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Without Corman, there's a good chance there's no John Sayles, Martin Scorsese, Gale Ann Hurd, Pam Grier, Peter Bogdanovich, Peter Fonda, or James Cameron.
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Ryan O’Neal was the great American cypher: good-looking, facile, capable in blue-collar pursuits, and largely interchangeable in the dreamlife of this country.
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They were all popular in life, but who is the most important in death? That's what the In Memoriam montage tells us.
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Kirsten Dunst is almost unbelievably charming as Davies, a role that would later earn Amanda Seyfried an Oscar nomination.
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A Movie Brat, an Easy Rider, and a Raging Bull, all in one.
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Bogdanovich, known for iconic films like Paper Moon and Targets, passed away earlier today.
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The only reasonable thing to say about Cybill Shepherd in The Last Picture Show is she's the reason God invented cameras.
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"Well, people who read The New Yorker don't read much else, I guess."
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Featuring original interviews with filmmaker Peter Bogdanovich, Herman Mankiewicz biographer Sydney Ladensohn Stern, and more.
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Skin: A History of Nudity In The Movies is available on demand Aug. 18.
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The Criterion Channel has an impressive package of supplemental materials on the film that unveiled John Wayne as the quintessential American icon.
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Morgan Neville directs the documentary about the film that Welles shot from 1970-76 but never finished.
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Welles shot the movie over six years in the early seventies, but ran out of money. Now the footage has been pieced together into an interesting film on the clash...
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Orson Welles died in 1985, so how is a film he began producing in 1971 finally making it to audiences, and on Netflix of all places?
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Despite the trappings of a traditional, straight-ahead music biography doc that most of us grew up seeing on VH1, Runnin’ Down a Dream is a strange, fascinating beast.