Unhooking: On the Gigification of Intimacy
Kelly Coyne examines gig-work philosophy in Emma Cline’s novel “The Guest” and Gene Stupnitsky’s movie “No Hard Feelings.”
Culture
Kelly Coyne examines gig-work philosophy in Emma Cline’s novel “The Guest” and Gene Stupnitsky’s movie “No Hard Feelings.”
LARB presents an excerpt from Saikat Majumdar’s “The Amateur: Self-Making and the Humanities in the Postcolony.”
Michael Rubenstein writes on the 50th anniversary of “Chinatown” and the beginning of the end of petromodernity.
In an excerpt from LARB Quarterly no. 41, “Truth,” Cynthia Cruz seeks truth in melancholia, Hegel, and capitalist civilization’s possible futures.
Cristóbal Riego explores the hybrid nonfiction writings of Chilean author Pedro Lemebel.
Bruno Latour on the election of Donald Trump and the coming ecological crisis.
Jenny Boyar writes about her midlife rediscovery of singer-songwriter Natalie Merchant.
Kelly Coyne examines gig-work philosophy in Emma Cline’s novel “The Guest” and Gene Stupnitsky’s movie “No Hard Feelings.”
Wendi Bootes examines the contradictory nature of facts through an assessment of Soviet factography, in an excerpt from LARB Quarterly no. 41, “Truth...
Hannah Bonner connects Kōhei Saitō’s book “Slow Down: The Degrowth Manifesto” to Sara Sowell’s short film “Color Negative” by way of the Kardashians.
Matthew Longo reflects on the surreal experience of the DMZ, where borders create both division and unity.
Henry Luzzatto puzzles over John Mulaney’s Netflix talk show “Everybody’s in L.A.”
LARB presents an excerpt from Yasmin Zaher’s new book “The Coin.”
Zach Gibson reflects on the late-career achievement of the late novelist John Barth.