 plays around this same time. Terry then moved to New York and studied his craft at the Actors Studio, where he was mentored by legendary Method acting teacher Lee Strasberg. Following several gigs in television commercials, he made his film debut as a preacher in the film Rachel, Rachel (1968). Although often cast as sleazy and unlikable scoundrels, Terry has shown on occasion that he can portray more sympathetic parts with equal skill and conviction.
Kiser gave an especially strong and engaging performance in a rare substantial starring role in the little seen drama Lapin 360 (1972). Best known as the deceased, but still active Bernie Lomax in the hilarious "Weekend at Bernie's" films, Terry's other memorable roles include Chuck Norris' ill-fated cop partner Dave Pierce in the exciting An Eye for an Eye (1981), shady businessman Freddy Barrett in the entertaining science fiction disaster film Starflight: The Plane That Couldn't Land (1983), petty worthless hoodlum Jesse Hardwick in the superior horror anthology opus From a Whisper to a Scream (1987), sneaky psychiatrist Dr. Crews in Friday the 13th: The New Blood (1988), and the evil Count Gunther Spretzle in Mannequin: On the Move (1991). Kiser had a recurring part on the daytime soap opera The Doctors (1963).
Among the many television series Terry has done guest spots on are Will & Grace (1998), Walker, Texas Ranger (1993), Baywatch Nights (1995), Dream On (1990), The Golden Girls (1985), L.A. Law (1986), Hunter (1984), Murder, She Wrote (1984), Riptide (1984), Knight Rider (1982), The Fall Guy (1981), Magnum, P.I. (1980), Hill Street Blues (1981), CHiPs (1977), Diff'rent Strokes (1978), All in the Family (1971), Maude (1972), Hawaii Five-O (1968), The Bionic Woman (1976), The Six Million Dollar Man (1974), and Baretta (1975). In addition to his film and television work, Kiser has acted on stage in the Broadway plays "God's Favorite" (Terry received a Tony Award nomination for his performance in this Neil Simon comedy), "Shelter", "The Castro Complex", and "Paris Is Out!". Terry won both an Obie and a Theater World Award for his exemplary acting in the dramatic play "Fortune and Men's Eyes".
Terry currently resides in Colorado and co-founded the premiere acting school The Actors Arena in Austin Texas with Joy Leigh.- Director
- Writer
- Producer
Joel Schumacher was an American film director, film producer, screenwriter and fashion designer from New York City. He rose to fame in the 1980s for directing the coming-of-age drama "St. Elmo's Fire" (1985), and the vampire-themed horror film "The Lost Boys" (1987). In the 1990s, he worked on two controversial superhero films "Batman Forever" (1995) and "Batman & Robin" (1997). His final high-profile film was "The Phantom of the Opera" (2004). It was an adaptation of Andrew Lloyd Webber's 1986 musical, rather than the original novel. Towards the end of his career, Schumacher primarily worked on low-profile films with small budgets.